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Sad...

I am sad that one of my projects have come to an end. Maybe it's due to the bankruptcy of the city but it is still sad nonetheless. A few years ago, I was contacted by the Detroit Institute of Arts marketing department to shoot Lego minifigures at the museum to display on their blog. My work is still up there. They were impressed with my minifigure shots on flickr in the DIA pool.

But my work has not been there for almost a year now. I contacted the marketing department a few weeks ago because at the Funky Ferndale Art Fair, someone came into my booth and I stated I did the work of the minifigures at the museum. They loved that series. And it was good publicity for me too.

But I guess some good things come to an end. For that I am sad... 

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March 14-16, 2014
Scottsdale, Arizona
Outdoors at Scottsdale Center for the Performing Arts
200 artists
Deadline: October 14

Apply to the Scottsdale Arts Festival through www.zapplication.org


In  a community renowned for its devotion to the arts, Scottsdale has one arts festival that rises above them all. Now one of the top-ranked arts  festivals in the country, the award-winning Scottsdale Arts Festival  features 200 jury-selected artists from throughout North America, top-notch live music and entertainment, fun activities for kids and  families,gourmet food trucks and much more.

Scottsdale's glorious spring weather complements the beautiful park-like setting of the Festival, creating a wonderful environment that attracts more than 30,000 residents and tourists.

The Scottsdale Arts Festival is produced by the nonprofit Scottsdale Cultural Council and proceeds from the event support the programs of Scottsdale Center for the Performing Arts and Scottsdale Museum of  Contemporary Art.

Up to 200 artists will exhibit in the 2014 Festival, including the invited 2013 award winners.

The professional staff of the Scottsdale Arts Festival provides an outstanding experience for exhibiting artists.

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  • Artists are treated to a special artist hospitality area offering a complimentary continental breakfast, beverages and snacks throughout the day.
  • A  strategic marketing campaign targets local and visiting art consumers through media partnerships in print, radio, television as well as direct mail, visitor guides, concierges and social media. The average attendee  is a married, college-educated professional between the ages of 30-65 with annual income of $50,000 - $150,000.
  • Local hotel partners offer special discounted rates for exhibiting artists and their guests.
  • Dedicated hospitality and volunteer booth sitters also are available to assist artists.
We invite you to apply. Please visit our Web site www.ScottsdaleArtsFestival.org for more information or call us at 480-874-4644.
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show closings

I just read on another forum that Fairhope, AL had to cancel their art show last weekend due to weather and even though they don't have to compensate the artists they have decided to give full refunds or a free show space for next year. That's awesome!

I know it wasn't the call of the show organizers of St. James to cancel the show on Sunday, but I hope they follow the fine example of Fairhope and compensate the artists in some way for the lose of revenue. A little good will goes a long way.

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My first ZAPP conference

Wow, where do I start? My head is swimming with art business thoughts and to-do lists since returning from the two day conference. Pile on top of that I will teach 120 kids art lessons this week and have my last outdoor art show is this weekend and I am one overwhelmed yet energized artist.  

First off, thank you Connie Mettler and AFI for providing the opportunity for me to attend this event. As a young (career) artist with a very meagre budget, the cost of attending would have been prohibitive for me. I understand this conference is focused on ZAPP's client, the show promoters, and as an artist I appreciate that artists are a part of the mix. Perhaps if ZAPP would like more artist participation at their future conferences they could consider a different price point for artists to make it more feasible? 

So, I will attempt give a little background on me and why I wanted to attend the ZAPP conference in Louisville, KY. I've been participating Louisville region art fairs since 2008 and feel there is a huge learning curve the first few years unless you are fortunate to have a mentor. My mentors have been generous artists at the shows sharing the wealth of experience in those slow hours at shows (and sites like AFI!!). I typically do 3-5 regional shows each year currently. I also sell my work two local galleries, do a great deal of commission work, teach art classes and sell some art online (although I don't have an online cart on my website).

Switching from an engineering career then stay at home mother to a full time artist has been a blessing. Of course creating art is why we are in this field, the business side is where most of us struggle. So I was excited to see where this conference could build my knowledge of fine art fairs by meeting the show promoters and being engaged in the discussions. What I really learned was much much more than that. I just hope I can touch on a few relevant topics for other artists.

I had reviewed the session list online and knew I would get the most out of two: the Artist Track: Reaching Your Intended Audience and Jury Duty: Public Portfolio Critique. The first session actually turned out to be a very compacted session that was both about the intended audience and a discussion on Money 101 for artists. Sheryl Kosovski did a great job covering such broad topics in such a small window of time. I learned if I am to grow my business I need to do a better job of forecasting my expenses, not just throwing receipts in a file for taxes. She shared a great software product called www.moneyminderonline.com which forces you to consider every transaction. For only $60 a year, I think this tool will be very helpful used next to something like Quickbooks.

She also hit a sore spot for me about the mind set of being an under-earner and how to challenge ourselves to push our earning potential and price our artwork based on our goal income. Having an economic evaluator/engineer husband, I know this should have already been set in place but I now have a new perspective on how to approach my potential. Sheryl's second part of the session on intended audience was useful but familiar. I have listened to the radio segments on AFI that have covered how to market to niches and how to target certain demographics. I think hearing it again in this setting while with other artists discussing our experiences is very valuable.

The session on a mock art fair jury was eye opening for me! I noted in my paragraph for the AFI contest for the ZAPP conference that I have tried to get into St. James but I've only been wait listed. My dear husband is encouraging me to apply to shows with fine art as the primary focus, within a 10 hour drive. I have been resisting applying to other "Go big or go home" shows because I have been using St. James as my barometer. First, I am guilty of having a booth shot taken at a fair that I thought looked nice.

I had no idea that jurors primarily want to see three walls with a gallery style hanging with no other distractions. In the back of my mind I knew some shows do not allow reproductions therefore print bins in the photo might be a strike. Items to make sure are not visible: chairs, desks, dolly, tubs peeking under the walls are all a distraction to the juror. Basically consider photographing your booth like you do your artwork: well lit, staged and very sterile. I also learned the sequence of the images can be a distraction. The submitted images need to be sequenced so that they are balanced in design, color and orientation.

Second, and this one caught me by surprise, some shows have open jury sessions! So an artist can attend and learn from the process. I don't yet know how to find which are open but that is on my to-do list. Third, the facilitator was the St. Louis art fair director and she said if you have questions about what a show is looking for in a booth shot or the type of work they focus on in their jury process - call the director and ask! For a painter like myself, I intend to make a list of shows I think suit my work and make some contacts before the application deadlines start rolling around for next year.

Other unexpected benefits to attending: I found a potentially new and cheaper insurance provider that covers artists, even at unpredictable weather outdoor events. I knew it was very important to protect our images by having watermarks or low res images online, but the Symposium- Imitation vs. Inspiration, I learned that the copyright protection laws are not guaranteed to protect us in this digital era. In this same session I gleaned, there are lots of differing opinions from those who make a living on the backs of artists about what is ethically acceptable in arenas of promoting and selling. 

There were many other sessions that were more geared to the show promoters (both for profit and non-profit) yet they had much for an artist to absorb. We, as artists, are a part of a larger community effort in each of these fairs and it is up to us to decide if it fits our goals. Do you want to be at a huge festival where art is a small part of the experience but draws thousands? Maybe you want to focus on shows that where fine art is the focus.

For the seasoned artist who already has figured out their best shows and travels the entire country, maybe this conference would be a yawn for you. For emerging artists, I found there was much to absorb both from business development and the what future may hold for art fairs.

I met so many talented artists and people with a passion for creatives and I hope to stay in contact with them. I learned about new shows that may be a fit for my work. I found new resources to help me research fairs and grow my business. Thank you to all who  put this conference together and thank you again Connie for the opportunity!

All the best,

Amy Welborn

www.paintingsbyamywelborn.com

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My perception is something I own. It is my right to be intuitive and have certain insights that others may not see.

It is my way of observing. It is something I receive through my senses.

Stay with me here…..

My perception will never be yours. We are different. Our minds are unique.

That is a good thing.

If we all perceived things from the same vantage point, it would be a very boring world. It would also be a stagnant world. No one would be able to come up with new inventions or different philosophies.

Art would all be the same. Books would all pretty much be based on the same school of thought.

I am inimitable due to my perception. Perception can possibly be seen the same as opinions. If I should give my opinion to you on a certain topic or issue, that would be based on my perception of that topic.

Hence, folks constantly complaining about jewelry at shows…you have a right to your perception of “too much jewelry” but I perceive “too many paintings and photographs”!! Do I constantly write insulting remarks…no. (Please see manners blog)

My perception is my stamp on this world. You say tomatoe, I say tomato. You see the glass being half full; I see the glass half empty. (Or room for more wine…whine?)

I choose to go through life trying to observe other people's perception of the way things look to them. Then I compare. After that I may discuss the differences in my perception from yours.

In this world of exhibitors/vendors, all basically paddling the same boat of our creations…why are some so snarky…. can’t we all play nice?  

Perception…..It's what makes the world go around.

Have a good show this weekend folks….

Lynn

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Intro

I'm introducing myself!  I'm a new member, and my name is Erika!  I'm an acrylic artist and was wondering if anyone has any tips in finding art instruction DVD's at good prices. I always like to keep up with things. I was thinking of looking on YouTube, but didn't have a chance yet.  Was hoping someone had any idea's where to find them besides local art stores.  I'm retired and I'm always looking for bargains! Hope to see you on here!

  

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No Hyde Park this year

I've done Hyde Park Square for it seems a gazillion years since we live only about fifty miles north.  It used to be (don't you just hate that?) a jewel of a one-day show.  We looked forward to it every year.  A wonderful procession of kids and dogs and usually a very upbeat vibe.  You could always get a tasty lunch, too.  Then the promoters decided to double the size by extending it all the way up Erie.  Not only have the vendors complained, but the customers, too.  Many don't like that it takes too long to go around to the whole show.  For the vendors, income is slashed - often rather drastically - due to a huge increase in competition.  A one-day street show isn't at its best with over two hundred booths.  Let's leave that for Summerfair back in June.  I wish the promoters would roll it back to its original around a hundred booths size which would be comfortable for all concerned, even though it wouldn't make as much money for the promoters.  More is not always better.  Then maybe we will apply again to do this otherwise great show.   

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This is our second year at Savannah Riverstreet's Oktoberfest.  The weather was a little warm but with the help of our fan was bearable.  The set up was easy enough.  Parking not too far from the venue.  Tons of people.  The party part of Oktoberfest is in one area of the riverfront with beer and brats, (and other carnival food) umpah music and all the wonderful shops of Savannah Riverstreet just steps away.  The artists/crafters are just next door to the food/beverage area.  A good set up for those who prefer not to have ketchup with their photography.  This is a tourist and convention area.  There are a lot of "I love it - do you ship" questions.  But being the regular First Friday on the river front there were also a good number of locals coming to see the artists. This year we beat last year's figures and we did well last year too.  I talked to some of the other artists who also said they did well this year or even made record sales.  Others were still waiting to "break the ice" on the last day/afternoon of the show.  For me, Friday started out slow but ended up just fine thank you. The artists exhibit hours were 9 am to 8pm on Saturday. I sold my largest piece at 8:30 am and continued selling items till about 10pm.  I came home exhausted but it was well worth the trip.  Besides, my daughter lives near here so we get to visit and staying with her cuts down on the overhead.  Great combination - successful show and daughter visit.

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There were a TON of people here.  And lots of dogs and strollers and babies.  There were so many excellent artists.  This is a high class show.  After seeing what the other artists had to offer I felt honored to have been selected.  I don't think I saw any B/S or cheap shoes.  The weather was perfect. Load in was a little tricky but well managed.  You just have to be a little patient.  There is just barely room for your vehicle/trailer to fit between the tents and edge of road.  No room to pull off.  If you are behind someone who is unloading just have a sip or two of coffee and listed to the tunes.  When it is your turn dump as quick as you can and get out of the way.  Then come back and set up.  This is just the way it is.  The folks that run this show did an amazing job.  They came by regularly to check up on you.  They were always pleasant and professional.  Load out was similar to load in.  Do it right.  Be packed and ready and THEN get your vehicle and when you get to your spot load up as quick as possible.  And it worked.  It worked because the people that participated in this event are first class artists and know how to work with their neighbors.  I really enjoyed this show.  We did pretty good here.  And then had a couple after show sales so that helped.

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I love coming to this show every year.  I love the feel of the community.  I love the people who run the show.  I love the home cooked artists dinner served at the home of one of the hosts.  It is a sit down and chat, sip wine and re-connect kind of evening.  The community take their time enjoying the art and talking with the artists.  This is not a hustle bustle show.  This is a good old fashioned center of town spend the afternoon kind of place.  Saturday was good for us.  This year Sunday was kind of scary.  We had a terrible rain/lightning storm.  It got so bad we abandoned our booths and took shelter in the annex of the courthouse.  When the storm broke we came out to find the steeple of the church 1/2 block away was struck by lightning.  We count our blessings no one was harmed and very little damage in our artist community.  After the storm most folks went ahead and packed up.  Not much time left anyhow and we appreciated the early departure so we could get home before dark and lay the tent out to dry.  But we will be back next year.  Like I say.  I love this show.  It just feels good.

 

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120,000 people   $10,000 prize money

We came.  We sold.  We went home happy.  We sold pretty good but in the end the profits were just OK.  The expenses took their toll with hotel, gas etc.  The people came rain or shine.  What we thought were good crowds must not have been because so many of the local folks kept apologizing for the weather keeping people away.  As if the weather were their fault. Well, maybe a few less while raining but those that came were prepared and having a good time. If this was a small crowd I look forward to another year and seeing a large crowd.  There were lots and lots of artists.  We had fun making new friends.

We had no trouble setting up or taking down.  But then we always get to our event way early and are usually among the last taking down.  Thus avoiding the jostling for position.  Easier on the blood pressure.  

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We had our second year at Yellow Daisy Festival at Stone Mountain Ga.  Second year is infinitely better than first year.  We knew where we were going and what to expect.  We elected to purchase early set up again this year, which means we set up on Tuesday with about 99 other artists.  The rest of the  artists (about 349) all set up on Wednesday.  To us it is worth the extra money and night in the hotel to be able to set up without rushing and feeling pressured.  The weather was great - mid 80's and no rain.  The crowds were there.  They report 200,000 people attend.  I would say that is a conservative estimate.  Thursday and Friday consisted mostly of stay at home parents and senior citizens.  Friday there were quite a few young professionals taking the day off to beat the Saturday crowds.  Both days it got pretty quiet about 3pm - in time to pick up the school age children and get supper on the table.  Saturday was non-stop.  Sunday was quieter but we did well anyhow.  We made all time record sales and profits.  Most of the other artists I spoke with also made record sales this year at Yellow Daisy Festival.  Can't wait to come back again in 2014.8869115857?profile=original

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a newbie gets her feet wet. st james

Well....I hesitate to comment because I feel like the voice of ignorance. My shows have been a mix of good , great and horrid. I ve been trying to learn something everywhere I go. I had a miserable show in Indy at Penrod that made me wonder if I could stand this business long-term. I went to the st James feeling like I d won the lottery. I was on 3 rd st. Everything was easy. The people were lovely. I saw a map and realized I was in Timbuktu for this show....I had no idea. An hour before the show even opened I was selling and selling and selling. Friday be backs came back...it was a thing of wonder. At the end of the day I almost cried. I couldn't even remember all the pieces I sold. Saturday morning it started again with great sales early and then the skies opened and the buyers floated down river. My great moment of the day came with a buyer who'd seen my work in the morning and left when it started raining. She came running down the street at 5 30 pm breathless " I m so glad I found you. I have to have that piece and the news said you were closed tomorrow ". I found the piece she wanted packed in the trailer and made my last Louisville sale. I will be back to that show in that spot for as long as they ll have me. I felt honored to be surrounded by so many wonderful artists. The rain was a heartbreaker.
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Hyde Park Square Art Show - We went on!

So, I participated in the 47th annual Hyde Park Square Art Show in Cincinnati, Ohio on Sunday, October 6. The same weather pattern that was plaguing St James in Louisville was also affecting Cincinnati too. But our show went on Sunday and St James was cancelled (at least that's what I hear). 

Setup and tear down was easy. I was able to unload right by my tent. And a bonus, I was able to park just behind my tent. So storing extra pieces from the rain was no problem in the vehicle.

The rain came down pretty steady from about 8:30 AM towards noon. I was constantly drying off my artwork. But a dry spell came in from noon until 4 PM. The show is just a one day event that runs from 10 AM - 5 PM. Another batch of heavy rain came in at 4 PM. And yes, tear down in the heavy rain too!

Fresh Books tells me I did $750 in sales for the fair. I sold one big piece too. I guess the residents of this little show really help it out. They were there in the rain and buying art! Yay!

So unlike St James, we went on!

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Our art business is growing, and i have received several invitations for shows that are far from Northern Ohio, and my home. Considering they are outdoor shows, it would mean i have to pack the tent, and supplies along with the art, and get it to the venue.  Short of renting a small truck (our suv is aging, and i would not trust it on a cross country adventure) and driving there, I wonder what the best way would be to get the goods there, and myself there.   I wonder how do you handle this?  And do you have suggestions for the logistics of having everything arrive as you do?  I have not ventured more than about 300 miles from home so far, so this is a bold leap.  I have done some research on the cost of renting a pod, that is shipped via a trucking company, airfare, and the cost of renting a vehicle on the ground at the airport... vs renting a vehicle here and hauling it myself... And the costs are not so far off each other.  I would value your feedback.

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It’s been a lousy couple of weekends in a row. Riverfront in Columbus, Ohio, was pretty bad with only $175 in sales, and who would have thought St. James would get worse? Hell, not only was it worse, the damn thing spiraled down in flames right through the rain and into the soggy ground. It was one of the worst shows for me in 25 years.

We’ll get the “Nels Stats” out of the way first, though. Set up would have been easy if you showed up early at 11:00 on Thursday morning. I didn’t and neither did half of the artists in the show who showed up about 5:00 in the afternoon, so I and others had about a 60-75 minute wait to go in line from Gaulbert up to Hill Street. After being on the road for about two and a half hours plus starting the wait time, my bladder was working overtime. Several of us folks jumped from the vehicles and hot footed it over to the bar at Gaulbert and Fourth to avail ourselves of the porcelain facility. Thank heavens the bar was open :-)

After we got into the artist zone, the place was packed with vans and trailers, and good luck, which was non-existent, on getting in front of your booth. Out came the carts and you started trollying things to your space and weaving between parked vans. Supposedly we had two hours to unload and set up before moving the vehicles, but by that time, the official set up time was over so you just kept on working. The smart thing was to use shims to level the Propanels, and mine were 2x4 blocks on the first panel from the curb. The curbs are crumbling badly at the edges and the best bet would have been to bring either 2x6 or 2x8 ten foot boards to bridge the curb from the street. There’s a hell of a crown on the street and almost a 6 inch drop from 10 feet out in the street to the drop off at the curb. A ten foot board is just about right to keep everything level. Too bad I didn’t bring mine.

Space behind the booth is ample to set up an awning that can go 7 feet behind the booth. I use adjustable painter poles, 3-axis corner connectors, and a couple of Flourish upper Sta-bar clamps on my EZ-Up to mount an awning frame work. It came in mighty handy when the Great Deluge hit on Saturday. The neighbors to either side had to contend with telephone poles and squeezed inward toward me so there was very little clearance between tents but still enough. Barely. Tubs can be stacked along the retaining wall at the back of the sidewalk or on top of the wall and still leave adequate room to walk through. Signs were out in force, along with pedestals and plastic chains, indicating that only artists and show staff were allowed behind the booths. Didn’t do much good as people still walked back there.

Power is not available unless you find a friendly resident and I assume a reasonable exchange of funds is done and you can plug in an extension cord. One artist about 6 booths further up did that. I brought the boat battery but thought there was enough charge in it. I was wrong and only had about 5 hours operation out of it. Lights are needed as it’s dark under those trees.

Friday showed up nice and clear, and people were wandering the show about a half hour early. Crowds picked up a little but not the hordes I’ve seen in past years. The TV stations were telling everyone to go on Friday or go on Sunday when "bargains would be available”. If someone can find that WAVE-TV dumbass reporter, be sure and pimp slap that twit until her ears ring. That kind of crap we can all do without.


I had a smallish number of people come into the booth, relative to the numbers out in the street. I had lots of oohs and ahhs, and compliments on my "eye". At least no one asked what camera I used. Unfortunately, no one bought anything on Friday despite that being rumored to be the best day. I guess they were planning to come back on Sunday and try to get that "deal" the TV station was talking about. Luckily I was staying with relatives and had supper with them or I would have been tempted to drown the disappointment of a zero day with excessive amounts of alcohol. Those compliments may be nice, but there is no currency conversion rate to turn them into bucks in the bank.

Saturday rolled around, and I left early in order to get a close parking spot again. Turned out to be a very good idea the way things turned out. Low lying areas were fogged in as we drove in from the south side of the county. That was a harbinger of bad s**t to happen later that day. We get in early, I set up the rear awning and wrap a couple of extra side tarps around the sides and back of the awning and close it in. Damn good thing as a few hours later it started to rain. And rain. Then rain some more. People were out with umbrellas. Some were wearing trash bags. Some were just wet. I still wasn’t selling anything. Finally someone comes in and asks if I had a small print of a larger framed piece I had. Nothing in the flip bin, but I did one out the print box I keep in the back. Sold it as is, no matte, tossed it a bag with a foam-cor backer for $20. That was my sole sale at St. James this year. A grand whopping $20. Damn, just kick me for good measure.

This was to be my make or break year at St. James. It’s broken; I ain’t going back. No way in hell. The staff and volunteers are great, they bend over backwards for the artists, I’ve got no complaint with them. I wish they ran other shows I’ve been at. I do other shows in Louisville and do much better with a lot less expense. My local relatives, who used to live in the middle of Old Louisville where the show is, tell me the show has become too unwieldy and large, and it’s difficult because of the size to find specific art you’re interested in. The cachet of finding something at St. James seems to be for lower end price points according to them. I don’t know, as all I know is first year was break even, my sales went up the second year and made some profit after all was said and done,and  last year I lost money although not as much. This year marks one of the worst shows in 25 years for me.

The crowd, for whatever reason, is not my crowd. My prices are middle of the road, not the lowest and not the highest, and it does sell occasionally. Damn near getting skunked is not a pleasant experience, and the time has arrived to pull the plug on it. Unlike other shows that did poorly, I can’t point a finger at the promotion or the way things were run. What I do and the prices I ask just don’t seem to be the right fit for this show. I read earlier on a thread that was deleted that several people had very good shows, and there are always some people who will do very well just as some are going to do poorly. If I’m going to do poorly, don’t count on me to be back very often. I may be stubborn but I’m not stupid.

I ran into one artist who was a prior customer at another show who is now doing art shows himself. He said this was his make or break year for the show, and I talked to a few others in the same situation. I chatted with another artist at tear down who was stuck in traffic in front of my booth and she related it was a poor show for her and she won’t be back next year either. It all makes sense when part of the promotion on the TV stations included information about how there were many new artists. Yeah, no kidding, I think I know why.

Now for the rest of the story. It rained off and on all during the day. The water started flowing in the gutters and started rising just like the Ohio River during the Great Flood of 1937. First there were trickles, then the water started running fast in the gutters. The drains couldn't keep up. People were still out there walking the show. What I did observe is that few of them would flick their heads from side to side to check out the booths; they just seemed to be on a mission to go somewhere and it wasn't in the booths. More than once, I overheard conversations about having to hurry up so they can “see” the rest of the show. My gut feel is that the show has become a social event where you see and be seen.

The rain kept coming down, the water started getting higher and pretty soon it was at least 5 inches and deeper as it lapped up over the curb and started back on the sidewalk. It reached about 7 feet from the curb up into the street, leaving only about 3 feet of “dry” pavement in the booth. The west side of the street was even worse with the water reaching 3-4 feet out in front of the booths.

The artist next to me said that several artists further up on the street were talking about pulling out that night because of low sales and conditions. That turned out to be a moot point as about 3:15 or so we got word from the volunteers to shut down at 5:00 and tear down with Sunday being cancelled. By that time several booths around us had already dropped their fronts and were closed, presumably with tear-down taking place inside. We started about 3:45 taking down prints and drying out a couple of tubs that weren't as water proof as I thought they were. Sunday was supposed to be high winds, heavier rain, and lightning. Given that forecast, it was a good call. There was a nice period where the rain stopped and we got a lot of stuff carted to the van over on Hill.

As neighbors left, we were able to get the van in and finish tearing down the tent. The last part was in the rain although everything was packed except the tent frame and the top. No way in the devil was I going to fold that John Mee top with the rain coming down, so I had the bright idea to collapse the frame, lift the back corners and start rolling the top like a giant jelly roll. I’ll be durned if it didn’t work and that sucker was taken down in a couple of minutes, folded over, and crammed in the back of the van. Woo-hoo, we were out of there. Sorry to say, but I won’t be back.

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Here are some photos I took about mid-afternoon, just before the water reached the high point. The view is from booth 625, a little bit north of Belgravia and is looking north. The black lines are not carpeting but are the water line inside the booths. Notice that a couple of booths are already closed.

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8869127855?profile=originalThis next picture is looking south toward Hill Street, still on 4th Street and from booth 625. There's another booth closed up

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I've got one more show this year, and it's about 6-7 weeks off. I've got time to do some thinking about improving prsentation and getting some new ideas worked out. Next year is gonna be a strange one as I might as well stretch and have some fun with what I'm doing.

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After having the best spring and summer in ages I have had a lackluster fall. I held back on deadlines because I thought I would be out of the country for a few months and missed the good ones.

Thus, for the last two weeks I have taken a big hit and it's really my own fault. I tried some new venues that were untested and took it on the chin to say the least. 1st up was Cotton South, A show that had the best intentions and a wonderful promoter that did mostly everything right except there were hardly any customers and the ones there just were not buying. Plus, I hate to say, but a 10 dollars entry fee just about killed a small town show. High caliber of artists, many that made a donut. I was lucky enough to pay expenses and then some, but it was no TACA (which I was already juried into and I heard was fabulous this year). I just wanted to give this show a chance and I see future success due to the great positive work of the director, but it wasn't to be this year for me. I do think that this show will eventually be a force to reckon with, just not it's first year.

This past weekend I headed to Nashville to a show at the historic home of Andrew Jackson. The Fall Fest at the Hermitage promised to be a good show, unfortunately, a day of blistering heat (94) and sparse crowds and then a day of torrential rain, blew that one. The layout of the show was crazy and many didn't even get around to many of the booths and since I was in the south forty and the bulk of the show was around the food, it was a dismal show for me. Not a donut but close, that was even with winning the Best in 2D award.Go figure. Doesn't that usually bring people to a booth? Unfortunately, not this time.This show also had a great director and I believe it can become a good show but we can't control the weather.

You plan, God laughs. But here I am batting 2 for 2. So much for live and learn.  So, my dilemma is this. Next weekend I'm scheduled to do a show in Newport News, Virginia, (never been there ) called the Port Warwick Art and Sculpture Festival. I have checked out this blog and others and I can't find out anything about this show. What I'm hoping to know is should I avoid the third strike or should I go. At this point, I'm tired, wet and broke and it's 71/2 hours away. I wonder if it isn't better to let it all go and stay home. If anyone has any advice I would be grateful, my ego is shot, the idea that I was figuring it all out is totally gone and am considering taking a break from getting back on the horse immediately. Especially if this one is going to be like the other two. Thanks in advance.

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We Believe... American Made Alliance

We Believe... that every consumer has a right to know where a product comes from. In today’s global economy, domestic manufacturers are forced to compete in an unfair marketplace where most gifts, housewares, jewelry and accessories are marked with removable paper stickers that indicate country of origin.  Many retailers and wholesalers remove these labels in an effort to raise perceived value and confuse consumers about country of origin.

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Call for Artists: Artisphere

May 9-11, 2014  1348.png?width=128
Greenville, South Carolina
West End Historic District
120 Artists
Deadline: October 17

Greenville is located in the Blue Ridge Mountains in the 1421.jpg?width=225 northwest corner of South Carolina, halfway between Atlanta and Charlotte. 

It is one of those lucky U.S. cities impacted positively by high tech development where industries such as BMW, General Electric and Fluor are flourishing.

What to expect:

  • 120 participating artists
  • cash awards totaling $12,500
  • Purchase Awards Program average of $7,500 each year
  • convenient & easy load-in/load-out, free artist parking, and 24-hour security
  • 600+ volunteers; booth sitters
  • complimentary meals, snacks & beverages in conveniently located Artist Hospitality
  • artist Awards breakfast
  • reduced hotel rates

1422.jpg?width=250 2014 marks the ten year anniversary for the top ranking Artisphere festival, an annual three-day event that gives arts patrons the unique opportunity to meet exhibiting artists while purchasing original works of art.

A supportive, art-loving community, experience for exhibiting artists and the public alike.  Artisphere is a 501(c)(3) non-profit art organization.  Proceeds are used to produce the annual arts festival and are distributed back to local non-profit arts organizations as part of Artisphere's Volunteer Arts Partnership Program.

On the fence about applying? Visit our website for a good overview:  www.Artisphere.us

Artist review here: www.artfairinsiders.com/profiles/blogs/artispherea-little-je...

For more info: contact Liz Rundorff Smith, Program Director/Artisphere at (864)271-9355 or liz@greenvillearts.com

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Apply right now: www.ZAPPlication.org
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