Arizona (7)

12304231265?profile=RESIZE_400xFebruary 23, 24, & 25, 2024
Fountain Hills, Arizona

Downtown Fountain Hills
Friday & Saturday 10am-5pm & Sunday 10am-4pm
500 Artists
Deadline: December 1, 2023

Application fee: $35/Booth fee: $500

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The Fountain Festival of Fine Arts & Crafts is celebrating it's 50th Anniversary this February!
 
We cannot wait to welcome artists of all categories from all over the country for this incredible show spanning over Downtown Fountain Hills. 
Fountain Hills Arizona is home to the third tallest fountain in the world, gorgeous desert scenery,
and many, many art lovers.
 

We hope you'll join us for an incredible event!

Testimonials

  • "The chamber staff is always so helpful and seem happy to see us! It was really well organized and move in and out were good!"
  • "Everyone and everything was excellent!! Great weather helps too. See you next show!"
  • "Year after year, the festivals are well attended and organized. The Online check-in is awesome. I have referred several vendors that have asked about craft shows to attend. You are in the top three. John Redmon - Hang Five"
  • "This event was great from start to finish. I felt like we were very cared for at all times, before and after the show. The info shared by email was very timely and appreciated. Thank you to all of you who worked so hard to pull this off! Michelle Pappas"
  • "Fountain Festival of Fine Arts & Crafts is one of our favorite shows. Great customer experiences coupled with high class artisans make for a truly amazing show. We look forward to this event each year. This is our fifth year attending and now we have built up a group of people who love and treasure the items we make. If you are thinking about vending at this festival, do not hesitate. It is well worth it. Jill Crozier HPSilver, LLC."

We are bringing back the dearly missed tradition of having a hot air balloon launch on the final day of the Festival! Because of this, vendors will have the option to open their booths early (7:30AM).

For more information: fhchamber.com/artfairs-spring-fountain-festival/ 

Contact: Hannah Toth hannah@fhchamber.com

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12304231265?profile=RESIZE_400xFebruary 23, 24, & 25, 2024
Fountain Hills, Arizona

Downtown Fountain Hills
Friday & Saturday 10am-5pm & Sunday 10am-4pm
500 Artists
Deadline: December 1, 2023

Application fee: $35/Booth fee: $500

12304231501?profile=RESIZE_400x
The Fountain Festival of Fine Arts & Crafts is celebrating it's 50th Anniversary this February!
 
We cannot wait to welcome artists of all categories from all over the country for this incredible show spanning over Downtown Fountain Hills. 
Fountain Hills Arizona is home to the third tallest fountain in the world, gorgeous desert scenery,
and many, many art lovers.
 

We hope you'll join us for an incredible event!

Testimonials

  • "The chamber staff is always so helpful and seem happy to see us! It was really well organized and move in and out were good!"
  • "Everyone and everything was excellent!! Great weather helps too. See you next show!"
  • "Year after year, the festivals are well attended and organized. The Online check-in is awesome. I have referred several vendors that have asked about craft shows to attend. You are in the top three. John Redmon - Hang Five"
  • "This event was great from start to finish. I felt like we were very cared for at all times, before and after the show. The info shared by email was very timely and appreciated. Thank you to all of you who worked so hard to pull this off! Michelle Pappas"
  • "Fountain Festival of Fine Arts & Crafts is one of our favorite shows. Great customer experiences coupled with high class artisans make for a truly amazing show. We look forward to this event each year. This is our fifth year attending and now we have built up a group of people who love and treasure the items we make. If you are thinking about vending at this festival, do not hesitate. It is well worth it. Jill Crozier HPSilver, LLC."

We are bringing back the dearly missed tradition of having a hot air balloon launch on the final day of the Festival! Because of this, vendors will have the option to open their booths early (7:30AM).

For more information: fhchamber.com/artfairs-spring-fountain-festival/ 

Contact: Hannah Toth hannah@fhchamber.com

Read more…
12150045674?profile=RESIZE_400xNovember 10, 11, & 12, 2023
Fountain Hills, Arizona
Downtown Fountain Hills
Friday & Saturday 10am-5pm & Sunday 10am-4pm
500 Artists
Deadline: July 31, 2023
 
Application fee: $35             Booth fee: $500
 
Fountain Festival of Fine Arts & Crafts is a juried art festival in its 49th year of operation! This event has become a Valley-wide tradition, welcoming over 200,000 guests over the course of the weekend to experience our juried Art Festival featuring every category of Fine Arts & Crafts. The Fountain Hills Chamber of Commerce is so proud to produce one of the largest Festivals in Arizona, twice a year!
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This is an Outdoor Festival under the shadow of the fourth tallest Fountain in the World! The Festival spans down Saguaro Blvd., Avenue of the Fountains, and a portion of Parkview Avenue.
 
We are proud to offer an Artist Reception on the Saturday of the Event beginning at 5:30pm. The Artist Reception offers free food and drink hosted by one of our Festival Concessionaires as well as the local VFW chapter.
 
12150046058?profile=RESIZE_400xTestimonials
This is my favorite show! It goes very smooth from beginning to end and I always make a large profit! It's one of my best shows!
- Deanna Martinez-Hay, Art 4 your Glasses
 
The Fountain Hill show is professionally run from the directors to the volunteers. Everyone is friendly, helpful and there for you. Great art buyers. My favorite shows!
- Dorothy Proffitt, Western Winds Artwork
 
This is a high-quality show. The attendees are enormous, and the camaraderie amongst the vendors is awesome. I feel blessed to be a part of this Fountain Hills Fair.
- Genevieve Markowski
 
We love being part of the Fountain Festival. The show is organized very well. The load-in and load-out process has improved with each show. We cannot say enough good things about Hannah and the rest of the team regarding the time and attention they have given to making these events a success. They seem to have thought of everything.
-Todd and Sallie Johnson Artchuterie
 
We have come to count on the festival spring and fall. It delivers great sales every time. Easy set up and tear down in a beautiful setting . Staff are friendly and security is great. What more can you ask for?
-Molly Bennett (Tahoe Fire Glass )
 
Contact: Hannah Toth hannah@fhchamber.com
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10898264468?profile=RESIZE_400xMay 27, 28, & 29, 2023
Prescott, Arizona
Yavapai County Courthouse Plaza
Saturday & Sunday 10am-5pm, Monday 9am-3pm
90-100 Artists
Deadline: January 1, 2023
 
Application fee: $35 Booth fee: $450-750
 
This beautiful and historic outdoor space has been named one of the top ten gathering places in America and is located in the heart of Prescott, the Cowboy Capital of the American West.
 
Many western enthusiasts, art collectors, and locals all look forward to this Memorial Day weekend tradition held every year on the beautiful Yavapai County Courthouse Plaza, a famous and infamous district that elicits the flavor of the old West and complements the venue with antique shops, saloons, and historic hotels.
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"If you want to be known and establish a career as a wildlife or western fine artist, the Phippen is the go-to Show!" Joseph Robertson, award-winning Mixed Media artist.
 
So we hope you can join us this year in support of this
special presentation of the great
Art of the American West and the Phippen Museum.
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Read more…

Post 1/28  29/11


I am pleased as punch to report that I made a rather large sale the other day; however, this is where experience separates itself from just plain old dumb luck. Realize now, that I still am a fairly relative newby with less than three years art show experience under my tent.  So, when a wonderful patron asked me, “And how much is shipping to New Hampshire?”  I played coy and said I’d have to check my book and get them a quote.  Hell, I’ve shipped paintings to Germany!  How difficult could it be to ship a piece to Keene, NH?


Well.

 

I checked my little book, and recited the quote for the USPS for a piece 36” X 24” and up to 25 lbs to NY for $85.00.  Hey, how much more could a piece 52” X 24” be? A few bucks?  Oh no no no no.  At a certain dimension, the USPS turns its back on you.  At a certain weight, UPS and FedEx just hand you Vaseline and tell you to bend over.  There is a netherworld out there in shipping, where the actual size of a package is eclipsed by its estimated weight category.  This is the best way I have to describe it, and it’s better this way, because my tequila report is interwoven with it.  Apparently, according to one private shipping company (which may be the issue) dimensions and weight cease to matter and become a nebulous area where the length x width x girth is estimated to fall within an estimated weight range, and if your package doesn’t fall within these specifications, they hand you the extra large bottle of Vaseline.  Uh huh. 

“Three hundred thirty dollars.  Plus one hundred twenty nine to build the crate.”

“Two hundred sixty five dollars, and that’s only a thousand dollars insurance.”

“Well, air will insure any amount, if you can prove its value, but ground will only insure up to a thousand.”


Hang on.  I’m getting to the tequila report.


So, after a few hours of feeling like I bit off both ends of my burrito, so to speak, I began to ask other artists which shipper they use.


“Shipper?” many of them inquired with a politely raised eyebrow. “Why would I want to use one of those?”


For the first few days of the show, my booth was peppered with fliers from private shippers advertising “free packing”, “will pick up from show”, “insurance included”.  I began to feel like a college student shopping for car insurance.  I didn’t even know there was a difference between packing and crating.


“You make your own box.”  Upon viewing my completely obtuse expression, my peeps began to explain.


“You go to Home Depot.  You grab a refrigerator box.  They’re always throwing them out, they’re free and they’re heavy duty.  You cutta the box to size.  Now, if you gotta canvas, you gotta getchaself summa masonite and putta thata on the face of it...you builda your owna box...”


Ok, so maybe I’m overdoing the Godfather bit, but it was about as big a mystery to me as say, oh, cannoli cream, cappozella, and Casa Nostra.  So, taking me under their wings, these obliging artists initiated me into Packing Your Own Artwork 101.  “Screw the shippers,” went the first commandment, “they overcharge.”


As Framer Dude is collaterally involved with this adventure, he was adamant that I buy a box from someone: “I am NOT dumpster diving for cardboard!  We’ll go to the shippers and buy a box!”

So, we went to various packers.


“I can order that size for you, it’ll be here Wednesday.”

“A 65” x 30” x 6” is $70.  Yeah, just the cardboard box, lady.  We gotta pay to freight it here.”

“You need a crate for that size.  Mine are $129.”


Uh huh.  When a shipper charges more for a box than I paid for a painting to go to Gemany, I start to get the idea that maybe I’m being played and taken for the rube I am.   I don’t like that feeling.  I retreated into my wounded manic artist persona in the truck home, feeling about as stable as nitroglycerin.  Seriously, one decent sale and I shoot myself in the foot and eat my profits with the shipping? There’s got to be a better way.  Maybe I don’t have all the money in the world, but if I bought a painting for say, 2 grand and then was told I’d have to pay 500 in shipping, I’d balk on principle and rent my own damn uhaul and driver for less!

Framer Dude suddenly changed his tune when another boothbuddy pointed out all our frigging tools.

“Can he build a crate?  I mean, it’s kinda like building a frame...I got a painting I have to ship next week, and I’d pay you to make it rather than one of these vulture shippers.”

 MacGuyver Dude pipes up.


“I can build a crate.”  

 

Today I saw the covert looks towards him with visual vocalizations of “Crates” along with fingers pointing.  He may be leaving hot dog heaven soon.


So, having been deflowered by the packing and shipping companies, one of the veteran artists who has taken me under his wing, gently tugged at my sleeve at Happy Hour yesterday and offered me a consolation/congratulation: homemade tequila by a compadre of his from Mexico.  A bit of law and trivia (are the two even mutually exclusive?): if you make your own tequila in Sonoran County, you are not allowed to call it ‘tequila’; this was called Baccanora, or something like that.  I took French and Latin in high school, what was I thinking?


“You’ll get the hang of it,” he assured me as he expertly daubed finishing touches on a commissioned painting.  What, the shipping?   “...don’t take it like a shot, just sip it.” Oh. Oops.

 

Sippin’ tequila.  This stuff had a smoky cactusy burn to it, complex and oaky and flowery, that would have made it a venal sin to mix it with anything.  Well, after a water glass of this pure cactus heaven, I stumbled back to my RV, only to find Framer Dude and another peep engaging in another consciousness-altering substance.


Feeling suitably invincible now, I acquiesced to this peep’s generous offer as well.  Which is why this blog post was not published last night, as originally intended.  Beware of artists bearing gifts.

 

Read more…

Peep of the Day: Dave Barkby, woodturner.

You know those ugly defects on tree trunks that cause homeowners to rush to their nearest arborist and remove the offending specimen?  They’re called burls, and Dave turns them into amazing artwork.  It’s a laborious, time consuming process, though much of it is hands-off seasoning and drying time, but the end result, well, see for yourself:

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His goal is to create a work that looks ancient, but well preserved, like it has been dug up out of an archaeological find.  Many of the final pieces look like they contain a bone inset, but it is all wood, just finished differently.  As someone who appreciates details within nature, his work really captured me, and I am awed by the amount of time it takes to go from log to wall!  This pic gives you an idea of the work involved:


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Check out his other burl work at barkbywoodsgallery.com.

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Just before I left them at a health food store called Water Lily, last December 2009...

Well, January 4th the lawyer for the landlord apparently escorted Water Lily's owner out, for non-payment of January 1st rent...

To boot, all goods were going to be sold & the monies were going to be divied up between sales tax, the landlord & other creditors...

My 4 oil paintings (24 x36) were still on the wall...On consignment...But how to get them out?

Well, the key to proving the art was really still mine was those security tags. I had ordered them from a
website FineArtRegistry.com & when they had arrived in the mail, I had dutifully stuck one on the back of each work, photographed the paintings front & back, & uploaded that to the Fine Art registry website...

I also had taken a minute before bringing them to Water Lily to make a note of my plans, in the description section of the webpage...

So...When the lawyer for the landlord said what proof do you have that those paintings are your etc. etc., I sent a link in an email to the web page which showed those 4 paintings, descriptions, size, medium, style, & details of the show & where & when...

Not only that, the inventor of those security tags was able to vouch for me that I had uploaded all of this information just before December 1st, so the timeline was correct.

Even more powerful, was when the lawyer got to be difficult, I listed those paintings as "Stolen" which is a special button you can activate- seeing as the way I saw it, they had my paintings, knew they were mine & didn't want to give them back...To me that meant "stolen"...

Teri Franks, of FAR (Fine Art Registry) told Mr. lawyer , in no uncertain terms, that if he attempted to sell my paintings they would come up as stolen to the international fine art community...

No title, no-one would buy them or could ever sell them...

Powerful stuff...

Anyways, I am writing this because I am so grateful to FAR for all of their hard work in getting my paintings back...

I did get them back on Wednesday February 24th- took me about a month of hard fighting...But we won...

I said to Teri, how can I ever thank you? She said, tell people... So, I am telling people...

Teri is going to court March 15, in Michigan, to fight a very big gallery who has been selling fakes & forgeries & other bad stuff, & they sued FAR for publishing that truth...

If anyone is in Michigan round that time you are welcome to support FAR by showing up to the trial or hearing or whatever they call it...More can be read on the FAR website...(fineartregistry.com)

Sari Grove

p.s. sorry this sounds kind of like an ad- it is really the truth, it's just coming out a bit corny I don't know why...?

p.p.s. Today I brought a painting to show a brand new gallery called Lane Gallery, so maybe they will take me...We'll see...(They really liked the story about the security tags though, smart & cool & tech, & a great way to follow where your work ends up-the ownership transfer thing is a neat way to track provenance, plus you can get COAs (certificates of authenticity) just for marketing support...
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