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The learning curve is very steep

I create art quilts that look very much like paintings...I spend alot of my time in my booth say..."no really ...it's fabric". I applied to many shows (20+) all over the map using the throw it against the wall and see what sticks method. In my mind the shows were divided into 5 tiers with the number 1 being the local church art show and number 5 the best in the country. In truth I wanted to believe I belonged at the number 5 level. The jurys didn't agree (waitlisted for 1). I did make several level 4 and lots of level 3. I have done 4 shows so far and scheduled for 5 more in the fall, still trying to decide if I should do shows around christmastime.

I am not sure 2 d stuff sells well when people are shopping for gifts and not for their own wall space. Of the 4 shows I've done I've won prize money at 2- nice , cause I didn't sell much at those 2 shows. I had one really good show (cherokee triangle) people seemed very receptive to fiber art there. Anyway I have more questions than answers. I've not felt comfortable posting real reviews because I don't feel like I have an accurate read on these shows. My stuff may not be selling but your cutting boards, jewlery, and photos were flying out of the booths near me. Right now I am trying to decide if I need to develop a series that is smaller and cheaper for the people who want to spend less than 50 dollars .

Framing keeps coming up as an issue as well. Customers seem to respond to fabric art feeling more valid when it's framed. Right now I have black, brown, driftwood, and unframed options based on what looks best with the piece...however it makes the booth look fairly cluttered. I also have pieces that are every subject , people, animals, fruit, landscapes...If it sounds like chaos, well it feels like that. I've haven't narowed my subject matter because I can't imagine only making art using one subject- just a personal preference.

You can see my crazy work in progress website- http://www.sharontesser.com/ yet another thing on my to do list. I am here often, reading the wisdom of others and believe that someday I will have experience to benefit another artist. Right now I am just trying to clear some cobwebs between my ears. All comments and advice welcome.

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I had a great time in Milwaukee and saw lots of great art. Here is an overview:

If you want to know more about this show, including my analysis of why this show is so hard to get into check out this post: http://www.artfairinsiders.com/profiles/blogs/milwaukee-lakefront

What show is hard for you to get into and regularly sends you rejections?

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Invited into Funky Ferndale

Okay - I logged into Zapplication today and found out I was invited for the Funky Ferndale show in September. But on that same weekend, I was also invited to the Wells Street Wine Crush in Chicago. I had already accepted my invite to the Well Street Wine Crush. I have friends in Chicago and it will be their first time seeing me at an art fair (they do have some of my pieces in their home). I've been meaning to break into the Chicago market - so we'll see how it goes. Hopefully, I made the right decision...

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Voting for round 2 is happening today!

OK....I need your help again.  Thanks to all of my facebook friends, family, and anybody who would listen, I made it to the semi-finals for the cover contest put on by 'The Crafts Report'.  If I win this round, I'll be up against just one other artist for the cover!!!!  Here is a direct link to vote:

https://www.facebook.com/photo.php?fbid=10151669890366250&set=a.460274401249.255544.74350081249&type=1&theater

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You will see the photo of my 'Winter Trees' bracelet:

to vote:  click on 'like' and if you are comfortable with 'sharing', I'd appreciate that too!

Thanks so much!!  Keeping my fingers crossed!

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8869113854?profile=originalOh, did that get your attention?

It happens to be true, and has a lot to do with what I am going to say to you all.

First off, about Siri.

Got a new IPhone5 after Summerfaire and have been hooking up with Siri a lot.

It is not easy having sex with an inanimate object, as she frequently reminds me, but I plug on.  We are in the "getting to know you stage."  I see lots of success.  I am a very "success" orientated guy.

Anyways, I will keep you up to date with my adventures with Siri.  I like a woman who plays hard to get.  I figure a Boy Scout, actually Eagle Scout, with 48 merit badges has a reasonably good chance of success.  What the hell, who care if she behaves "inanimately" it is the quest that counts.

Jeez!  I hope my wife doesn't find out.

OK, now to what this blog is about---SUCCESS!

Both Richard Sherer and Elle have contributed mightily to this fragile subject.  Both have given great insights, some humorous (with a serious outlook at life's daily tragedies) and Richard knows stats folks.  Pay attention.  He may sound "Old School" but he is definitely now.

Now, I will add my two bits.

A SUCCESSFUL ARTIST IS AN ACCUMULATION OF BOTH THEIR ART AND THEIR PERSONAE.

Everybody focuses on making good new art.  Getting it out there--and then waiting for the moola to roll in.

It takes more than that.

There is just a whole lot of really good, no make that "great", art out there.  You have mucho competition.

What will make you win out is developing a successful persona.

Who you are, and how you present yourself is every bit as important as your art.

Having both, is a major winning combo.

People like to buy from people they like.  They rarely will buy from an asshole, who happens to have great work.  If you can charm them, they will come back more than once.  I am going to Boston Mills this weekend, and I have people who have been buying from me for over 30 years. My styles have changed, but they still buy from me.

This is a people biz.  You gotta mingle, you gotta kibbitz.

When I see a guy with a golf cap come in my booth, I ask him about the course, and let slip that I play golf.  We have an instant common base.

If they are wearing a tee shirt with the name of a restaurant on it, I comment.  Maybe I was to that town, maybe I want to know about the place.

The bottom line is to try to establish a common base, then you can get onto the art part, next.

Try it.

I have been doing it successfully at shows allover the USA for 38 years.  It works--and it is sincere.

Trust me, I am a Boy Scout with 48 merit badges.

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Let's All Vent....

Who the hell are you to walk in my booth and ask for a discount? Do you have any idea how long I worked on this piece? Are you that self absorbed and greedy to expect me to take a pay cut so that you can enjoy a nice work of art? Go to hell!!That is just a bunch of junk! Really? My work is just a bunch of junk? Are you seriously saying that out loud to my face? Do you know what an antique is? Do you know anything about art at all? Why are you here? Do you value your teeth?I don't have room for another thing in my house. Then go the f@@k home and stay there. Enjoy your house full of treasures, hoarder!Where do you find all of the things to make your sculptures? Oh, they just fall out of the sky and land in my workshop in mint condition. I go out to antique shops and buy them, you damn fool!Oh, you have to pay to be here? No, it's free, we all just show up and pitch a tent and wait for the money to flow in.So, you fly to all your shows? Sure, me, my rig and all my art just hop on a plane and jet across the country. Nope, I drive!I am in a mood today, feel free to vent.....
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OMG Omaha! Again...

A little late in posting this show's review I wont go into a lot of detail as that can be seen in my previous posting last year about this show. See: http://www.artfairinsiders.com/profiles/blog/list?q=Omaha+Summer+Arts+Festival+or+Deep+in+the+heart+of...Nebraska!

What was different about this years show? Maybe I should start with the weather as it had a direct effect on the rest of the show. Friday one couldn't ask for a more perfect day. Sunny, not too hot or humid and not too windy (as it had been all last year). Saturday, it rained on and off and although the brave came out with their dumbrellas it slowed significantly towards the end of the day. Sunday, well, depending on which weather APP you looked at it either wasn't going to rain or it was...it did, all day till 4:00 and then the sun came out and the show was over at 5:00. Nuf said?

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View from the inside looking out...not much else to do!

Now for the attendees. Last year it seemed like the wrong crowd for the show (did I say Walmartians?) This year however, it seemed more like a fine art crowd. The streets were packed on Friday as it seemed like the office crowd snuck past security and got out to enjoy the weather and the show. I don't remember seeing that many of them last year, probably opted to stay in the AC as it was so incredibly humid. It felt like a real art show to me as I watched the booth fill up with the curious time and time again. But that was mostly it, curiosity and not much buying. Saturday...not so much, the weather effected the crowd but I did see some bigger pieces take legs and move through the show. Sunday, the brave came out and some even came out multiple times. One prospective buyer showed up on Friday ("Would you discount that?", "No"), Sat. (I'm not sure) and Sunday with the whole family (bought something smaller from someone down the street!). Again, there was some buying but not at a fever pitch. Some seemed to do well and others not so much.

The show changed coordinators this year and Emily Peklo came around and introduced herself, points for that! I can't fault the staff any, they still did a great job logistically and the amenities with the show are among the best that I have experienced it's just that this show didn't deliver for me.

In terms of what they juried in there was quite a mix in terms of what I might want to see at an art show, some things seemed more befitting a crafts venue. Nothing wrong with the quality, I just don't want to compete with it when I'm trying to sell my work.

Would I do this show again? I'm thinking not, I gave it two tries and did worse this year than last and last year was nothing to write home about! It has nothing to do with the show promoters so much as the patrons. As recent discussions on this blog have pointed out...if a show doesn't deliver why support it, there are plenty more out there to choose from. In fact, this promoter does a show later in the year ARTsarben (Nebraska sorta spelled backwards). Given the results of this show I haven't given it much thought as to whether to try it or not.

Now for a small diatribe...About those dumbrellas, most people read Miss Manners and realized that they needed to hold them outside the booth or stay outside with the damn things or at least collapse them when inside a booth...then there was the guy who continued to hold his above his head inside the booth dripping onto the print bins and prints within. Even when he saw that he was dripping volumes and I was wiping them off he didn't get it! Okay, I feel better now.

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Is there a Fan in the House?

I am scheduled to do the Central Pennsylvania Festival of the Arts next month, middle of July and I looked again and realized that there was no electricity and generators are not allowed. So, my question is- How the heck do you keep cool? It  been so hot at the last few shows I have done and I had electricity and fans going at them and even then almost passed out. Since I do these shows solo, I'm really worried about keeping my work (encaustic) and myself cool enough, especially if it's a typical July day. Can anyone give me some help here- what do you do to offset the humidity and scorching heat at these shows?

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Yorkfest

Hi. Does anyone have a minute to tell us about Yorkfest? My husband does contemporary, funky, primitive, whimsical, stained glass-and-brass mixed media sculptures - 1-foot high to 7-feet high or long. We welcome recommendations about festivals open to funky stuff as well. We're in the Chattanooga, TN area, and would like to travel out of the South, especially DC area, Ohio, Mid-Atlantic generally. All the best to y'all - enjoying the blogs, they're so helpful! Kathy and Charlie

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I'm still a newbie

It's only my second year. I am still trying to see which shows work well for me. Which markets value my creations. I am still learning. How to set up my booth. How to price my art. Learning that multiple price points work best.

I hope for profitable shows and I am expanding into other shows that are 300 miles away to test the waters. But I am still a newbie. And I have much to learn. But that is also exciting and and sometimes disappointing. But everything that I learn I hope to share with my fellow artists. 

So, if you are a fellow newbie, let me know. We can share our joys or commiserate together! And a have a show coming up this weekend... Booth 41 at the Crosby Festival of Arts at the Toledo Botanical Gardens in Ohio. My first three day show. And I have a four day show later in the season (that's a first too)...

Oh, and I always take my ham radio along just in case of the weather. So if you see the artist with the ham radio, that's me... But I am also just a newbie too!

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8869109095?profile=originalThe Lakefront Festival of the Arts in Milwaukee, WI, is one of those shows where participation is so highly coveted that artists tell me they always look two or three times at the acceptance to make sure it is true.

In all of our years doing shows there was never another one where we got rejected so many times but still kept trying. You know: times change, judges change, work changes, etc.

Perennial prizewinner, ceramicist William Kidd

Milwaukee is only a 5 hour drive from here in southern Michigan and I needed to see it again for myself. Arriving around 2 pm on Friday after having driven through very heavy rain and high winds which also had pelted the Milwaukee area, it was a pleasure to see the beautiful art museum and the big tents of the show still standing.

The show is held at the Milwaukee Art Museum on the western shore of Lake Michigan. It has often been the victim of bad weather with heavy rain, visitors slogging through straw and plywood flooring put down to get them through the show so that a committee got together awhile back and found massive tents that are erected across Museum Drive on the grounds. Artists booths are backed up to the sides leaving it wide open down the middle for easy load in and out and enabling prospective customers to navigate through the show in their dress up clothes regardless of weather. 

Why the show is hard to get into:

  • it is held on a date where there isn't a lot of competition
  • there are only 170 spaces and winners from previous years are reinvited. If you were a prize winner you get two years additional and if you receive honorable mention you are reinvited for one year. Each year this is 20 people. Do the math and in any year there are 30 reinvites. The show has artist advisors who help the show committee run the event - I think there are six of them. They are reinvited. So now there are fewer spaces, m8869109659?profile=originalaking this a very competitive jury
  • The sales are good, thereby engendering even more competition

I had missed the Friday morning rush but heard from several people "big stuff" was walking out of the tent. The storm may have chased those people home with their cargo and when I got there the crowd was pretty good but not huge.

The show went until 10 pm on Friday night with attendance bolstered by corporate parties (Morgan Stanley, Kohl's and PNC Bank) sponsored in the Milwaukee Magazine Wine Garden and the new Blue Moon Beer Garden (imagine a beer garden in Milwaukee!) encouraging people to spend the evening at the show.

There is a lot of competition for the high end buyer with huge sculpture, fabulous furniture, finewoven clothing, keepsake jewelry, wall-sized paintings, etc. You get the idea. However, this is one of those shows where the "regular" folks like to shop also (it is the coolest event that happens all year in Milwaukee, imho) so if you have work that isn't so high end you may do fine also. 

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You enter the grounds of the museum through a sculpture garden. These sculptures are by Richard Turner and Eric Carroll.

Then the huge tents that reminded me of being in an international airport terminal but which means the show will go on!
Most of the show is in the tent but part of it is in the Museum of Art itself. There were probably 20 exhibitors indoors. Indoor artists had made this choice and they were highly coveted. Many "wearables" were in this area.

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The view from inside the museum:

 

 

 

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There were lots of old and new friends to see, including Oscar Matos Linares who has made such good contributions to AFI, big beautifully printed and evocative photos, and potter/fiber artist Stephen Kostyshyn:

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Poster artist was fiber artist Sandi Garris, here making a nice sale:

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Here is her work on which the poster was based, a million pieces of hand dyed cottons comprising the modern equivalent of a quilt:

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Nicario Jimenez with his retablos:

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The most amazing work I saw was the weaving by
Susan Klebanoff who was participating in her first
art fair:

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But how were the sales? Look at this laden down purchaser, reminds me of the "good old days"

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It is always great to see old friends making nice sales. Photographer Jill Bedford's newest work went home with this buyer:

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While we were having breakfast on Sunday morning woodworker Barry Newstat got an email from a "be back" who was back with her car to carry off his fine woodworking:

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 Good crowd at the Artist Breakfast, including Don Ament, Susan Klebamoff, Scott Swezy, Larry and Donna Oliverson and George Raab.

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Hats off to the great LFOA Committee and the
hundreds
8869112278?profile=originalof volunteers that make this special event really special including the fabulous Artist Liaison Dionne Wachowiak and  Festival Director, Krista Renfrew. I appreciated your tickets, kindnesses and feeding ;) Hope you get a day off soon.

 

Here is the person I was happiest to see. It was great to spend time with our old friend Ted Gall once again. I know you were trying to look scary, Ted, but you can't scare me.

 

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There's more! Here's the video with more info and photos of people you know:

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TOO MANY SHOWS - TOO MANY ARTISTS?

S. Brian Berkun posted a blog on Too Many Shows that got hijacked into a broader discussion. The problem of new shows coat-tailing successful shows dilutes the market IMO as Brian pointed of with the Denver example. Town fathers issuing permits are part of the problem. Promoters' greed for jury and booth fees are part of the problem. IMO artists flocking to do shows are also part of the problem. No sales or only enough sales to make jury and booth fees is not a business plan for a professional artist. Barry Bernstein added his insight on who is an artist. There is always room at the top of any field for competent determined people. The elephant in the room question is should you keep on doing art shows if your work doesn't sell? If it isn't selling are you in the right market and have you done your research? Is your research flawed? Or, is the public just not willing to spend money on what you do? Tough questions? I don't mean to discourage any one from trying this business but if there are too many marginal artists supporting more unsuccessful shows, it seems that the cycle will continue. Some of us will continue to be consistently successful, and others will keep flogging shows with little success. Are we in a post 1990s cycle where a lot of folks saw art as away to make some easy money? Then the downturn comes and the field is over saturated with more people competing for fewer dollars. This happens in other areas and is/has happened in art. You can read other comments on S. Brian's original blog.
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This was a show I declined last year. In retrospect, I should have declined it again.

For some artists, this show worked out well for them, as by the end of the show I heard reports of one painter doing $5K, a potter doing about $2500, and some others doing between $1,500 and $2,500. There were also several who zeroed out, including one painter who had beautiful panoramic landscape paintings in a light impressionistic style. At least one photographer, one who does wildlife, was reported to have done quite well. The impression I had was that these were the exceptions, and the telling point on this was hearing that on Sunday morning 5 artists had pulled out overnight and two more were observed packing up to leave on early Sunday morning. Seven out of a hundred seems like a high percentage of disgruntled artists. I had thought about throwing in the towel briefly, but decided to stick around as the hotel was already paid for, and I'm sometimes too optimistic about the "Sundays are always good". Horsecrap. I think I would have rather zeroed out as a badge of "honor". As it were, I sold two pieces on Saturday for a whopping total of $55. Yeah, no s**t, $55.

Part of the blame is on me for not having everything updated and restocked as I should, and had planned to do some of that on site. Holy crap, the weather was beastly and sapped all the energy out of you. That will be the last time I try that type Plan B. Get it done at home before you go.

Okay, doke, let's take a look at the show itself and how it unfolded. The show was a Huff-Burch production, and is according to their literature the only show they do. I was told they had sold their old operation and retained only this one. For starters, their check-in directions were vague as hell (Check-in is in front of the Barnes & Noble). Which side; east or west, in the street or literally in front? The shopping area, Easton Town Center, is one of the most confusing pieces of crap layout I've ever seen, with streets that don't go through, one way streets that take you off into Zululand. The layout looks like a big-boy version of Candyland. A simple line graphic map would have worked wonders. All I know is the GPS app on my phone starting putting out smoke with all the constant recalculating.

Eventually I got to the right place somewhat late, and starting unloading. The plan was unload, move the van, come back, and finish setting up. I was at the far end of a side street and that should have set off the alarms right there. More on that later. The official parking place was on the opposite side of the shopping area. I was told by another artist it was about 3/4 mile away. To hell with that; my right knee is missing half of the meniscus and is arthritic as hell. After setting up, I moved the van to the other side of B&N and parked there, which I continued to do so for the weekend. The promoters must think all the artists are under 30 and in training for a marathon. Uh, guys, take note of the gray hair and the limps that a bunch of us have.

The main part of the show was right in the middle of an extremely high traffic area from major restaurants and retail stores. My section was between the Cheesecake Factory and B&N. The only problem was there were no entrances to either store on the entire street which is really an exit/entrance road. The causal shopper would have no reason to walk down there unless they were curious enough to see the artists down there. As an aside on this, the artists around me started a personal poll of the visitors and asked if they were there because of the advertising or just saw us there. The answer was unanimous, they saw us there and had not seen any advertising.

Friday was worthless, as most Friday show days are. Most of us didn't sell much, and the "rush", if a few meager folks wandering about can be called that, lasted about an hour. The weather was hot, and didn't get much better until after 6:00 when the shade from the buildings blocked the sun. The patrons walking the show, and again this was down at the far end end of the show away from the water fountains and so on at the other end, were looking listless and bored. By 8:30 it obvious nothing was going to happen, although at shutdown at 9:00 a few folks tried to get a last look in.

Saturday rolled around bright and clear, and by 7:30 I was already sweating profusely. I put up a rear awning with my back tarp and extended that puppy back to the limit and got a 7 foot awning out of it. It helped some, but those plastic tarps don't block enough IR radiation. This was one of those shows where you really need to be cognizant of staying hydrated. I drank over a gallon of fluid with water, tea, and some diet ginger ale. I only had to hit the restroom once. My shirt had salt stains, and even my socks were salt stained. As Britt Hallowell commented, "Even my sweat is sweating". The heat was no more than 91 officially, but it's much hotter on asphalt streets. It was brutal during the day, and it sapped the energy from the artists and patrons alike. The stub street we were on never should have had artists down there, but most of the ones who pulled out that night weren't down there. The two sales I made were on Saturday.

Sunday was more of the same; hotter than hell, and the only thing that was a saving grace was the near constant wind. There were times when I would get up to move around I would get light headed. The potter at the very end of the row did okay, but I feel she would have done better closer in. There was an empty place between us, and I would observe people reaching my tent, glancing inward and dismissing my work, then they would give her booth a quick glance from my location, then they would turn around and head back toward the center of the show. This was not an art buying crowd, although some of us did do okay the impression I had was that most didn't. They were there for the restaurants and the American Doll convention. We were a pleasant side attraction.

Just as a side note to the heat coming through the plastic tarps, on Sunday I placed the awning section on top of the back flap, and placed another full tarp on top also. That finally reduced the heat coming through to a more decent level. I may look for a space blanket where they have a reflective side, and if I can find one large enough that may be my new awning in the back.

The layout could have been better, as the A section seemed to be stuck out in the middle of nowhere and lacked the foot traffic of the central section. Talking with one of the organizers, they didn't utilize Facebook promotions, and the visitors didn't seem to be aware of any advertising efforts although it was done. Unfortunately, it didn't seem to be effective. 

The short and not so sweet end of this is that I lost about $600 doing this show. I won't be back.

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you don't know me

is there a way to publish a post -- either blog or discussion - and remain anonymous?  if not, can that be made part of the website.

there are often repercussions when making comments ... that can back to haunt ... or that someone else comments on your comment.

thanks ...

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Manayunk Art Show 2013

Here are a few thoughts on the show, while they are fresh in my mind:

Manayunk, June 22, 23, 2013.

 

Large street show, variety of work, good quality and some ok work.

Nice area, nice atmosphere.

Interspersed in between booths- commercial booths- 5 Hour Energy, Geiceo, etc.

Also gave out tons of free yogurt near me- tons, so people were carrying entire BOXES of cold yougurt, hands full, and I would say no longer shopping as they just received some free food that had to go home and be refrigerated.

Load in is not easy,tight, but everyone seemed to be ok with it. A trailer , which is what I have, no use trying to get anywhere, we had to walk far and dolly but it went ok.

Crowd- plenty of people, people who looked like they could and would perhaps purchase a few items. Lots of younger people, ages 25-40 I'd say was the majority of the crowd.

Weather-very hot.

Hours- My setup arrival time was 5:30 am, others were 5 am, and 6 am.

I left my booth up overnight, it was safe.

Sales- here's the problem, at least for me and my area of artists. Those that I spoke to were not happy and said they could not afford to do it again.

One artist in my area was very happy with sales, 2D.

I saw people in booths, primarily the jewelry.

My sales were not good. I won hon mention, which they called 2nd place in my category, glass and clay, I also had one of my pots featured on their webpage AND in the arts fest tv commercial, so I was well received.

So I have been analyzing this.

I usually check last year's exhibitor list before I apply to a new show, and I did for this one, and that is where I took my chance. I did not recognize any names, and there were not many potters, which is normally a bad sign for me.

So, lots of people, looked like a younger, educated, middle class crowd, not much buying, at least not in my area.   ????????

I should have been able to do better than I did, so that disturbs me.

I KNOW for a fact that people still buy lots of pottery, and normally like my work, and it is affordable.

So????

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August 24 & 25 1290.jpg?width=192
Lake Orion, Michigan
Co-produced by Orion Art Center & Integrity Shows
11 am to 5 pm
Deadline: July 7

A new event in a beautiful location.

Where is Lake Orion? Click here.


The Lakeside Living Art Fair is a more relaxed fine art show suiting the pace of life in Michigan's Near North.  The show includes juried artists exhibiting most every medium from Painting to sculpture, decorative, functional and wearable.

We are looking for high quality artwork that fits in to this setting.  Work that feels more relaxing.  All mediums are acceptable.  While Oakland County Michigan is one of the most affluent in the country, we find that patrons in this area are more interested in work under $500.

Certainly you will have the traditional images of lighthouses, yard sculpture and the like.  Additionally we plan to feature surprises from some amazing artists whose work reflects a community like Lake Orion, where resideLakesideLivingnts make a life, not just a living.

  • The show is adjacent to the popular Dragon on the Lake festival which draws extensively from throughout the region.
  • It is co-produced with the Orion Art Center
  • Affordable booth fee of $165
  • Presented by Mark Loeb who organizes multiple events in Southeast Michigan including the Royal Oak Clay, Glass & Metal Show and Funky Ferndale

We support a three year jury rotation system.  Once accepted you are assured of three years of participation as long as you confirm your interest by deadline.  We believe that artists do better when they can plan their schedules and develop collectors.

For more info and application:  www.MichiganArtShow.com
You may also contact: Mary Strope, Mary@integrityshows.com

Mark Loeb, Integrity Shows President, has been producing and consulting with events since 1982.  Integrity Shows offers artist friendly policies such as a three year acceptance system, helping to create a less stressful experience and allowing artists to plan their show schedule.  Among the shows produced by Integrity Shows is Art from the Heart, Battle Creek, Royal Oak Clay, Glass & Metal Show, Funky Ferndale Art Fair, Jazzin on Jefferson, Chelsea Fine Art and Craft Fair and several Christmas shows.

 

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Hi Friends...Here is my review of this show.

 

This is a one day show with no Friday set-up.  I arrived at 6am on Saturday morning and checked in with friendly and helpful staff.  The show is arranged with booths on the lawn of the courthouse square and then two rows facing each other on a street running across from the courhouse.  My booth was on the street and I was given a parking pass allowing 20 minutes to unload the van and then move it to a parking garage.  Unloading wasn't a problem, I work alone and got it done, I think in time, and then parked in the free garage about a block and a half away.  I returned to set up and got the whole rig set up and polished with about an hour to spare before opening of the show.  I grabbed some coffee and donuts that the show provided and waited for customers.

 

I woud like to address the staff at this point in the review.  Each and every staff person I encountered, including the director was very nice, very helpful and very available for whatever anyone needed.  I feel that the show was well organized, well planned and done very professionally.  I have nothing but good things to report on this show's level of professionalism and overall operation.

 

The show opened at 10am and was to close at 5pm.  Opening crowds were very light and thready.  An orchestra set up on the lawn of the courthouse and played for about an hour, it was beautiful and ideal for an art show.  By noon, crowds were still extremely light and I was finding myself bored with no sales. 

In early afternoon, I sold a few pieces to one couple and a couple more pieces to someone else and that was the end of it for me.  I did not sell enough to cover costs.  I ended up abput $100 shy of breaking even.  My neighbors were in the same boat as me, with unimpressive sales.  Crowds never picked up and I felt this was a poorly attended show with more lookers than anything.  I got the sense that a lot of the people there had no intention in the first place of buying anything.  Maybe some of you can relate to what I am saying:  I noticed women with no purses, grandparents with the grandkids barely keeping up, fast walkers and that vibe you can sense. 

About 3pm, the clouds rolled in and the sky got dark.  Then, around 3:30pm the rain started!  It started with a vengence!!!!  A tent across from me with no weights immediately buckled and went down.  Everyone started tearing down, including me.  At that point the show had had such light crowds we all knew it was over.  I packed the rig up and loaded it in the van in record time and a very soaked artist, (me) got on the road and went home.  And that was the end of it!

 

Due to the fact that I lost money, I will not do this show again nor recommend it to anyone else who is trying to support themselves by selling their art. 

 

I will be at Spring Green, WI next week for that show and will review it here.  Thanks for reading!!!!!   

 

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Moving the Bones Revisited

Well I finally have had time to create something that moves the tent and tent "bones" Easily and some what cheaply. I say some what cheaply because I did have to buy a two wheel hand truck at Sam's for about $90.00. This idea is by no means MIT engineering, but after finishing the build I loaded the cart and pushed it all over the hills and dales of my property... Yes I have some dales, and it seemed to work just fine. At least I hope nothing out there will be as daunting as sideways on the pitch of my leach field. I have pics and if I can figure out how to post them it should save that thousand words thing. Well I realize it must be right in front of me but I can't seem to find something that says add photos so until someone leads me by the hand there will be no pics

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Ugh... accounting...

So am entering all my sales into FreshBooks. It is a slow a tedious process. What accounting software does everybody use and the pros and cons of each? Or should I be disciplined enough to enter may sales into FreshBooks at the show? It is a cloud program after all... 

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Facebook Pages

I would like to hear how many of the artists have a Facebook Page in addition to a Website? I have just recently put together a Facebook Page for my Photo business, but have not received much traffic. 

Please review my page at R2Q Photography and let me know what I might do to increase traffic.

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