Art (273)

Perfect festival weather brought out the crowds and buyers for the 48th annual Lewiston Art Festival, held on August 9th-10th in the quaint village of Lewiston, NY. Both days were sun-filled with temps in the upper 70's to mid-80's with a slight breeze at times. Direct sunlight overhead brought patrons into tree-shaded booths. All artists' booths, with the exception of the emerging "College Alley" participants, were lined up on both sides of the closed-to-traffic Center Street, facing towards the street. Most of the public walked up one side and down the other. With 165 artist booths, this was fairly easy to do, especially since there were many decent food booths and specialty foods peppered in between with simple, outdoor dining tents at a few cross-streets. Strolling musicians and artist demos were also interspersed throughout the street.

Sponsored by the Arts Council, there were two sets of awards: one for the street chalk competition and one for the participating artists with $5000 being awarded at an artists' breakfast at a local restaurant on Sunday morning. The judges awarded 4 awards in eight categories, though only for specific works at the artist's discretion, which were brought to a judging hall. In addition, one award for overall booth design was given.

This was a fun, casual show with easy set-up and breakdown (no advance check-in as all artists are "pre-registered" and cars were ready to come onto the street just five minutes after the show closed). The people who visited the show are regional (Lewiston, Niagara, Buffalo, Rochester with a fair amount of Canadian visitors) and seem devoted. I juried into two categories, exhibiting my line of porcelain jewelry and decorative porcelain wares. I enjoyed brisk sales all day on Saturday and almost equally on Sunday, with many of my "be-backs" actually returning to purchase. Overwhelmingly, the sales were of the jewelry (about 80%) to that of my claywork, though I was awarded a Third Place award for a sculptural vessel. The photographer next to me had been there for three years consecutively and was pleased with his sales and the airbrush artist with animal portraits was almost giddy regarding her sales. I witnessed many large paintings being walked down the street. Though most of my sales were single sales under $50, I did have several decent multi-purchases and the largest, single item was just under $200, so I do believe that the patrons are a tad price-conscious. Overall, I thought the balance of media was very good with a lot of diversity and the quality was good (7 on a scale from 1-10), though some of the art was outstanding.

I was very pleasantly surprised by many things. I had only participated in this show once before and that was about nine years ago. THIS was not that show. It was staged differently, no vintage cars, the street was closed to traffic, it was so much larger and far better attended. If there hadn't been the poutine fries and the French artichokes, I wouldn't have thought I was at the same show. I thought that the Arts Council did a fine job and I will be delighted to return next year.

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Call for Artists: Atlanta Arts Festival

AtlantaArtspiclogo September 13 & 14
Atlanta, Georgia
Historic Piedmont Park
Saturday 10am-7pmSunday 10am-5pm
200 Artists
Deadline: April 21
  

The Atlanta Arts Festival is a two day, outdoor festival with an emphasis on the visual arts.
 

Set in historic Piedmont Park, this autumn festival of excellence in the arts is an event dedicated to bringing together outstanding artists from across the country with the large and enthusiastic art buying community of the Atlanta area.      

The  Atlanta Arts Festival is produced by a highly qualified staff and  strong volunteer pool, both with multiple years of event production and  promotion in the City of Atlanta.  This annual September event is committed to delivering a quality experience for both artist and patron! 

1725.jpg?ver=1391791289000&width=300
Eddie Myers, 2013 poster winner, "United"

Items of Interest:

  • Held in Piedmont Park
  • Juried show; artists selected by a panel of experts
  • Limited number of participants to increase sales
  • $7,500 in award money
  • Artists retain all proceeds from their sales
  • Commemorative poster image will be selected from a show participant
  • Ranked in the 100 Best Fine Art & Design Shows by Sunshine Artist Magazine, September 2012

Artist Amenities:

  • Artist hospitality providing continental breakfast & refreshments
  • Booth sitting
  • Load-in/load-out at booth space
  • Free parking (parking information will be forthcoming in artist acceptance packet and/or check-in packet)
  • 24 hour security patrols
  • Discounted rates at participating hotels
743.jpg?width=300


For more info: 
 www.AtlantaArtsFestival.com
        

 

Applications:  www.Zapplication.org


          

(770)941-9660 (office)

(866)519-2918 (fax)

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I have completed my first year on the art fair circuit. I still feel like someone who has many more questions than answers. However I do want to give back to this site which has been so very informative for me during this time of extreme growing pains.

I am a fiber artist who creates 2D work which look much like paintings. I use mostly recycled fabric which I overdye.  I didn't know what to expect from a "clearance sale" .After a year of trial and error I felt I had plenty to clear out from my studio. This show apparently has a significant following.

The load in and load out were magnificently easy. We were able to pull our van straight into the expo center and unload. My booth was very close by. It doesn't get any easier. The staff was helpful. They were easily found and gave me my informational materials. They provided coffee in the mornings. There was storage provided in the expo center but it is not around your booth. It's a bit of a walk. There is a 10x10 space allotted for your booth.

The expectations of booths were lower as it was a clearance sale so things were not super fancy. Many people used makeshift sale signs. I was amazed that people came to the show at all. The weather was miserable with ice and snow both days. There were several thousand people over both days and people were there to buy and get a bargain. Everyone was asking for discounts which was fine with me at a sale like this.

The quality of the art was high and looked like many of the artists who attend Winterfair. I walked around a few times and saw a potters booth with a 70% off sign- he had 3 pieces left on the shelf. I had a respectable weekend. Less than what I initially hoped for but significantly better than I expected with such bad weather. I hope to get in the show again next year. If the sun were shining I think the potential is there to clear out the old art and clean up on sales. Have a great day!

Sharon

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Addressing the Needs of Fine Art Photography buyers

I believe both the Photographer who sells their artwork at Art fairs or Galleries would find this informative, as well as the art collector.

I think many of us, myself included have had to deal with presentation issues. Just when you think you have decided on the perfect frame/mat combo for your artwork, you find out differently.  

The link below will take you to my "blog list". (minor inconvenience) Simply click on the little grey tab (bottom left) and this directs you to the FULL article :)   thanks for your patience  

http://fineartamerica.com/blogs/addressing-the-needs-of-fine-art-photography-buyers.html

8869122701?profile=original

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We Believe... American Made Alliance

We Believe... that every consumer has a right to know where a product comes from. In today’s global economy, domestic manufacturers are forced to compete in an unfair marketplace where most gifts, housewares, jewelry and accessories are marked with removable paper stickers that indicate country of origin.  Many retailers and wholesalers remove these labels in an effort to raise perceived value and confuse consumers about country of origin.

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You took my breath away

Copied from my blog:

I had my world shaken by one person's images while jurying an art fair. Today was the jury for the art fair that Michael Kifer and I run in Kalamazoo Michigan. Because this is a different type of art fair (the Garage Sale Art Fair), Michael and I jury the show ourselves. It's something I'm very comfortable doing and really enjoy. This time it was even better.

Without permission I can't use the person's name but I will tell you that I wish the images of my own work evoked the strength of the feelings that these did for me. Just when you've seen your fill of overworked, over Photoshopped images, one person's work comes up on the screen and reaches up to grab you by the heart. I caught my breath and just drank it in. 

There's a lesson to be learned here for all of us. Make your images speak. Let them tell a story. Don't worry about making those big expensive pieces of your work because you think that's what a jury wants to see. Let the jury feel your work and they will get it. And you'll probably get into more of the shows that you want to do. I know I'm rethinking my own images...

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Estes Park under water

Wow, I canceled my participation in the Estes Park Fine Art Festival earlier this morning. I didn't want to make a 6 hour drive up there through these floods and mudslides... but now the situation is much worse. Here is a video of downtown Estes Park taken this  morning. Hoping everyone in Estes is safe.

 

https://www.facebook.com/photo.php?v=686801504681447&set=vb.521157024579230&type=2&theater

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Strange side hobbies?

Okay. Earlier in the year I snapped this photo of my car to the Crosby Festival of the Arts in Toledo, Ohio. Notice something?8869116280?profile=original

Yes, my ham radio license plate. I have been an amateur radio operator for 25 years now - first getting my Novice license when I was 16 years old. I now have the highest class license of Amateur Extra.

Plus I am a Skywarn certified spotter. Something that comes in handy at art fairs. I can listen and report to the local weather net to hear the storms progress. That is kind of tricky with taking items down from your tent to get ready for the impending doom.

 

So do you have any other strange hobbies that kind fit in and kind do not fit in with the art fair circuit?

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Art Fair in the Mill Park, Paoli, WI

Last weekend, I participated in my first outdoor art fair (I have, before, only participated in the inside, small art fair at my church in Madison, WI, First Unitarian Society, called Art in the Wright Place). It was an experience. Before hand, I had purchased a brand new Trimline canopy with mesh walls, French door--the whole shooting match. It arrived a couple of weeks ago with a shipping note indicating altogether it weighed around 200 pounds. My wife and practiced assembling it by watching a video they supplied. We would watch one step, turn off the video, go outside and complete that step. Then we returned for the next step until we had the whole thing up.

Also, before, the fair, I printed many new pictures (I am a photographer--www.photographybyjohnwoods.com). I got them matted, purchased frames and glass, and did that as well. I also purchased some new canvas prints of my work. I also created sets of note cards of my pictures. My work, by the way, is somewhat eclectic, with a lot of pictures from Europe as well as Wisconsin and other places we have traveled to. The night before the fair, which was last Saturday, August 10, 2013, we set up our booth. Though my vehicle for doing is a Prius, I got it all the back of the car, with the backseats down. The venue for the fair is a small town south of Madison on the Sugar River, and there is a park along with river, and that is where the fair took place. It is an attractive and tranquil place. It took us about 2-3 hours to do this as it was our first time and we were trying to figure out everything. We set our prices quite reasonably.

The next morning we arrived early, put up our pictures, organized the booth, and waited for customers, who started arriving a little after 9 AM. Paoli is in the midst of many farms with vast fields of corn. To make a long story short, we did not sell one framed piece nor any of the canvas pictures. We did sell most of our cards ($16 for 8) and we did sell some 11x14 ($30) and 16x20 double-matted prints ($60). At the end of the day, we had sold about $430 worth of stuff. I guess you could say I was disappointed. I thought we could do at least $1,000. However, this is a small fair, and the amount of people who came, while steady throughout the day, was probably around 1,500. In seeking to understand what was going on, we have attributed the small sales to both the number of people attending and the demographic, which I am not sure is taken with nice European prints.

Tomorrow we will participate in the Agora Art Fair in Fitchburg. We will take to heart the lessons we learned last week. We have even more cards. We have more matted but unframed prints. We will also have a good selection of framed works and some very nice canvas prints, including one 30x40 print of a restaurant on a bridge in L'Isle-sur-la-Sorgue, Provence. This fair is much better attended, and is situated in a town with many high-income residents. So I think the demographic will be more favorable to what we have. This fair has been well reviewed here in the past. I am hoping for better results, and I will continue to learn from this experience. I will give a report on my continuing adventures after the dust settles on this one.

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Yorkfest

Hi. Does anyone have a minute to tell us about Yorkfest? My husband does contemporary, funky, primitive, whimsical, stained glass-and-brass mixed media sculptures - 1-foot high to 7-feet high or long. We welcome recommendations about festivals open to funky stuff as well. We're in the Chattanooga, TN area, and would like to travel out of the South, especially DC area, Ohio, Mid-Atlantic generally. All the best to y'all - enjoying the blogs, they're so helpful! Kathy and Charlie

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I hate that my the first review I do for the Art Fair Insiders is a poor one, but I need to get the word out about this stinker of a show!

I spent the weekend at the Lincoln Park Art and Music Festival, in one of the most affluent neighborhoods in Chicago. As a first timer to this show, I didn't know what to expect, but I was excited about this one. I usually do well in urban areas. 

The second we checked in for set-up, I knew we were in for trouble. We were handed name badges and a booth number, nothing more. No info about booth sitters, sales tax, restrooms, parking, or where to grab lunch. Nothing. Bad sign #1. And when I tried to find someone to inquire about these things, there was not a member of the fair staff to be found. 

Set up was fairly easy and convenient. There was space right on the street to park and unload and the weather was cool and comfortable. The fair grounds were right on a street on the lovely DePaul campus, so the surroundings were nice. Unfortunately, this is where the the nice and good about this event ended.

The show opened on a perfectly lovely Chicago afternoon to a trickle of patrons. From experience, I that the first hour or so of any show can sometimes be slow, so I patiently waited for the buyers to emerge. I passed the time talking to my fellow artists and soon realized that this was the first time that any of my booth neighbors had done this show. Bad sign #2. If this was a good show, you'd expect to meet some returning artists, right?

An hour passed, then another, and then another, still just a trickle of people walked past my booth. After 6 hours, I sold just one $20 print and one $18 set of cards, so we decided to pack up early for the night. (The fair hours were 12 noon - 10, but artists were allowed to close at "dusk".) The non-existent event staff didn't seem to care that we closed up 2 hours early. Bad sign #3.

We came back Sunday, trying to be optimistic. Again, the weather was perfect...Buyers should be piling in, right? Not so much. By 5:30 pm on the second day, I was nowhere close to making enough to cover my booth fees, so we decided to pack it in. Most of the other vendors were doing the same. We weren't allowed to bring our cars onto the street, but luckily we scored a parking space right around the corner. As we walked past the entry gate with our things, the event staff just looked at us and continued to charge their admission fees even though most of the vendors were dismantling. They even joked that they were tired of seeing walk past. Ha.

In summation, the Lincoln Park Art and Music festival was a complete waste of time. There was obviously no promotion. (An event in this neighborhood on a beautiful summer weekend should be teeming with buyers!) The art fair website was a joke....Just listed event times and the bands playing. The event staff provided absolutely no amenities or support for the artists. They just saw us as a paycheck and didn't care if the artists were happy or not. Out of the 55 artists there were just a handful of good quality vendors and quite a few buy and sell booths. Boo! Artists beware! Avoid the Lincoln Park Art and Music Festival at all costs! 

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September 21-22

Catalina Island, California
sponsored by the Catalina Art Association
100 artists
Deadline: August 1
Catalina

The Catalina Art Association presents the 55th Annual Catalina Festival of Art, this September, one of the longest running and most acclaimed art festivals in California. Join us for this World Class Art Event featuring more than 100 juried artists, several reception events, a Kids Art Show and Annual Charity Art Auction.

What you need to know to participate:
  • Catalina is an island so it does require planning to participate in our show. 
  • 10x10 popup tents and grid-wall systems are all provided as well as bench seating in most booths. 
  • Booths are set up along side the main walking street next to the ocean, which provides amazing views and tranquil breezes. Storage is free and secure. 

Local and mainland press cover the show as well as catalinapostermany travel publications. Awards, ribbons and Cash prizes are given by a respected panel of judges as well as giving thousands of dollars in art supplies to kids! 

Catalina Island's resort setting attracts high end buyers, here on holiday or visiting by cruise ship. For 55 years, this show has been what most exhibitors call a "Working Holiday Show". The locals are extremely helpful, the show organizers are very professional and the show visitors come here to Shop!  

What's not to like about packing your work and heading out on the ferry to spend a few days on an island meeting people on vacation who are eager to meet you? Plus, no tent to set up.
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Our future buyers, starting young...

I just have admit that in the past when I had kids coming to my booth and started touching everything would drive me a little crazy, but it is not always the case. I have learned to listen to them, pay more attention and explain them why I love to paint and do shows. Sometimes they look and after couple hours you see them coming back with their parents and their cash. I am so proud when I see them the next year, taller, more grown up, more mature and to purchase a second piece. They see the artist with respect and admiration, something that I wish some adults will do. These little guys won't try to bargain with you or tell you "I could do that" (like a woman just told me this weekend "40.00 dlls for this?? It's only a piece of wood with paint!") They just watch, listen, learn, look at you in a WOW way and can't wait to come back to see you the following year. I see a good future in art :) Cheers to kids! And cheers to their parents that teach them to love art young :)8869111293?profile=original

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Preparing for a possible overnight storm

Have a show across from a beach next weekend. First outdoor show with a tent. I have been reading some of the horror stories of artists returning for their second day only to find a storm or heavy wind ripped through while they slept and now everything is in shambles. My question is, if you are informed and keep abreast of the weather, and know that the night might bring something bad, have any of you ever closed up completely, taking everything with you, including your tent, and just set up lock stock and barrel the next morning? It seems that as much work as that might be, wouldn't it make sense to do that instead of leaving it all to chance?

Also, by the same token, if the morning seemed grand but now it's noon, and you begin to hear or see rumblings that a storm is brewing, have any of you closed down and taken everything away with you in the middle of the day?

I realize that there isn't always time to do this, but it also seems that sometimes there is actually enough time to get it all together and get the heck out of there, including your tent - EZ Up or not.

I have heard that some artists completely lower their tents at night as much as they can, dropping certain things to the ground to lessen the danger of a sudden rain storm or wind gust might incur. Do any of you do this?

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Okay. I did it. I've been in the biz forever. But this was my very first outdoor show with a tent and walls and all the concerns we all read and talk about on this amazing site. And although I had read and researched and practiced and planned, my insides sweated it out and I totally wanted to back out of the whole thing. By the time we arrived at our friend's beach house with a borrowed van the night before the show, I was already exhausted, and soooooo angry. At what? At whom? No one, really. I was just disappointed. I was disappointed that it wasn't more fun. I hated the packing and unpacking and spending way too much time preparing. I'd read all about grid walls on this site and decided to go with that. But they were so heavy and cumbersome. Why did I spend SO much money on all this? Why did I even think I'd want to do this at all? I'm too old for all this bother. What was I trying to prove?

And this was only Friday night and all that was going on was early set up the night before the actual festival.

My husband came with me to set up the tent and put everything in place. With a few festival neighbors to help, we got the tent up and were even offered four heavy-duty twisty dog ties for the tent legs which I hadn't known would be allowed. We'd put up the grid walls and placed the weights but we could NOT get the tent walls to meet, to close and it had taken so long - before I'd asked for help, that is - to get the tent itself to stand straight and sturdy, and then to get the weights and stakes in place that the sun had set and it seemed that all the tents were up, the artists were gone, but we were still there. I was living a nightmare and I felt incompetent and angry and embarrassed. It was now dark and the wind was howling and the walls were blowing everywhere. I wanted to take everything down, put it all back in the van and run away. I hated everything about the process. 

My husband, however, was amazingly patient. He was not about to let me quit. And then my inner artist warrior took over and I found myself making a decision. "Let's take down the sails and leave up the tent and grid walls. Batten down the hatches and let's get out of here!" 

I slept not a wink that night but literally watched the full moon turn orange as it made it's way across the window and out of my line of vision. Every gust of wind startled me while I tossed and turned. I wanted to get up and paint the scene it but everything was in the van. I thought "I should be working, painting, sculpting, not doing this crazy art show thing." I awoke angry and tired and hungry and didn't have time to eat breakfast or even shower. I wanted to run away and not set up at all. I figured we could run over there, take the tent down and leave. I'd send an email later. The artist warrior side of me prevailed again, though. As did my incredibly patient husband. (He had actually slept that night.)

That first morning, as we set up my paintings and my ceramic masks, I pretty much filled my mind with complaints. I had been amazed to see my tent and all the weights and display grids sitting upright and waiting for me. But I was still mad at myself. As I made my way through the bubble wrap, all my mind could focus on was how I hadn't bought shopping bags, I didn't get new business cards, I forgot to make price tags, I should have brought a cooler. I HATE THIS!

The weather was gorgeous and the crowds were quiet but pleasant. I didn't make a single sale and after this first 8 hour day of sitting in an uncomfortable chair, I felt justified in my disappointment. At the end of the day as I wrapped and packed all my artwork to drag back to the borrowed van - still couldn't get the walls to fit - I thought, why not just take everything down now and run away? I don't HAVE to come back tomorrow. I'm not in the Army, for heaven sake.

Oh, alright. It's only one more day. I'm fine. I'll come back.

My husband and friends went out to dinner after the show that night. I stayed in and went to bed. Confident that my tent and grid walls were securely in place and my artwork was bubble wrapped safe and sound in the van, I slept. Boy, did I sleep.

I awoke to the sunrise, had breakfast, took my shower and dressed like a proud and happy artist should. I even remembered earrings and mascara. I'd brought a better chair and went off to rule my day. I took my time, by myself, to set up my work on those walls and as the minutes went by people came in to watch, to talk, to admire, to compliment, to ask questions, and yes, to buy.

I made price tags out of my crazy out-of-date business cards and wrote my new info on the cards I gave out. I wrapped purchases in bubble wrap and twine. I had wonderful conversations with visitors as well as my fellow artist neighbors, enjoyed an ice cream cone from the local food truck and made new friends. And throughout the day, I sold stuff!

Before the first hour of the second day, I'd already made back my booth fee and had once again found my joy in talking with people about my work, selling with no apologies and proudly calling myself an artist in business again. "Oh, are YOU the artist?" "Yes," I beamed. "Yes, I am. This is my work." It had been so long since I'd been in the public eye and I loved hearing people tell me how "exciting and different" my work was. I even loved it when people said "Oh, these are kinda scary!" Thank you, I'd say with one raised eyebrow. Thank you very much. 

At five o'clock on that Sunday afternoon, four volunteers ran up to me and asked if they could help me with anything and I said "yes, thank you. I think I could use help with everything." They laughed and got to work. The volunteers had been there throughout both days to give us breaks and bring cold water or hot coffee. When my husband arrived with the van, everything was folded neatly on the grass and I found myself relaxed and smiling with an inner peace I hadn't felt in ages. It had truly been an amazing day, made even sweeter by the turmoil I'd put myself through leading up to that last moment of my first show.

What I want to say to you here is Thank You. Thank you for this forum. For tips you've all shared, and the booth photos for Newbies, and the experiences of all the different shows you've all lived through, both good and bad. Thank you for your input on walls and weights and tents and displays, even when you've answered the same question a million times before. And, oh my God, thank you for telling us about zip ties! But most importantly, thank you for making it alright to be scared sometimes. And for making it okay to admit that we've never actually done this before. 

Thank you for letting us understand that it's okay to ask for help of our fellow artists. And to accept that help graciously. And that the volunteers really DO want to be helpful. Thank you for giving me permission to say "Excuse me, but this is the first time I've used this tent. Could you help me?" 

How sad it would have been to have given up and never had this crazy experience. How helpful it was to come here to this forum every couple of nights for months with a question, or just an hour to read about things and then be able to actually use what I learned here. If I can pay it forward I would say this: Don't be afraid to feel your feelings but then get past the negative stuff and move on. Get a good night sleep, eat a good breakfast, don't forget your sunscreen. Drink lots of water and know where to go when that catches up to you - because it will. Ask for help when you need it, offer help where you see a need, be grateful and mindful of how lucky you are to live your life by your own standards, to spend your day in the shade of a tent surrounded by your own creativity and joy. Talk openly and happily with everyone you meet, be nice to people even if they say silly things and don't seem to "get" your work. And when things get crazy - which they will - stop for a moment, find your center, take a deep breath and just have a ball. The answers will come. Always remember that you are an artist and that's just an incredibly cool thing to be.

Thank you again.

Robin

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Show Review: Talbot Street Art Fair

Hi Friends, here is my review of the 2013 Talbot Street Art Fair.This show is on a street in an older but nice neighborhood in Indianapolis. Load in and set up were easy, as there is parking near most booth spaces or you can unload on the street. I set up on Friday afternoon.Saturday the crowds were there for the whole day and my sales we good. There is a mix of art and craft at is show and I found the other artists there to be very friendly. The show runs Saturday from 10-6.Sunday had good crowds, mostly lookers in my case, as I sold only a couple of pieces. I made a good profit by the end of the show with a bonus of award money for best in sculpture.Load out was equally easy and fast. Everyone was nice and helpful during load out.Due to my award I am guaranteed a spot for 2014 and will go back. Overall, I liked this show and felt it was well promoted and organized. My only suggestion would be to have more volunteers available for booth sitting.I will be in Cedar Falls, Iowa this coming weekend for the College Hills Art Festival and will post a review next week!Now, how's that for a review at a truck stop restaurant on an I pad!!! LOL. Off I go home to the central time zone (YAY).
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Door County, WI Shows

This is my second year doing shows. I am based in the Milwaukee area. I have decided to branch out and try some shows in Door County this year. However, now that I have gotten into a few of them, I am stumped at figuring out where to stay economically. Does anyone have any ideas? I may end up borrowing a tent and camping for $20/night, even though that seems like a bit more trouble than just sleeping in my car in the Walmart parking lot for free. Unfortunately, these art shows all fall on holidays where the motel rates are higher to begin with. 

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Call for Artists: Atlanta Arts Festival

AtlantaArtspiclogo September 14 & 15
Atlanta, Georgia
Historic Piedmont Park
Saturday 10am-7pm; Sunday 10am-5pm
200 Artists
Deadline: April 29

The Atlanta Arts Festival is a two day, outdoor festival with an emphasis on the visual arts.  Set in historic Piedmont Park, the festival fills the fall time art festival void in the City of Atlanta.

This autumn festival of excellence in the arts is an event dedicated to bringing together outstanding artists from throughout the country with the large and enthusiastic art buying community of the Atlanta area.

The Atlanta Arts Festival is produced by a highly qualified staff and strong volunteer pool, both with multiple years of event production and promotion in the City of Atlanta.  This annual September event is committed to delivering a quality experience for both artist and patron!


1253.jpg?width=234 Items of Interest:

  • Held in Piedmont Park
  • Juried show; artists selected by a panel of experts
  • Limited number of participants to increase sales
  • $7,500 in award money
  • Artists retain all proceeds from their sales
  • Commemorative poster image will be selected from a show participant
  • Ranked in the 100 Best Fine Art & Design Shows by Sunshine Artist Magazine, September 2012 

Artist Amenities:

  • Artist hospitality providing continental breakfast & refreshments
  • Booth sitting
  • Load-in/load-out at booth spaceAtlanta
  • Free parking (parking information will be forthcoming in artist acceptance packet and/or check-in packet)
  • 24 hour security patrols
  • Discounted rates at participating hotels

 

For more info:  www.AtlantaArtsFestival.com    

Applications: www.Zapplication.org  

(770)941-9660 (office)

(866)519-2918 (fax) 

 

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~
Find more shows for your 2013 show season: www.CallsforArtists.com
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1082.jpg?width=155June 8 & 9
Indianapolis, Indiana
Talbot Street between 16th & 20th
& Pennsylvania and Delaware Streets
Sat.: 10am-6pm; Sun.: 10am-5pm
270 Exhibitors
Deadline: January 21


The  58th annual Talbot Street Art Fair is sponsored by Talbot Street Art  Fair, Inc., a non-profit organization dedicated to promoting the arts  and philanthropic endeavors; program grants, scholarship endowments and  awards.

270 fine art and fine craft artists from across the nation will participate in the oldest juried fair in Central Indiana.  The fair remains free to the public.

Media  categories are two dimension, two and three dimension mixed media,  clay, fiber, glass, jewelry, metal, photography, sculpture and wood.  Merit  Awards of $250 are given for each category and also a $500 Best of Show  Award. In addition to the Merit Awards, we also sponsor Purchase  Awards.

All of the fair's focus is on the artists.

  • We do not have  TalbotPic2 commercial booths or performing musicians.
  • We do extensive advertising to bring you the customers that buy.
  • The fair has a dedicated following of patrons who show up rain or shine.
  • Our  local and regional media coverage includes billboards, newspapers,  magazines, online ads and radio and television interviews.
  • We provide 24 hour security with our Indianapolis Metropolitan Police Department officers
  • Free parking for both artists and RV's and cold water.  We also offer the option of Friday afternoon set-up.  Our Block Captains help us create an organized fair that runs smoothly.


The booth space sizes vary from the standard of 10'x12' to 10'x22'.  Fees: $25 Application Fee; Booth Fee of $295-$545.

For more information: www.talbotstreet.org
(317)745-6479
talbotstreetartfair@hotmail.com

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