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This was my first year at this show and is my 3rd full year doing shows. The show ran from Fri-Sun, June 13-16 with setup on Thursday June 12th. Edmonds is a northern suburb of Seattle, WA located on Puget sound. I was a bit apprehensive about this show since I hadn’t done well at the Belleveue Festival of the Arts in 2012 and I expected the demographic to be similar. Also, the weather is iffy in the Northwest in June. I always joke that summer doesn’t start until the 4th of July in the NW and that’s usually true. Fortunately this year the weather was flawless, not too hot, not too cold and mostly sunny! The booth fee for Edmonds is $150 plus 15% commission (more for corners and larger spaces.) Other artists I know said this was a good show so I applied.

The Nitty-gritty

The show sends booth location and set-up time around the end of May. I was on "the field" in the fine art section. I had a 12-2pm unloading time so I decided to drive up from Portland on set-up day. I arrived around 1:30 pm and waited about 40 mins in line to be let in to set up. I had planned to get there earlier, but it turned out just as well since I heard those that were there earlier had an over 2 hour wait in line. Set-up wasn’t as bad as I feared, maybe because I was there late. There weren’t many other vehicles in my row. I unloaded and parked the car across the street. On show days there was a shuttle lot a few blocks away (but with a steep hill.) The shuttles ran often. My biggest gripe was that there was no storage space or wiggle room. The spots were exactly 10x10. This gave you no place to put your stuff, other than in your booth, while setting up and one artist in my row had to be moved because there wasn’t quite enough room. Next time I will set up my canopy first, if possible, and then unload. As it was I had to work around a pile of artwork, etc while setting up the canopy. I must have been brain addled by the boring 3.5 hour drive up I-5 not to realize this. It probably added over an hour to my setup.

8869119054?profile=originalI took my time tearing down because I had heard it was hell and I had given up hope of driving back to Portland on Sunday night. That was a good decision since I didn’t get out of there until dark. On the plus side, by the time I was ready to load up, there were no lines to get my vehicle onto the field. So I can’t comment on how that went for those that were speedy other than I did see a number of people dollying out rather than waiting to get their vehicle on the field.

 

The show

The show ran from 10am-8pm Fri and Sat and 10-6 on Sunday with an artist dinner Sat night. For me, each day showed less in number but larger sales and total sales higher than the day before. I sold cards. LOTS of cards! More cards than I’ve ever sold at a show. I sold out of one of my boxed sets. I only sold one largish original (on Sun), but I sold so many small items that it made for a decent show and better than any show I did last year. In the end, they got a good commission out of me. Attendance was good and people seemed to be buying. All my neighbors seemed to be happy. The metal sculptor next to me almost sold out. He sold a lot of yard art but he also sold most of his larger pieces. There were times I was very busy, early, around lunchtime and again in the evening. At one point on Sunday I thought I was going to have a blockbuster show, with several people discussing sales of multiple paintings. Unfortunately this didn’t happen but I’m happy with my sales and I will reapply next year.

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Prizewinners: Cherry Creek Arts Festival

Cherry Creek is one of those legendary shows. Who gets in and then who gets to come back?IMG00139-20101126-1142_New.jpg?width=200

Here are this year's winners:

Best of Show:         Aaron Hequembourg/Mixed Media - learn more about Aaron & his work

Second Place:         Justin Teilhet/Ceramics

Third Place:  Amos Amit/Fiber

Merit Awards: Robert Farrell/Metalworks

                   James Nemnich/Mixed Media

                   Chris Dahlquist/Photography

                   Michael Bond/Graphics and Printmaking

                   Clifton Henri/Photography

Juror’s Award: Larry Fox/Sculpture

Juror’s Award: Donna Veverka/Jewelry

Juror’s Award: Carolina Cleere/Mixed Media

All award winners are invited to return for the 24th annual Cherry Creek Arts Festival in July of 2014 exempt from the jury process.     

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West Shore Art Fair - Ludington, MI

This year's West Shore Art Fair in Ludington, Michigan was a pleasant surprise. I did not know how the crowds would be since it was the Fourth of July weekend but a good number of people passed through my booth. I would credit this show to my second best ever (although my art fair participation is just halfway though my second year). I recorded sales of $457.50 on Saturday and another $457.50 on Sunday giving me a grand total of $915.

The booth fee was just $125 - so my sales were seven times the booth fee. But the show hours were short. Just 10AM - 5PM on Saturday and 10AM - 4PM on Sunday. I was fortunate to get a booth at the corner of Ludington and Gaylord which made setup and teardown easy. For artists more inside the park, they would have to cart their art, tent, walls and displays to their booth location.

But because of the early closing each day I was able to take this shot of the Ludington North Breakwater Lighthouse...

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I did overhear one of the volunteers saying that this year it was primarily focused on fine arts and some fine crafts too; but they want to bring this fair back to it's original form as a fine art fair. And the local restaurant House of Flavors sent servers to your booth if you wanted to order lunch. The volunteers were pleasant and helpful. The weather was beautiful and such a nice weekend to be in west Michigan!

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If you too were at West Shore, tell us how you did at the fair. We would like to know!

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Drop the temperature 20 degrees from a year ago, add better quality artists and you have an improved art festival.  

We got to the festival at 10:30 and had to park in the second set of lots near the entrance to the festival.  When we got inside, the increased crowds were noticeable.  This isn't a large art festival and it is located right by the entrance so even those there for the garden had to pass by, a smart idea.

Got to see some new artists which is always enjoyable.  The most crowded booth was a fabric artist with very stylish loosely woven ponchos and other pieces.  They were relatively well priced compared to most clothing at art festivals.  The only reason I didn't get one is my fear of snagging it.  I wear too much jewelry that would catch on it.

The candle people were there and I just don't understand it.  They are better suited to flea markets, farmer's markets or entry level craft festivals.  This is not work that takes much imagination or dare I say talent.  

I did see people carrying things and I hope all those people attending translated into sales.

We left around 12:30 and there was a line of cars almost a mile long waiting to get into the festival.  Members get in for free and non-members paid $20/car to get into the garden.

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Let's reward the people who wrote the best content on ArtFairInsiders.com in June.8869116274?profile=original

Deadline July 16, 6 pm

  1. Brian Berkun, June 2 - Musings from Mulvane...in Topeka KS
  2. Elle Heiligenstein, June 3, Show Review: Art in the Park, Columbia, MO
  3. Erica Wagner, June 10, A rough weekend in the Burbs
  4. AmyRenee Cornelius, June 20, My Three Rivers Art Festival Experience!!!

 

Also, many people keep this site helpful and the rewards are few. Let's reward some of the people who 8869100695?profile=originalgive so generously of their time. Who has been especially helpful to you this month? They will receive a fabulous Red Dot on their profile picture.

Choose 2:

  1. Maryllis Wolfgang
  2. Mark V. Turner
  3. Bill McLauchlan
  4. Kay Cummings
  5. Pat Falk
  6. Carrie Jacobson
  7. John Smith
  8. Brian Billings
  9. Chris Pawlik

Many thanks to them specifically and to all the rest of you who make this site useful to so many.

It is WAY quick and easy -- share your appreciation for their time by voting now.

Click here to take survey

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Call for Artists: Huntley Artfest


Huntley August 17 & 18
Huntley, Illinois

First Congregational Church of Huntley
Sat. 10am-5pm; Sun. 10am-4pm
setup: begins 9am August 16
75+ Artists
Deadline: August 3

Huntley Artfest is a community event sponsored by the First Congregational Church of Huntley, drawing 8,000 art lovers-viewing the Fine Arts of participating artists, a full stage of entertainment  and a vast array of delicious food from our Food Vendors. 

This is a Juried Show ($25 non-refundable jury fee - if accepted jurying for that Artist is good for the current year and the two following consecutive years).  We ask that Artist send in 3 photos (or digital files) of their work and 1 photo (or digital file) of their display.
 
All work must be that of a Fine Art nature and fall into the following mediums:      48.jpg
Ceramics, drawing, fiber non-functional, fiber wearable, paper non-functional, glass, jewelry, acrylic, oil, watercolor, pastel, sculpture, wood sculpture, mixed media, photography, printmaking, creative writing, furniture (designed and crafted by artist).

REPRODUCTIONS ARE NOT ALLOWED unless they are a series of an artist's original art work.

The following will not be accepted - Knitting or sewing from kits, resale items, non-original pieces.
Booth Fees:    $150 [10' x 10'] - $245 [10' x 20']
 
Learn more and apply: http://www.huntleyartfest.org/page9.php

Huntley Artfest is free admission to the public with free parking; we also provide free parking (and overnight parking for all Artists as well as accommodations for RV's-overnight grounds security is provided on Friday and Saturday nights.

For more info: www.huntleyartfest.org
Contact is :  registration@huntleyartfest.org
Chairperson: Tom Heling
P.O. Box 98Huntley, IL 60142

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Find more shows looking for artists: www.CallsforArtists.com

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June 29 & 30, presented by the Toledo Botanical Garden

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This art fair debuted in this lovely 40 acre garden in 1975. The approximately 200 artists booths amble through wooded glens and meticulously groomed perennial beds. Just about everyone has a shady space as this last weekend in July can be pretty hot. It may be the prettiest place to do an art fair. There is ample food, ample elbow room and if you are shopping and bring a friend who loves gardens also it can be a wonderful day.

There has been a lot of rain in northern Ohio this year so I dressed carefully, rubber knee boots? rubber 6a00e54fba8a73883301910418cade970c-pi?width=300gardening shoes? Crocs? But in the end I knew the crew at TBG has been doing this show for a long time and would be ready for the weather. A very heavy rain had shut down the Friday night preview party (2 inches?) and my assumptions were correct. The organizers had relaid paths, yellow-caution-taped off swampy areas, and had plenty of straw on hand to keep the visitors to the show comfortable, many who ride a shuttle bus from a nearby area to the park.

There was a nice balance of media, including these watercolors by Peggy Furlin.

I was there for four hours on Saturday. The parking lots nearby were full and there was a steady stream of shoppers. Upon arrival I saw people exiting with their hands full.

I must have known half the show by name! Starting at the front gate with Ken and Rachel Connor, Berry Davis and Annette Fortin, Sandy Atkins-Moran, Angelo Fico and Karen Naylor. Great to see so many old friends, including Andrew Wender, Kelly Hewitt, Mark Lewanski, (how did I miss Paula Shoulders?), Al Sievers, Mark Sudduth, Herb Thomas, Chuck Wimmer, Don David, Dianna Dinka, Cynthia Mann, Annette Morrin and Chris Maher, Kristin Perkins, Sharon and Bob Spry, Bonnie Eastwood, Scott Pakulski, Steve and Lynn Cebula and Richard McCollum.6a00e54fba8a7388330192abe1ef02970d-pi?width=250

I knew so many people and met artists who said they were regular readers on this site that I was sure someone would do a review. Where are you, folks? Only you know the inside of this show.

What you need to know:

1. Easy drive up to your booth. Vehicles are parked some ways away so you have to plan not to have it near during the show. I believe they run shuttles to artist parking.

2. Beautiful venue and the best show in the Toledo area. These folks also love art fairs and are found in large numbers at Ann Arbor in July, so no hayseeds here.

3. Well run, prize money (I know Scott Pakulski won a prize but I don't have the winners list. Can anyone provide it?), reliable, experienced staff

Show director Judy Bowles passes out the ribbons

4. Steady attendance and loyal attendees

5. Reasonable booth fee: $250 (I believe)

Learn more about the show: http://www.toledogarden.org

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Glass artist Al Sievers (left)
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Ed King, PopArt (right)

 

 

 

 

 

 

 

I had a chance to meet Peggy and Bruce Furlin. Peggy "invented" our signature "Red Dot" bumper sticker.

 

 

Here is member Kim Sutherland

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Who said there are no young people in the art fairs? Meet woodworkers Kyle and Jennifer Hawke.

 

 

 

Loved Lisa Gastelum's jewelry, meticulous bead weaving in great colors

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Jeweler Cynthia Mann

Glass blower Mark Sudduth wins again!

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Check out my pledge drive gift!

As you all know, Connie had a pledge drive and those that donated were put in a drawing for various gifts, generously donated by other members.  I won this beautiful! borosilicate glass cuff from Leslie Huston of St. Petersburg, FL.  Wanted to post so you could see how wonderful this is and being a glass artist myself, it will go so nicely with me at my shows.  So here's my shout out to Leslie.  Thanks so much again!   Here is the link to the picture I took.  %21cid_C1C932DA-34A4-41DE-88B4-0B9266DCA876%20%282%29.jpg

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Thank you Connie, and Thank you Richard and Joanna from American Art Marketing..for the free booth I won for donating to AFI. I think it was an amazing gift andI am most grateful I had the dates open for this show. HOWEVER. 

It was outrageously H O T the whole show, which was held July 4-6, (2013) Thursday Friday and Saturday, 4th of July was extremely quiet, and for that matter so was friday, it picked up some on saturday, and I know there were a few folks who did extremely well at this show, I was not one of them, ( but since I had no booth fee, everything I made I kept, which is a wonderful thing! ) Most of the people I spoke with at the show thought as I did, DEAD.. was it the heat? the economy? the fact that they added a second show the following weekend? Did it split the crowd in two as many suspected? Is there a way to answer this question? I am sorry it was not better, I was thinking I would pay the fee for the second weekend, but the first was too brutal.. I make/sell clothing and most of the hot sweaty bodies of the customers were not inclined to try on white linen dresses....

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JUST AN OBSERVATION

Do you remember the discussion/blogs about the buckle designer who was having his buckles made in China and putting them on China made belts last winter? They also made it into the Smitsonian show. Take a look at the fiber artists in Cherry Creek this year. Hmm very interesting. Looks like I will be selling lots more quailty belts down the road.
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Amdur Productions has been running the Gold Coast Art Fair in Chicago for quite a while now. Not to get 8869113884?profile=originalinto the politics and reasons for why it is no longer in the River North area of that city, but a few years ago it moved to Grant Park, on the lakefront, a popular destination for all kinds of festivals.

There is no doubt that there are lots of logistics to figure out in this location (security, traffic, city permits, insurance, health department, etc.), but the location is pretty terrific for attracting attention and if Amdur can get all of this to work well (not for the faint of heart) it has solid potential.

What a great way to get your show noticed in such a large city.

This year seems to have marked a turning point, as evidenced by word-of-mouth and the reviews at ArtShowReviews.com.

Here is a link to photos from the event that tell the story: https://www.dropbox.com/sh/kxl3c1ltvy32zoz/Pjrrb4uNqc

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Held June 22-23, 2013, this used to be in my top 3 art festivals.  This show has been disappointing the last few years and this year was no exception.  It used to be a wonderful show, always some new, really fun artists with really great pieces that you had to have.  

There are good artists here, it is a solid show but it is just another art show.  I guess I am damning this show with faint praise but that is what it is, another show.  With the excessive number of shows located in the northern suburbs of Chicago, having them all look the same is definitely not a good thing.  This once unique show has been Amdurized.  

In addition to too few new artists, out of 121 booths, 49 were jewelers.  By my calculations, that is 40% of the show taken over by one medium.  That isn't fair to anyone, patron,  jeweler or other artists.  From the patron's point of view it is an overwhelming number to have to decide from.  If you are a jeweler, the pieces of the pie can be very small and if you are an artist of a different medium, all of the potential customer's money may have been spent on jewelry before they even see your work.

Before i wrote this review, I read the ones I wrote the last two years.  Ironically, the thing I kept commenting about at the show this year was something I had mentioned previously------

This show has the best looking dogs of any show I go to.  The dogs were more interesting than a lot of the art (remember, I have seen most of the artists, it wasn't that the artists weren't good).  I realized I wasn't enjoying the show as much as I may have liked when I commented on the dogs for the 3rd of 4th time.  

I don't know why The Art Center, the original producers gave up control of the show, probably not enough time or volunteers, but I sure miss the originality of the old show.

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Being respectful of all buyers

I tend to just lurk on these forums or comment on posts and haven’t really made a blog post yet but have been inspired to finally. 

Artists, I wish there would be less judging and publicly expressed prejudice about buyers at art shows.  Should we stick to the facts and tell it like it is when a show doesn’t go well?  Sure we should….but we can explain when sales are down without tearing buyers apart and making derogatory comments about them. These are PUBLIC forums, and it’s been said before, BUYERS can get on them. In fact folks, some of your fellow artists are even your buying public. 

We recently went to a local art show and I came back on here to talk to an artist about potentially getting a piece of his once I got through my next art show.  We couldn’t look too seriously when we were at the art show since we have a little one on the way and the budget is tight until I get through my next major art show myself (about a week away!) I come on to find out he didn’t do so hot at the show (huge bummer!) but I took a slight offense at the customers being called “wal-mart shoppers”…..and based on their SHOES! (Considering we were some of the customers!)  

Now for the record, this event is held at the bottom of a ski resort, in a national park, on a hot summer day, and the paths through the event are all dusty and covered with small pebbles.  It’s basically like walking on a hiking trail.  I’m not sure what the artist expected, but it’s not the kind of place where you wear fancy shoes, or dress up.  It does however happen to be a show that people pay $ 8 to get in per person, and in an area where honestly, a lot of the people are a little more affluent and in the middle-class to upper-middle class range. 

Whatever reason they weren’t buying, it certainly wasn’t because they couldn’t afford it.  I made some comment about it not being a good idea to publicly bash customers, and got blown off.  Did the artist just lose a potential sale.  Yep….he just judged me, and all my neighbors based on clothing.   Kinda killed any impulse I had to inquire about getting a piece.  Absolutely silly.  

Let’s not degradate people because we don’t do well at a show.  There are lots of varying factors for why we might not do well.  Indeed, people may not be in the mood to spend money.  That doesn’t mean they are poor or stingy.  It may in fact mean that our art isn’t tugging at their wallets.  Any number of factors from cold weather, hot weather, rainy weather, grumpy artists, distracting commercial vendors, poor marketing, the wrong type of art for the wrong type of crowd (e.g. traditional art at a more industrial/modern show), or the art just simply isn’t what they are looking for no matter how good it is may influence our sales for a weekend.  

It breaks my heart to see artists who don’t do well automatically tearing down buyers to pieces and publicly at that.  How does that encourage anyone to support artists if attitudes like that are made known widespread? It makes us ALL look bad and sours buyers perspectives of a show. 

It would be nice to think that prejudice doesn’t exist at the same percentages in the art world as it does in society but unfortunately I’ve seen buyers at art shows judged all too frequently on what they are wearing, the color of their skin, the questions they ask. 

I’ve been able to witness this from a buyers perspective and I know what it feels like to be judged based on our “cover”. Being younger my husband and I sadly, frequently have had to walk away frustrated from potential purchases because we couldn’t get the artists attention.   We’ve stood by as artists took care of older clients and didn’t even bother to acknowledge our presence in the booth.  I kid you not, not even a “hello” let alone, “I’ll be with you a second.” Somehow, being younger and probably dressed more casually makes us appear to be less likely to be seriously interested in buying.   

I never understand how they fail to hear us actually discussing budget, and where the piece would go and saying things like “so this is the piece you want?  Yes.”  The funny thing is, though I’m an artist too and don’t have this whopping income, both my husband and I are VERY committed to buying only original art.  My husband’s father was an artist, I am an artist, and we’re young with an entire house to decorate.  Is it a struggle sometimes?   Absolutely, but we cut things out in other areas so we can support independent artists like we believe in and have pride in the objects we own. Most people would never peg us for art buyers, but with one exception, every single piece of artwork in our house was handmade by an artist or done by an independent photographer.  

At the supposed “wal-mart” show I was also seriously eyeing a delectable handbag.   I actually had even managed to capture my husband’s attention at the quality of it.  (Who for the record, does not get my obsession with handbags, and does not understand why anyone would pay more than $40 for one.  So to have him actually acknowledge a handbag as a stunning work of art is quite a coup.) The husband of artist working the booth literally picked it up right from under my nose to show it to a gaggle of older women.  Who went “oh, that’s nice” and then walked out of the booth.  Sigh.  Why, when you have a bunch of items in a booth would you take one right out from under a person who is looking at it?!!!

I can tell you of at least four separate occasions in the last few years in which an artist probably missed out on selling an original because we simply could not get their attention away from someone else they deemed “more worthy”.  Of course, you could say stick it out, come back to the booth later, but when someone acts like you aren’t worth their time it takes the fun out of the buying experience.  We truly are the type of people where half the fun is making connections with an artist and knowing we are supporting someone. 

Some artists get it totally right.  I still remember one Boston Mills Artsfest where we fell in love with Andy Chen’s photography.  Seriously, madly in love with it.  We went in and looked around and were greeted warmly, despite the fact that the poor guy had to be baking (it was something like 95 degrees and he was in the outside sunny section with absolutely NO airflow)  We ended up taking a card and walking out because we knew we really shouldn’t get the size piece we wanted. Of course we walked around and spent the rest of the show figuring out how to juggle the budget.  Came back to the booth later and spent probably a half hour still debating, comparing photos and deciding on the perfect piece.  I still remember when it dawned on me that poor Andy was standing there holding up a 3 foot framed photograph with sweat pouring down his face while we debated.  I felt so bad….we had turned into crazy customers. 

Long story short, because his work was phenomenal and he was so patient and so friendly we walked out with a large original and I joked with him that I just basically traded an entire art shows worth of inventory for me for one piece of his since we liked it so much.

Can we always afford it? No.  Have we walked through plenty of shows and not bought? You better believe it.  Do we collect business cards?  Yep.  We have totally been “lookers” However, we don’t forget the nice artists whose work we really love.  We have indeed returned when the budget was right and bought sizable pieces.  Had we got gruff or attitude for being lookers, or ignored or insulted in some way by those artists it wouldn’t have happened. 

As an artist myself, I’d have lost a lot of money over the years if I wasn’t respectful to EVERYONE.  (At least I sure try to be….I know I’ve had some days where I need to work at it more) Literally about 50% of my MAJOR sales have surprised the living daylights out of me, and I’m super glad I didn’t have any sort of attitude with the customers.  At a major art show last year, my most expensive piece probably went to the most casually dressed buyer I saw all day.  She wasn’t wearing a lick of jewelry, but picked out my showcase piece and off to her it went. 

At one of my holiday shows the tiniest little grandma came up to my booth and just started pointing.  I think she bought something for every single daughter or granddaughter that day (and the pieces weren’t on my lower end either!) I was a little fearful of the credit card being declined to tell you the truth as the sale was too easy, too quick, and she seemed like such an unlikely customer.  I am a little shamed I ever thought that. 

 

Quick disclaimer:  I know, I KNOW that there are shows where crowd makeup means we definitely won’t do well.  We’ve all picked a few shows to do in which we came back and went “whoa…def. not my crowd.” When we find shows that aren’t for us, let’s keep it at that though.  How hard is it to say “Not my crowd.  They weren’t buying what I was selling.” We do not need to make derogatory comments about people’s clothing, wealth, character, etc., when we do not do well. I'm not saying not to vent about someone who was particularly rude or degrading to you--that's a whole different story.  Just be careful not to make judgements about an entire populace simply because they're not buying what you're selling or to pre-judge customers based on pre-conceived notions, as they just might surprise you.

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review of Artfest Midwest

This was my first time at this show. This was an inside show which was a wonderful break from the stress of being outside and checking the weather channel every five seconds.. Set up was fairly easy as they had parking on all sides of the building with a central large overhead door on each side. On Saturday the people seemed to be trailing in right when the doors opened and were steady all day. I am a painter and my booth consists of original wall art with a few reproductions. I believe my artwork is very reasonable being that my most expensive piece is 500 dollars. By the end of the day, I barely had anything left. However... my neighbor next to me was also a painter and his prices were 500 and up.. I don't believe he sold anything all weekend and he had some really nice work. I asked other artists how they did and they had the same response. The higher priced items were not budging.Sunday went well for me also which left me with a few items to take home with me. (Good problem to have). I wasn't able to talk to every artist there so there may be some large items that sold but I didn't see them being carried out. Lol one artist asked me if I would try and sell some of his artwork in my booth and he would give me a percentage as if I had some sort of magical powers over my customers! Overall I thought the crowds were good, quite a few seemed on the elderly side but they were buying. Sue Stookey was very nice and great to deal with, answered all my questions. I will definitely do this show again but I bet some higher priced artists won't.
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4th Cannon Falls Wine & Art Festival

July 20 & 21  6a00e54fba8a7388330192ab9af67b970d-150wi
Cannon Falls, Minnesota

10 am to 5 pm

50 exhibitor spaces
Deadline: NOW, a few spaces left!

The Cannon Falls Wine & Art Festival is now in its fourth year and will be held July 20th & 21st at Hannah's Bend Park in the city of Cannon Falls, MN. The park, made famous by a visit from President Obama in 2011, is located next to The Cannon River and has lots of trees, a picnic area and a frisbee golf course. Last year approximately 50 artists and 15 wineries were involved in the festival.

The winery booths are interspersed within the artist booth spaces to make for a casual, fun atmosphere. Tasting tickets are sold for $20 (including a souvenier wine glass) and allows participants to taste 10 different wines.

1407.png?width=300Live musical performances scheduled throughout the weekend and several food vendors including streudel, woodfired pizza, kettle corn and others.

Rules/Regulations
Jury Fee -nonrefundable $25

Booth Information
Fair hours are 10:00AM - 5:00pm. Artists are expected to stay the entire time.  It is an outdoor event and each artist is expected to bring their own set up display and tent.  We will have security in place over Saturday night.

  • All booth spaces are 15'X15'.  Tents need to be weighted.
  • Booth fee - $65
  • Artists provide their own displays, handle sales and collect MN sales tax.
  • The Festival is a RAIN or SHINE - event held in a grassy park along the Cannon River
  • Exhibitors may set up their booths Saturday morning from 7am-9:30am.
  • Security is provided during non-selling time.
Contact Stacy (De Young) Duke, 651-398-0590, or email at stacy@weimarketing.com if you are open for those dates! ZAPPlication is closed for this show.
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My visit to the dentist.

Had my regular dentist checkup yesterday, and got one of the nice hygienists that like to chat. She asks how our art fairs are going and I reply as best I can "rowh ayy". She asks about our next show and when my mouth is empty of metal devices I tell her we'll be exhibiting in Ann Arbor.

It reminds her of a ceramic pair of cruets that she purchased from a potter at the Ann Arbor fair last year. She loved them, bought them for $100 and upon wishing to use them in her kitchen, found that one had a stopper that didn't fit, and the other one leaked. She tried switching the stoppers which didn't help, and spent time examining the other to find the source of the leak to no avail. So neither was functional. She contacted the artist and although he said he would do something, he did nothing instead. She called again and did not get a response.

So after she's done with my cleaning, we talk about it a bit more and she says something that rather startles me - and asks if the people that put on the show can stop this potter from exhibiting. My initial reaction was that they would not, and probably could not, do anything other than perhaps help her find the artist, and she already had his contact information.

She presses, and says that since it's a "juried" show, because this potter sold her "a bill of goods" shouldn't the show essentially blacklist him?

I ended up advising her to see if he had his events posted on his website and if possible to visit him in Ann Arbor again and take the pieces with her. Assuming he is a stand up guy, he would probably make things right for her.

But remembering the conversation still hurts my head. First, my opinion is that jurying is just the selection of pretty images, and has nothing to do with the work. The juries cannot tell the size, weight, material, craftsmanship or if the stoppers fit, and "art" is forever subjective. A totally different subject. But blacklisting an artist because one set of cruets does not perform? That introduces a whole new set of rules about functionality, intended purpose and defects that some shows may write about in their contracts - maybe a small paragraph - and that no show would ever try to manage, not that I would want them to!

Still, it makes me feel for the customer that has little other recourse and it reinforces my beliefs that like Paula Deen, your empire can come crumbing down by saying or doing one stupid thing, and you should always put out only good work that you believe in and can stand behind.

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Square V Paypal Swipe FYI

Over the years I have always looked for upgrades, better service, better pricing, etc re: credit cards. AND no, this is not an advertisement for either, it's an FYI.

I was part of the test for Paypal's similar program to the Square before they introduced it to everyone. (yes I had the SAIL too...but that proved to be way too limiting and according to Verifone they did that on purpose to get you hooked so you would purchase into a larger program with them, per the phone conversation I had with them..ugh canceled THAT).

Always on a quest for better, easier record management, processing time you name it.

I now have both Paypal Here (Paypal) and Square.

I use Paypal first and foremost and these are the reasons:

1. Better percentage: 2.7% Paypal / 2.75% Square

2. Paypal: 1% back on the associated debit card purchases. So, I can actually "add" more funds to my paypal account, use the card for purchases like gas for the barge and what have you, and make back 1% of what I pay in the initial credit card processing fees. That means, my percentage is lowered to 1.7% if I am diligent about using the card.

3. Square does have a program where you pay a flat fee per month (by the month) that is beneficial if your sales are over X amount.

4. Funds availability. Square for me is 2-3 days in my account. Paypal is 2-3 minutes. Paypal has free transfer of funds into my regular bank account.

5. Square has a POS attached to Ipad devices, Paypal has one that I haven't had the opportunity to try since I don't have an Ipad yet but allows limited information entry if using a smartphone just like the Square does.

6. When I wish to look up a transaction - in my regular Paypal online account all transactions are listed with the purchasers name.

7. Paypal is attached to my online shop. It makes it very easy for me to compare between the two to see my crossover repeat customers, it's all in one place.

8. Paypal accounts can be attached to Outright - a "gathering" online service that gathers information from various accounts and gives you a weekly update as to how your business is doing, categorizes transactions and what have you. I haven't looked into the Square since it dumps directly into my bank account and sometimes it's just too much information out there for big brother.

9. A biggie - connectivity. Many of you may have experienced what I call the Saturday 10-2 "blackout" as I have with the Square. It's a real pain waiting to get the transaction to process,because everyone and their brother is doing the same at shows across the nation. When I have a line trailing out my booth with cash/cards in hand this can be difficult at best. Paypal, I have only had 1 experience to date at one show that simply had poor connectivity regardless of either device.

10. There is much more that I can get into, Square by far has had Starbucks dump a fortune into their service, so the possibility of creating coupons/cents off, what have you is in place along with the customer being able to pull up what businesses in the area are using the same service so they can easily shop there and what have you. So, there is the possibility of a loyalty program that I wish Paypal would have, but with the development of the POS that may be in the future. And, paypal does have POS 3rd parties that can be used, but at a fee, that I don't agree with, so I am waiting as this develops to see where they go.

11. I keep both just in case, as when I do have poor connectivity, it's a matter of one working better than the other.

12. Both will send out additional swipe thru devices free of charge, usually with a period of time between each request. I always have 2 back-ups of each as I never know when one may get wonky.

13. Trick if a card is simply not being read and you don't wish to pay the additional fee for typing in the information. Take a piece of saran wrap, cover the card on both sides and hold it taunt, swipe it thru. It has worked every time for me, and others when this occurs.

14. While I realize there are still people with the belief that credit cards are a scourge or the fees are too much, etc. Here are the facts, credit card purchases on average make up 66% of my sales. The relief on my potential customers faces when they start shopping is - great I am just about out of money, I used up my checks and now I don't have to worry about having to choose between purchasing from you and lunch. We are fast becoming a cashless society, and I barely carry on me more than $50 when I can use my cards instead, have it all recorded and be done with it.

So, what do you think?

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I hate that my the first review I do for the Art Fair Insiders is a poor one, but I need to get the word out about this stinker of a show!

I spent the weekend at the Lincoln Park Art and Music Festival, in one of the most affluent neighborhoods in Chicago. As a first timer to this show, I didn't know what to expect, but I was excited about this one. I usually do well in urban areas. 

The second we checked in for set-up, I knew we were in for trouble. We were handed name badges and a booth number, nothing more. No info about booth sitters, sales tax, restrooms, parking, or where to grab lunch. Nothing. Bad sign #1. And when I tried to find someone to inquire about these things, there was not a member of the fair staff to be found. 

Set up was fairly easy and convenient. There was space right on the street to park and unload and the weather was cool and comfortable. The fair grounds were right on a street on the lovely DePaul campus, so the surroundings were nice. Unfortunately, this is where the the nice and good about this event ended.

The show opened on a perfectly lovely Chicago afternoon to a trickle of patrons. From experience, I that the first hour or so of any show can sometimes be slow, so I patiently waited for the buyers to emerge. I passed the time talking to my fellow artists and soon realized that this was the first time that any of my booth neighbors had done this show. Bad sign #2. If this was a good show, you'd expect to meet some returning artists, right?

An hour passed, then another, and then another, still just a trickle of people walked past my booth. After 6 hours, I sold just one $20 print and one $18 set of cards, so we decided to pack up early for the night. (The fair hours were 12 noon - 10, but artists were allowed to close at "dusk".) The non-existent event staff didn't seem to care that we closed up 2 hours early. Bad sign #3.

We came back Sunday, trying to be optimistic. Again, the weather was perfect...Buyers should be piling in, right? Not so much. By 5:30 pm on the second day, I was nowhere close to making enough to cover my booth fees, so we decided to pack it in. Most of the other vendors were doing the same. We weren't allowed to bring our cars onto the street, but luckily we scored a parking space right around the corner. As we walked past the entry gate with our things, the event staff just looked at us and continued to charge their admission fees even though most of the vendors were dismantling. They even joked that they were tired of seeing walk past. Ha.

In summation, the Lincoln Park Art and Music festival was a complete waste of time. There was obviously no promotion. (An event in this neighborhood on a beautiful summer weekend should be teeming with buyers!) The art fair website was a joke....Just listed event times and the bands playing. The event staff provided absolutely no amenities or support for the artists. They just saw us as a paycheck and didn't care if the artists were happy or not. Out of the 55 artists there were just a handful of good quality vendors and quite a few buy and sell booths. Boo! Artists beware! Avoid the Lincoln Park Art and Music Festival at all costs! 

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Jay's Mom

Jay's mom, Myra Brill, died peacefully z'l this morning around 8:20 a.m.  Jay, Mark and I were with her.  Gary, Jay's brother and his wife Kathy were in Toledo and are on their way back home now.

The funeral is Friday at 11:00 am at Judean Memorial Gardens. Olney, MD - at the chapel.

Deborah

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