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Well, first off, your bad-boy got flagged again (must be a career trait) by the anal fire department at Uppper arlington, that is NW of downtown Columbus,OH.

God forbid!

They tell us how we must set up our booths with anchors in zee ground.  All stakes must be at precisely 45-degrees into the ground--perpetrators will be shot at dawn.

The Fire guy came along to me and yanked my tent-peg out of the soggy ground.  I said, "I could put my 45-pound John Deere weight on it."  He did not want that. Wind could make the weight dance around on the ground.  I was flagged.  I put a dog-thether on it.

  An hour later the Committee came by and said, "the Fire Dept. Failed you."  Oh no!  I replied.

They checked my dog-ties and found them adequate.  No flies on my stakes.

Geez!  Don't these guys have better things to do, like putting out fires on over-zealous gas grilles that do wings too long.

This show used to be one of the best one-day shows in the midwest.

No longer.

Too much beads and non-descript jewelry. Not much original art there, let alone any of the many good regulars I used to see on the circuit.

They mostly bought little precious pieces of paper.  Real low, real slow--sales-wise,  not worth the eight hour drive to and from.

Don't do this show unless you live close enough not to have to stay at a hotel--it is a shadow of its former self.

And, that is me being nice about it.

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6a00e54fba8a738833016760bf0f2d970b-pi?width=250Recognized among the top art events in the United States, the fair has received a four-star rating from Sunshine Artist, America’s premier art and craft show magazine and has consistently hosted some of the best touring artists in the country.

Photographer Michael Bryant and Golden Dolly winner, Christine Green at ABE

Best of Show: Luis Enrique Guitierrez, Raleigh, NC      (Ceramics)

1st Place: Emilie Pritchard, Panama City, FL  (Jewelry)

2nd Place:  Ella Isaac, Philadelphia, PA                     (Fabric/Fiber/Leather)

3rd Place:  Mikel Robinson, Asheville, NC (Photography)

Awards of Excellence:

1.  Ralph Rankin, Orlando, FL   (Ceramics)

2.  Xiao Jiang, Scarborough, Ontario    (Painting)

3.  Tim Gralewski, Royal Oak, MI   (Graphics and Printmaking)

4.  Andrew Costine, Tyrone, NC   (Wood)

5.  Brian Shope, Hendersonville, NC  (Wood)

Spirit of the City: Athlone Clarke, Douglasville, GA  (MM 2-D)

Golden Dolly Award: Christine Green, Micanopy, FL  (For many year's hauling boxes, setting up the booth, working at the art fairs and then hauling it all away again, assisting her husband, Bruce Green - Ceramics

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Yes nearly two hours, but a lifetime of wisdom is shared.  Hans Meijer from Georgia expounds on every aspect of Vending. In Displaying items to pricing, and everything in between. So Before you click start make a bathroom run, get a beverage pen and paper and you can hit pause if need be. 

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At the star of this year I was lucky to into Lakefront Arts festival in Milwaukee. I figure that doing the Third Ward by Amy will be a good choice. Start looking for hotels April for both shows but only can get for the lakefront. A couple friends advice to drive back and forward for the Third Ward show since I could not find anything closed to the area. Gurnee was the closed hotel with opening and for that distance it did not make sense to paid for hotel since my home is 35 to 45 minutes from there.

A week before the show things just went _____________. Amy found by the city of Milwaukee that we could not set in Saturday morning as she plan. The parade for Harley Davidson will start at 10am and will running one street east from the show. The parade will block the entrance to main parking lot for the artists. I do not think she pass this info to the artists. Also this also mean that all local people wont be attending the show or just skip town. It also mean that we need to check at 3am and start to set up at 4am. Considering that closet place you can stay was 45 minutes away you can figure the reaction. I send email asking to reconsider the set up time as well some other artist. We got a email back that what the city put us in that schedule. The set up was great set for the cars that need to tow. That did not help me.

The attendance was great but the people was there for the parade not for us. Some people got lucky but most walk out of there super _____________. I think that the show has potential. There are rumors that she may change the date but that will mean we starting again from ground zero.

Because of the lack of sales and reading other forums here some things that start looking at this show with her. I knew that people cancel. That was artist that was showing that should not be there. She has reduce her standards and that is very disappointing. Instead of letting people that may look buy and sale or candle people what about give people more room to display like (12 feet deep and 15 wide). Yes that is a corner display and that will prevent or justify not reducing her booth fee. This what keep people are complaining. I know she does a great job of advertising and she make effort to promote her shows. I do not think is her fault the shows do not get more buyers. She has lost some of best art shows artists and could because what had become her reputation but instead of sending "hate mail" or telling she has lost touch what about we send ideas to improve our living hood, she may try some those ideas. Also take a look how many shows you are doing in the area and how many years showing the same stuff. Do not blame the promoter are all the failure some blame falls on us.

Do not think that if she is not promoter of the show that fee is will go down neither. I saw Fountain Square taken by Chicago Special Events and the fee stay the same and it got worst (Wells Street part 2). Now the Lakeview East fee stay the same but the sale may not break the bank but wow this how all shows should be run.

I will tell you if you trying any of her show try Port Clinton (another rumor is that the sales was not there and artist will be dropping if that is true that will be good for me) and Third Ward. Everything if you are not local stay away until you start getting good reports now the draw back is that she needs x amount of artist must of the new blood can not afford her shows so guess that who take those spots.

Only time we tell and yes I like her and some her staff (Lisa and Omar) but this how a make a living and money talks and how feel about you wont change that.

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Call for Artists: 2014 Smithsonian Craft Show

April 9 - Preview night 
6a00e54fba8a7388330192ab9ae561970d-200wiApril 10-13 - Show days
National Building Museum
Washington, DC

120 exhibitors
Deadline: September 15, 2013

"As options for craft artists to show work diminish, it becomes more important for them to seek venues whose audiences are national, international and sophisticated. I would highly recommend The Smithsonian Craft Show's Quest for the Best as a stellar example for them to gain exposure and to advance their careers."

Lloyd E. Herman, Founding Director Renwick Gallery, Smithsonian American Art Museum

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Jewelry by Ann Marie Cianciolo


In a Quest for the Best the Smithsonian Craft Show encourages artists to apply in any of 12 media - basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art, and wood for its annual Show in Washington, DC, April, 2014.

This is an opportunity to have your work seen and juried by our nationally recognized experts Jason Busch, Curator of Decorative Arts, Carnegie Museum of Art, Pittsburgh, Pennsylvania, Joanne Cooper, owner of Mobilia Gallery, Cambridge, Massachusetts and Michael Monroe, former Curator-in-Charge at the Smithsonian American Art Museum's Renwick Gallery and Director Emeritus of the Bellevue Arts Museum, Bellevue, Washington.

Learn more & apply: www.SmithsonianCraftShow.org

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WEDNESDAY, SEPTEMBER 4 - 4 PM ET

Art publishing is a big business. Have you explored licensing your images for print and other products? This podcast will help you sort out the basics and get you thinking about another source of income from your art.

What you will learn:

1.  What it means to license your art (how it works, contractual permission, etc - a broad overview)

2.  How to create art that works for licensing

3.  How long it takes to make money

4.  Basic expectations manufacturers have of artists who license their art (digital files, website, etc)

5.  Some day-to-day realities of life in the art licensing industry (lots of competition, art changes, deadlines, quick turnaround requests, often no response to submissions...)

Our guest is  artist Tara Reed who founded her art licensing business in 2004. She creates art that helps sell products, teaches artists about the business side of licensing and blogs about licensing at www.ArtLicensingBlog.com. She serves on the Advisor Board of SURTEX, a premier trade show for the art licensing industry.

Do you have questions you'd like me to ask Tara? Please put them in the comments below.

You can also call into speak with her: 805-243-1338 

 

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October 4-6, 2013  1448.jpg?width=300
Bayfield, Wisconsin
Downtown Bayfield
10am-5pm
150 Artists
Exhibitor Fee: $325 $275
Jury Fee: $20
Deadline: until full-still accepting

Bayfield's Apple Festival has been hailed as the "Best Festival in Wisconsin" by Wisconsin Trails Magazine and one of the "Top Ten Autumn Festivals in North America" by the Society of American Travel Writers.  Is it because of the charming small town atmosphere?  The famous Grand Parade featuring a "Mass Band"?  The countless booths of fresh apple pies, tarts, caramel apples, ciders and other fall treats?  Well, YES!

1455.jpg?width=244 Located on the pristine shores of Lake Superior, this event features over 60 orchard and food booths selling Bayfield's apples, apple desserts & delicacies, nearly 150 arts and crafts booths, carnival rides and games, live entertainment by Bayfield's own Big Top Chautauqua performers, contests and a grand parade. Average attendance 50,000.

Artists, fyi: We have already accepted applications at the higher rate of $325, so we'll be extending $50 vouchers for next year to those artists who paid the higher rate, plus the 2014 booth fee will stay at $275.  Take advantage of these newly reduced rates!

For more information:


Bayfield Chamber & Visitor BayfieldBureau
P.O. Box 138
Bayfield, WI  54814
(715)779-3335
(800)447-4094
Email: debi@bayfield.org

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What about this logo? Does it work for you?

Perhaps you have seen our notices about the new list we are building, "America's Best Art Fairs", which we are developing as an aid to people who love to attend art fairs to collect art. We've been working on this idea for a couple of years and we are getting near the time to roll out the survey.

Here are four logos we have developed for the survey. Which one do you like the best?

  1.  8869114890?profile=original
  2. 8869115860?profile=original
  3. 8869116073?profile=original
  4. 8869116087?profile=original

We are also open to suggestions.

Deadline: September 1.

P.S. We have had an amazing # of nominating submissions for the survey. Many thanks to you. If you haven't filled it out yet. Here it is: http://www.surveymonkey.com/s/TPRSSYS

If you know people who love to buy art at art fairs will you also please forward it to them?

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When my jury results for Art in the High Desert came I expected to file it away with my rejections. I had juried for this show for 4 or 5 years, always with the same results... no joy. I was close to giving it up and not apply this year. I was shocked to be wait-listed. And then I was almost immediately called off the wait-list. I’m really glad I didn’t give up! It was a wonderful show in all respects... except for the weather, but more on that later.

Art in the High Desert is located in central Oregon in the resort area of Bend. The area is known for the Mt. Bachelor ski resort, the Deschutes river, and other various outdoor activities and its numerous brew pubs. As the name implies it is in the high desert. This is an artist run 3 day show running Friday thru Sunday. It’s always the weekend before Labor Day. It has been set up to attract artists heading to either Art in the Pearl in Portland or Sausalito near San Francisco the following weekend. Because of its timing and proximity it is able to draw from a field of excellent artists. The show is set along the banks of the Deschutes River, right across a footbridge from the Old Mill district shops.

This show promotes original art. There is no music and no stilt walkers. There is a list of rules, which I did see enforced. All work hanging on walls needed to be originals, which I liked. I never hang reproductions. It makes it easier for the customers to know what is what. No B/S that I could tell. The show directors are present and communicative. Carla came to my booth to welcome me and talk a bit, she spent time running around with weather updates when her text message system failed to work.

Here's a short video someone made of the festival on Sunday, some of it in the rain.

booth fee $375

amenities

artist hosting
Thursday night artist dinner
food, drinks and coffee all mornings
awards breakfast on Sunday
wide booth spaces with storage behind
booth sitters
jury feedback (what a concept!)
gifts for the artist (this year a wine stopper and a AHD sketchbook with the logo embossed on the cover)

Thursday

I drove the 160 miles from Portland and checked in with my host. Yes, this show offers artist hosting. The woman I stayed with was wonderful and I hope I have made a new friend. Her home was only about a mile from the festival site.

Setup

Setup is by time. There were volunteers a plenty and carts for artist’s use during setup. Spaces were wide enough to walk between to access the storage behind the booths. It was windy and threatening rain so we were instructed to set up and secure our canopies first before finishing unloading. There was a little rain but it didn’t last long. I unloaded everything and hung most of my work and went to the artist dinner. This was hosted with beer and wine. There was a talk about selling at art festivals before the dinner.

Friday and Saturday

Ran from 10am-6pm. Friday was mostly browsers but Saturday the real buyers came out. I had one very good customer who had come to the Old Mill to see a movie and ended up buying 3 paintings from me! I saw other original work walking by all day on Saturday.

Sunday

When I think of Bend I think of sunny, hot (and maybe windy) summer days. The last thing I expected was rain, but after threatening all weekend, the skies finally opened up Sunday afternoon. We were told we could close an hour early at 3pm if the weather didn’t break. Some artists started closing around 2:30 because rain was blowing into their booths. There were still a few hardy shoppers. I took down my price tags but otherwise waited until after 3 to seriously start packing up amist the cracks of lightning and sounds of thunder. It crossed my mind that a metal canopy might not be the safest place to be in a thunder storm :/. Fortunately, by the time I was ready to load my vehicle the rain had stopped.

Yes, I would do this show again in a heartbeat. My sales were good and the cost of doing this show is relatively low. I think the weather on Sunday may have affected my sales somewhat.

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As I approach the ripe young age of 50 there are times I ask myself how long my body can take the grind and physical toll on my body from all the long drives, setups, breakdowns, standing on my feet for hours etc. that are part of the job description for art shows.

Recently I threw out my back (not from doing a show, but from all things, exercising!)  and although I am recovering quickly (hopefully in time for my next show next week) I am really starting to think what would happen if something more serious happened. Luckily I had no shows scheduled for two weeks, so this gives me time to recoup. But the thought of missing a couple shows would be costly. Unlikely I would get my booth fee refunded in addition to non refundable Priceline fees.  I do shows on my own and God forbid I am on the road when my back gives out...what to do then? Cant set up ,break down, drive....that's another blog though.

I don't have a history of back problems so hopefully this is a one time thing,  and Im in pretty good health and shape, BUT life has a way of changing quickly. So my question for you is how many of you artist carry disability Insurance and any advice on what to look for or good reputable companies that carry it for artist and did you have issues with getting insurance because of the line of work were in? Thanks.

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You never know

I am new in participating in art fairs. Two weeks ago, on August 17, I had a booth at the Agora Art Fair in Fitchburg, WI, near Madison. I was reasonably successful with slightly over $1000 in sales. One of the pieces I displayed was a 30x40 picture of a restaurant on a bridge in a small town in Provence. Many people admired it, but no bought it. That is, no one bought it until yesterday, when I received a phone call from someone who had taken my card. She told me she wanted to purchase it and could I bring it over and help her hang it. I agreed, and my sales from that show just went up about 30 percent. You never know.

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St.Augustine

November 30-December 1
Wilmington, North Carolina
  Wilmington Convention Center
10am-5pm
Holiday Art Shows
100 exhibitors
Deadline: September 6
(late applications will be accepted if category is not full)


1339.jpg?width=325Please join us for the Wilmington Art & Craft Show, Thanksgiving weekend in WilmingtonNC.  This is a carefully juried, fine art and fine craft celebration of the arts.

100 talented artists and craftsmen in varying mediums such as; fiber arts, jewelry, glass, mixed media, painting, pottery, photography, sculpture, and wood will be invited to become exhibitors.

We are excited to offer you this premier event which takes place in the heart of downtown Wilmington during the festive holiday season.

Show Highlights:

  • Reasonable booth fees
  • Overnight security
  • Easy drive up load and unload
  • Free artist parking nearby
  • Extensive marketing campaign
  • Artist friendly, knowledgeable staff
  • Free postcards for your customersWilmingtonshoppers
  • Friday set-up
  • By artists for artists

Holiday Art Shows offers three options for sub-
mitting your application; please choose whichever is most convenient and comfortable for you.

  1. Holiday Art Shows Online Application:
  2. www.holidayartshows.com/online-application.html
  3. Zapplication: www.zapplication.org/event-info.php?ID=2457
  4. Print and mail application: www.holidayartshows.com/support-files/wm-application-2013.pdf

Media campaign includes: television, cable, regional newspapers and specialty publications, billboards, NPR radio, posters, flyers, banners, postcards and social networking.

Sponsored by: WECT-TV, Encore Magazine, The Penguin_98.3 fm

We look forward to receiving your application!

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Affordable Arts part Deux

The 2nd Annual Affordable Arts Show in Littleton, CO came off without a hitch this past Sunday, Aug, 25.

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Crowds line up in anticipation of entering the 2nd Annual Affordable Arts Show in Littleton, CO

I reviewed the inaugural event last year and it can be read at: http://www.artfairinsiders.com/profiles/blogs/affordable-arts-show-in-arrears


Things were still very well organized by Jim DeLutes and his crew and I was glad to be able to set-up on Sat. this year. With temps in the low 90's on both Sat and Sun lots 'o water was a necessity.
Load-in was still easy as you could drive right up to the ample spaces on the college campus lawn and as artists arrived on their own time schedule, staggered throughout the day, it seemed like no toes got stepped on.

By nine o'clock an impressive crowd was lining up outside the gates. Jim was working for greater attendance this year with his aggressive ad campaign. Well, word must have gotten out as they were stretched out way past the parking lot and out towards the college buildings a good way off as well. There was a good mix of ages and unlike the older second home crowd in AZ (that has no wall space) the older crowd was buying as well!
The show is built around the theme that everything is affordable at or below $100. Most of what I sold was at this higher price point with large framed images. It was my experience that people were not just buying one item but were looking for multiple items to put together, at this price point they weren't scratching their heads and considering it as much, they bought! I could see the same was true for other artists as there were a lot of large pieces with legs and a lot of bags full of items walking by. There is never a dull moment at art shows and this one was no exception when a patron, who had been eyeing a 16 x 20 framed image that I had priced at $100 down from $195, asked if there would be any additional discounts! I paused a second without response, took a slow breath, and calmly replied "No".

No amenities such as water were available to the artists however a group of volunteers did come around and check on the "by yourself" artists if they needed a break. Food and drinks were available from a couple of nice catering trucks parked near the event.
By the afternoon the crowd thinned but there were still plenty of deals available and people were still looking to buy. The show ended an hour earlier this year at 4 which was a good thing as there weren't enough patrons to support the extra hour. The clouds rolled in at 5 or so with a sprinkle but by then most artists were packed and gone.
Jim is very optimistic about this show and is working hard to get attendance to rise. I'm curious to know how many came this year but haven't heard yet. It certainly seemed as if there were a lot more this year as-well-as good buying energy. Jim did a great job with advertising and based on the addresses of those that showed up it must be working as they came from all over the metro area not just the local residents.

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Here are the comments of the people who have entered to win the pass to the Zapp Conference in the order received. After you have read them all the poll is at the end to receive your votes. Be warned that you cannot change your vote after you have selected it.
 
Deadline for voting is Sept. 2, midnight ET.
 
Which person is most deserving of winning the free pass to the ZAPP conference? Please read the entries below and then click on the survey at the bottom of the page to record your vote.
  • I would love to attend this conference to learn more on how to sell my handcrafted jewelry. I have been doing local shows for a couple of years now, but there are very few art fair shows in this area and I lack the knowledge on how to apply to them. I am trying to expand my knowledge of taking photos, upgrading to a better website and in general improve on how I can sell my jewelry, which venues would be the best, this is all very challenging and can be overwhelming at times, so any help or suggestions would be greatly appreciated. I have read about the Zapplication conferences, but this would be the first one I could attend. I feel I would learn tremendously from it.

 

  • My grandmother was a seamstress. I spent every summer with Nana. Learning everything I could-she would look at something and create the most amazing piece of clothing or an accessory you could imagine. After college, my first job was as a TV producer for Public TV. Because I was a state employee, we didn't get paid enough money to meet basic needs. So, I took all the lessons that Nana had taught me to start making earrings to pay the rent. I became successful and my bills were being paid...with the better shows, I have no clue how to approach, apply, or word the applications so that a jury would understand. I have hit a road block and need help...Please welcome me back into the fold.
  • It’s been about seven years that I’ve been doing shows now.  To say I have learned a lot already is certainly an understatement.  However, I have been doing little local shows. I have been working hard on my “cohesive body of work” and my display.  I knew I had to get in to some higher caliber shows, so this year I applied for four shows that I thought were a step up from what I had been doing... I am still too intimidated to apply for the really good shows, but if I am ever going to succeed I need to get to that level. I think the Zapplication conference could be very helpful in making that step up to the next level.  However, I don’t see that it will be in my budget in the foreseeable future.  I would love to participate in the public portfolio critique! If I’m not chosen, I will still be plodding along and you will probably hear from me again next year.

 

  • I have been an artist all my life and over the last few years I finally gained the courage to start showing and selling my work. I went back to school and earned my BFA in painting from the University of Missouri and just graduated with honors in December 2012. I am a painter and currently work with oils on canvas and I am part of the St. Louis Artist Fair this year as an emerging artist. It will be my first art fair and the emerging artist program has been very informative but I want to learn more. I would love to be able to travel, show and sell my art and I love the art fair atmosphere.

 

  • Greetings from Laguna Beach, California. Home of sunshine and wonderful artists. We are a new gallery (less than a year old) We are looking to learn from the masters the secrets to success. We are looking to ways to network with artists and professionals. Thank you in advance for your consideration.

 

  • I would love to go to this conference because this is the perfect next step for me. This has been my first year selling at art fairs and I've learned so much! What I've learned is that I really am a glass artist, and I need to learn to portrait myself correctly. My work is better suited for middle or higher end shows, and I really want to see what it takes to get noticed by the juries and by the clients. I am fortunate that I have a gift, but need to learn how to show it off to the right people!

 

  • I'll be a first-time participant at St. James this year (jewelry artist) and would LOVE to learn more about the inner workings of art fairs. Having been rejected by shows before, I'm particularly interested in ways to improve the application process for judging. And because I also have a lengthy background in business, I'd like to better understand what it takes to make a good show. Although I've been metal smithing for a few years, I'm still taking every opportunity to learn new processes as well as business development. This would be a huge benefit for me, if I could attend the conference.

 

  • I've been selling my art for a couple of years at a couple of local shows in Louisville. I would like to learn how to take my career to a more professional level. I've applied to Saint James Art fair previously, but have not been accepted. I am also interested in pursuing a market beyond this region.

 

  • In my second year of art fairs, I am still learning. And it would be a great moment for me to attend. What a wonderful learning opportunity this would be for me! I know I don't have the money to attend. I hope to develop my photographic skills and be admitted into better fairs. This is all a learning journey for me...

 

  • I am an artist craftperson and that my interest is in seeing how craft, as in my painted gourds using southeastern prehistoric designs, can bridge the gap between fine art and craft art, which I believe will be the future of art. That's to say, the art object of the future will also have a useful function and the horizon that separates the plastic arts from the malleable arts will become interchangeable as when the blue of the sky is indistinguishable from the water below it... I would like to learn and formulate where the crossing of boundaries is and how this impacts public interest in art: soon to be a fusion of many approaches.

 

  • My wife and I have been showing our work since 1998 and came from the land of slide submission to jury into shows. Since the new land of ZAPP came to be, we have wandered lost in the elements of electronic submission to jury into shows. We have yet to find our way with any degree of success despite hiring several different photography guides to lead us throungh the labrynth. We would love to learn the way to the path to acceptance.

 

  • We have been doing shows for several years and based on what we have seen along the way we have constantly been upgrading our booth, our photos and our art. We have reached the stage now that we need some professional advice on how to take it to the next step. We are silversmiths so the majority of our work is silver, but we also create jewelry by hand knitting wire, thus creating a problem in presenting a cohesive look in our jury photos. We can always use more information on how to handle the business end of being an artist. We always learn a lot just by being around and chatting with people with more experience in this business. The good news is that we are doing St. James Court and will be in Louisville. I was excited last week when I noticed that the Zapplication Conference was in Louisville right after the art fair, until I noticed the price. It is expensive for one person, but realllllly expensive for both of us to go. So if we won one admission, we would only have to pay for one.

  

  • My wife and I are participating in the St James Court Art Show and realize that attending and learning from the Zapp conference would strengthen that weak link in my chain of my art show life that needs improving the most...professionally applying to get into more shows.

 

  • I learn something new every time I do a show and Artfair Insiders helps me sort the details and better understand how things work. Until recently I was director of a group of gourd artists. Through and with my group I learned to become a Master Judge for the American Gourd Society. Skills we taught to others. I learned how to help motivate and support artists in my group and with skills that I learn at the conference, I can continue to do this and maybe even help promote new and different kinds of fine art events. Something that will create a new and invigorated interest in artist fairs. At least in my little area of the world.

 

  • I turned thirty this year and I feel beyond fortunate to have found my calling in life. For 5 years now I have been creating jewelry that comes from my love of working with stones. The style I have crafted has stood out among the smaller hometown shows that I have done for the past 3 years, but when it comes to higher end, more prestigious shows I apply and apply only to get shot down time and time again. I have faith that my work is of high enough quality to gain entry to competitive shows and I feel if I can just get my foot in the door… The opportunity to see behind the scenes, listen, and learn what mistakes I am making would literally be life changing for me. Please consider choosing a young and ambitiously determined artist for this potentially career exploding opportunity.

 

  • I help my son by managing his art business. For 7 summers he has painted bands as they play at music festivals...his winters are spent in the studio painting. i have no art education but plenty of business management experience. I need a good education in how the Art Fair World works...this will be the perfect opportunity to get that education. Of course, asking questions is a great start to learning anything, but you must know the right questions to ask. I also want to know who to ask when I have a question and the conference will provide me with an invaluable education I could not get without spending much more time studying.

 

  • My husband & I are about to begin our art festival business. We sell prints (& in his case, some of his original pointillism artwork), & have been doing lots of research on art festivals. Going to this conference would be a great way to learn even more ins & outs of the business, & to get lots of our questions answered.

 

  • Each step of every project I design and build is considered my masterpiece… because I want the finished product to reflect the quality and creativeness of my work. I study each piece to get ideas and details that will evolve in and improve my future creations…I must continually be my own biggest critic and always be very happy and passionate with what I am doing if I expect my work to continually evolve and improve... If a person cannot be satisfied with their own work they most certainly cannot expect others to appreciate each and every step from start to finish that has gone into creating it.

 

  • I have stepped beyond the hobby phase and continued into part-time photography business for my second year. I have entered a handful of juried shows and enjoyed each experience. I started with equine photography and have learned to enjoy as well as appreciate landscape and portrait photography. I believe there is always more to learn at any range of experience, and I love getting feedback - the good and the bad. I also live just 15 minutes north of Louisville.

 

  • This sounds like a great opportunity for my business ______ Events to grow. I'm currently a one person show, I attend many artists receptions, art hops and shows seeking out artists who I believe are great additions to my shows. The artists I work with know my first concern is that they benefit. I'm still learning but I'm receptive to learning from the experts. At this time, I put the shows on from beginning to end by myself. I love what I'm doing want it to be my full-time job. Therefore, through this conference I will be able learn how to financially benefit myself while sharing my mission to support the arts.

 

  • I would love to attend this as I've just submitted my applications to my first few shows and this would be a great "What not to do" . I've invested in all the equipment from an old friend Adam Rote including trailer but have not been able to use them yet. My goal with the air fairs is to test the waters and if I get it proves worthwhile I might be able to escape corporate America chains!

 

  • I am in transition from the helping profession of nursing to the creative profession of artist. Information on building the business side of the creative life is vital to me. I am brand new at creating slides and appreciate perspective and education from experienced artists. I have nomadic blood which I am eager to honor as a traveler on the art fair circuit. I long for community connection with other traveling artists and creatives.

So there you have it folks -- great choices from beginners to seasoned artists. You will only be allowed to vote once. Deadline for voting September 2, midnight ET.

Click here to take survey
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Gulf Breeze

I've looked for reviews on this show in Pensacola, can't find any. Any of our members know anything about it? The usual info, attendance, quality of art the usual.

Thanks for any info

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Why I not angry.

I want to thank you God for a good season so far.

During the Bucktown Art Fair I never lost hope to come ahead in the show. I did not make booth fee. Wow, that really happen! Really this happen! I should be angry, wondering what happen instead. I should be questioning my work. Instead I accept what happen and move on to the next. I know that bad show will happen during the year. Bucktown Art Fair and Hyde Park Community Art Fair both in Chicago will always hold special place in my heart.

Thinking that I should apply to another show instead. Someone why you will risk a lot more. I told him my work has evolve and I can’t do this show because my presentation is to finish for this show. Is not that I am better or worst but I got a more gallery look that lets put it together.  If you walk the show you can tell the difference between season art fair artist and beginners.  Beginners rule this show. Let make this clear is not the quality of work is the presentation. Red flag start showing artist that I know drop this show and paid two booth fees instead.

Some people did really well but you can tell that lot of artist walk away ........

I still believe this show is a good as Old Town Art Fair but the crowd has change.  

So if you head the Chicago keep in mind that the new buyers had change. Younger crowd is not buying traditional art. Most of them are edging work and very economical. So far this season people do not under stand what good art cost or even framing cost.

This remind me a post from my old friend Munks.

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Call for Artists: Art on the Prairie

6a00e54fba8a7388330192acbb50eb970d-150wi?width=150September 21 & 22
Warrenville, Illinois
Art on the Prairie/Afternoon Jazz Festival
City Hall Complex
Hours: 10am-5pm
presented by  Warrenville Park District and Warrenville Arts Council

50 exhibitors
Deadline:  until filled

Art on the Prairie is a juried fine art festival located in the heart of Warrenville.  Art on the Prairie is co-sponsored by The Warrenville Park District and the City of Warrenville Hotel/Motel Tax Grant, Warrenville Public Library, and Warrenville Arts Council.  It returns to Warrenville with a new excitement hosting a Micro Brew and Wine Tasting! 

The artists are from all over the Chicagoland area and the Midwest states.  Artists range from jewelry, print making, ceramics, fused glass, fiber art, photography, mixed media, painting, and wood art.  The Art on the Prairie logo art is commissioned water colored painting by Richard White, a local Warrenville artist.

8869120058?profile=originalThe Art Fair includes a Children’s Art Station where kids can experience creating prints, plus make and take art projects all free!  A balloon artist and face painter will be in the area on Saturday from 1:30-3pm.  Saturday from 1-3pm Bubble mania will pop in the children’s area with the Ben’s Bubbles creating huge bubbles!  All areas of the children’s art stations are free.

 

The festival includes Afternoon Jazz Stage entertainment at 10:30am to 5pm both days for both children and adults of all ages. This is sure to be a place not to miss.

 

The Art festival is located at the corner of Batavia and Butterfield Roads in Warrenville in the City Hall Complex, with easy volunteer assisted unloading and loading out for the artists.

 

Warrenville is very rich in the arts with numerous artists located in the area, and a very active 8869120263?profile=originalTourism and Arts Council that supports the arts through a very generous City Hotel/Motel Grant.  Artist’s awards are given in 4 categories through the grant.  Warrenville is located in heart of the Western Suburbs of Chicago drawing crowds from Wheaton, Naperville, and as far as the City of Chicago.

 

Art on the Prairie is advertised in the Chicagoland Newspapers reaching 650,000 households in addition to numerous websites geared towards the artist and the art goers.  There is something for everyone at Art on the Prairie!

Where is Warrenville? Please click here: http://www.mapquest.com/maps?city=Warrenville&state=IL

Application: http://warrenvilleparks.org/allpdf/Registration_Packet_2013.pdf

Contact information: Ruth Brackmann, Warrenville Park District ~ 630-393-7279 or email to ruthb@warrenvilleparks.org

Sponsored in part by the State of IL Arts  Council Grant.

 

Find even more art fairs seeking 2013 exhibitors: www.CallsforArtists.com

 

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pro panels questions

hello to all :) 

I have done a fair number of shows (about 75+ in last 6-7 years) and have been using the flourish mesh panels for my display with good results. I like these as they are easy to use and transport but I am thinking of upgrading to pro panels to give a more professional booth look. It seems to be an unwritten (and sometimes written) requirement to get into some of the bigger shows.

I have a couple of questions to those have experience with pro panels.  I have been asking a lot of artists at the last shows that I have done what they like and dislike but I am still sitting on the fence on a couple of things.

I like the dark grey in the knock down type in the typical 9 panel u formation to go with my trimline canopy tent.

as seen here,

 http://www.propanels.com/knock-down-panels-booth-design/

I am thinking of 7 foot knock down in dark grey

pros / cons of dark grey?

any thoughts on the knock down vs the full panel?  thinking  it would be easier to transport knock down , but  I am worried about stability. I usually do outdoor shows in the midwest which is always fraught with weather peril.

also are the telescoping legs needed? I primarily set up on concrete but do do the occasional show on grass probably 1 in 7 or 8 shows.

I am a photographer and hang canvases and or framed photographs anywhere from 11x14 to 30 x 45 size.

any thoughts or recommendations on the height of the panels?   they come in 6 foot, 7 foot, and 8 foot size.

any advise on the cable vs hanger kits from propanels? or are there better solutions?

are tent hooks necessary?  wondering if  I need to  attach the propanels to the tent frame. I use a flourish trimline canopy tent.  having seen propanels blow over before.

any other thoughts / advice / recommendations?

thanks for the help and sorry for all the questions.

chuck nolder

nolder photography

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HELP! Need suggestions....

I have the Florish mesh panels and was wondering how other artists put up their price information on these mesh panels. 

I am a painter with some gallery wrapped canvases and some framed. I want a professional looking way to hang price tag/cards next to my paintings. Some have suggested putting stickers on the side of the painting or the frame, but I don't like the way that looks and have seen customers searching for the stickers.

Anyone have some good suggestions?

Thanks so much,

Frances

Fairhope, Alabama

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The design team ofMoMo Maureen Roberts and Michael Lublin's resume:

Maureen:

  • Ford model in New York, 15 years
  • design consultant for Givenchy

  • personal shopper for celebrities 
Michael: 
  • captain of the ultimate frisbee team at the University of Maryland; downhill skier; mountain climber
  • interior designer who also produced an original designer recliner for LA-Z-Boy

Together:   
  • Rock band for 21 years, writing all of their material and did the downtown New York music scene, including CBGB's
  • Created a weekend boutique at NYCs Antique Market for fashionistas, reinventing vintage slips and clothing and developing a unique look
  • Owners of an NYC boutique where they created and sold their designer clothing, producing fashion shows and selling their work around the world
  • Discovered by celebrities and their stylists  momo
Michael is the technician: he designs, cuts, sews. Maureen sources the fabric, manages the business, makes the colors for all of the dyes. They do all the designing, hand dying, making the patterns by hand, with muslin, the old fashioned way at the table, no computer. 
Our celebrity clientele was cultivated over years of designing, having a boutique in New York City, and putting on some pretty innovative fashion shows that created a buzz. One show was inspired by Gustav Klimt and each model was one of his muses. We built vignettes within our store and each model was instructed to stay in Character. It was a huge hit. We had Paris Hilton and Lizzy Jagger in this show.
 
 
Meet them on Aug. 31-Sept. 2 in Sausalito, CA, at the Sausalito Art Festival.
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