All Posts (7722)

Sort by

Ready for the wind and rain?

18a49a27-03d4-4cf7-a556-09101d2f51a2.jpg?width=600

James (Jim) Eaton and his wife, Kathleen, traveled across the US for over 20 years exhibiting at art fairs and earning their living as artists. It was during this time that Jim designed America's first manufactured canopy weight still known as the Eaton weight system. 
 
Jim, a graduate of the University of Illinois in industrial design, used those skills and a lifetime of art fair experience to design and perfect canopy weight solutions for US Weight. 
 
US Weight is a manufacturer located in southern Illinois. US Weight is a division of Escalade Sports, which has been in business for over 80 years.
 
Direct from the manufacturer SPECIAL OFFER COUPON CODE: 
(good until 10/1/2017)   
ARTFAIRINSIDERS
 
Shop US Weight at www.canopyweights.com. To activate this offer, key in the coupon code above at checkout and receive FREE FREIGHT PLUS an additional 10% discount on your order.  
Read more…

Belleville: One of the Best!

I can't say enough good things about this terrific art fair! It takes place in a small town in southern Illinois only a few miles from St. Louis. I have no idea how they do it, but they bring people out to the show in droves, and they all seem to have money in their pockets to spend on art. But first a couple of qualifications. Not every artist did well at this show. Our neighbor, a very talented painter, was very disappointed. I am a digital artist selling limited edition prints. Could be that the lower price tags of my work attracted more buyers. And a second qualification: My sales this year were down 50% from last year. But, even so, my sales this year were more than double the sales of my average art fair (last year sales were triple the average!).

Here's some of the things I like. Set up was leisurely and easy. We drove to Belleville from Saugatuck, Michigan (a 7 hour drive) on Thursday. The weather forecast was gloomy with 80-100% prediction of rain and storms on Friday and Saturday. We decided to get the tent set up on Thursday evening when it was predicted to be dry. We registered and drove our van into the Square (the show is set up around a fountain and the streets radiating out from the square). We were able to leave our van right next to the booth for the entire setup. I like that, not to have to unload everything and move the van. Although tired after that long drive, we got the tent and propanels up, but decided to wait until Friday to hang the art because of the prediction of storms.

It did storm Thursday night taking out some tents, but ours was unharmed. On Friday the show was scheduled to open at five and run until 10pm, so we had all day to hang the art. And somehow, we used the whole day. Not sure why that is, but the setup always eats up all the time that there is. If there is a 2 hour window to setup, it takes two hours. If there is a 6 hour window, it takes 6 hours. Go figure.

The rain conveniently stopped on Friday morning and held off for the duration. People came out on Friday and our sales were brisk. On Saturday night, it stormed again, but Saturday, while the show was open, it stayed dry. Saturday night, more rain, but Sunday was dry and pleasantly cool. I don't know how Patty and here committee did it, but they had the weatherman on their side. They turned a bleak forecast into good weather, scheduling the rain only during the off hours. 

Saturday sales were good again, and so was Sunday. And to top it off, I won an award for best of category (digital), a generous $1500. I won the same award last year. As I understand it, the large award pool is an annual donation by a local anonymous patron; one of the reasons Belleville attracts such good artists.

Here's another thing they do right in Belleville. They sell advance "art bucks" to locals, and that total, before the show even opened, was a whopping $115,000. And here's yet another thing they do that I like. They give grants of $1500 each to four local elementary schools to buy art at the art fair for their schools. The art is chosen by students from the schools. My work appeals to a wide range of people, including kids, so I sold work to two schools this year. Last year I sold work to three schools. Its a terrific program.

And yet another thing I like. I gained three pounds at this art fair. They constantly feed you. Lunches every day are brought to your booth for both me and Marcia. And in the artist hospitality area, there is also a generous buffet of stuff to eat and drink. And, did I mention the champagne breakfast on Sunday? Yep... champagne. And a great buffet too. 

Finally, at the end of the show break down was easy and uneventful. We were able to bring our van in and load up at our leisure. The show wisely lets the artists negotiate among themselves about fitting the vehicles into the spaces closest to their booths. We packed up and had a nice celebratory dinner on Sunday evening, toasting this incredible art fair and a community that truly supports the arts. We had a special toast to Patty, the force behind the Belleville Art on the Square.

This is a tough show to get in to and I feel fortunate to have been invited two years in a row. Unlike most shows, award winners are not automatically invited the next year, so, I'm going to keep my fingers crossed and hope for an invitation next year as well. 

Read more…

I entered the Art Fair Pledge Drive a little late, never thinking I would win anything. Somehow my mind always works in the "early bird gets the worm" channel. But I donated and entered anyway, and when to my surprise my name was selected quite far down the list I figured I didn't have much of a chance for the prize I really wanted since I was number 20 on the list. But I had nothing to lose, either, so I listed the mesh panels from Flourish as the number one choice out of 4 possibilities.

Five years ago I splurged on a 10' x 10' Trimline canopy from Flourish, and because I'm a big fan of outdoor canopy stability I also splurged on the StaBar set to keep things from shifting around unnecessarily (had a bad experience with a flimsier canopy which shall remain nameless). The only downside was that I had no money left over for the finishing touch--the mesh panels that would make the display of my paintings neat as a pin. 

So-o-o-o...imagine my surprise when I saw that I had actually won those very panels! I wasn't sure at first that I had won--it seemed such a remote possibility--and I thought maybe it was just a list of everybody's first choices. After a reassuring email back from Connie I permitted myself to rejoice!

Flourish makes such a great product that I knew even five years later that the panels would still be the perfect ones for my canopy. I got contact information for them today, emailed them, and they have already scheduled shipping and I shall have my treasure soon. Their customer service is just as outstanding as their products and I will be forever grateful that they decided to support the pledge drive in such a generous way!

Read more…
Restivo 
Special offer: Promo code 10% off - put code "ArtFair10" on application

41st Annual Union Street Festival       

Union Street Festival 
Union Street ~ Gough to Steiner, San Francisco, CA 
Saturday & Sunday, June 3 & 4, 2017   10:00 AM to 6:00 PM
 

 

   63rd Annual North Beach Festival   

North Beach Festival
North Beach District, San Francisco, CA 
Saturday & Sunday, June 17 & 18, 2017    10:00 AM to 6:00 PM

 

 

33rd Annual Fillmore Jazz Festival 

Fillmore Jazz Festival

Fillmore Street ~ Jackson to Eddy, San Francisco, CA

Saturday & Sunday, July 1 &  2, 2017   10:00 AM to 6:00 PM

  • Several events have juried art sections with cash prizes
  • Each event draws from 50,000-100,000 attendees
  • All events are free to the public
  • Easy move in/move out - drive right up to your space at scheduled times 
  • Promotion of the event to the public in TV, newspapers, radio, direct mail, press releases, social media, postcards, and posters
  • Great communication with office staff via email and phone
  • No application fees
  • Professional on-site staff to help day of
  • Steven Restivo Event Services produces 28 events in the Bay Area
  • Please visit our website for more information about us and the events that we produce ~ www.SRESproductions.com

In its 41st year, The Union Street Festival is focusing on Music and will have live bands scattered throughout the event site.
 
The Festival is held on San Francisco's fashionable Union Street where historic Victorians have been transformed into popular boutiques, art galleries and restaurants.

In its 63rd year, The North Beach Festival is considered one of the country's original outdoor Festivals!
  
The event is situated in the historic North Beach District, known to locals and visitors alike as San Francisco's Little Italy and the home of the famed beat generation. The Festival site includes numerous quaint streets in the heart of the district including Grant Avenue and Columbus Avenue.
  
The event will feature over 125 arts and crafts booths, 20 gourmet food booths, two stages of live entertainment, Italian street painting, beverage gardens, kid's chalk art area and the blessing of the animals.
 
The festival has a juried fine art section with cash prizes!


Blending art and soul in one of the country's most unique neighborhoods, the Fillmore Jazz Festival is the largest free Jazz festival on the West Coast, drawing over 100,000 visitors over the Independence Day weekend. From sunup to sundown, visitors can groove to the sounds of live music from multiple stages, browse the offerings of over 12 blocks of fine art and crafts and enjoy gourmet food and beverages. Asian to Cajun, paintings to pottery, old favorites and new directions, the Fillmore Jazz Festival is not to be missed.

NOW ACCEPTING APPLICATIONS:
 
Application Deadlines - We accept applications until events are full.  
 
Notifications - Status letters are sent 1-7 business days after we receive completed application.  
 
Participant packets with all set up info are sent 20 days prior to each event
Special offer: Promo code 10% off - use code "ArtFair10"
 
Apply online HERE
 
For more information, please visit www.sresproductions.com 
 
Email questions to Steven@SRESproductions.com
or call 800-310-6563 or visit our FAQ's page http://sresproductions.com/faq

Read more…

863ba414-dd83-4b76-bc53-ea5018996307.png?width=500

August 24 - August 27
Baltimore Convention Center
Deadline: June 15
 
Thursday, 12 pm-8 pm; Friday & Saturday, 11 am-7 pm; 
Sunday, 11 am-6 pm
 
Application fee: $35   Notification: June 28

9ecaa95d-5bb5-4684-bbf6-49124c8f94cb.jpg c386ed3d-6bbf-4ade-a43c-9ded78e2b07f.jpg 3a71dd37-8532-4c3f-bc58-14fb8bedff14.jpg

The 2nd Annual Baltimore Fine Craft Show returns to the Baltimore Convention Center August 24-27, 2017. This dedicated Fine Craft Section of Baltimore's 37th Annual Art, Antique and Jewelry Show is presented by the Palm Beach Show Group.
 
The Show will feature the nation's top contemporary craft artists, offering their latest celebrated works in a comfortable, indoor setting. Building on its 37 year run in Baltimore, the Art, Antique and Jewelry Show, with the added component of fine craft, will create the opportunity for creators of original art, specifically one-of-a-kind objects, to be exposed to a discriminating audience of collectors of fine objects. 
 
Three jurors who are experts in the field and newly selected each year will choose the artists from a large pool of applicants. Previous exhibitors must re-apply each year. There is no quota for any category of Craft Art. The Show does not charge sales commissions.

Acceptable Media Categories:
Basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art, and wood.
 
The Craft Show is committed to presenting the most thoughtful, original, and skilled American & International craft and design objects. The Baltimore Fine Craft Show is looking for one-of-a-kind and limited edition objects that have been conceived and perfected by the artist's own hands and created in the artist's studio. 
 
Please note: 
New technologies such as computer-aided design and manufacturing (CAD/CAM) that are used in the designing and making of a craft are acceptable, but not acceptable when these technologies are used to actually make the final product.
Repurposed materials, including found objects, are being used as art material to make some craft pieces. This is a desirable practice, and artists who incorporate repurposed materials are encouraged to specify this in their statements.
 
Read more…

Rent Your Display

Rent Your Display
I added the option to list display equipment for rent in the For Sale and Trade forum. If you have display equipment sitting around that you only use a few times a year, why not have it generate some extra money for you. I rent my Pro Panels out a few times a year and they have paid for themselves a few times over.

http://www.artfairinsiders.com/forum/categories/for-sale-trade-or-rent/listForCategory

You can also post if you're looking to rent a display.

Larry Berman
http://BermanGraphics.com
412-401-8100

Read more…

Taking Professional Jewelry Photos

Help Getting Accepted into Art Shows - Part 2

My next article is detailed information on how to take good jewelry photographs describing the camera and lighting equipment and some tips on how to use it.

The most difficult type of artwork to photograph is jewelry. That’s because of it’s small size and that it can have many reflective surfaces. And because of it’s small size, it’s very difficult to keep the entire piece in focus. Also the jewelry medium is the most competitive. Most art shows receive more jewelry applications than any other medium. That’s why it’s important to have excellent images of jewelry that make the pieces pop when viewed by the jury.

This article has been posted in the Jurying for Art Fairs forum

To see the examples of my art photography or improved jury images. Also I do free image evaluations and can also make suggestions on streamlining your artist statement.

At any time, artists can call me with questions 412-401-8100

Larry Berman
http://BermanGraphics.com
412-401-8100

Read more…

Last weekend we were in Florence, Alabama for Arts Alive. It was a positive experience for us and our sales exceeded our expectations going in. Florence is a city of about 40,000 in the northwest corner of the state. It is located on the Tennessee River and is adjacent to Muscle Shoals. There is a rich musical heritage here. This show was recommended to us by a couple of artists friends familiar with our work. We were somewhat skeptical since it is a relatively small city and we tend to do better in larger venues. But, it was close to home and expenses were low ( booth was $170.00) so we decided to give it a try.

The site is Wilson Park which is located in the center of the downtown area surrounded by large stately homes. The arts center runs the show and overall did a good job. The arts center is located adjacent to the park in three large former homes. Load in started at 9am on Friday. There was no set schedule, just show up whenever. Two of the streets adjacent to the park were blocked off and the other two had street parking. We were able to pull up with our trailer and park about 50 feet from our booth. We stayed there for the four hours it took us to set up. Some were able to drive into the park on the sidewalks but most had to dolly. It was hot and humid during set up but luckily we had shade all day. Nevertheless, we were both spent by the end of the day.

The show opened at 9am but it is a free event so we got there at 8am to tie up some loose ends and be ready for any early birds. This is the big art event of the year so while the crowd was not overwhelming it seemed OK. Others who have done the show in the past said the crowd was down perhaps due to the weather. We had a pretty good morning with print bin sales. Then a former customer from another show came by and bought a piece off the wall and ordered some prints. It was shaping up to be a really good day....then the rain hit. It was about 2pm when the clouds cut loose. The show shut down early and everyone zipped up for the night.

There is a very nice reception for the artists on Saturday night. All the tables and chairs were set up in the backyard of the arts center. The rain ended the outdoor plans and everything was moved inside. There was a beer and wine bar in the art gallery. The drinks were accompanied by a jazz trio who were very good by the way. Next door was a buffet set up with BBQ. Awards were announced while we were eating dinner and we missed that we won third place. Despite the weather we had a good time.

By Sunday morning the weather had partially cleared and although rain was forecast for later in the day, it looked like we would get the entire day in. The morning was slow but picked up in the afternoon. Our sales were not very good until one customer came in and bought two large pieces. We sold a few other things and by 5pm when the show ended we were feeling pretty good about the weekend. Load out was OK and again we were able to park close to our booth. Unfortunately with about 30 minutes left before we were completely loaded it started raining again. For the second show in a row we were soaked.

We did not understand this when we applied but there are two shows. The first is the Gallery Show (separate application on Zapp). If accepted, you can submit up to three works for gallery display before and after the show. We checked out the gallery submissions during the reception and many of them had sold. The outdoor show is the Park Show. You can do both as long as you submit two applications.

The only negative about this show was security. In previous years there was on site security. This year security was limited to drive bys by on duty police. Four booths were broken into. It appeared that the thieves cased the booths during the show and determined what they wanted. Items stolen were parts of a set or related to each other in some way. In other words, it was not some random theft. There were substantial losses for those victimized.

While we were very pleased with our sales, we did not check around with others for their experiences. Security needs to be improved. None of us can afford to lose inventory to thieves. We will apply to this show next year as it worked out well for us and is close to home. The downtown is nice with several new restaurants and accommodations are reasonable. Despite our GPS taking us on an unwanted tour of backwoods Alabama in the rain after the show it was a good weekend. I am not sure we would have felt the same way if the thieves and hit us.

Read more…

Asheville Fine Art Show, Hot Works

Asheville, NC -- May 20-21, 2017

I just returned from the Asheville Fine Art Show in Asheville, NC. This was an indoor event at the U.S. Cellular Center downtown. Asheville is a fun, funky town with a big art scene and a lot of food choices, and LOTS of beer breweries downtown. What's not to love?

This show had some amazing potential. There was a boatload of advertising for the show, the weather outside was supposed to be storms and rain and this was indoors, it was a central location, and only about a six hour drive from home. It was an expensive (to me) show, though -- booth fee was $625, add $85 if you wanted electric. I chose to bring my battery setup and skip the extra cost -- make that rig pay for itself, right? Patty (Hot Works) was wonderful in keeping good contact with everyone, sending links to the advertising, news articles, TV spots, and more.

Set up and load in was flawless. You could actually drive into the venue and unload very close to your booth, the day before the show. In my case, about two feet from my booth. It is a relatively small show of about 85 spaces, on two levels -- the Arena floor and the concourse (entry) level. The entry level had about 9 booths, walk down a ramp to the arena floor for the rest of the artists. You could purchase parking about six blocks away for the duration of the show for $20, which I did. It was quite the hike from the parking lot, turns out. There's not a level stretch of road in this town!

There was such a wonderful variety of artists, across all mediums and price points. Looking at the other artists involved made me think "Man, I'm lucky to have been accepted to this show!" A few familiar faces and quite a few new ones, since this was my first NC show and first visit to Asheville. We all had high hopes for the show!

A few photos are at the Photobucket link below, more on my Instagram @joellockridge, then the review continues below.

Asheville photos

The problem with the show is that very few people came. There was a "Gallery Walk" going on that weekend in the famous art district, as well as two other outdoor shows I had no idea were going on. Saturday's two sales totaled $100. Sunday's sales totaled $95. Many artists didn't even get that much, just a few lucky souls made their booth fee back. I don't know of anyone who made a real profit. Even the driving rain on Sunday didn't bring people inside. I've never had such a huge loss for a show before, and after two bad shows in a row, things are getting somewhat desperate around here.

Load out was again, flawless. No shoppers to get in the way of the load-out process.

So what went wrong? No idea. Too much going on? Lack of parking? The locals just didn't show up for this. Any insights?

Read more…

Help Getting Accepted into Art Shows

Help Getting Accepted into Art Shows

I finally got around to listening to the podcast on reasons why you don't get into shows. Listening to the three show directors discuss ways to help your chances of getting into shows made me realize I need to republish some of my articles here on Art Fair Insiders.

The three factors discussed in the podcast are, 1 - your images, 2 - your booth and 3 - the artist statement.

I'll start with my article on how to photograph your booth. It ran in Sunshine Artist, the NAIA newspaper, and is on the ZAPP web site. Look for it in the booth evaluation forum and follow the link back to my web site to see the example booth images.

See the examples of my art photography or improved jury images. Also I do free image evaluations and can also make suggestions on streamlining your artist statement.

At any time, artists can call me with questions 412-401-8100

Larry Berman
http://BermanGraphics.com
412-401-8100

Read more…

7516d3de-45d8-4529-b7e3-88816261bf30.jpg?width=225October 14 & 15
Las Vegas, Nevada
100 Artists

Deadline: June 1

Application Fee: $25   Booth Fee: $300-$575

3e7a9406-6a23-4c2a-b45d-aeb5cf34b4df.jpg?width=400Summerlin Festival of Arts is celebrating its 22nd year in 2017 and its second year located on a grassy park-like area in beautiful Downtown Summerlin. Held in the affluent Summerlin area of Las Vegas, this established outdoor art festival also features music, food and entertainment, but the celebration's focus is to support fine artists and artisans. 

The event draws an estimated 40,000 visitors with thousands of serious art buyers each day - all ages, including families from the Las Vegas area and out-of-towners. Art enthusiasts enjoy fine arts and crafts in the inviting and festive outdoor atmosphere in Downtown Summerlin, a walkable open-air shopping, dining and entertainment destination. 

Parking for both artists and patrons is convenient to the site. The art festival hours are 10:00 am until 5:00 pm Saturday and Sunday. The event is free and open to the public.

Marketing: Publicity for the event includes citywide newspaper, radio, and TV coverage, outdoor signage, electronic media, social media, the Summerlin events calendar, a magazine distributed throughout Summerlin, artist postcards and artist e-blasts. The event is presented by Summerlin in partnership with their sponsors.

Artist Amenities:
* The location of the site is on a grassy area surrounded by Downtown Summerlin's open-air shopping center.
* Area will be lit at night with security patrolling the site 24-hours from Friday through Sunday until 9:00 pm.
* Real restrooms in a central location. Also, porta-potties available.
* Convenient artist and visitor parking on site.
* Coffee and sweet rolls provided Saturday and Sunday mornings.
* Volunteers available for booth sitting upon request.
* Volunteer helpers and motorized carts are available for set-up and tear-down on a first-come, first-served basis.
* Most booths have a corner location due to the 'quad' set-up. Booth Layout will be provided upon acceptance. 
* RV, trailer, and overnight parking are allowed in designated parking lot on site. Artists must park in designated area ONLY with a parking pass displayed, license plates registered with the Summerlin Festival of Arts and cell phone provided for driver.

Contact: Nancy Higgins  (702) 467-3540
~~~~~~~~~~~~~~~~
Find more art fairs looking for artists: www.CallforArtists.com
Read more…

Call for Artists: 43rd Art in the Park

August 5  be9853bc-1a68-405d-9c25-bf09d96f1f38.jpg
Lake Odessa, Michigan
Village Park
75 artists
Deadline: June 1


Application Fee: 0   Booth Fee: $75 single, $130 double 

9e5dc34d-1c7d-40c0-9ab8-59aa45a5c8be.jpg?width=384

The Lake Odessa Area Arts Commission invites artists & artisans to apply to the 43rd annual Art in the Park, a juried one-day fine art and craft festival. Held on the grounds of the picturesque Village Park, the event annually draws between 3,500 - 5,000 visitors. 

The show features live entertainment, a food court, a children's craft area, and the third annual ParkPrize artists' competition, with two $500 cash awards. Patrons also love the Lake Odessa Car Show. 
 
The park is just a short stroll from the downtown. Attendance is FREE and an easy drive from Lansing or Grand Rapids. 

 
Ranked by Pure Michigan Travel as a "Top 25" event for the weekend of 8/1/2015.
  • "Very nice quality, publicity. Very well organized. Nice layout. Good bands. Public enjoyed ParkPrize! I sincerely appreciate all yours efforts." B. Bosworth
  • "You are very organized and helpful. I enjoy the music. Great turnout. Wonderful venue." S. Clay
  • "The Lake Odessa show remains my favorite and best show." V. Goodrich
Event promotion on all regional and many state and national festival & visitor websites, advertising in local publications, by direct mail, and social media.
 

Contact: Karen Banks  info@lakeodessaarts.com  (616) 374-4325
~~~~~~~~~~~~~~~~~
Find more art fairs like this one: www.CallsforArtists.com
Read more…

8869179679?profile=original

Thanks to everyone who contributed to the Pledge Drive. It was one of our best.

8869179877?profile=originalChristine Berthiaume from the New Orleans Jazz Fest pulled the names of the winners of the prizes today, May 18, for the first 24 winners. Altogether there are 39 prizes. These 24 choose their prizes first. If your name is listed below please visit 8869180253?profile=originalthe prize page and make your choice. Depending on how far down the list your name is you'd better make several choices and send them to me: connie@artfaircalendar.com.

8869179886?profile=originalNow here's a little more fun. If your name is not on this list you still have a chance to claim a reward. These 24 must claim their prizes by midnight Sunday. On Monday I'll be listing the prizes unclaimed and it will be a "first come, first served" scramble. Everyone who pledged is eligible to choose and if you haven't pledged yet go ahead and do it now and you can join the fun. Pledge here.
8869180462?profile=original

We'll pass out the prizes in numerical order starting with:

1. Susie Brindza - Debbie Stillman's necklace and earrings

8869180285?profile=original2. Carol Knox - $100 gift certificate from Red River Paper

3. Gail Lane

4. Karen Hollister

8869180654?profile=original5. Richard Sherer - $100 Amazon card from ACTinsurance.com

6. Wally and Lu Fuller - Ingot Canopy Weight Set from CanopyWeights.com

7. Carol Brink - Watercolor painting by Michael Weber, Weberwatercolors.com

8869180294?profile=original8. Heather Davis - $100 gift certificate from Red River Paper

9. Heidi Barron - $200 gift certificate from ProPanels.com

10. John Desalme - Black & White Photo from Allan Teger, Bodyscapes.com

11. Tom Feltes

8869180875?profile=original12. Joel Lockridge - Fire Tablet from ArtFairCalendar.com

13. Patty DeMaria - Kindle Paperwhite e-reader from ArtFairCalendar.com

14. Judy Zeddies

15. Layl McDill - $200 gift certificate from ProPanels.com

16. Al Scovern - $200 gift 

8869180884?profile=originalcertificate from ProPanels.com

17. Pam O'Brien - Wall Street Bourbon Pen from Joel Lockridge, BourbonPens.com

18. Heidi Mandich - $150 for photography from Larry Sanders, juryimage.com

19. Pat Falk - Booth space at Rose Squared Productions in New Jersey in 2017

20. Allison Farkas - Mesh Panel Display Walls, set of three, from Flourish.com

8869180663?profile=original21. Judy Rohrbaugh - Art Fair Report from ArtFairCalendar.com

22. Michelle Stoffan and Bernie Atkins - $200 Imaging or Photography Service from Larry Berman, BermanGraphics.com

23. Suzanne Krongold - Level 3 Membership to FestivalNet.com

24. Kristine Ritter - Booth Space at Holiday Art Show, St. Augustine from Lynn Wettach

Read more…
63646683-0b6d-4043-abbb-388b932172ba.jpg?width=375
December 9-10
Providence, Rhode Island
Rhode Island Convention Center 
Presented By: ArtSmart Productions
215 Artists
Deadline: May 23
Application Fee: $35
Booth Fee: $475

The Art Providence Holiday Sale will take place at the Rhode Island Convention Center in downtown Providence and will showcase approximately 200 artists over the course of the weekend. It replaces the RISD Alumni & Student Holiday Sale after its successful 20-year run at this location. Providence is rich in history, affluent and bustling with activity especially around the holidays. This show is open nationwide to artists and artisans producing top quality work in their respective fields.

NEW THIS YEAR
  • Previously a Saturday-only show - this year expands to include Sunday
  • Now open to artists nationwide 
  • Show Awards including Artist's Choice, People's Choice, Staff Picks and more (cash prizes) 
  • Enhanced concession options and scheduled live entertainment
  • Artist party following Friday set-up
MARKETING - Art Providence will be publicized in Providence, Boston and the New England area, in a variety of print, radio, and digital outlets including:
  • Advertising and public relations throughout Providence and New England
  • Bio listing and image for each artist on the show website
  • Event coverage on social media sites (Facebook, Facebook Live)
  • Featured areas on the event website and full page ad opportunities in the event digital program book will be available at an additional cost.
APPLY: http://www.juriedartservices.com

Contact: Laura Burkett  (617)708-6404     Email: artprovidencesale@gmail.com
Read more…
AffordableArtsLogo
August 27
Littleton, Colorado
Campus of Arapahoe Community College
9AM - 3PM
150 Artists in 15 media categories
Deadline: May 30

Jury/Booth fees are $30/$225 for a single 10x15 booth. 
Double Booths available.  Corners available ($50)

We invite all artists to apply. 
From the Director of the Denver Arts Festival, this 6th year show promises to continue building on the successes of the last few years by bringing a proven festival concept to the ever expanding art buying market in Denver. This fine arts/fine crafts show uses the successful formula of the $100 and under shows that have been around for decades.

In 2016 our crowds continued to show their enthusiasm by showing up over two hours before the gates opened to get the best deals. Several of our top selling artists went over $10,000 and several artists completely sold out in less than 3 hours! These are great numbers for any show but the AAF is only 6 hours long! This festival will grow every year since those art buyers who experience it bring friends with them the following year.
4611e94c-8517-48f4-99ee-84d9c416e437.jpg?width=500
Our artists and their work are posted on the website so we invite you to see who has exhibited and the kind of work that is available. This is one festival where the artists and the customers all seem to have big smiles on their faces and energy created by the buying frenzy that happens the minute the gates open is contagious!

Still not sure what this show is about?

Please go to: www.AffordableArtsFestival.com/festivalfaq.html and listen to the 15 minute audio

  • Over $30,000 spent on the promotion of the event to the art-buying public on TV, radio, social media, press releases, magazines, social and other venues
  • Set up available on Saturday August 26th (with overnight security) or in the morning of the 27th
  • The festival is held outdoors in the large field on the campus which is highly visible from Santa Fe Drive where over 65,000 vehicles travel daily.
APPLICATIONS: 
Deadline: May 30, 2017
Notification: June 6, 2017
Booth fee due: June 23, 2017
  
  
Email questions to info@affordableartsfestival.com
Or call Jim DeLutes, Director - 303-330-8237
Read more…

I put this show among my top seven in the USA.
Only 130 booth spaces, with more than a thousand artists applying.
This was my third time in. It was also my best one there, although it started off scarey.


First, a little history.
In the eighties, when I started going away for five months to do shows in the Midwest, I always stopped in Greenvillle.
I had a solid glass artist buddy named Loren Marshall who lived there.
In those days I was lugging a 21-foot travel trailer behind me, my home and studio on wheels.
I would pull in and park the rig at the Huddle House restaurant, just next to Loren's house.
For the next three days we would kayak the Greene River and hike the mountains.
Back then downtown Greeneville was no-where's-vile. Nothing but shuttered factory buildings and maybe three restaurants which were not very good or exciting.


I remember us going to a Mexican restaurant there and ordering margaritas.
Back then SC had quirky liquor laws. All booze was sold in those one ounce nip bottles. Bars would have big slotted racks with nips piled on top of each other.
So that nite we were celebrating, I bought three rounds of Rita's for the four of us.
When I got the bill, I about shit in my pants. It totaled $148.
See, each Rita was made with three different bottles of booze, and each bottle cost $4--which made each Margie a $12 drink,
I kept visiting Loren over the years but I never ordered a round of Margies again.


Then in the early nineties Greeneville changed for the better. They got great retail and restaurants to come, high rise condos got built. BMW relocated a plant here, complete with high spending Europeans on their staff. They had expensive appetites and Greeneville stepped up to the plate. Then General Electric put up a big plant.
Pretty soon Greeneville became known as a community where pioneering automotive industries relocated to.


As the town grew and prospered, the local arts scene saw equal opportunities. Hence, Artisphere sprung to life. It was a winner from the get go.
They were smart. They kept the show small, they looked for real creative artists and crafts persons to fill the booths.
The patrons responded. This was their art show and they really supported it.


Last time I was in was four years ago.
I did real good. It was a $5K plus show for me and most others.
When I returned this year I was amazed by how many new restaurants had sprung up, and they were all filled.


I took my time getting there. It is a three day show and we all set up Friday morn and the show opens at noon.
So I made it to Fernadina Beach Wednesday and stayed at my buddy Aileen Moore's house.
Just a four hour ride from Tampa.
Thursday morn I headed to Greeneville, a six hour trip. Made it into town just in time for a late sushi lunch at Tsunami, on North Street.


That nite the show hosted a Gala for the artists and patrons at the downtown Embassy Suites hotel. All food and booze was catered by the Ruth's Chris restaurant there.
Everything was free.
They had Makers Mark, Titos and every top shelf liquor you could think of. They had killer red and white wines, even Champagne. All you wanted. I carefully paced myself. In three hours I had one Makers and two glasses of red. I was staying the night on the interstate at a Red Roof. About a twenty minute drive.
The food was was equally impressive.


Waiters had trays festooned with mushroom and beef Tartares. There was roasted brisket with good horseradish. There were trays of tuna tartare, tons of iced, fresh shrimp. There were at least ten other eating options. They even had oyster-vodka shooters, and of course there were amazing desserts.
The place was packed with patrons, most of them young and stylish, wearing amazing colors and jackets.
Thank God most of them showed up to buy at the show,


Oh yeah, there was an art show.
Wanna hear about it.

We thought you would never get to it. Just keep rambling about Makers and Titos.
On with the show.
I was worried about my space location. I was the third booth in at the beginning of the show.
This was very worrisome.
People tend to gallop right into a show. They do not want to commit right away. Too much art still to see.
Then, on the way back out, they are done, they want to get the hell out of dodge.
Bottom line, I figured at least 50 per cent of the patrons would never see my work.


Then let me tell you about my booth area.
The show gives everybody a 12x12 area, which means you have two feet for rear storage and room on the sides. Not bad,Main Steet Fort Worth, are you listening?
Most spaces had ample room behind them and artists used the spaces well.
Not me.


I had a solid ten foot construction fence behind me. Two feet for storage and a wall. Also the street was a hill. So my booth tilted downward right to left. Oh, we were also on a crown so the booth sloped downward fron front to rear.
When you get a spot like this you know you might be spending some serious time with a "chiro" afterwards.


I got set up in three hours and collapsed into my bed at the Marriot Courtyard right by the show.
I thought the show began at one, not noon, my bad.
I woke up at 12:30 and scurried frantically to the show. By that time there were five posts on Facebook wondering what happened to me since my booth was not open at noon.


Jeez! I remember the early days at shows where we sat in our vans, at the beginning of the show, and smoked big numbers. Then we get out, laughing and giggling, and got to
do biz. Now, Big Brother, social media, is on your ass if you are a minute late.
I guess it is nice to know people care, they are concerned for my wellfair, so God Bless, social media,anyway, I can withstand the storm.
After ten thousand piercing arrows in my back from the "Pufferfish affair at Pensacola", I can withstand anything.
Jeez Nels, screw the Pufferfish, tell us about the show.


Thought you would never ask.
Well, my goal for Friday was to do $2500. This was a realistic goal for a show like this. Do not forget I was only up against about ten other photographers, and I had a lock on the humor market, the rest of them did serious, arty work, and it was seriously good work. But it gave me niche to exploit.
Well I exploited, but I was not seriously anointed.
I barely did a grand. I was not a happy camper.
I ate very slim sushi that nite. Still had a great bottle of red.


Saturday, we awoke to crisp temps and an overcast sky with a slight chance for rain after noon.
A perfect day to make serious moola.
It only slightly happened.
I saw mostly small packages go by my booth, no really big ones.
I only sold four 16x20 frames, priced at $150, the whole day. The rest were precious prices of paper out of my browse bins.


The crowds were steady and well-dressed. Most carried no art in their hands. Lots of them had little cups of wine or big glasses of beer in their hands. They were exuberant, but not many sales came out of it.
I saw lots of serious eye candy all day long. The Carolina women are an eyeful.


That nite I ate slim fish for dinner. I felt like I was at least 50 per cent off my expected goal.
I always set a goal for a show. After doing this 42 years I have a pretty accurate gauge for what I will make, especially at a great show like this.
So I was under $5K and seriously worried.
I drank some more great red and went to bed.


Sunday dawned brightly.
I got the van out of the Marriot lot and got it parked in "position A" ready for tear down.
I found the Starbucks, grabbed a NY Times and scampered off to breakfest.
I was at the booth two hours before the show opened.
I made some quick sales and felt slightly emboldened. Like, maybe I will kick some serious ass today and make serious moola.
Between eleven and two I averaged $350 per hour. That was a good sign.
Still, I was only selling out of the bins.


Between one and four all hell broke loose.
I did $5K. Actually sold four big framed ones, ended up selling about 17 16x20 frames.
It was Mothers Day and everybody was well dressed and buying.
It was not just me.
My neighbor who sold custom made bird houses for $160 each, sold out.
The guys two booths away with homemade barbecue grills sold out.
I saw big framed pieces go by my booth all afternoon.


Guess what folks? This is a Sunday show.
I ended up pleasantly exhausted and very rich by six close. I was packed and out in one hour.
That nite I ate very serious fat sushi with copious cups of primo sake.
I awoke Monday morn and was home to Ybor in nine hours.
Got a big kiss from my sweet Ellen.


Life is very good.
This Sunday we leave for five months to live in Saugatuck. We got Columbus and Des Moines in the near future.
Oh in case somebody out there is thinking of robbing our Ybor house, I got news for you, my neighbor Joe watches it night and day, and he is just itching to use that shotgun.
Also our eight backyard feral cats are karate canine trained.
Saugatuck, here we come.

Read more…

Some Thoughts on Shows

Before the show:

•Eat a good breakfast.
•Pick up some flowers for your booth (your gallery).
•Keep your space clean – sweep and dust.
•Price everything clearly.
•Say good morning to your neighbors.

During the show:

•Smile all day.
•Never sit in or around your booth.
•Don’t use your Smartphone except for taking cc’s.
•Engage everyone who walks by. “How are you folks ?”
•Never “sell” your work, let people buy it.
•Talk less, listen more.
•Make sure your booth is not a cave, nobody goes into caves.
•Wear comfortable clothing and shoes.
•Eat when you are hungry and drink a lot of water.

After the show:

•Be thankful you are an artist.
•Count your blessings.
•Pack up your booth with care – take your time, relax.
•If you sold well, congratulate yourself.
•If you did not sell well, chalk the show up to marketing.

I would love to know your thoughts and tips !

Read more…

Call for Artists: 53rd Craft + Design

November 17, 18 & 19 807e1edb-6450-42d2-87e6-dbfff5bfca8a.jpg?width=150
Richmond, Virginia
Main Street Station

Presented By: Visual Arts Center of Richmond
120 Artists
Deadline: May 26

Application Fee: $45  
Booth Fee: 7x10 $900, 10x10 $1000, 14x10 $1100


Craft + Design, which always takes place the weekend before Thanksgiving, kicks off Richmond's holiday shopping season and brings out a crowd of over 3,000 art collectors and connoisseurs who are interested in museum-quality craft.

2a182020-53fe-4171-8a19-8ba04700c23b.jpg?width=500

This year the show is moving to a new venue at Main Street Station. The Station's newly renovated train shed is a 100,000-square-foot space, built in 1901 and listed on the National Register of Historic Places, recently renovated as part of a $90 million effort to restore Main Street Station. Glass walls offer visitors panoramic views of Church Hill, Shockoe Bottom and downtown.

Even better: The venue, which sits squarely in the middle of the Shockoe Design District, is highly visible from Richmond's I-95 corridor and accessible via train. Amtrak passengers from Washington, D.C., and beyond will be able to debark and walk directly into Craft + Design.

As a result of the change in venue, VisArts plans to double the number of participating artists at this year's show. An average of 60 artists have participated in the show annually since its move to the Science Museum of Virginia in 2008; the new space will accom-modate 120 artists. Longtime exhibitors will remember when the show was held at the Greater Richmond Convention Center and featured more than 200 artists. 

Organizers have said they feel like 120 exhibitors is about the right size for the show, and look forward to using the new space to expand the size of the booths and offer more food and beverage stations, educational programming and entertainment. Seventy-five percent of artists who exhibit at Craft + Design are from outside Virginia.

Marketing: Craft + Design is heavily promoted across a wide range of communications platforms. Highlights include outdoor advertising, a public radio partnership, extensive social media campaigns, print advertising and special promotions with corporate partners and luxury brands. Last year's featured artist was jewelry artist Ashley Buchanan.

"The quality of the show is right up there with the best, in terms of artistic quality, staffing and hospitality. Communication is among the best! Love working with show sponsors doing good work in the arts!" - 2016 exhibitor.


More Information: visarts.org/events/craft-design-show/
Contact: Lizzie Oliver, lizzieoliver@visarts.org  (804) 353-0094 

Read more…

It is almost six month into the 2017 calendar and this had been my experience so far. 

I choose at the start of the year cut my post on a different forum on Facebook and other outlets. I came to that conclusion that I recognize that art fair industry it is a spiral and should work in craft and sales techniques. I hope that last another 20 years but I do not know. My friends that been doing show longer than me are seeking for a safe way out.

I was doing postmates for the past years to supplement my income as I wait for art installation to pick up because I understand how art show business can be cruel.  I had been bless that my art installation service has taken off and I had been doing at 10 hours a week of art installation and doing less postmates. That is not a lot money but when your expenses are almost none and no show schedule for the week it is welcome income. I even went as far as telling an artist friend I will prefer doing 20 hours of installation than shows. He told me you should see it this way that will allow you to do the shows that you really want to do and skip shows that you feel on the fence.

What I want to you to understand is that we all have bills to paid every month and having other source of income other than the art fairs is very important because we are in different era. If you look at people that come to shows you will notice the lack of younger people. The younger people are purchasing edgy work and more SCFI or animation type of work. I will guess is because they want escape our reality and not remember a bad experience when they go home. Happier and more relaxing work appeals more people than well intellectual work (at least at the art fair) in my opinion. I personally see some younger people purchasing my work to my surprise which is very traditional. With that observation, my sales are ahead from last year or simple terms I doing better than last year. 

Why should I care you may ask? 

Two years ago I was doing whatever I can to stay at float and feel up beat. A set of artists make me feel like it was my fault that was falling behind. I find myself treat as an outsider and looser. Talking to veteran art fair friends had change my approach to every single show. Best advice do everything in my power to come prepare to sold out. Focus in correcting mistakes that you had done in the past. Keep yourself near to my booth and engage every person comes into my booth with out doing hard sales. Have a clean presentation. The most important thing, you need know that you did everything in my power to have a good show and if did not happen is not your market not your work or your crowd did not show this time if you had done well before at the event. You may feel sad but is not because a bad show is because your way home you wonder how to cover the bills. You should understand that is a problem that all artist have in common at least once a year. Those people that will make feel that is only you and only with that problem they are just b.s. you. The reality is that you do not want a set bad shows in row during starch of three months because that is the road to the poor street house. 

With that said, the other thing that keeps coming up: our gross sales comparison and we do not talk about our net sales. We envy the artist making big bucks but I believe we should worry about how much net I make at the show, my personal bills and my cogs can a lot less than other artist sales. You do not know the bills, struggles and needs that person had. That is why I always answer it was good or bad for me. 

At the end it a risk we engage and we should do everything we can to have good show and move on. Be happy that others are doing well because that is the hope that you seek. Enjoy the ride because we have a great life even we may not have a lot. Please have another source income or ways to move your work or use your art skills to create income other than shows.  Do not forget to have a savings account. 

Read more…

Change In Latitude...Change In Attitude

Well not really a change in latitude but definitely a change in attitude at the Marshfield Art Fair held at the fairgrounds in Marshfield WI.  

It's always held on Mother's Day and this was the second time I had done the show. The weather was beautiful but it was not a buying crowd for many of us. In years past, it was held at the high school and fine arts/crafts were sold. This year the venue was changed to the fairgrounds and more crafters were in attendance and at least one buy/sell. (it's a juried show)  Many fellow artists felt it was a bad move. The vibe was not the same.  

I sold mostly my low price point items which was good because I didn't get skunked like the artist across from me.  He had beautiful colored pencil nature drawings on wood, reasonably priced too. Nada sales.  It was his 7th year doing the show, he won't be back if the venue stays the same.  I sold a third of what I did last year.

Guess I'll wait and see what happens next year with the venue.  Doubt I'll be back if it's at the fairgrounds again.

Read more…