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St.Augustine
March 23 & 24OTAS2
Saint Augustine, Florida
Palm Sunday Weekend
Old Town Art & Craft Show~Spring
Francis Field
10am-5pm
Holiday Art Shows
125 Artists
Deadline: Jan. 11
(late applications will be accepted if category is not full)

Please join us for the Old Town Art & Craft Show~Spring, Palm Sunday weekend in Saint Augustine, Florida.  This is a carefully juried fine art and fine craft celebration of the arts.

Palm Sunday weekend is an extremely busy weekend with both tourists and locals alike converging in historic downtown to enjoy the Nation's Oldest City.  We are excited to offer you this premier event during the festive spring season in Saint Augustine.

Show Highlights:

  • Free admission
  • Reasonable booth fees
  • Overnight security
  • Easy drive up load and unload
  • Free artist parking nearby
  • Extensive marketing campaign
  • Artist friendly, knowledgeable staff
  • Free postcards for your customers
  • Friday set-up
  • By artists for artists

Holiday Art Shows offers three options for submitting your application; please choose whichever is most convenient and comfortable for you.

  1. Holiday Art Shows Online Application:  www.holidayartshows.com/online-application.html 
  2. Zapplication.org:  www.zapplication.org/index.php 
  3. Print and mail application:   www.holidayartshows.com/support-files/application.pdf 

1062.jpg?width=160 Media campaign includes: arbus magazine, regional newspapers, Folio Weekly (Jacksonville), radio, posters, flyers, banners, signage, social networking, and postcards.

 

Sponsored by arbus-The Arts and Business Magazine of Northeast Florida  

  

We look forward to receiving your application!

 

For more info: www.OldTownArtShow.com 

 

Lynn Wettach, Show Director: lynn@holidayartshows.com

Phone: (904)794-0084 

~~~~~~~~~~~~~~~~~
Fill up your 2013 schedule. Visit callsforartists.com for inspiration.

  

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8869098692?profile=originalEDITOR'S NOTE:  I originally wrote this in early Dec. after the show.  Went to publish it and lost it in the internet ether (yes, I know, hit the save button--I did not this time).  So I had spent almost two hours composing and editing, and then I lost it.  Naturally, I was pissed.  So here it is as best I can recollect.  A little "bon mot" to end 2012 with.  Hope you read and enjoy.

Doing the Englewood, FL show in early December is like going to your Grandmother's house for a special meal.  You know there is going to be that mouth-watering meatloaf ringed with baked potatoes, browned onions and carrots, and that "killer" gravy that you can sop up with those tender biscuits.

Englewood sits nested below Sarasota/Venice and between Boca grande Island.  The gulf beckons.  Take a short bridge out there and you are in a whole other world.

It is still Old Florida."  Believe me there are not many of those places left anymore.  You see vestiges of it in Cedar Key, New Smyrna, Vilano Beach and Fernandina.

It is home to several artists on the circuit like Jim Sears, Al Dela Vega, Ben Essenberg and Carol Swayze.

Carol first invited me down to the spring show eons ago.  I fell in love with it right away. Yeah, I did not make a lot of money, but it was easy to do, and most importantly, you were among friends and having a good time doing it.  Isn't  that one of the main reasons why we return to certain shows over and over again-- even if we don't make a lot of moola?

Over time, I came to stay with Ben Essenberg.  He has a big house, a big family, and a big heart.  Oh, did I forget to mention he still has a lot of room to put up a lot of artists and their vans.  Plus, there is always a good feed going on.  BTW.  Generously, Carol Swayze puts up a lot of good artists, and their vans and motor homes.  She also puts on a hell of a good feed with a lot of serious hooting and hollering around a campfire.  Two great venues for us wandering "gypsies" to pull our wagons up to.  And the golden waters of the Gulf just beckon over a short bridge, with, no tolls.

Englewood is like what most art shows were like when I first got started in the late seventies.

Mellow setup, usually the day before.  You could park behind your booth--the whole show.  You could take your time setting up--no show- Nazi committees here.  You could smoke a number in your van.  You could enjoy a little tequila or other.  You are always surrounded by known artists.  And occasionally, you could make serious money, especially if the Boca Grande "Good Shoes" people showed up.  Of course, a good mailing list never hurts having.

The December show show s always slimmer pickings then the spring show.  More buyers in town in March.

It is a small show with maybe 100 artists.  Many are regulars on the circuit and do it for the same reason I do.  Usually, there is plenty of room on your sides and behind.  Also, the show ends at 4 pm and you can be out of there in no time, and have a meal at home, or maybe some sushi.  Whatever.

The best times of this show come on the Friday and Saturday nights of the show, after we are done selling.

This year I crashed at Ben's, along with Carol and  Michael Webber, Bill, and Steve Khourie.

Naturally, we sat around a big table, with a big meals, with lots of wine and beer flowing.  And we told stories.  About people, long gone, who we still remembered.

To me, that is important.  I like remembering, and I like being remembered.  You can't take it to the bank for anything, but you can sleep the "sleep of angels" hoping you will be remembered in some kind way.

I got around to telling the story of Rene Marchettie.  He was a talented painter, along with his wife Sandy, who was on the circuit for eons, nationwide.  These people sold work for serious moola.

We always did the old Piedmont Show in Atlanta.  Back when it was a nine-day show, first in May, and then finally in September. At show closing we always jockeyed for position "A", being the first van into the show at end.  He always out-foxed me and was first.  He would give me that big grin and twirl his mustache, and yell,"Nels, maybe next year--but not now."

Rene died the perfect way most artists pray for, if you gotta go.  He fell over dead, peacefully, in his directors chair at the show, with a smile on his face, and a customer wanting to give him a five-thousand dollar check.

We all got a good chuckle about that.  You know how I like to tell stories of old.

Then, I started ribbing Steve Khouri.  He is a talented wildlife painter, who is very handsome and very successful.

Steve had the newest IPhone with that delicious voice of Siri.

So I just plum up and asked him, "See what Siri has to say if you ask her 'Does Siri do BJs'. Steve's face turned four shades of red and pinks, like his sunsets.  He said," i am not going to ask Siri that."

I said, "Come on, what have you got to lose, and besides, enquiring minds want to know."

So he asked her.  She replied,"Sir, I am not familiar with BJs but I will be glad to research it on the internet for you."

I asked Steve about five more sex-related questions for Siri.  Finally, he relented after five and retired with Siri for some serious pillow talk.  Whatever that was about.

Next day, I took Ben to breakfast at our favorite morning restaurant, bought a New York Times at Publix, and heled on down to the show (That's Hawaiian for for taking a short trip).

Sunday was beautiful, we all made a little money and I headed home with sweet thoughts.  It was a good way to end a most difficult year in the business.

It is only a little over one hour to my home in Ybor City from Englewood.

I left at a most opportune time.  Winter Soltice was just around the bend.  Light shadows were longer, and more colorful, upon the land.  I saw tops of palm trees painted in bright pinks. Rivers, like the Alafia, painted in pastel lavenders with crimson high notes.

I was heading home to sushi with my favorite blonde.  I was thankful for good health again.  Wealth is coming in 2013.  I feel it in my bones--and my brand new work.

I thanked God there were still shows like Englewood that could nourish my inner spirit.  I silently thanked Carol Swayze for inviting me on down, those long, years ago.

In my heart and soul I still have many miles to travel, many pieces of great art to create, and most of all, many great friends to spend my time with.

I am truly blessed.

Happy New Year everyone.  Nels.

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It's going to be a quiet week. Even artists take some time off to think of other things, although like most self-employed people work is always there waiting for you.  In case you'd like to get something out of these days check out these ideas, starting with:

1.  Update your ... 6a00e54fba8a738833010536827b09970c-pi
2.  Pick up ...

3.  Get a ...
4.  Give an ...

5.  Check your ...
6.  Use your ...

7.  Start an ...
8.  Get a ...

A great way to get started early on improving your business for 2013. Happy holidays!
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Hello!

Hello, I just wanted to introduce myself and say hello to everyone.  I have always made art, but only recently have I tried participating in art festivals.  I found out about Art Fair Insiders and I am very glad to be a member!  I will gladly share whatever knowledge I have, though I suspect everyone will know much more than I do. 

These days my artwork is mostly about music and musicians, jazz especially.  I call it "Jazz Art".  The subject matter is usually jazz, but the media varies:  I make mixed media collages with fabric and paint swatches, abstract collages from paper, and I also use scratchboard. 

Thank you for having my in the community-- it is nice to be among like-minded people. 

Danny Darr

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April 5-7 QueenyParkLogo
St. Louis, Missouri
38th Annual Spring Art Fair at Queeny Park
Queeny Park in West St. Louis County
Fri.: 6pm-9pm; Sat.: 10am-6pm;
Sun.: 11am-4pm
Deadline: January 15

For more than thirty-eight years the Greater St. Louis Art Association has been providing opportunities for the public to see and purchase original works of fine art and fine craft directly from the artists who create them.

Every year we produce two juried art shows (Spring and Labor Day Weekend).  Artists in all media are encouraged to apply.  These shows feature juried local, regional and national artists' original work.  From the pool of artists applying, about 130 artists from all over the US and Canada are invited to exhibit.  These artists are selected by a professional jury process in eleven distinct media categories.

Both shows are presented in the indoor, air-conditioned setting of the Greensfelder Recreation Complex at Queeny Park in west St. Louis County.  Food and refreshments are available on site, parking for the public and artists is free.  Live music playing during wine tasting and peak attendance.  During Sunday afternoon, an interactive children's art education program encourages families with youngsters to meet and talk with artists and learn about their work.

1080.jpg?width=500


Noteworthy:

  • Our 38th Annual Spring Art fair
  • Limited to approximately 130 artists
  • An air-conditioned indoor art fair, no worry about the weather, tents or security
  • Jury/Booth fees ($25/$200); free electricity 
  • Cash awards totaling $4,500
  • Booth sitters, 24-hour security. Rest easy knowing your booth is locked up safely at night.
  • Excellent marketing campaign, expanded to television, newspaper, magazine and radio advertising, internet and e-mail promotion
  • Promotional postcards, business cards and coupons provided free to exhibiting artists
  • Live music throughout the art fair
  • Wine tasting Friday & Saturday evenings and Sunday afternoon

Important dates:

  • Artist's entry deadline:  January 15
  • Notification date:  February 1
  • Booth Fee Due:  February 8 

For more info: www.artfairatqueenypark.com/  

 

You may also contact:

Vic Barr, GSLAA President

(314)997-1181

vicbarr@sbcglobal.net 

~~~~~~~~~~~~~~~~~~~~~~

Find more art fairs for 2013: www.CallsforArtists.com

 

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Call for Artists: Amdur Productions

This is a special edition of our Call amdurlogo for Artists. Listed below are eighteen juried art festivals professionally run by Amdur Productions, a nationally acclaimed art festival production company which will celebrate its 30th anniversary this season.

Founded by Amy Amdur, Amdur Productions exploded on the art fair scene with the launch of the Port Clinton Art Festival in the affluent community of Highland Park, Illinois, 30 years ago.  Since then Amy and her great staff have continued to produce and organize nationally recognized festivals in high-profile suburbs and popular metro areas, many of which are considered the best in the business.

Last year Amdur Productions expanded its geographic footprint beyond the Chicagoland area by launching new festivals in Milwaukee, Wisconsin; Hallandale Beach, Florida and New Buffalo, 8869097862?profile=originalMichigan, a high-end summer-home destination and weekend escape for Chicagoans.

Amdur's dedication, unparalleled eye and hardworking team, coupled with a strong marketing outreach, have made the festivals among the most successful in the country.

Take a look at these eighteen events and apply today to fill your art fair schedule and your pocketbook!

Visit the website: AmdurProductions.com for full disclosure on each of the events and apply before January 11, 2013, for consideration in this year's line-up.
 Barrington Art Festival
May 25 & 26
Barrington, Illinois  Barrington
130 Artists
Booth Fee: $405
Jury Fee: $25

Amdur Productions proudly kicks off the season with the fourth annual Barrington Art Festival over Memorial Day weekend. Known for its grand mansions and horse farms, the affluent suburb of Barrington boasts a wealthy population with a deep appreciation of art and buying history.

The festival takes place in Barrington's charming downtown, which is filled with cafes, boutiques and restaurants.  Easy listening live music takes place throughout the festival.  A centrally located Festival Info Booth and children's art activities add to the weekend.  Admission and parking for the public are free.  More information.

Millennium Art Festival
May 31 - June 2
ES01
Chicago, Illinois

125 Artists

Booth: $495
Jury: $25
       
Located two blocks from Chicago's bustling Millennium Park, the Millennium Art Festival returns to downtown Chicago's iconic Michigan Avenue for its fifth year.   More than 175,000 people visit the area daily for work or play at the Art Institute, Chicago Cultural Center or Millennium Park.  Chicagoans and tourists patronize and love this big city show.

The Festival opens to the public on Friday to reach the tremendous number of people who work in the area and welcomes visitors from near and far on Saturday and Sunday. It takes place right off Chicago's famed Michigan Avenue on Lake Street, next to some of the tallest and most famous buildings in the world.  Admission to the festival is free. Easy listening live music takes place throughout the weekend. More information.

Promenade of Art Arlington Heights
June 8 & 9  Arlington Hts
Arlington Heights, Illinois
130 Artists
Booth: $450
Jury: $25

Celebrating its eleventh year, the Promenade of Art Arlington Heights is rated as one of the top 100 festivals in the country by Sunshine Artist magazine. The festival is a longstanding tradition for the art-loving homeowners in this prosperous suburb of 90,000 residents and nearby communities.


The Promenade of Art Arlington Heights takes place in the lively downtown area amid many upscale high-rise apartments, the Metropolis Arts Centre, boutiques, cafes and popular restaurants.  All booths are on pavement. More information.

 New Buffalo ARTigras!  
June 15 & 16
NewBuffalo
New Buffalo, Michigan  

125 Artists
Booth: $450
Jury: $25

After a successful inaugural event, ARTigras! proudly returns to New Buffalo, Michigan, for its second year.  Located one hour from Chicago, this charming Michigan town, on the shore of Lake Michigan, welcomes tens of thousands of art lovers who own summer homes in the area, known as Harbor Country, or escape the city to enjoy a weekend away. This year's festival takes place over Father's Day Weekend, ensuring large crowds of festival-goers. 
 
Traditional and contemporary work does well here as the public is shopping for city and weekend homes. More information.
The Art Center's Festival of Fine Craft
June 22 & 23
FCOC
Highland Park, Illinois

130 Artists!
Booth: $450 + local permit
Jury: $35

Amdur Productions celebrates the second year of partnering with The Art Center - Highland Park (TAC) with the Festival of Fine Craft.  A longstanding community tradition, the Festival of Fine Craft attracts a loyal audience of art lovers who patronize the show annually.  Hosted on the beautiful tree lined streets of Downtown Highland Park, the show emphasizes fine craft including glass, wood, ceramics, fiber, jewelry and more.

All artists are required to donate a piece of art, valued at $100, for "Bid or Buy," a silent auction benefiting TAC, a 51 year old not-for-profit visual arts organization.  All proceeds from "Bid or Buy" support TAC's mission of ensuring access to the arts for individuals of all ages and cultural interests. More information.

Gold Coast Art Fair
June 29 & 30  
(tentative date)
GC
Chicago, Illinois
350 Artists
Booth: $595
Jury: $35


The Gold Coast Art Fair is heralded as the "Granddaddy of American Art Festivals" and is rated as one of the top 30 shows in the nation by Sunshine Artist magazine.  Now celebrating its 56th year, the Gold Coast Art Fair is the third oldest and by far one of the most well attended art festivals in Chicago.  The festival proudly returns to Grant Park, Chicago's premier festival destination! Located within walking distance of the Art Institute of Chicago and Buckingham Fountain, the art festival draws hundreds of thousands art enthusiasts annually from Chicago and beyond!

An improved layout makes the festival even more enjoyable for the artists and the loyal art lovers that shop the show year after year. This show is supported by an extensive marketing plan that include newspaper ads, radio, television, street banners and more.  An artist's VIP  tent provides support during the festival. More information.

Chicago Botanic Garden Art Festival
July 5-7
CBG
Glencoe, Illinois
85 Artists
Booth: $625
Jury: $35

The Chicago Botanic Garden Art Festival returns for its third season.  Since its return after a decade-long hiatus, the festival has quickly become a favorite for the art lovers that live near or travel to the Chicago Botanic Garden for a day of exploring. Since its first year, the festival has set attendance records for the Chicago Botanic Garden, one of the top five visitor attractions in the Chicago area.

Art of a botanic theme, material or use is exclusively featured at this festival. The Chicago Botanic Garden is located about 1/2 hour north of Chicago.  Booths are on grass and pavement overlooking a lake and spectacular gardens. More information.

Buffalo Grove Invitational Art Festival

July 13 & 14  Buffalo Grove
Buffalo Grove, Illinois

160 Artists
Booth: $475 + local permit
Jury: $25


The Buffalo Grove Invitational Art Festival has been a family and community tradition for 12 successful seasons.  Now rated as one of the top 50 shows in the United States by Sunshine Artist magazine, this stellar art festival has a rich history of great sales.

Buffalo Grove is home to more than 44,000 loyal festival supporters and some of the most reputable business organizations in the Midwest.  The festival offers ample artist and patron parking.  A huge community volunteer corps provides booth-sitting and artist assistance with a smile.  More information.

North Shore Festival of Art
July 27 & 28  NorthShore
Skokie, Illinois

120 Artists
Booth: $445
Jury: $25


North Shore Festival of Art
takes place at the incredibly popular Westfield Old Orchard Shopping Center, a luxury outdoor shopping destination in Skokie, Illinois.  Benefiting the Skokie Chamber of Commerce, the festival is located in a very busy shopping and dining area, ensuring high visibility and traffic from the crowds of shoppers at Westfield Old Orchard.


Since its inception, attendance at the festival has consistently increased and it now welcomes more than 84,000 guests.  A revamped layout and day before set-up make this Amdur festival a pleasure for artists.   More information.
Glencoe Festival of Art
August 3 & 4
glen
Glencoe, Illinois         
120 Artists
Booth: $455
Jury: $25

Glencoe Festival of Art takes place in the prestigious Village of Glencoe, an upscale community blocks from Lake Michigan on Chicago's North Shore.

This high-end festival features fine art and craft and attracts a highly educated crowd of art lovers.  Held in cooperation with the Glencoe Chamber of Commerce, Glencoe Festival of Art takes place on the main strip of Glencoe's downtown area downtown amongst many galleries, high-end boutiques, retailers and cafés.   More information.
Art at the Glen Town Center
August 10 & 11  Glen
Glenview, Illinois

185 Artists
Booth: $525
Jury: $35

Sales rank among the highest at this high quality show, which is currently rated as one of the top 12 shows in the country by Sunshine Artist magazine.   Art lovers flock to Art at the Glen Town Center, which is situated in a high-end, shopping and dining destination.  Festival streets are filled from opening to close with thousands of art buyers.   In addition to great restaurants, The Glen Town Center boasts some of the finest stores in the Midwest.   More information.

Lincolnshire Art Festival
August 17 & 18  Lincolnshire
Lincolnshire, Illinois

130 artists
Booth: $430
Jury: $25


The Lincolnshire Art Festival proudly celebrates its 16th year as a fine arts institution this summer.  The Lincolnshire Art Festival is currently ranked as one of the top 100 art festivals in the country by Sunshine Artist magazine.  Located in one of Chicago's most prosperous suburbs, this popular art festival draws crowds from near and far.   More information.

Port Clinton Art Festival
August 24 & 25  Pt.Clinton
Highland Park, Illinois
260 Artists
Booth: $760 + local permit
Jury: $50

***30th Anniversary***

Now celebrating its 30th season, the Port Clinton Art Festival is nationally recognized as one of the most successful juried art festivals in the country.  Founded 30 years ago by Amdur Productions, the Port Clinton Art Festival was named the number five show in the nation by Sunshine Artist magazine and featured on the recent cover of the magazine's celebrated "200 Best" issue.

The festival welcomes 260 of the world's most celebrated artists and 250,000 art enthusiasts annually.  Only originals are allowed to be displayed in artist's booths at this high-end festival. More information

Third Ward Art Festival
August 31 & September 1    ThirdWard
Milwaukee, Wisconsin 

140 Artists
Booth: $450
Jury: $25

After a remarkable first year, Amdur Productions proudly returns to Milwaukee for the 2nd annual Third Ward Art Festival. The Third Ward Art Festival is located just three blocks south of downtown Milwaukee in the Historic Third Ward, knows as "Milwaukee's Arts and Fashion District." This upscale area boasts the city's most dynamic array of restaurants, spas, theaters, galleries and unique shopping - attracting visitors from near and far.

The 2013 festival takes place the same weekend Harley Davidson brings hundreds of thousands of hog enthusiasts to Milwaukee for a national convention. Motorcycle and automobile themed artwork will certainly be coveted at this year's festival in addition to all other mediums which produced great sales at the inaugural event. More information.

Downtown Downers Grove Art Festival
September  7 & 8
Downers
Downers Grove, Illinois

130 Artists
Booth: $315
Jury: $20

A cherished community tradition for the past 36 years, the Downtown Downers Grove Art Festival draws stellar crowds of art enthusiasts annually. Held on the main street of Downers Grove's charming downtown area, the festival features artwork of all mediums and price points.  More information.

Highwood Last Call Starving Artist Art Fair
September 21 & 22 Highwood
Highwood, Illinois
100 Artists
Booth: $235
Jury: $15

Nestled between three of the wealthiest communities on the North Shore, the Highwood Last Call Starving Artist Art Fair offers artists the opportunity to sell off their inventory at the end of the season.

The festival promotes "great art at great prices" and artists are encouraged to reduce prices at one of the final festivals of the season. Artists and/or artist's reps are welcome to work the festival. The festival sets up in an "all American" park with paved walk ways around a gazebo featuring live music. More information.

The Inside Show
November 22-24  Inside
Highland Park, Illinois
 
40 Artists
Booth: $750
Jury: $25

 

Amdur Productions extends art festival season into the pre-holiday season with the return of The Inside Show. A select group of artists showcase their artwork at the festival, which takes place indoors at an upscale country club in Highland Park just before Thanksgiving.

Artwork of all mediums is welcome, with an emphasis on fine art for the home and jewelry for holiday gift giving.  More information.

Gulfstream Park Art Festival
December 14 & 15  Gulf Stream
Hallandale Beach, Florida 

100 Artists
Booth fee: $450
Jury fee: $25 

***NEW December Date!***

After a successful first year, the Gulfstream Park Art Festival returns to The Village at Gulfstream Park, south Florida's newest outdoor shopping and entertainment destination. This beautiful outdoor enclave, located adjacent to the legendary Gulfstream Park Racetrack and Casino on South Federal Highway, boasts a sizzling collection of fashion boutiques, home accessory shops, signature restaurants, outdoor cafes and nightclubs - adding to the art festival experience!

This year's festival will take place in December, ensuring a larger crowd of art lovers and snow birds eager to find the perfect gift of art for the holidays.
More information.

WHAT TO DO NEXT!

Learn more and apply at: www.amdurproductions.com
 
DEADLINE: JANUARY 11

LATE Applications accepted through January 18, 2013 for additional fee

If you have any questions on the jury process, our festivals, or related topics, please contact the office at 847-926-4300 or email info@amdurproductions.com. Lennette, Lindsey, Caitlin, Lisa and Amy are ready to take your calls Monday through Friday between 9 am and 5 pm CST.                     
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Food for Thought.......

A friend of mine wrote this and I thought it was worth sharing.  

Life is full of risks. Now, enter the art fair.

Can we get into enough art fairs?
Can we stay healthy to make our art?
Can we keep our art appealing to the public?
Can we make it safely on the road to the art fair not getting hit by a texter, drunk or having a tire blow out?
Can our van make it to the show without breaking down?
Can we sell enough at the show to make a profit?
Can the weather co-operate?
Can we not have an event such as a mass killing, election or sniper at the time of the show?

Now the risk we should not experience is the event not doing their job. We pay for this. Our livelihood is in their hands. They have a large responsibility and are paid for this. We rely on the car mechanic to tighten the lug nuts. We count on the doctor giving us the correct medicine. We count on the contractor to make our house meet code. If these people fail our trust, we can die and if we don’t, we sure and the hell can sue.

We count on the event to advertise, provide security and sanitation, have a good layout, enforce the rules, fair judging and juring and much more.

Remember. We pay them for this. It is their responsibility. Our livelihood depends on them. They do not do the show for our charity. They do it for their goals. The show not doing their job is a risk we should not have to bear. 

Many artists have forgotten that we are the customers. We give them excuses when they do not do their job. Oh, it’s not their fault for the color run, the lack of advertising, the poor judging, the not enforcing of the rules. They are only human. Bull $4!+.  99% of the things that go wrong at an art fair would not happen if the art fairs were doing the job we paid them to do. 

Sorry to be a pessimist, but I do not see things getting better. The shows see us as disposable and we give them this power. If I am at a show and poor management causes problems and affect a group of artists but not myself, I remember I was lucky, missed the risk. Next year it could be I spending a thousand dollars in expenses and losing my ass. No application fee from me next year even if I made money. Sadly, the show will survive. 

A sniper is on a roof and randomly shoots into the crowd. We are the crowd but are not running away from the kill zone. Hell, we don’t even call the police. In fact we taunt the sniper to shoot at us again and again. Some of us will even say it’s not the sniper’s fault, bad childhood or some other crap. Anyway, sorry for the sniper analogy, it just seems to fit.

Life is full of risks. Don’t stand still for the sniper.

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Yet another "shot" at the Jury Process

Acting on a tip that I got from Larry Berman, which was posted on my last blog (http://www.artfairinsiders.com/profiles/blogs/another-shot-at-having-images-pre-viewed#comments), I attended the first day, elimination round of jurying for the Cherry Creek Arts Show. I know that there is antagonism among artists about the jury process in general but let-me-tell-you, attending an actual jury process is a very humbling experience.

First, they are bringing together a group of people that most likely don't know each other as they may not have met before. These individuals come from diverse backgrounds and experience. In the case of this years Cherry Creek jury there were two (of twelve) artists from last years show who had been award recipients and were therefore exempt from the jury process and were asked to be jurors. Two other jurors represented the artist/teacher category and the fifth juror is an arts collector/patron and the son of artists. It goes without saying, but I'll say it anyway, they come with a different mind/tool set. This was not a group comprised of "professional jurors" as has sometimes been intimated on this blog site. They were pretty "ordinary", so-to-speak, people that had been given a mission to accomplish within 20 hours. 

Next, and this was the part that made me feel humble and gave me a lot more respect for the process in general. In the case of Cherry Creek they had to view the work of almost 2000 artists; that's 4 images of work and one booth shot projected all at once for each artist. Not all of the art was projected at once but was divided into categories. The first group was graphics and print making. There were about 41 entries in this category. First, the jurors were given a quick preview of the entire group, about 3 seconds per artist. They were  instructed to score each artist from 1-7 on their computers, using the Zapp system software. One of the artists asked if a 4 was acceptable, as some shows force the jury into a high or low score, in this case for this round a 4 was okay to use. They were then shown each artist's images again for about 10 seconds each (I counted!) and scored them for the first "silent" elimination round. Terry Adams, Director Cherry Creek Arts Festival had previously instructed them that they were not looking for any particular ratio in each category only the art that demonstrated excellence as-well-as diversity in each category.

The pace was fairly brisk and Terry checked to make sure things weren't moving too fast for the jurors. With only 20 hours and that many applicants they had a long way to go! Terry instructed the jurors that they were to refer to the projected image for scoring as the monitors had low-resolution images intended for reference only, to make sure they were on the right group.

If I had to score that group it would have been a very difficult task as I thought the majority of the work demonstrated that "excellence" that Terry referred to. That's the part that earned my respect for the process! Also these were the most consistent in terms of image quality.

The next group up was glass. This group was comprised of about 65 artists and it was where the greatest diversity in the quality of images was apparent. Referring back to my experience in the mock jury (see the blog referenced above) I could see how some artists might be eliminated at this point. Take note glass artists, you might want to project those images of yours to see how they measure up! I know personally what a struggle it is to make decisions about ones own art so it might be helpful to get an objective viewpoint about the quality of the images that you choose here.

The things that stood out for me in this group of images were: The glass that was shown on a plain white background tended to get washed out even if the work was very good. Also, after sitting in the dark for a long period of time when that glaring white shows up it really hurts the eyes! Glass artists that had been professionally shot (or did so themselves) with a graduated grey or black background tended to show up better (check out sites that show the artists work to see what I mean here). As for those graduated backgrounds, personally I would make sure the images you provide all have the same color temperature! What do I mean? Not all blacks showed up as black! Some of the graduated blacks looked more on the grey side then black and when viewed as a group you have this inconsistency from image to image. Also, what about the white that shows up at the bottom, color temperature again was a factor in my viewing, some were warmer (yellow looking) and others cooler and more neutral lending an inconsistent look from image to image for the same artist. I know I'm being nit picky here but its your application, don't you think you should put your best foot forward!

Remember the discussion of booth shots? There was a lot of diversity here as well. Some were well staged whereas others made it difficult to separate the figure from the ground. At least one artist didn't have a booth shot but referenced some show they were doing with type over some random picture, oh, by-the-way, having yourself in the photo or a poster referencing your name/company is probably not a good choice for a booth shot, better to have a grouping of art then that.

They were about to move on to one of the bigger groups, over a hundred artists, but after only an hour and a half of this I was fried. Besides which I wasn't there to see the entire show juried I just wanted an experience of it.

I came back today thinking that they would have the entries narrowed down quite a bit and I'd be able to see the final elimination round but apparently things moved quicker than I expected and by the time I arrived they had already made the final cuts and were ready to show "the show" to the jurors. As can be expected I was respectfully asked to leave so that I wouldn't have what they considered confidential advance information about the show. No problem!

Based on what I saw the first day this had to be a daunting task and I have a better understanding and respect for the process then I did prior to this. Is it a perfect process? Maybe not but given the numbers they had to deal with and the time limitations inherent in the process what else can be done? Like I said, I didn't see the entire jury process and I imagine, based on what I did see, that some elimination may have been easier than others based on comparisons of image quality and of course the quality of the work itself. Again, based on the quality of the sample I saw it would have to be a difficult and challenging task for anyone. Cheers!

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EOD Logo 2Embracing Our Differences invites art submissions for it's 10th annual outdoor art exhibit celebrating diversity.

  • National and international submissions are encouraged.
  • 39 artists will be selected for the exhibit.
  • The exhibit will be displayed April and May 2013 at Island Park along Sarasota, Florida's beautiful bayfront.
  • Since 2004, the exhibit has been viewed by more than 1,350,000 visitors.
  • The exhibit will contain 38 billboard-sized (16 feet wide by 12 1/2 feet high) images of the selected artworks.


        Final selections will be chosen based on artistic excellence in reflection of the theme "embracing our differences".  Submissions will also be evaluated on how effectively it will read outdoors when enlarged to billboard size.  Final selections will be made by a 3-judge panel of professional artists, curators and art professionals.  A total of $3,000 in awards will be presented.  There is no submission fee nor limit on the number of entries.

The mission of Embracing Our Differences is to use art as a catalyst for creating awareness and promoting the value of diversity, the benefits of inclusion and the significance of the active rejection of hatred and prejudice.

Submission forms and more information concerning past winning entries are available at : www.EmbracingOurDifferences.org or by emailing: Info@EmbracingOurDifferences.org

Link to Prospectus: http://embracingourdifferences.org/pdfs/2013eodartists.pdf

Michael Shelton
Embracing Our Differences
PO Box 2559
Sarasota, FL 34230
941-928-0567

EmbracingOutDifferencesPic

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Jury Fee Revisited

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In my recent post, I told the story of applying to an art show and having the director take it upon himself to switch my category.  No one mentioned this in the follow-up comments and I am wondering what you all think of it?  

Has it happened to you? 

If it did, how would you feel? 

Would you feel entitled to a refund? 

Would you ask for it?

If you got no response would you be surprised?  (When customers send me a payment I answer their missives).

If you missed it, here it is:

I recently sent a $25 jury fee to The Des Moines Arts Festival through Zapplication and went off on a road trip to do shows in Memphis and Pensacola.  When I got home and caught-up on my email, I found  one from Stephen King the director of The Des Moines Arts show.  In it, he said he thought my digital photography should be moved from the photography category to the mixed media category.  The email said if I agreed I should respond by a certain date.  The date was long past.  So, I thought, since I had not responded, at least my application would be juried in the right category.  Right?

Not so.

On my next visit to Zapp, I found my category had been changed to Mixed Media!  Then I got an email from the show giving the statistics of the applications.  In photography there were approximately 100 applications.  In mixed media there were over 150.  Needless to say, I recently got my “Dear John” letter from Mr. King.

What did I get for $25?

 Back in November when I got Mr. Kings email, I replied that I thought he should put me back in the right category and that his email intimated I wouldn’t be switched without my permission.  Recently, I emailed him asking for my jury fee back “ for cause”.  I didn’t get a reply back then and I don’t expect I will now.

Update:  Still haven't heard from Mr. King.

 

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After all the discussion about some feed back for our app fees, I decided to call Liz Smith the director of Artisphere Show ( of which I was not accepted into for the 2nd year)

I wanted to get additional info as to scores , how many accepted per category, etc.

I must say that Liz was very forthcoming as we talked for about 45 minutes. She told me that 854 applied for 120 spaces of which 13 went to last years winners. There were 88 that applied in my category with 13 accepted and one being a past winner. She told me my score and the score that makes the cut.

She accessed my images and we discussed what she thought would have made a stronger presentation. Her suggestion was that I submit my images of all the same size art work. Ie: all square format and with a diversity of color palettes rather then showing similar pieces such as a series.She said that they can see from the booth slide that I work in other dimensions.

The jurors do read the artist statements first.

I questioned how a potter and a jeweler were qualified to judge 2-d work. She said that the judges were well versed in all media. I really don't know how well that works!!!

This show has an open jury but at 3 1/2 hours from me it is impossible to sit in on it.

She suggested that I call her in august before the deadline for next year.and we can discuss what may work better for me or help me as much as she could.

Don't know if there will be a next year for me. My friend was wait listed for 4 years in a row and at times #1 on the wait list and has never gotten in .

Well that is about it, Ya'll have a Merry Christmas.

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Podcast -- Let's Talk about 2012 Best Art Fairs

You are going to love this one! Not only did we get the info about the nation's top art fairs (do I hear Coconut Grove, Plaza Art Fair, Cherry Creek, Bayou City, Fort Worth) -- no surprises there ;), but also we get a vote for a well-attended high end crowd at Sunfest in Ocean City, MD.8869100455?profile=original

Photographer Allan Teger called in early and we had a long chat about his 35 year career in the shows. Don't know Allan or his work? Here is his website: www.bodyscapes.com. He's been successful selling at art fairs, the bulk of his income, but he also has a successful online business selling his hand printed black and white photos to collectors. He's been featured in a lot of magazines and also has his work in galleries.

About half way through the show contemporary abstract artist Melissa Ayr called in from her gallery in San Francisco. She had just returned from the art world's fabulous Art Basel Miami where her work was exhibited by her representative at the Red Dot Art Fair. She had tales of high-flying parties and the gallery rep world that was fascinating. 8869100464?profile=original

Melissa and Allan were perfect foils for each other, comparing notes on how to build an art career.

Are you interested in being more successful at the nation's art fairs or do you have aspirations for an international career? This podcast will answer many of your questions.

  • Did you know these podcasts are available on iTunes? Search for "art fair artists success show".
  • Did you know that you can download them to listen to at a later date? Here's that link.
  • or listen right now right here.
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February 1 - St. Louis, MO, Sheraton Clayton Plaza Hotel - 5 pm to 9 pm

Cultural Festivals presents Photographing Art Work Workshop presented by Larry Berman. Learn how to put your art work in images to wow the jurors. Providing professional images of your work is one of the best investment you can make in your career. 

Registration%20Form%20-%20Berman%20Workshop.docx

Cost: $10

For more info: 314-863-0278

February 2 - Jury Image Workshop - 9 am to 5 pm

Artists, take advantage of this great opportunity to improve your jury submissions and have your images critiqued by past SLAF jurors.  Images will be displayed in the same way we do for the yearly SLAF jury.  Jurors will speak openly about submitted artist images.  There is no cost to participate. APPLICATIONS MUST BE RECEIVED BY THE DEADLINE OF 11:59PM CST, FRIDAY, JANUARY 17, 2013. 

The workshop is limited to the first 150 applications.

Artists can submit images and attend this free workshop and still have 7 weeks before the 2013 Art Fair application deadline to update and submit their applications.

1) Create a FREE user account or login online at www.zapplication.org

2) Upload your artist images

3) Apply NOW to this mock show and join us 2/2/13.

More information will be sent to applicants prior to the workshop. We hope you find this to be helpful as you prepare your application for art fairs.

Whether you are new to the digital application process or looking to improve your jury submissions, all artists are welcome to attend and learn!

Applications for the 2013 Saint Louis Art Fair presented by Sterling Bank are due March 21, 2013. Learn more at www.culturalfestivals.com

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addendum to my post

It has been suggested that I give a bit more information on what we do and where we live.  We live outside of Washington, D.C. in Maryland.  I design and create Spiritual Message Designs -- the designs each tell a story - utilizing Hebrew letters that are configured into different shapes.  So the design - Ahava (means love) has letters that are shaped like hearts - so love is truly in the heart.  We have taken some of the designs and then etched them into glass and ahava is also available in a mobile using exotic hardwoods (love is in the air).  DorLDor.com -- click jewelry and etched glass.  We hope that the designs touch individual hearts and souls and new stories will be woven from the designs.

The jewelry is made from molds - there are currently 15 designs and available as pendant, dangle and stud earrings, stick pin, push pin, bracelet and tallit (prayershawl) clips.  Most are in 3 sizes as well.

The glass is sandblasted - there are round plates, rectangular plates, paperweights, vases, goblets - all are signed. 

So, with this information, I ask to refer to my previous question of information regarding crocker park, ohio; syracuse, ny july show; lincoln park and any other show that may be suggested.  thanks in advance -

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LOOKING AT OPTIONS FOR NEXT YEAR.  NEED TO KNOW OPINIONS ON CROCKER PARK IN OHIO, SYRACUSE IN JULY, NEW YORK SHOWS (I.E., LINCOLN AND ANY ON LONG ISLAND), HARPERS FERRY IN WEST VIRGINIA. 

 

THANKS IN ADVANCE.  WE NEED TO EXTEND OUR HORIZONS AND FIND PLACES THAT SEE THE SPIRITUALITY OF THE MESSAGES. 

 

DEBORAHJ

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May 18 & 19 6a00e54fba8a738833017c3241da15970b-150wi
East Lansing, Michigan
downtown East Lansing
200-220 Artists
Deadline: Jan. 31

#55 Sunshine Artist ranking

A non-profit event produced by Art Festival Board of Directors under the auspices of the East Lansing Arts Commission/City of East Lansing.

We are celebrating a golden 50 year Anniversary in 2013!

Established in 1964, The East Lansing Art Festival kicks off the festival season every Spring on the weekend prior to the Memorial Day holiday weekend in the beautiful streets of downtown East Lansing.  The popular Festival attracts an estimated 60,000 attendees from across the region.
ELAF crowds

East Lansing is a charming University town with a wide variety of shops, restaurants, galleries and the beautiful Michigan State University campus across the street. (Please note that the MSU UAB Spring Craft fair is not affiliated with the East Lansing Art Festival)

This long-standing non-profit event is beloved by the   996.jpg?width=201 community of Greater Lansing and attracts devoted art buyers from across the state.  Informally known as the "City of the Arts" the City of East Lansing welcomes the finest artists in North America to exhibit at this highly promoted event.

Here is what else you will like:
  • well-educated visitors, including professional people from State government and the University
  • dedicated volunteers who welcome artists with friendly smiles facilitation a smooth load in and out
  • booth sitting services
  • well-planned eclectic live music entertainment that enhances the art rather than distracts from it
  • international flavors is a unique food court
  • a festive mood as this is the kickoff of the art fair season
  • affiliation with the Public TV and radio stations, bringing the right people to you

Please note:

Discount application fee of $25, September 1-November 30.  Fee increases to $35 December 1.

I attended the fair in 2012, see our YouTube video:

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For more info: www.elartfest.com

Apply : www.ZAPPlication.org

Corinn VanWyck, Arts Program Coordinator

East Lansing Art Festival (517)319-6804

email: cvanwyck@cityofeastlansing.com

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Call for Artists: Midtown Taste ART FAIR

Presented by BLUE MOON, Miller Lite, and The Riverfront Times
8869099676?profile=original
June 1 & 2
Saint Louis, Missouri
<200 Artists +

The tree lined midtown streets of St. Louis come alive for this exciting ART FAIR, taste, and entertainment event. With an expected attendance of 60,000 people and produced by Dennis Gorg, known for the Central West End Art Fair & Taste, Farm Aid and other major events, the best in local, regional, and national arts will come alive June 1-2, 2013.

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The historic midtown area already known for it's automotive row, Fabulous Fox Theatre and arts district, is the perfect spot for this major event. The festival will feature a wine garden, main stage entertainment, fine artists, a craft beer tent, children's area, craft village and much more. Don't miss this display and selling opportunity. Applications for juried fine artists, crafters, and businesses are being accepted now through April 1, 2013. We welcome early applications: apply by December 31st and receive a $50 discount, plus get a corner spot, increased media involvement, and more.

 

Highlights:
  • Extensive regional marketing including media sponsors, print ads, cable and TV ads, radio, and social media. Sponsors contribute to marketing as well to ensure big crowds (60,000+).
  • Wine Garden, Main Stage Entertainment, Children's Area, Craft Beer Tent, Craft Village, food truck row, and over 40 restaurants.
  • Fine Artists featured in promotion and PR
  • Artists benefits including: overnight security, corner spaces, booth  sitters, box lunch, breakfast, easy load-in, awards, indoor  restrooms, stage demonstrations, program book, online directory with  links
Three ways to apply: GLAF4
By email with credit card; by mail with check, online with EntryThingy.com at our site

A
pplication & more info: www.MidTownTaste.com

 

Fees:
<(Fully refunded if not accepted)

 

www.MidTownTaste.com
Email: dennis@imsevents.com, (314) 367-3146
<#2 Maryland Plaza
<~~~~~~~~~~~~~~~~~~~~~~~~
www.callsforartists.com
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Tuesday, December 18, 4pm ET8869086679?profile=original

You are the guest on this podcast which will be a call-in show.

  • Will you share your 2012 show experiences?
  • What was your best show this year?
  • How many shows did you participate in?
  • What is your best tip for the rest of us?

When I attended the Columbus Winterfair and asked this question of artists the answers were varied and somewhat surprising. Only did a few shows? That is fine, tell us what you learned. We hope to hear from old timers and newcomers also.

Here's the number: (805) 243-1338

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As promised, a summary of my OOAK experience

Updating this post to make it easier for the folks on AFI to find when searching!  

 

I actually wrote two posts about OOAK ... here is the beginning of the Post Setup/Pre Show post:

 Today, at the Chicago Merchandise Mart,  I set up the best indoor booth I've ever put together.  One of a Kind begins tomorrow and we are participating!This event costs more than 5 times the average fee that I will pay for a show.  What do you get for that much money?  After setup and before sales here is what I think I paid for:... (click to read the whole thing)

Here is the beginning of the post show writeup:

Last weekend Wendy and I had a booth at One of A Kind (OOAK) in Chicago for the first time.  It is quite an event.  It takes up the entire 8th floor of the Merchandise Mart which is roughly an entire city block.  It runs 4 days, with  over 600 artists and by many estimates more than 70,000 potential customers.  It is also more than 5x what I usually spend on a booth.... (click to read the whole thing)

If you have more questions about the show let me know, this was all I could think to write after a few days of recovery.

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