Art (273)

My Soapbox for Today

I hate it when I tell people that I'm an artist and they immediately ask what my husband does for a living. I especially hate it when I'm showing at a festival and someone is IN MY BOOTH and asks what my husband does. Are you trying to tell me that my artwork sucks and there is no way I could ever make a living off of it?? Because that is what I'm taking from this conversation!

 

I want to say "Lets get this straight! I am not a starving artist! Art is a business like any other, and I'm good at both the creative and business aspects! I OWN THIS BUSINESS. I am CEO, CFO, and every other three letter acronym. Yes, my husband works too, but I don't need him to pay my bills for me."

 

Instead I say he works at a boring job and change the subject.

 

I wish the starving artist term would be banished from existence so the next generation could see artwork for what it truly is -- important.

 

I just don't understand why people do not consider artwork worthy of manking a living off of.  I'm not getting rich, but I'm not struggling to pay bills either.  I go on vacation. I eat out.  I buy occasionally rediculous things like pumpkin costumes for my dogs simply b/c I want to buy them.  And I work my butt off.  I am not idly sitting at home "waiting for inspiration".  I am painting, creating, researching, responding, applying, editing, experimenting, eatingbreathingsleeping my business every single second of every single day. 

 

I guess what I would really like to say is: 

 

Don't dismiss my work so quickly just because it is different from yours.

 

www.britthallowellart.blogspot.com

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If you come upon a mysterious object, such as what I  found at this puzzlePhotos blog (above photo, from site, not my work) , you will surely wonder about its function.

But if it is a work of art, such as a painting,photograph,a sculpture, the question isn't normally asked, at least not in the same way. Ceramics has always floated in and out of the concern for whether it is functional or if it is art, (or some variation on that theme.) I would imagine that is why I get so many questions about what many of my ceramic pieces are for.

Don Bendel was my Ceramics professor at Northern Arizona University. He told this story that I get a lot of traction out of when dealing with the question " what is it for?".

8869081469?profile=original(caption:Don used to put these on the top shelf of the salt kiln, toss empty beer bottles on top, creating a glaze pool)

"I got this commission for a dozen or so of my pots.
 She wanted to use them in her garden. I made and delivered  the pieces, and she thought they were great. Later, she invited me over to show me how great they fit in her garden. I was led into her garden and there were of my pieces, turned upside-down, buried up to the foot into the earth, being used as stepping stones.
After getting over my surprise, I realized that once I sold the pieces to her, they were hers to do with whatever she wanted. I then had to agree, they really did look good in her garden.” Don Bendel
  That's how I remember it.

It is not uncommon for me to relate this story when I get asked what one of my pieces is for, a  fairly common occurance, actually. Sometimes they make a suggestion, indicating how they might use it:
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"Well, I could put a candle in it", or I might even suggest something "some people put a frog in the bottom and use it for an Ikebana. Of course either is fine with me. Normally I do explain that what I am really doing is looking at form and construction techniques and playing with them. Function following form. But then I usually define the vessel to them as what it in terms of function, that it is a bowl, or a vase.

It might even look good turned upside-down and used as a stepping stone in a garden!

This one does baffle a decent number  of people:

 I just bet that others (depending on the type of work you do, and maybe how easily it is categorized) get similar or more entertaining responses.

This one does baffle a decent number  of people:

8869082264?profile=originalMmmm, gravy boat? In term of function, I leave it up to the buyer. As form, its what I call a two-sided bowl.

One my  favorites is when I had an 8" maquette of this piece on sale at an art fair:

8869082865?profile=originalPatron: "What is this for?"
Artist : "Its a band-aid dispensor" (the mouth was just about the size to hold 5 band-aids, and, well, after putting your finger in to get a band-aid, you would immediately need another one, as you cut your finger pulling out a band-aid).
The patron was very amused, (but apparently not enough to buy it ).
So, when I have a patron who wants to know, what a piece is for, I like to relate Don's stepping-stone story. It lets the patron know they are free to do whatever they want with the piece, and allows the artist to accept it too.

8869082669?profile=originalCaption: (Don, my sister Sheila, and me at my BFA show, circa 1981

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Really?! You Call this ART?

This week in New York City there is a big art extravaganza taking place, the Frieze Art Fair on Randall's8869081064?profile=originalIsland, where they've erected the "world's largest tent." It is a temporary architectural piece that is holds the exhibits from international galleries, hoping to cash in on the important art auctions at Sotheby's and Christie's.

Actually, there was some flap on this, as the Frieze was accused of treading on already established art fairs in NYC, including the trendy Armory Show just two weeks ago. Imagine such a concept! It doesn't happen only at our events, folks.

Can't resist including this link from the Huffington Post: http://www.huffingtonpost.com/2012/05/08/really-you-call-this-art_n_1477854.html

Hope you'll enjoy these images and maybe post some of your own!

More links about Frieze:

Saltz: Why the Frieze Art Fair Could Solve the New York Art Fair Problem

Occupy pledges to ‘un-Frieze’ art fair

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Religion in our Art

I am not a very religious person, although I have a great deal of respect for faith.  Do you often have people come into your booth and tell you that your talent is a gift from God, that you are blessed?  Artistic talent is a wonderful blessing, but sometimes these conversations can be a little uncomfortable for some of us.  In my booth, I also display drawings of historical figures, including our current president.  This seems to be an open invitation for many visitors to share their very negative political opinions, too.  While we're in our booths, we can't escape the conversations around us.  How do you navigate that kind of thing?

 

In my blog today,  I've shared some stories about this kind of thing and the religious birth of one of my very favorite portraits.

 

http://pencilenvy.blogspot.com/2012/05/holding-my-ham-hostage.html

 

I'm a little nervous about broaching a very personal, complicated subject.  As artists we all express ourselves differently and we're very different people.  But when our talent is on display for everyone, the subject of God can come up a lot, can't it?

 

Have  a great week!

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My Autumn Shows Downunder

I've had a busy autumn (fall) with five shows in five weeks in March/April - I was a bit frazzled at the end, considering I'm meant to be a "regular" mum in between the particular days the shows are on.  

Here's a quick rundown with a few quick pics (when I remembered to take the camera!)

I started with a trunk show hosted by a friend in the central coast area of NSW, about 3 1/3 hours drive from home.   We were staying the weekend with the kids and she was kind enough to offer to host the show as so many of her colleagues commented on her jewellery (that I made).   We sent the hubsands and kids to the beach and for a 2 hour period it was flat out - women almost fighting over the same item and afterwards,  the table looked as though someone had grabbed everything and tipped it upside down!  But sales were decent and everyone had fun.

Next was a brand new handmade & homegrown quartlery market in a town called Scone, about 1 3/4hours drive away.  Just a hlaf day and I was invited along.  The night before was wet and wild and I drove there in the early morning dark very worried since it was supposed to be a rather stylish outdoor event.   The organiser valiantly arranged for us to occupy the lovely cafe on the site (with reduced space naturally) if we wanted to stay and I managed to get allocated to a good spot with substantially more room than some (helps when you've drived a fair distance obviously).   My stet up wasn't ideal as I hadn't brought lights which  I always do for indoor shows but I made do, and the customers didn't seem to mind, as they came out in the weather in droves.  I made my first sale (albeit a small one) at 8.30am which for me is unheard of - I don't usually sell any jewellery till after 10am, perhaps people need to be awake to consider a purchase of this type!?   I had a decent day out well worth the trip and gained a few new clients.

8869082690?profile=originalThe entrance to the cafe

8869083694?profile=originalPart of my set up in the cafe.

The following weekend was an ag show at Dunedoo, about 40 min from home.  I've beed doing it for about 5 years now and each year my sales have slowly increased.   Located in the ladies pavillion along with the cakes, handicrafts and art, I have become a regular sight there and people look forward to seeing what I have.   There were 30 odd booths outside as well and 4 others inside the pavillion with me that had been invited by the head steward as being of interest to the "ladies".   This year was mind-blowing in the sales dept, perhaps the good seasons lately have helped and confidence for my rural clientele was up.  Whatever the reason, they bought and kept me busy for the 12 hours  I was open.

8869083469?profile=originalI stopped for a couple of minutes on the drive to Dunedoo to take a photo of the paddocks in the early morning

I went a town 40km further along from Dunedoo to another ag show the next weekend, to Mendooran.   A much smaller event I'm the only booth located in the ladies pavillion and have no trading whilst the judging is going on - and this year it went on, and on  and on!   My selling time was reduced to just a few hours because of this and this did impact on sales.   But I still had a good day... until I got a speeding ticket on the way home!  One of those annoying areas that they've kept the speed limit low even though everything has closed down at the edge of town and all houses are on access streets.  Pure revenue raising... but I digress!

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The old cafe in Mendooran is covered in murals - a bit of a tourist attraction for this tiny town.

To finish off, I had the Art Vine Makers Market in Mudgee.  This is a yearly event in a town about 100km from home with a large tourism interest (wineries) with lot of people from Sydney visiting on weekends.  Another half day event, it was an early start and I had chosen to go indoors in case of poor weather.   However the weather was spectacular, the people turned out in droves at about 9.30am and I was busy, busy, busy till it suddenly stopped at 1pm.  This was my second year there and I had people seeking me out that had bought from me last year.     Sales were up on last year and the only downside was one pair of earrings that appear to have been stolen as I was the last to pack up indoors and there was definitely nothing on the floor and I've been through all my things looking for them.  A bit disappointing as theft at shows is quite rare here.

8869085452?profile=originalThe crowd at the Art Vine Market , Mudgee

After all this, I had to go for a holiday to the beach with the kids to recover :)   

Back home now and 2 one day shows to do next weekend, a private school's autumn fair that I have attended for the last 5 years or so, 2 hours drive one way then home and the next day a new Art Festival, 2 1/2 hours drive in a completely different direction.    Perhaps I'll need another holiday after that LOL.  Or maybe I'll just hide for winter!

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Join us live on Thursday, April 19 at 1 pm EST, as Connie speaks with Bonnie Blandford, a Michigan 8869086679?profile=originaljeweler, and Carla Fox, an Oregon jeweler, as they talk about their experiences developing and running art shows for their peers in the art fair business.

Bonnie along with her "road husband", Michael Kifer, runs the popular Garage Sale Art Fair held at the Kalamazoo Fairgrounds in late February. Carla fronts a small board of directors of like-minded artists and craftspeople to present Art in the High Desert in Bend, Oregon, every August.

Artists talk all the time about how we should run our own shows because no one else "gets" what we need. Here are two people who do a LOT more than talk.

Join us as we learn about their passion to create a marketplace where their fellow artists can sell their work. How do these women do it all? Create distinctive one of a kind work, travel to art fairs and host events for the rest of us?

Pick up tips on how you can do this in your community.

Here's the link to listen: http://www.artfairinsiders.com/artfairpodcasts

If you can't join us live, this program is being recorded. You can listen to it later and download it as an Mp3 to listen to on your travels.

If you have any questions you'd like me to ask please add them in the comments below.

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You may think that I have it out for Madison “On the Square.”  I don’t, and it may only look that way.  I have always loved that show. However, they keep making these decisions that are questionable at best and are at worst are illegal.

Now, the latest decision is they have made is to charge an additional fee on top of the booth fee if an accepted artist wants to pay by credit card.  The fee is $20 for a double booth and $10 for a single booth.  I am not a lawyer but I am somewhat familiar with credit card fees.  As I understand this, it may not be illegal to charge the fee, but all the major credit card companies have clauses in their contracts that do not allow for this fee to be charged.  They have that fee so that people will use credit cards instead of paying cash or using personal checks.   This sounds to be like an illegal practice.  And that is only my opinion.  In addition, they could get away with it, if they told artists that they would give them a $10 or $20 discount is they paid in cash, but the Madison “Art Fair on the Square” is making it a penalty to pay by credit card.

I hope that artists will question this practice and put a stop to this.

I am going to forward this to Annik Dupaty, the Madison, AFOS, Director of Events and see what her response is.

I do come up with the same conclusion that I did for the jury blog I posted earlier in the week.  JUST BECAUSE YOU CAN DOESN’T MEAN THAT YOU SHOULD. And I’m not even sure that it applies if it is an illegal fee.  And again it appears as if Annik is more concerned with the bottom line than the ethical running of an organization.

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Call for Artists: Arts, Beats & Eats

August 31-September 3 

ABE buyers

Happy buyers at Arts, Beats & Eats

Royal Oak, Michigan
Downtown Streets
155 Artists
Deadline: April 10

We invite you  to apply to the 15th annual Arts, Beats & Eats. This festival is the "go-to" event  that heralds the end of summer in metro Detroit, hosting more than  300,000 visitors who come to enjoy the amazing diversity of art, music  and food in a cool urban setting.

This event is held in Oakland County, which is the  third-wealthiest county in the nation (including cities such as  Birmingham, Bloomfield Hills and Rochester).

The 155  artists chosen to participate come from across the country to join our  celebration. Being an art fair artist is a demanding business. A  professional staff awaits your arrival and we look forward to welcoming  you with perks such as vigorous volunteers, easy set up and take down, good cash awards, free food and beverage tickets and personal attention  to particular needs.

New this year:

  • A lower number of artists than in 2011
  • reduced exhibit space prices
  • an enhanced layout with varied price  structures
  • easier load in and load out
  • improved parking access, and  much more!

This year we  will miss Connie Mettler, who has left to pursue

6a00e54fba8a738833016300294f08970d-pi
People love this festival

full time her commitment to artists through her various websites. Good Luck to you Connie!

We are pleased to add Donna Beaubien who has joined us as our new Associate Art Director to our Art Team. Donna comes to us from a long history as an artist and a director of art fairs, such as the Art  Fair Chair for the Guild; Art Fair Birmingham, Meadowbrook, Greektown, and the Village of Rochester Hills Art Shows. Welcome Donna!

We know you  are aware of the challenging economic times throughout the nation and in  Michigan, but we want to reassure you that we are committed to meeting  your needs and bringing you the audience you deserve. Ford Arts, Beats & Eats has been one of the few festivals that has been able to sustain a fine arts component over 14 years, and the event's recent move to Royal Oak and limited number of booth spaces, positions it as one of the top potential sales spots for artists anywhere.

Our  promotion is considered among the best of art festivals

nationwide. You  cannot be in the metropolitan Detroit area on Labor Day weekend without seeing specials about the arts activities on television, hearing artists' interviews on the radio stations and reading comprehensive feature articles in the press, directed solely to the juried fine arts show.

kids
Buyers of all ages
We look forward to seeing your fine work in Royal Oak, to celebrate the 15th anniversary of Ford Arts, Beats & Eats!  
 

 

**********************

Looking for more art fairs for your 2012 season?

Visit www.CallsforArtists.com

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I mean't to add this a long time ago.  I've been so busy with other things that had to be done first.  I thought some of you might be interested in this show.  It is held every February in Kalamazoo, Michigan.  It is a one day show. February is a great time for something like this because people are tired of being stuck in the house and they are ready to do some shopping.

8869081696?profile=originalThe place was packed.

The Garage Sale Art Fair is a place to sell off old stock, slightly damaged stock, or any artwork that you don't mind selling at a discount. I wanted to add it here so some of you could decide if this would be something you might be interested in for next year. 

8869081900?profile=originalConnie knows everybody!

The place was packed with shoppers.  I wanted to take some photos of the booths without people so you could see the set up but it was hard because there were lots of shoppers.  And they were there to shop!  When we arrived at about 10 am there was a line of people waiting to get in to the place. 

8869082460?profile=originalVinnie chatting with Connie.

The artists came from all over and they had nice things to sell.  There was a good variety, too.  The show didn't seem heavy in any one medium.  As I walked around, I asked some of the artists (when I could get one not busy with a customer) how things were going.  I got good responses. 

8869083280?profile=originalThey were buying, too

This is a show put on by Bonnie Blandford.  She has lots of people there working to keep the show running smoothly. Those workers were visible, too.  If you needed to talk to one because of a problem you could get to one within minutes.  There are drawings for cash giveaways every hour.  They also announce periodic mark downs or half hour specials.  All of this extra excitement keeps the shoppers there and ready to buy. 

We did see several AFI members taking advantage of the eager shoppers.  To name a few, there was Vinnie Sutherland, Ginny Herzog, Beth Keenan, Steven Huyser-Honig, Stan Baker (who was making a killing again this year).8869083457?profile=originalWho do you think would have a phone like this?

I've added a few photos.  Sorry about the poor quality.  I used my cheap little Nikon because I didn't want to carry around the good camera that is heavier.

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Thank you I have a job

Let's clear up a few details so there is no confusion: I have a job.

More specifically I have a business. Technically, I've had a business for nearly a decade. Of course, because my business involves creating art people assume it is simply a hobby.

Watch me

Which brings me here.

I'm angry about being judged and am tired of defending my life to well-meaning loving people, well-meaning ignorant people and a few not so well-meaning haters.

In talking to people about this I've discovered something interesting - people have no idea what I - or most successful artists - actually do. So in as few words as possible, let me tell you about my business.

I am an award-winning, fine artist creating original oil paintings, custom murals, private commissions and fine art prints with Americana and vintage themes. I travel across the country profitably selling my art at juried art shows where it has been recognized and rewarded by knowledgable experts.

I hang my artwork at well established professional galleries. I teach painting classes, art camps and mentor other painters.

I have an audience that will buy my art because it is original, authentic and well-done. I am talented.

And for the first time in my life I am fully committed to my Vision.

I've decided to write about this because my partner, friend and lover pointed out that I sound like I'm apologizing when I talk about my business. That when confronted with the "When are you going to get a job?" comment there is a hint of embarrassment and shame in my response.

And he is right. I've been trained.

In talking to other friends that have a business that revolves around creating something called "art" and reading blogs and essays I've discovered I'm not alone.

Here is the irony.

If I spend my day selling cars at a dealership most people would say, "Chrissy? She has a job selling cars." If I spend my day cleaning houses they might say, "She is a housecleaner."  If I left my studio, drove to a customer's house and painted the siding I would have a job as a housepainter. If I spent my day at home coding medical records people would consider that a job.

Apparently, if I was employed at Menard's making minimum wage that is a job too.

But because I work fifty to sixty hours per week on my business creating something at home called "art" it isn't considered a job.

The truth is there is an established, recognized market for my paintings. It is simply a question of finding the right mix and taking the actions to support my business. I manage my accounting, pay taxes, market and promote my artwork, network with other art professionals, enter into juried art shows, enter into competitions, work with professional well established art galleries and give art lessons.

2012 Stevens Point Festival of Arts where I was given an "Award of Excellence" for my body of work.

I find the double standard confusing at times.

How this plays out for people is different for different people.

Let me give you a couple examples of how this actually plays out in my life.

Among other failings, my ex-dear husband is a failure as a business owner. For nearly, three years he has forced me and my children into difficult financial situations, ran up my credit cards, ruined my excellent credit rating and avoided any real work.

Oh, and he is also a painter except his "canvas" is the inside and outside of houses. He is a housepainter.

Last week, during court, the judge suggested I get a "real job." Apparently, the judge did not consider being a mother and raising our children a real job. I painted when time allowed, ran art camps and traveled 8 to 9 weekends per year for my business.

However, the judge never confronted my ex about his unwillingness and inability to support his family with his job. He never suggested, "Sir, perhaps you need to get a real job because it is obvious what you are doing is not working." The judge never called him out even though as the family's breadwinner he wasn't winning or bringing home the bread.

My ex's lawyer mocked my profession.

As I sat in the witness stand she said, "being an artist was nothing but a pipe dream," and that I "would never be successful".  She then compared what I do to selling "pink fuzzy bunnies".

Of course, it was pointed out to me by my partner that there are some incredibly successful companies that made a business out of selling fuzzy animals including AmazonWebkinz and Vermont Bear Company.

I have nearly 320 hours in this painting and worked on it over a year.

However, more to the point, this isn't the first slap in the face I received as business owner and painter.

Really the insults began while my boys were just starting school. I can't count how many times I have been asked to come and volunteer my time or my donate my art to a fundraiser.

Just because I work from home in my studio. Would they ask another parent to come in as often if they worked under someone else's roof? Would they ask a dealership to simply donate a car?

My business is no different than pedaling cars, insurance, bicycles or dish washers. The only real difference is that I am making it myself instead of in some plant in China or bank on Wall St.

Some people collect cars, tools, electronics, music, stuffed pink bunnies or Star Wars action figures.

Other people collect art.

What I've discovered is that people want and do collect my art.

To all the well-meaning people that love me, if you really want to be helpful, think about how you can make my business more successful through referrals to art collectors, interior decorators and gallery owners. When a friend is talking about painting a room, doing a mural or having a portrait completed give them my name and email me an introduction.

For the well-meaning but ignorant people stop by my studio or visit me at an art show and learn more about what I do. I love talking about my business and my Vision.

For the haters? Well, haters are gonna hate. I'll ignore them and just focus on living well.

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How to sell commissioned art at Fairs?

I paint pet portraits on commission.  At an art fair I wouldn't have anything to sell that day.  Does anyone have any advice for me?  I just participated in my first fair, an Art Walk in Austin, Texas.  I brought framed copies of my portraits, talked to all the people, handed out flyers and business cards and collected email addresses, and even had a water bowl and dog treats.  What else can I do to encourage business when everything I paint is individually commissioned and requires action from prospective buyers?  Thanks for any help!

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June 2 & 3Art Fair Calendar.com
Deerfield, Illinois
Deerfield Festival of Fine Arts
Deerfield Road and Park Avenue
Presented by: Deerfield Fine Arts Commission & Village of Deerfield

Deadline: March 1  March 8

(Sometimes there are extenuating circumstances that cause a show organizer to extend their dates - in this case a serious tech snafu that didn't allow exhibitors to complete their applications. Learn more about that here: http://www.artfairinsiders.com/forum/topics/extended-deadlines-are-not-always-what-they-seem)

Artist Notification: March 15

Debbie Netter is proud to announce the 10th Anniversary of the Deerfield Fine Arts Festival. Ms. Netter, President and founder of D & W, has 20+ years of organizing events and knows how to make it less stressful for everyone!

Held in town, busy city-like atmosphere
- Approximately 125 artists
- 10th year festival
- Median home price - $825,000

Top reasons to consider this show: (not in order of importance!)

  1. Well run, organized and fun!
  2. Attentive artist hospitality including booth sitters, hot and iced coffee both days, continental break fast both days, indoor restroom facilities, bottled water delivered to you frequently throughout the show, discounted hotel rates, overnight security
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  3. Booth fees for all shows remains at $300.00, and jury fee, $35.00. Larger booths and corners available for an additional fee
  4. Wonderful attendance from a higher economic buying crowd
  5. Advertising intrinsically placed to capture the high to middle economic crowd
  6. Easy load in and out
  7. Promoter who cares and will implement your suggestions
  8. Apply easily on line through Entry Thingy
  9. Smaller show means less artist competition
  10. Juried and judged by industry professionals

What artists say about D & W Events, Inc.:

This is our 10th year returning to the festival in Deerfield. D & W runs a great show. Nothing is left to chance. Christine & John Strobel
Your organization, attentiveness and hard work makes your festivals successful. Karen Joyce
I've consistently done well at D & W festivals. That's why I return every year! Devin Somerville

548.jpgVisit the D & W Events website for more information and to download an application: www.dwevents.org
More questions? Contact Debbie Netter at dwevents@comcast.net
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CLAYWORK JEWELRY & METALWORK
1st - Steven Olszewski 1st - Elaine Unzicker
2nd - William Kidd 2nd - Lauran Sundin
3rd - Don Nibert 3rd - Adrienne Gaskell**
DIGITAL ART MIXED MEDIA
1st - Beau Tudzarov** 1st - Tracey Hambley
2nd - Michael Braun 2nd - Kathrine Allen-Coleman**
3rd - Carolina Cleere 3rd - Anthony Hansen
FIBER PAINTING
1st - Louise Valentine 1st - Yu Zhou
2nd - Diane Harty 2nd - Jon Smith
3rd - Susan Otterson 3rd - Larry Smith**
GLASS PHOTOGRAPHY
1st - Scott Gamble 1st - Clifton Henri
2nd - Mark & Julie Glocke** 2nd - Allan Teger**
3rd - Susan Gott 3rd - Leah Cavanah
WATERCOLOR PRINTMAKING & DRAWING
1st - Marilyn Valiente 1st - Stephen Sebastian
2nd - W. Scott Wilson 2nd - Jack Brumbaugh
3rd - William Kwamena-Poh 3rd - Anne London
WOOD SCULPTURE
1st - Ron Dekok 1st - Gary Traczyk
2nd - Grant Ward** 2nd - Paul Freundt
3rd - Matthew Hatala** 3rd - Carl Zachman
AWARDS OF MERIT (Jury Free Entry for 2013)
Phil Skoczen
Jim Holehouse
Leslie Peebles**
Duncan McClellan**
Jennifer Ivory**

— The 2012 ArtiGras Fine Arts Festival presented by Palm Beach Gardens Medical Centerag_logo.jpg

The winners were selected by three judges who scored each artist and awarded a Best in Show and a first-place winner in each of the 13 categories.

Judith Wood of West Palm Beach has won Best in Show with her mixed media jewelry.

  • Marvin Bower of Boonsboro, Md., in Fiber – Wearable
  • Jayne Demarcay of Abita Springs, La., in Jewelry
  • Shelagh Forrest** of Gainesville, Fla., in Photography
  • R.C. Fulwiler** of Lakeland, Fla., in Digital Art
  • Peter Gerbert of Dade City, Fla., in Painting
  • Barrie Harding** of Dunnellon, Fla., in Wood
  • Corey Johnson of Royal Palm Beach, Fla., in Mixed Media
  • Edward Loedding** of Brandon, Vt., in Drawing and Printmaking
  • Don McWhorter of Carrollton, Ga., in Ceramics
  • Richard Ryan of Bourbonnais, Ill., in Glass
  • Alex Santamarina of San Francisco, Calif., in Metal
  • Jean Yao of Ft. Lauderdale, Fla., in Fiber – Nonwearable

More about ArtiGras: http://www.tcpalm.com/news/2012/feb/21/artist-judith-wood-takes-home-best-in-show-20424/

Their website:  http://www.artigras.org/

8871903074?profile=originalIn Altamonte Springs, FL, a new show appeared: Uptown Altamonte Art Expo

Their winners:

Best of Show:  Laurie Coppedge (Photography)8871903260?profile=original

Awards of Excellence (4):
    Robert Hyde (Sculpture)
    Patrick Pierson** (Mixed Media)
    Rolly Ray Reel (Mixed Media)
    Peter Smith (Mixed Media)

Judge’s Choice (3):
    Julie Kessler and Judy Lee (Mixed Media)
    Tamra Martin (Jewelry)
    J. Brown and D. Hair (Painting)

Merit Awards (10):
    Leland Williams (Mixed Media)
    Diana Ahrens (Mixed Media)
    Michael Myers** (Mixed Media)
    Marla E. (Painting)
    Jim Sprinkle (Sculpture)
    Jeff Eckert (Printmaking/Drawing)
    Jeffrey Waller (Mixed Media)
    Julie Anstaett (Jewelry)
    Thomas Lott (Jewelry)
    Frank Castelluccio (Sculpture)

** Members of ArtFairInsiders.com - congratulations!

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June 2 & 3Art Fair Calendar.com
Deerfield, Illinois
Deerfield Festival of Fine Arts
Deerfield Road and Park Avenue
Presented by: Deerfield Fine Arts Commission & Village of Deerfield

Deadline: March 1

Artist Notification: March 15

Debbie Netter is proud to announce the 10th Anniversary of the Deerfield Fine Arts Festival.  Ms. Netter, President and founder of D & W, has 20+ years of organizing events and knows how to make it less stressful for everyone!

Held in town, busy city-like atmosphere
- Approximately 125 artists
- 10th year festival
- Median home price - $825,000

Top reasons to consider this show: (not in order of importance!)

  1. Well run, organized and fun!
  2. Attentive artist hospitality including booth sitters, hot and iced coffee both days, continental break fast both days, indoor restroom facilities, bottled water delivered to you frequently throughout the show, discounted hotel rates, overnight security
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  3. Booth fees for all shows remains at $300.00, and jury fee, $35.00. Larger booths and corners available for an additional fee
  4. Wonderful attendance from a higher economic buying crowd
  5. Advertising intrinsically placed to capture the high to middle economic crowd
  6. Easy load in and out
  7. Promoter who cares and will implement your suggestions
  8. Apply easily on line through Entry Thingy
  9. Smaller show means less artist competition
  10. Juried and judged by industry professionals

What artists say about D & W Events, Inc.:

This is our 10th year returning to the festival in Deerfield. D & W runs a great show. Nothing is left to chance. Christine & John Strobel
Your organization, attentiveness and hard work makes your festivals successful. Karen Joyce
I've consistently done well at D & W festivals. That's why I return every year! Devin Somerville

        548.jpgVisit the D & W Events website for more information and to download an application: www.dwevents.org
More questions? Contact Debbie Netter at dwevents@comcast.net
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Flying vs. driving to shows

So my 2011 show season just came to a close. I'll be posting a festival re-cap in the next few days but while it's still fresh in my mind I wanted to go over the comparative costs of flying to art festivals vs driving to them. I'm writing this as I fly back home in the relative comfort of coach seating on a US Airways jet.

My good friend and fellow artist Lee Waterous of Head'n Home Hats has badgered me for years to include flying to and from art fairs as a way to reduce costs and travel time spent on the road. The reduced time I understood but how could this form of travel actually save me money? Lee's set up, unlike mine, compacts nicely into airline friendly cases which he air freights to the closest airport near the show he will be doing. He gets off the plane, rents a uHaul type truck right there at the airport, drives to where the freight terminal is located and loads up. Simple. Oh yeah, hats don't weigh much.

I on there other hand, I travel with a 500 lbs. Trimeline STEEL framed canopy, a dozen ProPanels, 3 large print bins, 2 folding tables a directors chair, a knock down ProPanel desk misc. support material and all of this is before I load one piece of my art. Even though I do rather well sales wise at most shows, this additional frieght bill would eat too much into my profits to make it work.

That's why I didn't even consider it until fate had my schedule packed so tight I bit the bullet and tried it out just in order to be able to make it from Santa Cruz, CA. back home to Sandpoint, ID and then to Las Cruces, NM all in one week. The drive by itself couldn't even happen let alone breaking down one show and setting up at the other 2000 miles away.

Here is what I did and why I'm a newly converted "flying traveling artist" and you should be too. 

The deal breaker for me traveling this way was always how to ship my heavy, bulky display setup. What I found out was that I could become a "hybrid" flying artist. What do I mean by that? Well, on that particular trip I just talked about I needed to drive my 2010 Ford extended van down to the first leg of this show trip which was in Half Moon Bay, CA. I did that show as well as another one in northern California the next weekend and instead of diving the 1100 miles back home to "re-load" my art and then head out to New Mexico, I left my van at my brothers house in Santa Cruz, flew back home, printed and framed the art I would needed in New Mexico, UPSed this art back to California, flew back there the following week to pick up my van and the art I shipped and then drove to Las Cruces.

How did this cost compare? The round trip air fair (which was high because I booked late) ran $275.00. The UPS bill to get the art back to Cali was just under a hundred bucks. Because my son drove me to San Jose International airport I didn't need to cab it which saved about $50.00. So my grand total to this round tripper including freight was $375.00.

If I was to have driven this same trip I would have put 2200 miles on my rig just to get me back to where I left from in Cali and at 15 miles to the gallon and with gas costing over $4.00 (at least in California anyway) I would have spent over $550.00 in gas plus 4 nights in cheap hotels, $200.00 so my net savings was $370.00 plus (and here's the bigge) 4 freaking less days driving on the road. Lest we not forget things like van maintenance etc too.

With the success I had on this trip, I managed to recreate my savings both time and money on 3 other round trips this year.

Another tip Lee gave me was to book "Park n Fly hotels close to my departing airport for my trips back home. Why? Because even though these run twice the rate I usually pay in places like Motel 6 and Super 8's, these Park n Flys allow you to leave your rig in their parking lot for free while you fly home. Plus, they offer free shuttle service to and from the airport. One of my trips back in November I was going to stay at a Motel 6 in Phoenix, then park at the long term lot at Sky Harbor which would have cost me close to $200.00 for the room and parking. By paying $95.00 at the Best Western in Tempe, not only did I save half the money I would have spent but stayed in a way nicer room with door to door shuttle service. Sweet!

Because my season has come to and end and my last show for the year was in Tempe, AZ I decided to rent a secure storage space with closed circuit cameras and coded entry gates close to the show at a local uHaul center for $55.00 a month. This facility is next door to the Best Western I mentioned so I was able to use their shuttle van to get to the airport for my flight home. This is where my van will live until I fly back down to pick it up prior to my first show of the 2012 season which will be in Fountain Hills, AZ next February.

If I am able to take advantage on say half of the shows I do in 2012 by being a "hybrid flying artist" not only will I save money but I'll be keeping my butt out of the drivers seat a lot and that's a very good thing.

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Teaching and Being Taught -Art

As a young child I always created art -preferring to paint and draw rather than  join my friends at the mall. I loved copying Cezanne, Van Gogh, and Matisse.

As a college student I studied art, design and painting.  As an adult I found, not only did I have a desire to make art professionally but also to teach people,  young and old,  how to express and explore their own creativity through art making.  I strive to insure the students understand there are no mistakes in art. And to recognize that what they perceived to be a 'mistake' could actually be far better than what they intended.

I taught my first art classes to some of my neighbors' children many years ago in my garage and have always wanted to do more of it. A couple years ago I made a proposal to a local preschool to teach a pilot art class once a week, and found that I still enjoyed teaching art, very much.8871901879?profile=originalPreschool Artwork Exploring Textures

It was another 3 years before I got up the courage to teach adults.

I had studied felt making for a number of years by now and believed I had something worthwhile to share with others who wanted to learn the craft. I have taken many classes around the country with many teachers. Some much better than others. In my teaching,  I wanted to incorporate what worked for me and eliminate that which was not helpful.

What made a successful class for me was based on several different factors. Did I learn what I signed up to learn? Was the instructor organized and their instructions clear? Was the class well paced?  Did the teacher understand my questions and answer clearly? Were they patient and take the time to explain something in a different way if I wasn't able to understand their explanation? Were there hand outs or reference materials I could take home? Were all the supplies there that were supposed to be ? Was the equipment in working order and were there enough supplies for everyone? Was the space pleasant to work in and did it function well?  Did the teacher have enough samples to show the class? These criteria are what I hold myself accountable to.

Surprisingly enough,  if I didn't have 'fun' at the time,  I didn't count that against the teacher.  I found that taking a week long workshop to learn a new skill can be quite stressful. Fun was a plus but not a requirement.

And this seems incongruent but, in the 5 hour class I teach at  Nice Threads Fiber Gallery and Studio in Black Mountain, North Carolina , called 'Designing a Nuno Scarf''  I do  want people to have fun as well as learn new new skills. So far,  the feedback I  have received has made me very happy. The comment made that I exceeded the students' expectations really made my day.8871900886?profile=original8871902054?profile=original

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What’s in a name?

butweareartists.jpg?w=640&h=480  When people ask me what I do,  I answer “I am an artist”. Often times the response is ‘I would have guessed that. You seem like an artist.’ But I have always wondered what does an artist seem like? Is something more communicated in the words; “I am an artist?”  Is it an aura, attitude, feeling or a certain look that speaks out?

While an artist is defined as a person who practices one of the creative arts,  a performer of some type or maybe a person skilled at a particular task or occupation, I was sure there were preconceived ideas about being an artist.  I was interested in finding out.

(I happen to have been a painter for 25 years, and a fiber artist for the last five years.)

I decided while I was at the airport waiting to board a plane for the Thanksgiving holiday I would do a quick survey of 15 of my fellow passengers and ask  ”what words come into your mind if I say to you I am an  artist?”  I was not too surprised by their answers.

A few people wondered what kind of artist I was, and had no other thoughts enter their minds. But, the majority mentioned the following words :

Creative ( mentioned many times), with one woman getting a dreamy look in her eyes saying, “I wish I was creative.”   Associations like unemployed, a special breed, gifted, risk- taker, open- minded, free- spirited, right-brain, left- brain, admiration, edgy, a little kooky, a certain demeanor, and a distinct personal style were all mentioned.

But then I realized that what other people thought an artist was, although interesting, were answers to the wrong question. What I really wanted to know was what does being an artist mean TO ME.  What hidden meaning do I subscribe to being an artist?

After many hours of examining my thoughts  I came up with the following:

I tell myself I am an artist when:

1. I need to dig deeper for a creative solution to the problem at hand and that I have the ability to do so.

2. I am seeking permission to be okay with my critical nature regarding visual things.  I  have a strong desire to change and try improve how things appear. I tell myself this need  to create, to reinvent and to perfect is okay.

3. But sometimes I am just looking for an excuse- stereotypical it might be, for one of my antisocial, or quirky behavioral traits .

I guess I would sum up being an artist as having the license and the responsibility to ask What if…????????

I would love to hear what goes through YOUR mind when you say you are an artist. Please contribute and post your comments and thoughts.

 

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My local Xmas Arts Market

My local art group Mudgee Arts, had its annual Xmas market yesterday. 

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The town has a population of about 8000 and is in a winery area so popular with tourists on weekends and holidays.  They have 4 regular monthly markets - a farmer's market in the church grounds in the main street, two anything-you-want-to-sell markets - one in the town park and one in another church near the main street, and a craft group market in the old railway station.    At Easter, in our autumn, Mudgee Arts members join with the Farmer's Market in the church grounds with centre of the street location.  I participated in it this year and along with fabulous weather there were huge tourist crowds and locals out and about.  

For the Xmas market, however, since we often get summer rain/winds and quick storms, they prefer to have it indoors and the only venue currently available is 2 blocks from the centre of town, in a community centre called "the stables" (perhaps it was stables once - its layout is pretty much like it!).  There is a small carpark in front of the building  and if there is fine weather it is blocked off and the members can erect tents there. 

Advertising was for a couple of weeks prior - radio mentions, newspaper advert every paper a week before and the odd sign.   The weather was perfect - for some reason we're in a winter weather pattern at the moment - so it was cool, clear and no more than a light breeze (although it was very windy the day prior).     I had hurt my back the day before so decided a tent would NOT help my back, so stayed with my inside location. 

(NB  All snaps were taken during set up...apologies for the poor images!)

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6-7 tents set up out in the carpark although it would have looked a lot better with more - although they were probably limiting numbers people to who could cram inside in inclement weather.   The building had 2 long rooms one in front of the other, with the doors in the centre of the building at the front and between the two rooms.  The first room is quite light and airy with white walls and light flooring, and the second room is brick, carpeted and a little dark but with lots of overhead lighting and a couple of windows.

The mix was crafts and art and I would think at least half of them do this as a sideline/hobby.   Set up time was an hour and a half and the event itself was only 4 hours duration.  Outside we had a fibre artist (majority of felting), a local winery, mosaic, a woman with fabric items - children's dresses, handbags etc, and a candle maker.

First room had a silversmith, lino prints/cards, ceramics, alpaca wool knits, soapmaker, artist (oils), fabric bags and accessories, children's clothing, hair accessories.

Second room had me (jewellery), wine fudge (yep, right next to me - not good for the already burgeoning waistline!), a quilter who also dabbled in pastel drawings, an artist with small acrylic paintings and ink drawings, a crafter with the cutest tea cosies, a photographer with local photographs, mostly on cards/postcards, a knitter with scarves, and another ceramics artist.

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Unfortunately it never really got busy, probably not helped by one of the other markets in the church grounds (a anything you like market) being on the same day and closer to town.  Advertising if only briefly seen would have registered 'market' and the date and seeing that one many people would have only gone there.  

Nevertheless, there was a steady trickle of people and for an outing of only 4 open hours and a cost of only $20 (not a money making venture by the group, just to cover the cost of the venue hire) I had 10 sales from $25 to $160.   Unlike recent events, every sale was just a single item and apart from two customers searching for a particular item, every other sale was an impulse buy.  People were just out and about having a look and some weakening and buying!

A couple of the members did OK, one I heard was very happy with their sales, and overall so was I, I guess, even though it was quieter than recent shows - it was only an hour from home and didn't cost much in time or effort to do.

I was pleased to see some art finally - I need to get these people out more LOL.

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Photo Caption: Rockbrook Village Art Fair
Several artists have participated in the art fair from its early days. Joining Art fair director Charlie (Juanita) Galvan (l to r): Tom Hubbel (34 yrs.), Stoneware and Earthenware, Omaha, NE.; Loren Corell (38 yrs.), Acrylics, Chesterfield, MO.; Carroll Danbom (34 years), Pastels and Acrylics, Red Oak, IA.


The plaque behind the artists is dedicated to Gloria Mathews and reads as follows: Dedicated to the memory of Gloria E. Mathews, president of the Rockbrook Village Merchants’ Association in recognition of her love for Rockbrook Village

 

Rockbrook Village Art Fair Celebrates 40th Anniversary

Artists, art lovers, and volunteers converged on the 40th Annual Rockbrook Village Art Fair, September 10-11, 2011, in Omaha, Nebraska. The juried art fair attracted 150 talented artists and a crowd of 40,000 loyal customers to the outdoor show, which is conveniently located in an upscale shopping center with easy access to the interstate and major streets.


Over the years, the Rockbrook art fair has gained a reputation for treating artists well and meeting customer expectations for quality, variety, and value. Customers meet and talk with the artists who hail from around the country. Art fair director Charlie (Juanita) Galvan, said, “Our art fair is designed and dedicated to those that create and appreciate quality pieces of all varieties. Whether you are looking for glass, jewelry, leather, photography, printmaking, painting, sculpture, wood, ceramics or fiber.... you are sure to find something special at this one of a kind event. Along with our food court and fine dining at our restaurants it is always an exciting event.”

History of the Art Fair
In 1971, Gloria Mathews had the first Rockbrook Village art fair with 15 local artists. Known as the “Mayor of Rockbrook Village,” Gloria was able to grow this event into one of the best art fairs in Omaha. At the time of her death in 1991, the Rockbrook Village art fair was an established annual event, hosting over 150 artists from across the country.

Gloria also owned and operated a custom framing business in the shopping center. Charlie took over the business and direction of the art fair. By continuing the art fair, the artists and art lovers honor Gloria’s memory. It was her love of art and her vision to bring in the best artists possible that has made the Rockbrook Village art fair what it is today.

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Note: For the last three years, Charlie also has directed the Countryside Village Art Fair in Omaha – Nebraska’s oldest outdoor art fair, which is held the first weekend of June.
The two art fairs would not be as successful without the support of the many loyal, long-time volunteers that return every year, handing out water to artists, assisting with show setup, shuttling artists to their vehicles, making artists feel welcome, and assisting with cleanup.
Charlie is a hands-on director. She can be seen wearing a ball cap as she walks the grounds, wielding a clipboard like a baton, taking notes, and issuing orders via walkie-talkie to her trusty volunteers in a friendly, yet assertive manner. She takes time to chat with the art lovers, shares stories with artists, and ensures that the artists have what they need to be successful.


Location:
Rockbrook Village Shopping Center is a lovely neighborhood setting for the Midwest’s best art fair!
Admission to the Rockbrook Village Art Fair is free to the public. Visitors will find a family-friendly atmosphere, along with a food court and fine dining at our restaurants such as the Garden Café, Jaipur, Pasta Amore, Taste, Don Carmelo’s Pizzeria, Java N’ Ice, Great Harvest Bread, Kristen’s Cookies, Cork ScrewWine & Cheese, and Regis Food Mart.


Contact
For more information about the art fair, contact Charlie (Juanita) Galvan:
Write: Rockbrook Village Art Fair 11004 Prairie Brook Rd Omaha, NE 68144
Call: 402-391-4745 Email: juanita@rockbrookvillageartfair.com
Art Fair Website: www.rockbrookvillageartfair.com
Shopping Center Website: www.rockbrookvillage.com

 

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