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(with apologies and thanks to Nels Johnson who posted this on AFI a while back):

So this is my kuleana (that is a  Hawaiian word that means a gift of the spirit) to all of you out there.  

HOPES AND DREAMS. Never give up. We are all special. Nobody can fire us, not a lot of people can feel that way. You are your own boss, nobody gets to tell you what to do. You are the supreme creators. You make the art, and in turn it helps make you. It defines who you are, it leads you on a path of good life. I don't think Elvis ever got to know how lucky he was. We do, and we are on the right side of the growing grass. Cherish these moments and thoughts. This is the moments of our lives, embrace them with fury that knows no bounds.

If you're out there doing shows you know what he is saying. Does AFI help you follow those dreams? If so, the time has come to reciprocate. Please pledge today. CLICK HERE.

We are going to start giving out prizes on May 25 and start drawing names on May 26. Make sure you are on the list. Right now we have more prizes than pledges!

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1a86daa2-3a19-4e4d-971d-d39efb138e8a.png?width=200October 8 & 9
Las Vegas, Nevada
Presented by:  Summerlin/The Howard Hughes Corporation
10am-5pm both days
100 Artists
Deadline:  June 1

Application Fee:  $25/Booth Fee:  $300 or $575

89de1287-5081-430d-8741-62997f107894.jpg?width=369Summerlin Festival of Arts is celebrating its 21st year and its second year located on a grassy park-like area in beautiful Downtown Summerlin. In this affluent area of Las Vegas, the popular event features the works of more than 100 artists and craftspeople. 

An established outdoor art festival that also features music, food and entertainment, the celebration's focus is to support fine artists and artisans.

The event draws an estimated 35,000 visitors with thousands of serious art buyers each day-all ages, including families from the Las Vegas area and out-of-owners. Art enthusiasts enjoy fine arts and crafts in the inviting and festive outdoor atmosphere in Downtown Summerlin, a new walkable open-air shopping, dining and entertainment destination.  Parking for both artists and patrons is convenient to the site. The event is free and open to the public.

Artist Amenities:6b75fedc-f7f5-4a3f-9796-aa75b148e145.jpg

  • The location of the site is on a grassy area surrounded by Downtown Summerlin's open-air shopping center
  • Area will be lit at night with security patrolling the site 24-hours from Friday through Sunday until 9pm
  • Real restrooms in a central location.
  • Volunteer helpers and motorized carts are available for set-up and tear-down on a first-come basis. Booth sitters available.
  • All booths have a corner location due to the 'quad' set-up.  Booth layout will be provided upon acceptance
  • RV, trailer, and overnight parking are allowed in parking lot on site. 
Contact:  Nancy Higgins, Artfest@howardhughes.com, (702)467-3540

~~~~~~~~~~~~~~~~~
Find more art fairs looking for you: www.CallsforArtists.com
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July 23-August 14 601c3c66-393c-4730-961c-64d228833436.jpg
Brooklyn, New York
Presented by: Brooklyn Waterfront Artists Coalition
500 Artists
Deadline: June 2

Application fee: EarlyBird $45/3, 
Final Deadline: $65/3, $5 each additional image
"Mere Color, unspoiled by meaning and unallied with definite form, can speakto the soul in a thousand different ways."- Oscar Wilde.  

Find the colors that sing to you and share them with our wide audience.  The enormous space of our gallery affords us the opportunity to exhibit really huge work; we welcome it!
 

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WAC's 25,000 square foot gallery is in a Civil War-era warehouse on the Red Hook waterfront. The vista of New York Harbor, spanning the Statue of Liberty to the Verrazano Bridge is one of the best in the city. Our 18,000 annual visitors also enjoy the nearby restaurants, bars, IKEA and Fairway Market. With every medium and style of artwork represented, as well as the UnPlugged in Red Hook free weekly music performances and Saturday afternoon Screening Room programs, our shows are as spectacular as the setting.

ABOUT THE JUROR, Lillian Trone
Lilian Tone is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art.

Wide Open 4

 
Website:  www.bwac.org
Contact:  Jane Gullerman
Phone:  (718)596-2506

 

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Prizes for Pledges!!

8869159693?profile=originalHere we go again! ArtFairCalendar.com and ArtFairInsiders.com's shameless promotion asking for your help in keeping these useful sites alive and well. From May 15-May 31 we are asking for donations to our PBS/NPR style 7th Annual Pledge Drive. Will you help?

We give  you helpful information all year, we bring buyers to the art fairs and we help improve the nation's art fairs.

Did you like any of the podcasts, the videos, the friends you met here and then later at a show, the useful tips on tents, shows, booth critiques, earning a living, etc.? Sure hope so! If you did and you donate a little $$ you'll be entered in our prize drawings also. You win and we win!

Look at these prizes:

 & 30 more ... goods and services specifically helpful to your art career

Click here to learn more

 

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Podcast: The Good, the Bad & the Ugly

8869171063?profile=originalNext Podcast: Thursday, May 19, 5 pm ET

Stories from Art Fair Land

How do you earn a living as an artist? Let's talk about the pleasures and the pitfalls of choosing to be an artist in the U.S. This episode will either have you running to apply to the art festivals all across the country or running the other way, fast!

Our guests are Floridians Toni and Jay Mann who have been creating fun and functional claywork and selling it at art festivals for a long time (20 or 30 years, I'd guess).  They have had a lifetime of adventures in the art fair business and been in every town east of the Mississippi.

Also joining us are Craig and Sara Roderick, photographers from Alabama. Their desire to find a market for their work, American Road Trip Photography, brought them to the shows just a year ago.

Join us to hear the contrast between the stories of the veterans and those new to the business. What is the best part? What is the worst? and OMG what did that patron just say about your work and what did its dog do to your booth?

This will be a call in show. Show directors welcome. Let's hear it from both sides.

Get your stories ready and call in: (805) 243-1338

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Gummed Up at Gumtree

Last weekend we were in Tupelo, Ms. for the Gumtree Festival.  For those who do not know, Tupelo is the birthplace of Elvis, and as you might expect, there were Elvis references all over town. Our only previous experience with Tupelo was about 10 years ago when we were on our way to Memphis to catch a flight and spent a frustrating 30 minutes trying to locate the Starbucks.  It was in Krogers. As we drove out of town with our coffee we were impressed with the new development we saw.  It has only gotten better since then.  

It was a Friday set up and since we live about 100 miles away, we rolled into town at noon.  Our first impression was that the entire downtown area was new.  On closer inspection we saw that there were a lot of new buildings mixed in with well preserved historic structures such as a major local retail department store and the hardware store where Elvis' mother Gladys bought him his first guitar.  She went there to buy him a bike.  He wanted a rifle.  They settled on a guitar.  The rest is history.

The fair is set up on the streets surrounding the old courthouse. Word of warning, the streets are sloped. There was at least a 4 inch drop from the front to the back of our tent.  Luckily our legs are adjustable as we did not bring shims.  Set up was very easy.  There were no assigned set up times. As folks arrived you were allowed to drive to your spot and unload.  As long as no one else needed access you could stay there.  We hit a lull period and stayed parked for about 2 hours.  Free parking was a block away.

The show hours were 9am - 4pm Saturday and 10am - 4pm Sunday. The weather was perfect with bright sun and no rain in the forecast.  On Saturday several thousand people participated in a 10k run that started at 8:30 am from Main street next to the fair.  People watching the start and later runners who had finished walked through.  I would say the crowd was moderate on Saturday.  The problem was they were not in a buying frame of mind.  Sales were horrible, especially for 2D.  This is based on our experience as well as those around us which included three painters. Photography was well represented at this fair, and a couple of others stopped by our booth and reported the same sales experience.  There were jewelers next to us and across from us.  Their booths had good traffic all day.  Most of the bags we saw were small or had more craft related items.  

At 4pm the fair closed.  It should have stayed open until at least 5pm.  At 4pm there was a street party with an artist's reception.  As reported elsewhere, Robert Wallis won the photography category and I was able to meet him after reading so many of his posts on this site.  Congrats Robert!  There was free wine and beer for the artists and one guest.  We made some new friends and heard some great art fair war stories.  There was a BBQ dinner which others reported as being good.  We did not eat there, more on that later.  

One of the things we like to do after hours is to shoot abandoned properties.  We try to ask the locals about any hidden gems that might make for interesting shots.  A good source of info is the local law enforcement.  When I made the inquiry with one of the guys working the event he said we would not have much luck.  He said the city does not tolerate blight.  If a building deteriorates and there is no plan for rehabilitation, it is demolished and something new takes its place.  He was right.  Since the show hours were short we had a lot of time to drive around and we found nothing which is very rare. 

On Sunday the show opened at 10am.  The artists were the only ones present until about noon and even then crowd was very thin. We has a lot of time to talk to our neighbors.  No one we spoke with was happy with their sales the previous day. Our sales were better on Sunday due to our only big purchase that got us closer to break even. A fair volunteer stopped by to see how we were doing. We asked where the crowd was and all she could do is shrug her shoulders.  The lack of people may have been due to a change in schedule as this show is usually on Mother's Day weekend. It was delayed one week to coincide with the 10k race. Our work is not "gifty" so I doubt that would make much difference to us but might to others.  

We had plenty of time to walk the fair.  There was a lot of high quality work with some mixed in that left us scratching our heads. The Mistura Watch folks were there and were ejected by fair staff. The artists we spoke with were either there for the first time, or the first time in several years, or have done the show consistently for long periods.  Many of the people who walked by our booth were walking with a purpose and not even looking side to side.   

When 4pm rolled around we were in a better frame of mind due to our one big sale and several other smaller ones we made that day.  Break down was informal. As soon as there was room you could drive your vehicle up to load.  There was no supervision of this process and everyone around us cooperated to make it as pleasant as possible.  

The highlight of the weekend was discovering one of the best restaurants we have ever experienced, Kermits Outlaw Kitchen.  The owner Mitch came by our booth during set up to hand out flyers for items that could be delivered to your booth.  His enthusiasm for what he does was contagious.  We had noticed his place earlier and thought we might try it. It is a farm to table restaurant.  Everything is fresh and locally sourced. Just like us, Mitch and his wife Megan are a team. They have their own butcher shop, the Neon Pig.  We had dinner there Friday night, take out salads for Saturday lunch, and we turned down free food to eat there again Saturday night.  We really enjoy good food and this place was in the top five all time.  If you are anywhere near Tupelo, give it a try.  You will not be disappointed. There is an interesting story about how this place got its name but it is too long for this post. 

In summary, the show was very easy to do and a short drive for us.  We enjoyed our visit in Tupelo, had a great time talking to most of the people that stopped by our booth, and made some new friends, but none of that pays the bills.  For the first time this year we went into the hole.  Due to some good fortune at the end of the day Sunday it was not a deep hole.  It could have been far worse.  The 2D artists near us all lost money.  There was one photographer at the end of our row with only Mississippi subject matter with very low price points that reported doing OK.  Our stuff these days is very modern and might have been out of sync with the majority of the public.  Our prices were also out of line with community expectations.  It is doubtful we will do this show again. If you are close by and have low prices you might do well in 2D, not sure about other mediums. There were several other AFI members there.  Please add your experiences. One smartly dressed attorney asked one of our painter neighbors if she was having a good show.  When she replied that she had poor sales he responded that he hoped she would give the show another try. She then asked him if he would pay her hotel bill if she came back. There was silence as he walked away.   

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1. Watercolor painter Scott Hartley won Best of Show in Belleville, IL, at Art on the Square. Scott has been participating in art fairs for 37 years. I remember being next to him at Art and Apples in Rochester, MI, many years ago when you could buy an original for $10. Those were the days!

More about this show and Scott: http://www.bnd.com/news/local/article77766812.html

2. I'm hoping for a report from Texas on the Gulf Coast Arts Festival (year 2), here's a little info: http://thefacts.com/news/article_676803dd-d139-527a-a9e7-87a22f13314f.html ;

3. And did I hear that uber member of AFI, Robert Wallis, took a nice ribbon at the Gumtree Festival in Tupelo? Here's a good story with insider info : https://djournal.com/lifestyle/gumtree-arts-festival-showcases-local-state-artists/

and have to share this photo of the prizewinners from The Woodlands Arts Festival. Do you recognize any of these folks? I see Steve Kostyshyn, Jay McDougall and Greg Strachov. Who else is in this image? 8869169494?profile=original

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Belleville: one GREAT Art Fair!

I can't say enough good things about this terrific show. From the $115,000 in pre paid Art Bucks bought by the community, to the donation made by Wells Fargo bank to fund elementary school kids to pick out and buy artwork for their schools, to the reasonable size of invited artists (105), to the lunches and breakfasts and dinners supplied for free to the artists, to the excellent venue in around the fountain in the square, and to the people of Belleville who come out in droves to support us artists with actual purchases...

This is one fine art fair. This is my first time in Belleville and it now ranks in the top three money makers for me. I even won an award for best of category (digital)... And a healthy award at that ($1500). Awards totaled around $32,000. Not bad for a Midwest art fair.

Long hours, 5-10 on Friday, 10-8 on Saturday and 11-5 on Sunday. But people were buying art all day, every day. One negative was the weather on Friday night. Strong winds took out a few tents and did a little rearranging of my heavily weighted trim line. But most artists seemed to be selling well. I can see why the Art Fair Sourcebook named this show number 1 in the nation.

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Don't be Invisible at the Art Fair!

Don't be Invisible at your next show or event!
(sponsored post)
 
d18c9220-ea25-4cb3-9483-9b22df6b9f6d.jpg?width=500

Don't waste your best advertising real estate
 
(the top front of your canopy)
 
Show off your goods or services with a
 
"Canopy Banner Kit" 

030c00b2-9e75-4d65-9099-45d563cfaa60.jpg?width=500

The "Canopy Banner Kit" comes with everything
you need to hang a banner fast & easy
1 vinyl banner - 2 banner posts - 4 ropes
Kits starting at $56.95
50% OFF CUSTOM ART WORK
(save 19.95 for a limited time)
 
Order today at: www.CanopyBanners.net
Watch a short video to see how easy the "Canopy Banner Kit" is:
 
7cfac300dafc49aa846e4d21923fc689?width=500 
4cb8b6ab-212a-403c-b3b8-766bc52b6ea0.jpg 
 
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Daniel Ng Death

From Go Fund Me - 

"It is with immeasurable sadness I have to announce the death of our talented, humble friend--one of our most cherished gallery artists--Daniel Ng. Daniel passed away over the weekend in Dallas, TX while at an art show."

https://www.gofundme.com/danielngmemorial

I did not know him, but love his paintings. He sounds like a pretty amazing guy. 

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July 23-24245826e5-0c1d-439b-8857-14650e26e0d1.jpg
Monterey, California 
Fisherman's Wharf 
Presented by: CWB Events
10:00 am - 5:00 pm
70 Artists
Deadline: May 21
Booth fee: $227 - $377 + 10% commission on all sales
 
The Transit Depot is an annual juried arts festival held at the Transit Depot in Monterey, California.  
6def9534-6502-4535-9c90-6d6d4cc34e37.jpg?width=300The Festival will be held at Fisherman's Wharf during the height of the tourist season. The Transit Depot is in a highly desirable area, with lots of drive by traffic, and tons of parking available.

The Transit Depot Fine Art Festival will feature numerous artists, with original work in 2 and 3 dimensional fine art and may include acrylic, oils and watercolors paintings, photography; ceramics; glass, stone and metal sculptures; wood and clay. Also available will be a selection of fine crafts. Each artist will be available to meet with the public to discuss their work, which is available for purchase.

The Festival will be located at the Transit Depot parking lot, at 451 Del Monte Avenue and Figueroa Street. Festival patrons will also be able to visit The Wharf Marketplace, a great place fresh produce, breakfast, lunch or dinner as well as fine wine and beer. Also, there are many retail shops and fine restaurants at Fisherman's Wharf. Admission is free.
 
The Transit Depot Fine Art Festival is presented by CWB Events. For additional information you can email us at info@cwbevents.com or call us at 916-936-9393.
 
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Marketing:

The Transit Depot Fine Art Festival will be
publicized via print and social advertising throughout the Monterey, San Francisco and Central Valley areas of California.  
Artist Amenities:
  • Each artist will receive (if requested) postcards to be used for publicity purposes
  • Coffee and donuts for Saturday and Sunday
  • Artists names, mediums and website addresses will be posted on line.
  • Booth sitters are available upon request

Learn more:  www.cwbevents.com 
Curtis Beck, info@cwbevents.com  (916)923-9393
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New Discussion Forum - Ask the Photographer

There's a new forum on Art fair Insiders called Ask the Photographer.
http://www.artfairinsiders.com/forum/categories/ask-the-photographer/listForCategory

I've been working with artists for years, walking them through getting better jury images of their artwork. Here are examples of my own jury image photography. http://bermangraphics.com/digital-jury-resources/jury-slide-photography.htm

Questions about images, camera settings, lighting, backgrounds and anything else you might want to know about your jury images can be asked.

Images can be sent to me by e-mail if you don't want to post them to a forum. My e-mail address is larry@bermanart.com. Images sent by e-mail must include a phone number. I've been doing free image evaluations for over ten years.

Larry Berman
http://BermanGraphics.com
412-401-8100

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September 23-2509479411-d0d1-4e34-8207-f4a5b5d21827.jpg
Ferndale, Michigan

Downtown Ferndale
Fri. 3pm-7pm; Sat. 10am-7pmSun. 11am-6pm
110 Artists
Deadline:  May 15  

Jury fee: $25Booth fee: $295 for a standard 10x10

The Funky Ferndale Art Fair attracts an audience interested in a more active relationship with their artwork.  Artwork that invites conversations and challenges convention.  Traditional artists do well, but artists that push the edges are most appreciated.  This is the thirteenth year as a show that is "twice as funky as the average fine art fair".  While the emphasis is on edgier art the show is a juried event and the quality of work is competitive with other area shows.

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The fair is on Nine Mile Road, adjacent to fashionable shops and eclectic bistros.  The town attract an unconventional audience-families and singles.  A second show, the DIY Street Fair joined us a few years ago and provides an additional incentive for art lovers to visit.

Why you should be here:

  • Limited to 110 artists
  • Significant advertising and news coverage
  • Easy drive up unloading; Artists friendly organization
  • Popular artists breakfast on Sunday morning
  • Free parking and RV parking

We are committed to your success.  Please feel free to call with questions or concerns at any time.  We are artist focused and seek to provide a venue that enhances your work and simplifies your participation.

 

This show is organized by Mark Loeb of IntegrityShows.com, producing community oriented events in the metro Detroit for over 15 years.  He works in niche markets in partnership with local communities. 

 

Apply:   www.zapplication.org

Website: www.FunkyFerndaleArtFair.com 

 

~~~~~~~~~~~

Find more art fairs for your 2016 schedule: www.CallsforArtists.com

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Fish Bowl vs. Privacy and why do we shows

"The thing I remember best about successful people I've met all through the years is their obvious delight in what they're doing......and it seems to have very little to do with worldly success. They just love what they’re doing, and they love it in front of other people" Fred Rogers

http://sandyartparts.blogspot.com/2016/05/fish-bowl-vs-privacy.html

So why do you do shows? Is it about loving what you’re doing, and doing it in front of people?

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Take-down tip

A few shows ago, I made a change that has helped speed my (still-slow) take-down and load-out process.

I try as diligently as possible to only touch everything once.

So instead of picking up a painting, putting it down, finding its traveling cover, picking it back up, putting the cover on, putting it down, hauling the dolly around and putting the painting on the dolly, I arrange things so that I pick the painting off the wall, put the cover on it and put it on the dolly without ever putting it down or picking it up again. 

Sounds like a small change, doesn't it? Maybe I am just more scatterbrained than most, but in general, this shift saves me 20 minutes. 

Do you have any take-down, load-out or set-up tips you'd share? 

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This is my second year doing this show, which takes place in an absolutely gorgeous spot in the mountains of west/central Virginia.

My first year was not a bang-up show, but was solid enough that I thought I should try again. I live in Virginia, so it was not such a long drive (5 hours).  In addition, I'd been amazed and honored to find that the show had chosen my art for their postcards, posters and program this year - and I thought this might help with sales. 

Alas, it was not to be. 

I am an oil painter with large, bright pieces. My prices run from $125 to $8500. I do not have prints. 

The show's topography is interesting, and was different this year than it has been. It takes place in Claudius Crozet park, a beautiful spot with big green fields, a YMCA building with workout room and pool, and a playground. You can camp there during the show, and I did this, which of course cut my lodging costs deeply.

The largest group of artists and crafters is under a huge tent. The tent is open at the sides, and is lighted, but is still very dim. The booth fee ($300) includes electricity. In past years, there has been a second tent, not as large as the first, but this year, that tent was not used. There was a row of tents outside the big tent; artists choosing to set up their own tents in this row got a $50 discount. An artist I know who took this option was not happy with his sales, and said that basically, no one made it out to the tents. There are two small pavilions, also, and these are the prime spaces, brighter than the tents, cleaner and with easier load-in and load-out (I think). I asked for one but didn't get it.

Load-in runs the gamut from fairly easy to very difficult, depending on where you are. There's a large grass parking area across the entrance road from the west edge of the tent. I was on the west edge, so I was as close as one can be to the parking. Still, I had to use a dolly, and wheel my stuff up and down a small hill. Load-in and -out on the other side of the tent - and from the outside artist tents - was difficult, I was told.

There are good and bad parts about being along the edge. There is storage and seating space behind your booth if you're on the edge; if you're inside, there is zero storage space. It rained on and off all weekend, though, so I had to cover my stuff, and couldn't sit outside. 

An additional issue for me was the height of the big tent at the outer edge. I use a Showoff tent, and my sidewalls attach via zippers along the bottom of the roof. The big tent started about an inch above the upper edge of my tent frame, so I couldn't put my roof on, and had to jury-rig the back wall. If it hadn't been drizzly and wet all weekend, I could have simply not put the wall up. 

Turnout seemed to be lower this year than last year, especially on Saturday. On Sunday, Mother's Day, the crowd also seemed light, and there were lots of people with little kids, which bodes poorly for me. People wheeling strollers don't buy large paintings, I've learned. 

People around me seemed to fare better than I did. A glass artist on one side, a photographer across the way and a jeweler across the aisle (I paid $25 extra for a corner), all seemed to do well. They were all from the area, and friends and family came to see them throughout the show. A painter friend from the Norfolk area did better, too, though her price points are generally lower than mine. A jeweler from Pennsylvania told me she had an excellent show, as well. 

The quality of the work in this show seemed very uneven. There was some excellent, very high-level art and craft, and also some lower-end, lower-priced items. I didn't see any buy/sell, or at least none that I could identify, but some of the items made me shake my head and wonder a little bit.

Lodging is scarce in the area, and what is available is stupidly expensive, in my opinion ($135 a night was about average). Sleeping in the van has been a good option for me. You can camp on a level concrete area that is probably a basketball court. I have camped, both years, in a second grassy area fairly close to the concrete area, but quiet and more solitary. Showers and indoor bathrooms are available for campers, in the YMCA building. 

Communication from the show was pretty good throughout. You pay your booth fee via an invoice that is not through Zapp, so that had me confused for a while, but the director was patient with me. 

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Lorton, Virginia
Presented by: Workhouse Arts Center
60 exhibitors
Deadline: May 22
Application fee: $25; Booth fee: $250-$500
Our mission:
To produce a high quality festival focused principally on fine art and fine crafts, bringing in a large and experienced art purchasing public.


Who we are:
A 55 acre historical former prison and Northern Virginia's premier center for the visual and performing arts. The center features 60 working studios artists, regional, national and international exhibitions and performances. The center is a unique arts destination with 100,000 visitors annually located 20 minutes south of Washington D.C. in Fairfax County, VA, the 5th wealthiest county in America.

Marketing is the key to the success of the event. Over 60% of event expense is advertising. Last year, marketing effort included: Washington Post Local Living Ads, WAMU (local NPR station) Radio Ads, WETA (local PBS station) E-newsletter, Media Sponsors: Washingtonian Magazine, Northern Virginia Magazine, Online art festival websites 

Amenities: 
All corner Booths. Free parking. Friday and Saturday set up available. complimentary breakfast and lunch for participation artists. 24/7 security and booth sitter.  NEW Drive up and unload on site. NEW Free wireless internet. NEW Potential host artists!

Testimonials:

  • "Loved the venue." 2015 Artist
  • "Excellent [art]. Nice variety and balance of mediums." 2015 Artist 
  • "All my customers said they heard about the show from your advertising-fantastic job!"  2015 Artist
  • "Couldn't ask for more [amenities].  One of the staff even brought my Saturday lunch to me as I couldn't get out of my booth!" 2015 Artist

Learn more:  www.WorkhouseArts.org
Or visit us at: 9518 Workhouse Way  Lorton, VA  22079
Contact: Brett Johnson, brettjohnson@workhousearts.org
Phone:  (703)584-2911
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Every year for over 20 years I dutifully applied to the Laumeier Art Fair in St. Louis because it seemed like a better alternative than any other Mother's Day show within a days drive.  After rejection after rejection my luck finally changed and I got in!  (Maybe it was because applications numbers were down- possibly due to last year's bad weather which I heard all about from everyone)

So after you try so long to get into a show it's hard not to have your hopes up. The weather was looking pretty good for the weekend.  Set up on Friday afternoon was very easy except for the slope.  I was on the outer circle which meant my van could be right behind my booth for set up.  The slope was the steepest I have ever dealt with but I made it work- though I kind of felt like a drunken sailor every time I walked up and down my booth.  The customers commented on it too- one said they were feeling a little "sea sick" from it!

Friday night wasn't bad for a "preview party" I got two good size purchases and covered my booth plus a little.  Other artists reported the same though my next door neighbors did not fair well through the whole show.  Saturday was very disappointing.  The crowds were very thin- my booth was empty way too much and sales were only of items under $40.   I was pleasantly surprised to win an "Award of Excellence" with a nice cash prize.  (Isn't it ironic to take so long to get in a show and then win a major award?!)  Also along with the prize is to be juried in next year which I wondered all day if I wanted that part of the award.

Weather turned a bit in the late afternoon and some gusts made us all jump.  I heard that a few booths went down on the far end of the show from where I was.  My slanty booth nearly came apart but I was able to save it with trusty zip-ties.  Luckily it never rained but the customers were few and far between for the last few hours (we heard it was raining torrents in other parts of the city so people probably thought we were rained out too).

Going into Sunday I had hopes that the show would redeem itself so I could take advantage of the juried exemption for next year.  And it DID!  The weather was near perfect and the people came in droves!  Sales were still mostly of smaller items but I had a lot of them and the numbers worked out in the end to a good solid average show (with award winnings - above average!)  

Tear down was easy but I was very glad to have my husband to get the car- that was a long process. They are very slow to let vehicles into the park.  If he hadn't been able to get the car I would have been another hour.  

Overall a well run show from my perspective.  The setting is really great - being surrounded by awesome sculptures.  I will be more prepared for the slope next year and happy I don't have to wait another 20 years to get juried in!

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Art Birmingham (Mi.)

Last weekend we were in Birmingham, Michigan for the 33rd Art Birmingham Show. Birmingham, Michigan is an affluent city north of Detroit.  The venue is Shain Park which is in the center of downtown.  The show is set up on the wide park walkways and the adjacent streets. The show is run by the Guild of Artists and Artisans in conjunction with the Birmingham Bloomfield Art Center. 

This was a 700 mile drive for us and our first experience showing our work in the "North" as we say in Alabama. We are from Ann Arbor which is about an hour away from the show.  Sara's parents live there and put is up, or put up with us as the case may be, when we are in town.  My children and grandchild live in the area, so we combined a Mother's Day visit with an Art Show. Despite the drive we thought our expenses would be low enough to have a chance to make a profit.  

Weather in Michigan is very iffy in early May.  There have been Mother's Day weekends with snow and driving rain.  The long range forecast for the weekend was perfect.  But as the weekend approached, the forecast deteriorated.

The city would not close the streets until 5pm so load in was a bit hectic.  Times were staggered by 30 minutes but it is almost impossible to unload in that amount of time and then move your vehicle for the next group.  As a result when we arrived at 8pm the street was jammed with vehicles.  This situation was compounded by artists who did not know how to drive or park their trucks in tight quarters.  A general rule of thumb is "don't buy it if you can't drive it."  Practice backing with a trailer in a parking lot, not on a crowded street.  It took us our usual 4 hours to set up.  So, by the time we got back to Ann Arbor it was 1am. 

In the meantime the weather forecast had gone from bad to worse.  Before we left to set up the local weather guru said a front would move through late afternoon on Saturday and then clear out later that night.  By the time we got back it was an 80% chance of rain all day.  We woke up to cloudy skies but no rain and the forecast had changed to a 30% chance of rain.  Despite the improved forecast, the damage had been done.  The crowd on Saturday was sparse at best. You could have shot a gun down the street at 2pm and not hit anyone.  We had a couple of sprinkles but that was it. The side benefit of light crowds is that you can spend more time talking to the people that do show up.  A photographer stopped by our booth to check out our work and said he quit doing the show because the weather was so unpredictable.  We did less that $200.00 in business and called it a day. But, we had a great dinner at my daughter's house.  

Sunday was another story for us.  The weather was perfect as was predicted.  I walked the show in the morning and spoke with some of the other artists who all reported dismal Saturday sales.  At about 11am the crowds showed up.  We made three big sales and several smaller ones.  It was our second best sales day.  

Load out was easy.  We dollied our unsold work a couple of blocks to avoid damage during break down.  By the time we got back, there was plenty of room for us to stack our things.  On our street the booths were packed in as close as possible.  The booths on the park walkways had far more space between them. 

There was an artist's amenities tent with coffee, bananas, and pastries each morning.  The only food vendors on site were a hot dog guy and a kettle corn stand.  However, there was a wide variety of very good restaurants with a block of the venue.  The staff was very helpful.  

The only negatives were the late load in on Friday.  There is not much that can be done if the city will not close the streets.  There was a drummer from the local high school band that chose to practice his art for about an hour and a half near our booth Saturday afternoon.  Poor sales, little sleep, and a drum do not make for a pleasant afternoon.  Sara had a sinus headache Sunday morning and threatened bodily harm if he showed up again.  I said no jury would convict her and to go ahead a do what had to be done. Luckily he did not reappear.  

Our sales were good and would have been great if Saturday had been better.  Not everyone was so fortunate.  A metal sculpture artist down from us had a bad show.  The pen and ink artist next to us was happy with her sales.  So, it was a mixed bag. We did not see a lot of big 2D art walk past but there were several exits so we may have missed something.  

Overall this was a good experience for us.  We proved that our work has legs outside the Southeast. Despite the drive, we had a good time visiting with Sara's parents and my kids.  We especially enjoyed the dog show that strolled by our booth, particularly the Black and Tan Coonhound.  Unlike our mutts, they knew how to behave in polite company and walked well on leash. We made decent money and enjoyed a celebratory dinner afterwards at a close by restaurant my son in law recommended. By the way, the Social Kitchen and Bar has great Martinis and Sea Bass. Our lunches came from a Panera two blocks away. With one exception, everyone in our row we talked to was doing the show for the first time, which is usually a red flag for us. But we think that was due to weather issues in the past. If you are in the area and want to gamble on Michigan weather in May, we would recommend this show.

As an aside, this show fell on the first anniversary of our first show.  To date we have done nine shows.  Obviously, this is not a vast amount of experience.  We have received so much help and advice along the way from other artists and have learned a great deal from our experiences. We believe in "paying it forward". So, in a future blog post we will summarize what we have learned for anyone reading this site contemplating entering the art fair world. Hopefully we can help them avoid some of the costly mistakes we have made a long the way.  

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