painter (7)

I know this is late.  I just happened to stumble upon this and thought I should pass this on.  The deadline is 5pm on August 28, 2020.  I thought maybe with shows pretty much being canceled someone may have the time to quickly put things together to apply for this.

The Appalachian Sustainable Development is applying for grant funds to pay an artists or team of artists to paint an outdoor mural on a new garden shed depicting agriculture and it impact in Central Appalachia.  

"If awarded, we aim to create a place-based mural (approx 8 ft. tall & 12 ft. wide) on our new garden shed at ASD's demonstration garden, 798 Hillman Hwy. NE, Abingdon, VA. If awarded, the work must be done: 11/1/20 - 4/30/21. #livingbetterlocally #supportlocalartists"

The shed to be painted is in Abingdon, Virginia.

You will need to submit your portfolio to scrum@asdevelop.org by 5pm on August 28, 2020.  I know it is late but thought I should post this in case there is at least one interested artist.

You can find more info here:

https://www.facebook.com/livingbetterlocally/photos/a.426442719943/10151422154984944/?type=3&theater

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The Rising Ground for Indian Artists

The posh outlook of the art sector has been showing a staggering expansion as the eastern art world is now penetrating the European and American market.

For long, European and American art were the major crowd pullers at the global level. The reason was the perpetual suppression of Eastern art styles and conventions.

However, things have changed tremendously in the last few decades or so. Eastern art community isn’t just growing but also showing a remarkable upsurge in terms of creativity and innovation.

The entrance of Christie’s exhibition in India in 2013 has declared the arrival of Eastern art at the global level.

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And to make things better, the Christie’s first auction in India sold paintings worth $15 million, which was way beyond what was expected. 98% of the total stuff was sold!

Untitled painting of V.S.Gaitonde was sold at a staggering price of $4.1 million. Now that was something that didn’t happen commonly for Indian artists.

There isn’t a single piece of doubt that Indian art is on an unerring climb. Let’s take a deeper view in the same by checking out the stats and keeping a notch on what drives this hike.

What do numbers say?

The year 2018 proved to a prolific one for Indian art.

With a 21.6% rise in the sale, Indian art is all dressed up for the party ahead.

There were 1559 artworks put up on sale in the year 2018, out of which 1469 got sold generating around INR 685 crore.

One reason for deterring in the sales of 2017 was the implementation of demonetization policy by the Indian regime.

Amongst Indian artists, the iconic S.H.Raza leads 2018 by fetching a towering sale of INR 98 crore for 67 pieces he sold.

His most expensive sale recorded a whopping INR 29 crore for his exquisite work, Tapovan, at Christie’s auction.

This proves that Indian art is on a shining path that leads to more record-breaking sales.

But what are the aspects that drive this excellent escalade?

Driving Factors – What pushes the growth?

There are a dozen reasons that are responsible for pulling Indian art from the sink and putting it at an apex level in the market.

However, there are a few factors that influenced the ascent of Indian art more than others.

Coining Bombay Progressive Artists’ Group

Pre-independence, the creativity of Indian artists was surrounded with pre-set themes and a definite objective. Patriotism, socialism, and nationalism used to drive the artists to pick up the brush.

However, post-1947, Indian artists weren’t bounded by anything. This is what inspired them to make a separate identity of Indian art, where thoughts, imaginations, and creativity didn’t experience any sort of friction.

With this in mind, the emergence of Bombay Progressive Artists’ Group became possible. The group was formed in 1948 and got dissolved in 1956 but the impression and impact it had on artists in India can still be seen in contemporary works.

Understand that the founding members of this group are known names of Indian art. All of these lads were young then, mostly in their early career stage, but held an impeccable vision.

These illustrious artists were S.H.Raza, K.H.Ara, H.A. Gade, M.F.Husain, F.N.Souza, Soon the likes of Ram Kumar, V.S.Gaitonde, Tyeb Mehta, etc joined the movement.

This was a breakthrough in shaping a new face for modern Indian art.

The Global Sweep

The centuries-old thirst of Indian art to win global recognition is now quenched, eventually.

As said, Bombay Progressive Artists’ Group played a pivotal role in gaining ground for Indian art. But the group got scrapped in just 8 years – what then?

A lot of Indian artists in this group were determined to showcase their talent on the global platforms post-independence.  

The first one was Souza, who left India and went to France in the year 1949. His paintings were already exhibited in London Burlington House a year before.

Soon after, artists like Husain, Gaitonde, Mehta, and Raza began to sweep European and American nations with their extraordinary talent.

A few of these artists toured and came back while others stayed there.

In a nutshell, Indian artists beginning to participate and impress the western art collectors and zealots turned the eye of major art dealers towards the untapped market of India.

The online burst

The unbelievable emergence and rise of the online world have impacted a number of sectors quite heavily – art is no exception.

If you want to look in terms of numbers, let me tell you that the record sales of 2018 what we were discussing above was because of the online platforms.

Surprisingly, the contribution of online sales (339 crores) is more than what offline deals yielded (318 crores).

The Paramountcy and popularity of the online platforms can be seen by the fact that out of 716 works put for sale online in 2018, 657 got their buyers.

These three are the major drivers for the phenomenal rise of Indian art in the world.

Thanks!

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Thank you I have a job

Let's clear up a few details so there is no confusion: I have a job.

More specifically I have a business. Technically, I've had a business for nearly a decade. Of course, because my business involves creating art people assume it is simply a hobby.

Watch me

Which brings me here.

I'm angry about being judged and am tired of defending my life to well-meaning loving people, well-meaning ignorant people and a few not so well-meaning haters.

In talking to people about this I've discovered something interesting - people have no idea what I - or most successful artists - actually do. So in as few words as possible, let me tell you about my business.

I am an award-winning, fine artist creating original oil paintings, custom murals, private commissions and fine art prints with Americana and vintage themes. I travel across the country profitably selling my art at juried art shows where it has been recognized and rewarded by knowledgable experts.

I hang my artwork at well established professional galleries. I teach painting classes, art camps and mentor other painters.

I have an audience that will buy my art because it is original, authentic and well-done. I am talented.

And for the first time in my life I am fully committed to my Vision.

I've decided to write about this because my partner, friend and lover pointed out that I sound like I'm apologizing when I talk about my business. That when confronted with the "When are you going to get a job?" comment there is a hint of embarrassment and shame in my response.

And he is right. I've been trained.

In talking to other friends that have a business that revolves around creating something called "art" and reading blogs and essays I've discovered I'm not alone.

Here is the irony.

If I spend my day selling cars at a dealership most people would say, "Chrissy? She has a job selling cars." If I spend my day cleaning houses they might say, "She is a housecleaner."  If I left my studio, drove to a customer's house and painted the siding I would have a job as a housepainter. If I spent my day at home coding medical records people would consider that a job.

Apparently, if I was employed at Menard's making minimum wage that is a job too.

But because I work fifty to sixty hours per week on my business creating something at home called "art" it isn't considered a job.

The truth is there is an established, recognized market for my paintings. It is simply a question of finding the right mix and taking the actions to support my business. I manage my accounting, pay taxes, market and promote my artwork, network with other art professionals, enter into juried art shows, enter into competitions, work with professional well established art galleries and give art lessons.

2012 Stevens Point Festival of Arts where I was given an "Award of Excellence" for my body of work.

I find the double standard confusing at times.

How this plays out for people is different for different people.

Let me give you a couple examples of how this actually plays out in my life.

Among other failings, my ex-dear husband is a failure as a business owner. For nearly, three years he has forced me and my children into difficult financial situations, ran up my credit cards, ruined my excellent credit rating and avoided any real work.

Oh, and he is also a painter except his "canvas" is the inside and outside of houses. He is a housepainter.

Last week, during court, the judge suggested I get a "real job." Apparently, the judge did not consider being a mother and raising our children a real job. I painted when time allowed, ran art camps and traveled 8 to 9 weekends per year for my business.

However, the judge never confronted my ex about his unwillingness and inability to support his family with his job. He never suggested, "Sir, perhaps you need to get a real job because it is obvious what you are doing is not working." The judge never called him out even though as the family's breadwinner he wasn't winning or bringing home the bread.

My ex's lawyer mocked my profession.

As I sat in the witness stand she said, "being an artist was nothing but a pipe dream," and that I "would never be successful".  She then compared what I do to selling "pink fuzzy bunnies".

Of course, it was pointed out to me by my partner that there are some incredibly successful companies that made a business out of selling fuzzy animals including AmazonWebkinz and Vermont Bear Company.

I have nearly 320 hours in this painting and worked on it over a year.

However, more to the point, this isn't the first slap in the face I received as business owner and painter.

Really the insults began while my boys were just starting school. I can't count how many times I have been asked to come and volunteer my time or my donate my art to a fundraiser.

Just because I work from home in my studio. Would they ask another parent to come in as often if they worked under someone else's roof? Would they ask a dealership to simply donate a car?

My business is no different than pedaling cars, insurance, bicycles or dish washers. The only real difference is that I am making it myself instead of in some plant in China or bank on Wall St.

Some people collect cars, tools, electronics, music, stuffed pink bunnies or Star Wars action figures.

Other people collect art.

What I've discovered is that people want and do collect my art.

To all the well-meaning people that love me, if you really want to be helpful, think about how you can make my business more successful through referrals to art collectors, interior decorators and gallery owners. When a friend is talking about painting a room, doing a mural or having a portrait completed give them my name and email me an introduction.

For the well-meaning but ignorant people stop by my studio or visit me at an art show and learn more about what I do. I love talking about my business and my Vision.

For the haters? Well, haters are gonna hate. I'll ignore them and just focus on living well.

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One of a Kind Show - Chicago

I traveled to Chicago for the Ooaksthis past weekend.   I had never been to one of those shows before.  I was very excited to go to a show held in the Merchandise Mart.  We arrived on Saturday just about the time it opened.  I don't think they could get any more people in that place.  It was packed!  It was so tight that we could only take tiny baby steps as we moved around the show.

The wearable art seemed to be doing very well.  The booths were packed with ladies feverishly examining each item.  Not only were they looking, they were buying, too.  Some shoppers told us they come every year and I think they were all coming on the same day, too.  Shoppers could be seen carrying multiple bags as we inched our way down the rows.  There were gorgeous silk scarves, winter coats, designer dresses, and lots of fancy scarves made from really cool yarns.  Plus, we saw lots and lots of fancy hats.  The hats made me wonder why I don't ever see anybody wearing one.  Maybe hats are token purchases that vanish into thin air once they hit the closet shelf.  :-)

There was lots and lots of jewelry!  I think one artist told us there were 160 jewelers there.  Twenty six percent of the booths were jewelry and that does seem high to me.  I don't think the jewelers were very happy about that.  As we walked along it does seem like everywhere you looked there was a jeweler. 

I did see something I hadn't seen before.  There was an Etsey area.  Exhibitors that had Etsey stores were all together in one area.  It did seem like there was a good number of them there.  The work in that area did seem a bit different to me.   It wasn't quite like the art work I am used to seeing at Art Shows. 

As we got to the other side of the building we could see what I would call traditional art.   I am referring to the painters, photographers, sculptors, and others.  There were shoppers in those booths but not like the shoppers in the clothing booths.  There were some very good artists and if money wasn't an object I would have made several purchases.  I did talk to some of those artists and they said they were doing well but not quite as good as they did last year. 

Of course, there were a few booths that made you wonder how they got into the show.  For the most part their work looked nice but it just wasn't really art. 

We did go back Sunday and it was much easier to get around because the crowds weren't so thick.  I suppose the artists would rather have the crowds though.  I took a few photos.  Bare in mind I used a tiny little Nikon Coolpics camera.  I noticed they are a little fuzzy but you will get the idea I am sure.  The photos that have less people in them were taken on Sunday. 

I am already planning my trip for next year.  Hopefully, I will see you there, too.

 

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This artist sold all kinds of fancy things for the bedroom.  Her display looked very attractive.

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Anne is an AFI member that I stumbled upon.

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The art on the far right was really cool bells.

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The Fashion district, too bad I am not a clothes horse.  I would have gone nuts.

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Sorry, I know this one is blurry. 

Suddenly, I can't add any more photos so I guess that is my hint to end this. 

Jacki B

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Peep of the Day: Lauren Knode, painter

 I think it’s fair to call Lauren Queen of the Sky. She captures the sweeping, dramatic desert sunsets here in the Southwest in vibrant impressionistic strokes; I am psyched to see that someone else has noticed that at a certain time during some twilight skies there is a green streak:

 

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When you stand up close and look at Lauren’s work, her brushwork is loose; step back about ten feet, and these large canvases turn into crystal clear scenes. I was reminded of Chuck Close.


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I have the privilege of seeing her start and complete a commissioned piece, from sketch to underpainting to final layers. Once again, I am reminded of my own goal: learn to paint faster. I am learning much by watching my peeps!

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Visit Lauren’s site at http://laurenknode.com

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Finding the Perfect Frame for Your Artwork

An artist always wants to show off their talent with highest quality and detail. A special framework is always required to display a masterpiece. A perfect frame for your artwork not only enhances its beauty but can also bring mesmerizing attraction to your piece.There are various types of artist picture frames available in the market. You can find huge contrast in the frame features, like size, texture, quality, and craftsmanship, so picking the perfect frame for your special piece of art is very important, in some ways finding the frame is an art itself. A painting is not just a piece of art; it is a culmination of emotions and thoughts, leaving an immense impact on individuals.Before you buy a frame to preserve your art, you should have an idea about the type of frame that would magnify your artwork. Wooden frames always make the artist work look very elegant. You can shop for artist pictures frames as per the size of your pocket. Apart from the material, color of the frame is also a very crucial factor. This has the potential to make your art look ordinary or extraordinary. Sometimes, looking for a frame is exhausting within itself. It's difficult to find the right frame which speaks to you. Different types of emotions are attached with each painting, so you'll need to find the frame which compliments your emotions. Sometimes it's advised that you choose your artist frame before creating your masterpiece, because the exquisite reminiscence of the frame can provide inspiration for creating your art.In many cases you'll need special frames to highlight your work. Your art may be displayed at an art gallery, auction house, an art showcase, or an ART FAIR in these special cases you'll need a special frame that stands out amongst the crowd. So, to preserve any special art for art galleries, one should opt for antique frames. Your exceptional art indeed deserves a grand treatment. An artist can leave his artistic taste on the frame work also, by making his own art frames. These frames may or may not be as spectacular as ready made frames, but such frames make any fabulous piece of art fantabulous in terms of its sentimental value. The finishing touch to art picture frames is given by glazing. It can be done by glass or acrylic. Glass offers superb scratch resistance but is heavy where as acrylic is lightweight and gives the art a superior quality.An artist cannot leave his creation to be eaten by spiders. In addition to, amplification of an artist’s work, frames act as protection force also. Art is sandwiched between the mat board and mount board. This prevents your precious art from getting damaged. An artist’s art is not meant to be stored in a box. It is meant to be framed and hung, so that its beauty and charm can be manifested. For hanging frames you'll need sturdy and strong frame hardware which will support your artwork.An artist’s work is the affirmation of his ideas and imagination, which portrays their vision and passion towards their aesthetical world. So, to scatter the beauty of their philosophy, the artist artwork must catch the eye of the spectator. Once it strikes the eyes, then it would create the magic, leaving a soothing impact on the viewers’ soul. You can easily use frames to capture the attention of your audience which will draw them to your artistic masterpiece.Wholesale Frame Company is an online store where artist can purchase wholesale frames, plein air frames, artist frames, and picture frame hardware.
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