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Winner: January Post of the Month

8869111890?profile=originaland it's a tie!

Congrats to Barbara Bloom for stirring up a lot of helpful information from artists young and old for her post, How do you Handle the Fluctuation of Income in your Art Business? Look at the discussion and check out some of the links added to help you navigate this very tricky terrain.

and R.C. Fulwiler (who had two posts in the running) for Something to Think About, which has garnered (so far) 2924 views on this site alone and five pages of comments.

Here is something else to think about:


8869081278?profile=originalR. C. also was chosen to receive the Community Leader award for his contributions to AFI.

Thanks to Barbara, R. C., Nels Johnson, Alicia Eskanos and everyone else who contributed to the site in January.

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Arti Gras: First of Five Winter Shows in Florida

Last winter I participated in three art fairs, Naples in Cambier Park, Gasparilla in Tampa and Lake Wales. The trip was successful last year with the weakest show being Lake Wales. This year I booked five art fairs, but ran into a string of wait list invitations in the process. Ft Myers, Cambier Park (Naples), Gasparilla and Winter Park all put me on their wait list (so frustrating).

So far I haven't heard from any of them. Anyway, I thought I'd make the best of it and do the shows that I was invited to: ArtiGras in Jupiter, S. Miami, Lake Wales, Bonita Springs and Downtown Naples.

I chose ArtiGras in Jupiter because I really didn't like doing Coconut Grove a couple years ago. And it turned out to be a good decision. ArtiGras is much easier to do, is well run and has a pretty good turnout of people.

Weather was cool but sunny all three days, making the art fair a better destination for many than the beach. We were lucky enough to find parking on the street not far from our booth location on all three days of the show (this one runs Saturday, Sunday and Monday because of Presidents's day). 

Setup was pretty easy on the Friday before the show. Marcia and I had all day to setup. I wanted to work on a better booth shot so we took our time and initially did a setup specifically for the booth shot. Then, we set up for the show itself. I also needed a lot of extra time because I made some major changes in the artwork I would be showing.

Until this show, I exhibited a wide variety of artwork from landscapes to a new line of rather surrealistic (and sometimes humorous) landscapes I call "Urban Punk." They sold well last season in the midwest, so over the winter I created more in the Urban Punk series. And, since I needed to bring enough inventory in my van for five shows, I drastically cut the variety of art I used to show. For the Florida art fairs I decided to show mostly Urban Punk.

It turned out to be a good decision. Customers responded well, and so did the judges. I sold $5200 worth of artwork for the three days and won first in the Digital category for another $1000. Saturday was the slowest day, and as the day wore on, I began questioning my decision to show so much Urban Punk. But Sunday was gangbusters, with sales over $3500.

But the biggest surprise was when the committee showed up with a bugle blaring and the announcement that I won a prize. I was given a crown (really) and a ribbon and they took some pictures of me with the crown and a silly smile on my face.

Monday was a little slower than Sunday but I still raked in over $1200. Break down was pretty straightforward, especially since we had the van parked on the street only about a block away from the booth.

I'm very pleased with the show and I plan to participate next year, but my success was not mirrored all over the art fair. There were a lot of unhappy artists who did not sell well, but, I guess that's the case at every art fair. I'll be doing one of those nasty early morning setups tomorrow morning in South Miami. I'll post the results of that fair next week. Keeping my fingers crossed for another good show.

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Chicago, Illinois
Intersection of Broadway and Belmont
Sat. 10am-6pm; Sun. 10am-5pm
175 Exhibitors
Deadline: March 2

The Lakeview East Festival of the Arts is Chicago's premier fine art and fine craft festival showcasing 175 juried artists.  Lakeview is located on the north side of Chicago, near Wrigley Field, north Halsted and Lincoln Park in a very diverse, culturally with unique boutique stores, cafes and restaurants.
2296.jpg?width=317The Lakeview East Chamber of Commerce has hosted this event for the past eight years.  More than 40,000 attendees are expected to attend this year's festival.  The festival is set on Broadway Avenue just north of Belmont Avenue.

This festival has a strong marketing and media plan and hosts an annual artist reception.  Other  amenities include artist reserved parking, Saturday night Artist Party, and a full breakfast served Saturday and Sunday.

The Lakeview East Festival of the Arts is one of a series of Chicago area art fairs managed2297.jpgby Erin Melloy of EM Events, a well-established promoter of art shows in the Chicago area. EM Events works closely with some of Chicagoland's most innovative and creative communities and organizations to produce premiere art festivals of distinction. At EM Events, it's about the art.  

For more information and application:  www.emevents.com/lakeview-east.html

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Art Basel/ Beaux Arts Miami

My southern Florida tour.  I was hoping to get this out sooner, but that didn't happen.  So here we go. 

 

I left and drove my art van for Florida the beginning of December to visit Art Basel and Art Miami.  What an amazing place to go as an artist.  Each venue is so different and the art ranges from amazing to what the heck.   Most of Miami stops during the time of Art Basel and events all day and night are going on through out the city.  I can only handle the tents and convention center for so long before I head out to alternative art spaces, Wynwood being my favorite especially for night time events.  Spectrum was fun as well, it felt like I was back at an outdoor art festival.  I believe I recognized at least 50% of the artists there.  If you haven't had a chance to attend the art mecca that is Miami during Art Basel then try to go, at least once.  This was my second year.  It is overwhelming in many ways and a first visit is difficult.  This year it was much more enjoyable knowing the lay of the land a bit better. 

 

Right after Art Basel I had 6 weeks before my first and only show in Florida for the season.  For the past few years I have been going on inexpensive cruises between shows but this year I opted for something else.   Instead of going back to Atlanta where it was cold, or staying in Florida where it is expensive, I left my art van with another artist friend in Miami.  I used my air miles I had collected from all the show expenses for the year and got a plane ticket to Peru.  Great decision.  Flights are cheap from Miami, the dollar is strong in Peru and it is cheap in Peru.  I was able to travel and enjoy the country for 6 weeks and spent less there than I would have just staying at home in Atlanta.  I was also able to find unique materials for my art that I can't get back in the States.  What an amazing experience. 

 

After the six weeks I flew back to Miami and picked up the art van and got ready Beaux Arts Festival at The University of Miami in beautiful Coral Gables.  This was my third year.  The weather in Miami is almost always wonderful at this time.  This year it was perfect again.  You can set up on Friday. Depending on where you are you will get a morning or afternoon time slot.  Some booths are on grass, some on pavement.  Be ready to dolly if you are on the grass and the terrain can be rough.  The women that run the show are very nice but besides having a check in tent for you to get your packet of info, that is all you will see of them during set up.  It is up to the artists to work together getting in and out.   It goes pretty smoothly considering.  Booths are set up all over the place.  Some back to back, some across from each other.  Some booths have a lot of room around them some have none.  It just depends on your spot. 

 

The show runs Saturday and Sunday and falls on a holiday weekend, MLK Day.  Many patrons think the show runs on Monday as well, but it doesn't.  I try to mention this to people when I talk to them.  Both days the crowds were good, not huge, but a steady crowd both days and pretty much all day.  Many artists say Miami shows are Sunday shows, but I had a fully booked evening delivering art on Saturday.  Even had to go to Fisher Island again this year.  It was 11pm before I got back to my place that night and I hadn't even had a chance to eat dinner yet.  Sunday was another beautiful day.  Around 1pm the booths near me started to take big pieces down and wrap them up.  I looked around and at least 1/2 of the booths were closing sales.  I had more deliveries to make that night and deliveries the next morning north of Miami, which I could easily do sense I was heading home the next day. 

Breakdown, again pretty much a free for all.  There are no passes, you don't have to break you tent down first, you just figure it out and do it.  Depending on where your booth is, it may be best to break down then go eat dinner, then come back and load.  My spot was along the street so I was able to get my van in asap and was out in 30 minutes after closing. 

If you are interested in more details about logistics for this show just check out my past two years reviews.  

 

This show was a good one for me, and thankfully it was because it was the only Florida show I decided to do this season.  I wanted to mix it up this year and do a few more things back at home base.   Not everyone had a good show.  I heard a lot of artists saying they would never be back.   The patrons at this show are very cultured and ready to buy original art.  Many of my clients each year tell me that they don't go to Coconut Grove anymore, it is too much for them, and they do their shopping at Beaux Arts.  It is difficult to find shows for Original only artists.  Glad there are still a few around.  

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Call for Artists: Monument Square Arts Festival

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Racine, Wisconsin
Downtown Racine
In collaboration with the Racine Arts Council
Sat. 10am-5pm; Sun. 10am-4pm
80 Exhibitors
Deadline:  March 1

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One of Wisconsin's oldest and most respected juried fine art fairs presents 80 artists from around the country exhibiting works in a variety of media.  Live entertainment, a silent auction, art-themed children's activities and a variety of food choices offer up something for everyone.  The 2-day Festival is expected to attract in excess of 2,000 attendees.

The Monument Square Art Festival is a combined effort of several Racine artists and the Racine Arts Council whose mission is to encourage, support and advocate on behalf of emerging and established artists, artistic groups in our community and young people interested in the arts.

Conveniently located between Chicago and Milwaukee, Monument Square islocated in the heart of beautiful historic Downtown Racine.  It is adjacent to shops, condominiums, a marina, restaurants, historic home districts, a superb harbor and is just minutes away from breathtaking examples of the work of master architect Frank Lloyd Wright.


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Online and print advertising and promotion is placed throughout southeastern Wisconsin and northern Illinois.

Applications, details and contact information are all available at:
http://www.monumentsquareartfest.com

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Fountain Hills Great Fair & the economy

I know next to nothing about the Arizona shows, but came across this article from AZCentral.com about Fountain Hills. I'm linking to it here because the organizer not only talks about the attractions of the event but has something to say about the economy, the number of artists applying and how she sees the economy changing.

Read on to find out about artist Robert Shields and his art career.

Okay -- the AZCentral site doesn't want to stay open or even reopen, so I'm going to do something that is frowned upon - copy the entire article here because it has useful info for you: 

The link if you can get it to work for yourself: http://www.azcentral.com/story/entertainment/events/2015/02/17/fountain-hills-great-fair/23549487/

Robert Shields of Clarkdale is ready to talk about his art this weekend at the Fountain Hills Great Fair, which is expected to draw as many as 200,000 people.

Shields, who paints, sculpts and makes jewelry and glicee prints, knows they'll have plenty of questions.

"They ask, 'Can this be hung outside? Do you have this in green and blue? Where are you from? I love your work. This would be great for my sister. Where's your studio?' '' he said. "Then there are people who just look at you. It's all part of theater. Some people are very friendly. Others sort of look, and you know when not to talk."

Sheilds knows about theater, because he was half of the popular Shields and Yarnell comedy mime duo in the 1970s and '80s. Now he's an Arizona artist.

Shields and the other 500 artists at the 27th annual Great Fair will need their schmoozing skills. Sharon Morgan, events planner for the Fountain Hills Chamber of Commerce, described the setup as a "huge, huge mall" of art, with four rows of booths lining the Avenue of the Fountains.

"It's like going to the mall," she said. "You see something, maybe you buy it and maybe you don't. You walk around and look at the artists' work."

If you work up an appetite, 20 types of food will be available, she said, as well as a beer garden. Hot-air balloons also will be part of the festivities.

Returning this year is the Native American music group Brulé, which last played at the Great Fair in 2011.

"They are a big crowd favorite," Morgan said, and fairgoers had noted the group's absence.

Eight hundred artists applied to be part of the Great Fair this year, which is an indication of the toll the Great Recession took on the arts. Morgan said that before the recession began in late 2007, the fair received more than 1,000 applications in some years.

Now the number of applications is on the rise, "which tells us, evidently, the artists are happy because they see a reason to get back into their fields of art," Morgan said.

Shields know well that the economy has been tough for artists. In 2006, he had four galleries in Sedona and one at Paradise Valley Mall in Phoenix. They all closed, and today he sells at fairs and through his website (robertshields.com). He started selling at the Great Fair in 2008.

"I lost my world and it's just me doing it all. I decided to sell my art directly to the people," Shields said. "I make everything myself.

"I think Fountain Hills is phenomenal, and it's a beautiful venue. Sharon brings in new and interesting people."

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It's good to be the New Kid on the Block

And it's good to be out of Minnesota's below zero wind chills to do a couple of shows in Florida!  I knew I was taking a big risk doing the 30 hour trek (should have been less but I got lost in Tennessee for two hours) to do two totally unknown to me shows in Florida- St. Stephen's in Coconut Grove and Naples National (next weekend).  It really helped to do some research on Art Fair Insiders but I was still coming here with fingers crossed.

Well it paid off big time- St. Stephens was my best show in 22 years of doing shows!  I tend to do a pretty good solid average at most shows so it was very exciting to hit it out of the ball park.  I credit two main things- being totally new to the area and having the larger pieces to sell in the first place.  (Besides all the usual stars that need to align- great weather, steady traffic and well run show!)

I usually stick to Midwest shows with a few in Colorado but this year my kids were finally old enough to leave behind and try out the Florida scene.  There are pluses to doing shows where people know you - a lot less explaining of my technique but then again it is fun to be the booth that gets a lot of "I've never seen anything like this before".  I also get the feeling that the Florida crowd is a little more free with their spending- Minnesotans are very cautious and can scare at the slightest blip in the economy.  Of course this is just my take on one weekend in Florida.  Other booths around me had a mix of results- some great, some average and some not so good.  

I am also happy that the risk I have taken of making more large pieces in the over $1,000 range is paying off.  Even having multiply pieces in the $300 range is somewhat new to me and it really makes a difference.  In the past when I let myself make these more elaborate pieces I would consider these pieces the "Draw in the Crowds" piece but as I've made more of them it means they also become the pieces that sell!  

Now we'll see how Naples goes but I think I'll be heading south next winter too! 

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Call for Artists: America's Clayfest III

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April 17-May 30
Roseville, California
Blue Line Arts Gallery
Deadline: February 27

The Art League of Lincoln, in partnership with Blue Line Arts, will be holding their annual"America's Clayfest III" Art Show and Competition at the beautiful Blue Line Arts Gallery in Roseville, CA.  
This show, formerly know as the Feats of Clay, was originally held at the Gladding McBean Clay Manufacturing Company in Lincoln, CA for over 24 years.  

For 2015, we are very fortunate to have two outstanding artist/curator jurors selecting the pieces for our show, Tip Toland and Peter Held.  Traditionally our shows have had entries from all over the United States, Canada, Europe Mexico and Asia.  $3,000+ in prize money.

In addition to our main show above, the Art League of Lincoln, will also be hosting"America's Clayfest III" Student Art show and Competition.  This year's show will be presented by the Art League of Lincoln at their Art Center Gallery in downtown Lincoln and will run concurrently with our main show above.  All student artists working with clay, from high school to the college level, are encouraged to enter and compete for the awards and prize money.  Last year we had entries from eight different states!

Please see our web page:  www.americasclayfest.org for the link to the "EntryThingy" entry form/application and the Prospectus for both shows.
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Find even more art competitions and festivals for your schedule: www.CallsforArtists.com
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Royal Oak, Michigan
on Washington Avenue in the downtown

Sponsored by the Chamber of Commerce
Sat. 10am-7pm; Sun. 11am-5pm
120 artists

Deadline: February 28

It's amazing what skilled artists and crafts people can create with minerals and flame.   For over twenty years we have showcased the diversity of work in these mediums.  The focus assures that most everyone that comes out has an interest in your work.

 

As many as twenty five artists demonstrate their work in space provided free adjacent to their booths.  Shoppers comment about the variety of work and depth within each medium.  Instead of competing with corn dogs and prints the artists can focus on an appreciative audience.  The site is in Oakland County, which features some of the nations highest per capita incomes.  

 

Why you should be here:363.jpg?width=250 
 

* Limited to 120 artists and three mediums.

* Advertising and news coverage.

* Easy drive up unloading.  Artists friendly organization.

* Popular artists awards breakfast on Sunday morning.

* Free parking and RV parking.

 

Learn more: ClayGlassandMetal.com

    
Contact Mark Loeb: info@integrityshows.com

 

Apply:  www.Zapplication.org

 

Mark Loeb, Integrity Shows President, has been producing and consulting with events since 1982.  Integrity Shows offers artist friendly policies such as a three year acceptance system, helping to create a less stressful experience and allowing artists to plan their show schedule.  Among the shows produced by Integrity Shows is Royal Oak Clay, Glass & Metal Show, Funky Ferndale Art Fair, Jazzin on Jefferson, Chelsea Invitational Craft Fair and several Christmas shows. 

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There will be changes in Denver

8869153658?profile=originalTerry Adams, 14 year president and CEO of the hugely successful Cherry Creek Arts Festival, has resigned to take a position as vice President for advancement for Denver-based Up With People.

The organization is a global education organization which aims to bring the world together through service and music. Terry held a leadership position with Up With People before he became CEO of the CCAF.

He'll be missed by the artist community as he has always been accessible and attuned to artist's interests. Under his leadership the show has retained its position as a model for art fairs throughout the country. 

http://www.denverpost.com/business/ci_27522986/cherry-creek-arts-festival-ceo-terry-adams-departs?source=infinite-based ;

Thanks to Jim DeLutes for sending me the info.

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My most popular post on Facebook...

So, I was kind of shocked and surprised at how this post went. It received 1840 views, 27 likes and one comment. Normally my posts reach about 50 people. So I took out the vintage Fisher Price airport and three vintage Fisher Price jets and other pieces too in winter storm Linus. I set the scene and took the photograph. The title is Airport Closed...

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Maybe I should bring this print to art fairs for 2015...

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Call for Artists: Crested Butte Arts Festival

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Crested Butte, Colorado
Downtown streets
175 Artists
Deadline: March 1

The Crested Butte Arts Festival celebrates its 43rd year July 31st-August 2. Approximately 175 artists will line Historic Elk Avenue - nestled in the majestic Rocky Mountains. 

Sales at this show continue to increase as word spreads about the quality of artists exhibiting after a very competitive jury process. The show is gaining national attention and sponsorship and draws a savvy, sophisticated art buying clientele. 

 

The charming and eclectic town of Crested Butte, a National Historic District, is the venue for this outdoor show. Crested Butte is a tourist town, bringing in an affluent, educated crowd of 12,500 for Arts Festival weekend. 

 

Artist Amenities:

  • free snacks and water, booth sitting, 24 hour security, reserved parking
  • an artist's VIP area with indoor bathrooms 
  • a Saturday night Artists Awards Dinner
  • color thumbnail and links in artist gallery on our website

1573.jpg?width=324Admission and parking are free and entertainment. Children's programs, culinary demonstrations and hands-on workshops are scheduled throughout the weekend. 

Truly one of the industry's best kept secrets, the Crested Butte Arts Festival must be experienced to be believed. Join us!

Jury fee: $30; booth fee: $350; doubles are available

Apply today: www. Zapplication.org

Email questions to Juliette@crestedbutteartsfestival.com or call 970-349-1184 to speak to Juliette Eymere, executive director.

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Call for Artists: Toronto Outdoor Art Exhibition

June 13 & 14 2238.jpg
Toronto, Canada
Queen's Park Crescent
350+ Artists
Deadline: March 1

Moving into its 54th year, the Toronto Outdoor Art Exhibition is excited to announce new dates and a new location.  The Exhibition is Canada's largest showcase of contemporary fine art and craft, attracting over 100,000 visitors annually.

  • Artists can apply in up to 3 categories (fees apply):  Ceramics, Digital Media, Drawing, Fibre, Glass, Illustration, Jewelery, Mixed Media, Painting, Photography, Print Making, Sculpture, Watercolor, Wood
  • Artists have a choice between two booth sizes-10x10 or 10x20
  • Artists' retain 100% of all sales
  • Accepted artists' are automatically entered into the Best of Exhibition Awards, with over $25,000 in prizes
  • Apply early-bo2239.jpgoth space selections are based on first-in-first-choice. The earlier you apply, the better chance you have to get your first space choice

As the largest outdoor art exhibition in Canada, the Toronto Outdoor Art Exhibition offers a fresh-air alternative to conventional art shows and galleries. Side by side, established artists, undiscovered talents, and innovative students sell their work directly to the public and make lasting connections with art dealers and collectors.

 

The Toronto Outdoor Art Exhibition is a non-profit charitable organization supported by a group of volunteers active in the at and corporate communities.  The exhibition is financed through registration fees, corporate sponsors, and individual donors.  No percentage of artists' sales are retained by the organizers.

 

Applications available online at:www.TORONTOOUTDOORART.org

 

For media inquiries: media@torontooutdoorart.org

 

For more information please contact: rachelle@torontooutdoorart.org

(416)408-2754

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I’d appreciate any input, gut reactions, or other advice, from those who might give it. I’m a long time lurker and while I haven’t had much to add to discussions here (haven’t done any fairs in 6 years), I really value AFI!

5 years ago I left the art fair scene and leased a commercial space instead, in a small tourist town. I recall in the first few years of this lease how much “easier and better” it was versus doing art festivals and traveling all the time. However, I’m seriously considering jumping back into the fairs…I miss them so much. Is the grass greener? 
The studio/gallery space started as a great thing…having more time to paint (though being bothered all the time), not having to pack and unpack my work for a show, being exposed to elements, etc. But, it’s become a tedious existence that I loath and call my “prison cell” -- and I really miss traveling. But it’s stable, and I’ve made a good living. The requirements of the lease are that I’m open 7 days a week, year round, (like a mall) and the general burn out of dealing with “intruders in my workspace” all the time.
It's not really a high end gallery situation...it's better than a flea market, but similar to a typical street craft festival only in slow motion. It's not a "qualified art buyer" group that walks by...more like tourists killing time and wandering by discovering me. Most don't care a thing for art, and that's wearing on me too. I probably make a sale once or twice a week, but it's enough to make a nice living.

When I last did art fairs my price points were like $50 to $400, all small paintings. Now I’m really only doing larger work, $425-$3000 in larger sizes. I've tried repros a few times over the years, and it was never worth it for me.
My fear is that there aren’t enough higher end fairs I’d be able to get into to make it work; when I read on here people only selling small items in the under $100 range at a lot of the better shows, and rarely being able to get into the better shows—etc. then I think I’d be crazy to leave my gallery space.
I know there are many artists who’d kill for my space, and once I leave it I’d never be able to get it back.
Any thoughts appreciated.
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Logan, Utah  

historic Logan Tabernacle

Thu. & Fri. 11am-9pm; Sat. 10am-8pm

150 Artists
Deadline: February 21

Summerfest Arts Faire is seeking artists for its 32nd annual event, held on the grounds of the Historic Logan Tabernacle in beautiful Cache Valle, Utah.  We are excited to be in our 4th decade of providing a free community festival of high-quality art, music and food.
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Summerfest is Northern Utah's 
premier event for collectors and community members to purchase unique and beautiful art.  We jury our artists, entertainers and food vendors to insure artistic excellence in every aspect of our event. 
 
Our community loves Summerfest and makes our artists feel like they have come home.  We are continually expanding our advertising footprint in order to attract an even larger art-buying public.
Cache Valley is an art destination and we are committed to our artists' success.

You'll find:
  • large 12'x12' booth sizes
  • low fees
  • excellent hospitality and many other artist amenities
  • Wednesday set-up is available and encouraged
  • dedicated artist assistance is offered throughout the weekend
  • Artists are invited to participate in our Plein Air paint out and attend the Awards Ceremony and Welcome Reception held on Wed. evening
  • Free parking and lodging discounts are also available

Summerfest is a non-profit corporation intent on elevating our community through exposure to, and acquisition of fine art.  We hope you will join us this year!

 

What Artists Say:

fb86e17c-1280-4f5b-ae13-96cb3668897e.jpg~One of the best show of the year for us on so many levels, we love Summerfest!Culinary artisan, Tom Stuntz

~Just wanted to take a minute and say THANK YOU for the incredible job you and your team did this year.  We had a record show and you and your team are the reason.  Thank you very much.  We look forward to joining you for Summerfest 2015.  Leather artists, Joe and Pat White

~We loved each and every aspect of the entire Summerfest experience! A special heart felt thanks to the wonderful people of Logan who were so generous and a pleasure to deal with.  16 year old wood artist KC DeGroff and his father Kyle

 

For more information: www.logansummerfest.com

Applications are accepted:  www.Zapplication.org 

E-mail or call with any questions: Elaine Thatcher

(435)213-3858, elaine@logansummerfest.com

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Find more art fairs for your summer schedule: www.CallsforArtists.com

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A little aside first.

Just got my acceptance from Columbus--this is a good sign for a great summer.

I be drinking red wine and writing real fine.

Usually, I take about three days to chew the words around in my head before I put them down in print.  It is a method that works for me.  I like to get it right the first time I put it down, I am not into a lot of rewrite.  Which means you get, spontaneously, what comes off the top of my head.

SO  HERE  GOES

Gotta love Ft. Myers.  This old southern gulf coast town has come a long way in the last 15 years.

I can remember back in 1985.

I was down there to pick up my brand new Newtons PortaCanopy booth.  This was the forerunner to the Craft Hut.

Clyde Butcher, who is like the Ansel Adams of the Florida Everglades, had designed the first one, Newton made it for him and I bought the second one after Ray Doan.  Or, at least that's the way I remember it.

The thing is, I had time to kill in downtown Ft. Myers then.  Before I picked up my booth from Newton out by the airport off Highway 41.

Trouble was, I wanted some lunch there, and my choices were very limited.  This was like a big cow town on the gulf.  It was very quiet there.  This was 1985.

Now, jump forward about 15-20 years later.

New mayor, new vision of what downtown could become.

Hey, Thomas Edison and Henry Ford figured out this town eons ago, about time the modern town fathers figured it out now.

I mean if Randy Wayne White is gonna have Doc Ford running around the area, there better be some serious places to drink tequila and eat good fish.

There are.

And, more.

Enter the Art Association headed by Sharon McCallister.  They took a little old art show from small time to big time in lightning fast speed.

The show is in its 15th year.  Running real strong with about 215 exhibitors.  New Smyrna take note, you are half the size and have 260-plus exhibitors and half of them aint making their booth fees.

The show is downtown right on the river.  Booths are all on the adjacent streets bordering the water.  It is all on concrete, bring weights.  It can be very windy, bring more weights, bring warm winter coats.

For most it is a two-day show with a Friday setup.  

For the adventurous, there is a voluntary Friday nite preview,about 100 artists participate.

You get electricity.  After all, this is in the city where Edison figured out the right filament to power a lightbulb.

Some people do very good on Friday night.  Others, if nothing else, get to drink lots of exotic cocktails and tell old artshow war tales to each other.

The advance info about your booth is very detailed and organized.  This is not their first rodeo.

You come in on staged times with ample setup parking.  Overall, it is a very mellow affair.

Downtown Fort Myers is now a hotbed of booming restaurants and wine bars, and even--sky-bars.  Edison would have a filament-orgasm if he could see this town now.

Lots of German and other European voices spoken here.

Then there are those familiar midwestern accents that we hear all summer in places like Columbus, Madison and Minneapolis.  They all winter here, and they buy to decorate here or to adorn themselves here.

We had perfect weather.  Just cool enough to keep them off the beaches and the golf courses and be downtown at the artshow.

I walked the show early both days.  Gotta do my serious half hour walk to keep the old ticker healthy after my open heart surgery nearly three years ago.

This show was full of circuit heavyweights.  I did not see much, or any buysell here. This is a very cany committee.  They pay close attention and they know how to use and observe social media.  Kudos to them.

One heavyweight I encountered was my old friend John Scanlan, a renowned Iowa photographer, who is a world traveler.

I was in Scanlan's booth.  It has many paths.  This guy knows how to make the most out of a double booth as anybody on the circuit.

I wryly observed the many slim passages past images of Norway, France, Italy and Seaside.

A lightbulb went on in my head.

I eyed John and said, "You should pull an Ikea moment here."

He said, "Nels, what the heck are you talking about, plus I am losing my concentration on this batch of Iowa Kettle Corn."

I said, "John, you need to print out a map of your booth for us, that shows where we are, and how we get to Sweden Row first, Italy next, and Finally france.  Plus, you could show the secret shortcut door that gets you to the Kettle Corn ASAP."

He just looked at me with genuine Prairie bemusement.  I think I have amused John for more than 30 years now.

Then whoa, I find out my neighbor is the amazing Kit from Colorado--Mr. Equistite cut/blown glass whose designs defy reality.

Kit is from Denver.  He has been around 35 years, doesn't look a day over 29.  Must be the ponytail.

This guy knows people.  He charms them, he warms them, he sells them.  He sells his personae way before he sells his art.  He is a master.  I took extensive notes during the weekend, it was like a crash course into advanced artshow sales.  He is the master.  And, he has very fine taste in tequila.

HEY THAT'S ALL KIT-ELICIOUS NELS, BUT WHAT HAPPENED AT THE ART SHOW.

Thought you would never ask.

Saturday started chilly and progressively got warmer--so did our sales.

It was very refreshing.

We saw many people carrying art in their hands.  Many.

Some had multiple purchases.  Some had to come back three times to get all their purchases.

It was a booming day.  My Sunday morn interviews with artists revealed that many, and I mean many, did well over $2K that day.  That is a good art show.

It was my best Saturday of the year so far.

We all celebrated Saturday night.

Ellen and I stayed at the Best Western just north across the downtown bridge.  It had the only restaurant/bar on that side of the river.

We got the room for $89 plus tax.  It was a show special.

The restaurant had a killer location right on the water.  Also had a killer happy hour.  Half off on everything.  I got Bourbon Manhattens for $3.00 each.  They had sweet seafood at sweet priced.  This place is a steal.  It is called the Three Fisherman.  Book it, Dano!

I had spied a Thai/Sushi place right beside it.

We checked it out.  It was so righteous, that we ate there two nights.

Cheap Sake, cheap Spring rolls, cheap fish, cheap curries.  The place is a steal.

SUNDAY,SUNDAY.

We awoke with visions of a repeat of Saturday.  For many, it was not the same--for a lucky few, they still killed them.

The day was a little warmer.  We were warmed by a great free breakfast put on by the show.  They did it on Saturday too.  Awards were given, kudos were given and then we went out looking to repeat Saturday goals.

Overall, it was a different crowd.

More looky-lookys.

They were walking, not doing a lot of talking, and definitely not doing a lot of buying.

I made moola, but mostly very lowend.

Meanwhile my neighbor Kit killed them.  So did the other three glass artists around me.

This area buys mostly very traditional, conservative, Florida-friendly art.

They are not cheap.  They have moola and will spend it.

I wound up with my best show of the year--I was very happy.  Gotta do a lot of restocking for Artigras.

Ellen and I were out of there by 6:15 (Show ended at 5PM) and stopped at the Anna Maria Oysterbar Restaurant  off I-75 (Ellenton Exit)  for more delicious seafood at a very low price.

Overall, this was a very strong show for most exhibitors.

Be aware, they get lots of apps, many apply, few are chosen.  Them that gets in are Happy Campers.

Aloha, and Later Gators, Nels.

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Not So Carefree in Carefree, AZ

To see a more thorough report on this show visit my last report:

http://www.artfairinsiders.com/profiles/blogs/carefree-fine-art-wine-festival-january-2012

What's new in 2015? Not much. The crowd seems to be getting older still and buying even less as their "snowbird" homes are all full. This show, as-well-as most of the AZ shows I've done so far, is suffering from its own entropy. So what if a show has been around for umpteen years. If you don't breath some life into it every once-in-a-while it doesn't survive.

It seems as if they are relying on the patronage of the past which is well past the years of consumerism. These shows don't seem to be attracting a younger crowd and if they do they are not the "qualified" buyers. Besides that Carefree and Cave Creek have gone the way of Florida in that "more is better" is their mantra. There were at least three "shows" on just this one weekend within a stones throw of each other. The Phoenix area is suffering from show fatigue. There seems to be one, or more, at least every other weekend or at best one every month in addition to the Art Expo which goes for three months (that's a different kind of show). If the promoters don't get the idea that more IS NOT BETTER, then the artists need to vote by not applying to all these shows, yah right! The promoter gets their fees but the artists suffer due to lackluster interest and paltry sales.

Quality of the Show: Narrow. Although by far the quality of this show is consistently good there were still some booths that seemed questionable/borderline in my mind. I wonder if some artists are starting to pass on some of these shows as the return is not there. Unfortunately, I will.

Amenities: This show and its promoter were known for providing nothing. With the show being run by the younger family members there seems to be a shift. When I checked in I was given a gift bag with what? WATER!, a snack or two and a raffle ticket for some undisclosed gift item (I didn't win). This is a welcome step up for this show as there were never any such amenities in my previous experiences.

Parking: Parking is nearby, free and generally plentiful, there is even space for dry dock RV camping.

Awards: None

Advertising: Although I didn't see any except for the lawn signs stuck in the ground near the show site in contrast to the highway department style flashing sign for the competing show nearby at the Stagecoach (ghost town) shopping center. I did see one TV spot ad and was told that there was more money being put into advertising this year. As a traveler, I rarely see the local ads if there are any.

Load-In/Out: I was in the same area as last time I participated but it didn't seem as chaotic as last time!? Everyone played nice and it all went smoothly. Some areas of the show site are a little more congested then others.

Will I do this show again? Probably not for the reasons stated above about show overage. I haven't been able to make enough to justify the expense of the travel, etc. If I want warmer weather in the winter I'm better off just going someplace warm! It'll be cheaper by far and I can have more fun then sitting in my tent watching the strollers go by.

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