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Fountain Hills Great Fair Review

This was my first large show and what an experience. Thursday night was early set up, went pretty smooth except for the pick up truck that decided to block the path to exit. Other than that it was pretty easy. I was a little disappointed in the quality of the vendors. Of course there was buy/sell but even the hand made items were very "swap mart" like, for instance there was a booth selling marshmallow guns. Friday was the first day, it was a high of 64, that's cold for us near Phoenix. The crowd was probably 90% over 70, don't know too many people over 70 that's looking for wall art. I'm an abstract painter that uses bright colors and my market is around the 40-60 age, so this was not a good start. Many vendors have done this show for many years, so they had their followers come first thing in the morning to buy their goods and saw people leaving the show with quality art. After that it was lots of people buying canes, wind socks and cheap jewelry. The day ended with $0.

Saturday was warmer and good weather. I was hoping for a younger crowd but it was about the same as Friday. Pretty good crowd but not what it has been in recent years, as told by other vendors. Some quality art were seen in people's hands but again mostly small stuff. Many vendors were puzzled by the crowd. One vendor told me to count how many shoppers were smiling, most people look like they were not having a good time. Sales were slow for most but jewelry under $100 seemed to be selling well. Again I ended the day with $0.

Sunday was the experience I was talking about. Apparently there was a micro-burst in the middle of the night and when I walked up to where my booth was, I saw a tent and debris scattered in the middle of the road. Luckily it was not my booth, but my heart sank when I saw this. It was my neighbors double booth, he sold jewelry and their merchandise was not damaged but it was a big mess to clean up. He had home made weights, probably 20lbs per leg, obviously not enough. Everybody was great and helped him clean & pack up. I'm so glad I found this site and learned about tent weights, I had bought some sand bags that were 40 lbs per leg and that seemed to have worked. My tent or art was not damaged at all, so thanks to all of you! About 10 booths were destroyed, it's too bad they didn't listen to last weeks podcast. I had heard there was also a chocolate booth that was invaded by Havalina's and tore up there tent and everything in it.

So it was finally ready to start and it was cold and very windy, people were literally hanging onto their booths. Even with the bad conditions, people came out and was a younger crowd than previous days. Vendors who stayed had good spirits and people were buying. It was the smallest crowd of the 3 days but the people were more serious buyers. I made some sales, so it wasn't a total loss as I had expected at the start of the day. To sum up the show, I will probably not do this show again for 3 reasons. #1. A few Long time vendors of this show that I talked to are no longer happy with the show and are not going to return. They are finding other shows to take its place. #2. I don't have a following at this show as it was my first and most the sales vendors made were from previous contacts.  #3. It was one of the most expensive booth fee's in AZ at $450. All in all it wasn't a good show but learned a lot and was happy to start doing these bigger festivals. Hopefully my next show in Tempe April 5th is a better experience!

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Serious

No drama this time. I need advice from all. From those people I have come to revere: Nels, Connie, Larry, Annette, Barry, Phil, Amy, Geoff,Amy Amdur and staff, Jim, SMB, Diane, Carla, Michele, Lexi, Mike, Barb and, oh Gosh, so many more.I am not entering this post for sympathy. I need forthright opinions, the best you have in your pockets, please.Facts: I have been hospitalized for numerous blood clots of unknown etiology. I am on warfarin which is suppose to prevent the formation of any new clots. The first clot is in my chest near my heart. The best doctors believe my body will in time absorb this blockage and that with limited activity at this time it is unlikely to travel, damaging anything like my heart, lungs or brain. End of medical journal.This precluded me from sending any submissions to any Art Shows this year.Other than the initial hospitalization, testing and bother, I now feel great.This is where the serious advice enters. I have ruminated over several options and I know your minds contain many more. Please, help me sort out a solution?1) I could take Master Courses to improve my trade. Con: $$$2) I am a Master at fiber. I design, architect and invent with it. I have a patent pending on wearable fiber jewelry that I sold thousands of dollars to customers before I had to be juried. Should I go back and polish this. Pay to finish the patent. But how do I get a jury to place it in the jewelry category. Or would they create another?3) In studying the world, there is a movement in music, literature and daily living which calls back simpler times and appreciation for doing it yourself. I believe this will benefit the Arts. Dare I say it, but some highly skilled crafts may be more in demand in our continuing and unabating economic conditions? Can Art Fair producers see this huge trend and respond? Yes, even the wealthy are loosing their pensions, portfolios and pomp. Should I follow?4) Is it time to do "home jewelry parties" and find a gallery or two? Stop traveling.5) I miss the circuit. We finally bought the best darn tent with 400 lb weights. Our booth gets raves and we enclosed in glass a section we were to premiere this season. We bought a Lexus V-8 that pulls anything in grand comfort. We have a great account with everyone. I was even redoing my website and had the instructions ( thanks to Diane Ferguson ) for a Facebook page. My growing repeat and loyal clients were increasing. And I owe so much to Amy Amdur personally and professionally. Can I just jump back next year with fresh and daring jewelry?I am counting on you.My computer comes home from the repair shop tonight. I entered this by iPhone. Desperation is the mother of Invention......I just can't do that to Herodotus! He said, " Haste is the mother of failure. "So don't be hasty!All my thanks,Linda
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ACRE Las Vegas

I am considering applying to this show and I am wondering if any of you have done it; if so, what is your feedback?  It is very easy to spend alot of money exhibiting at shows that have previously had a good reputation but may or may not have changed in recent years.

 

Thank you!

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August 31-September 2    SausalitoLogo
Sausalito, California
Labor Day Weekend
just north of San Francisco's Golden Gate Bridge
in Marinship Park
270 Artists
Deadline: March 1

The Sausalito Art Festival invites you to apply to participate as one of 270 premier artists showcased at one of the top outdoor Fine Art shows in the country.  Held over Labor Day weekend, on Sausalito's spectacular waterfront, the festival attracts more than 30,000 Art collectors to celebrate the virtuoso talents of the finest local, national, and international Artists.  Proceeds from the Festival benefit local non-profits through community grants, in addition to scholarships awarded to deserving Art students annually.

Invited Artists Receive:

  • Flat booth fee, NO commissions
  • Booth fee includes: white canopy, assisted load-in and load-out
  • Highly praised VIP Artist Hospitality, complimentary continental breakfast, lunch, and snacks from top Sausalito restaurants
    Sausalito
  • Artist Relations Concierge Services and Booth Sitters
  • One complimentary seat at our 2013 Fire and Ice Gala
  • Cash prizes
  • Free onsite parking
  • Artist information included in Official Festival Program and onsite signage

About the Festival:

  • Rated consistently in America's Top Ten Outdoor Fine Art Festivals by Art Fair SourceBook and in Top Ten of Sunshine Artist's "Best of Shows" for over a decade
  • Winner of multiple Pinnacle Awards from the International Festival & Events Association
  • National and regional advertising, promotion, and social media campaign
  • Attended by Art Collectors from around the world
  • Qualified buying audience: 66% of patrons have an  average household income of $100k or more; 62% are returning art festival patrons; 67% rated the SAF the #1 Art Festival they have attended
  • Top name musical entertainment  2009-150x150.jpg
  • Gourmet food, fine wines, champagne and premium beers
  • Beautiful waterfront setting

Application: www.zapplication.org

For more details and Artist's prospectus, visit: www.sausalitoartfestival.org

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What I did on My Winter Vacation

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I was thinking of Mexico to climb Chichen Itza, or Florida to visit friends and great art fairs, but the siren's song lured me to Philadelphia for the Buyers Market of American Craft, presented by the Rosen Group, at the Philadelphia Convention Center, February 16-18. 

For nearly 30 years the BMAC has provided a professional, trade-only setting for buyers and the makers of fine craft to meet, producing the nation's pre-eminent wholesale marketplace.

Mark & John Schlabaugh's wood booth 

I hadn't been to Philadelphia since a NOW Convention when Betty Friedan was its president so was totally unprepared for the beautiful skyline and eccentric mix of historic and modern buildings. Couple that with the first class Convention Center  and the enticing Reading Terminal Market (a huge bustling farmers market) between my hotel and the show, and I knew I'd chosen the perfect destination for a fine art and craft show aficionado.

What I found:

  • beautiful convention center6a00e54fba8a738833017d4137bdbc970c-pi?width=225
  • nearly 800 exhibitors
  • carpeted and well lit booths
  • a fashion show, "Rock the Runway"
  • all exhibitors and buyers have to fill out an extensive application process verifying legitimacy and credentials
  • exhibits in all media (2D & 3D) with many jewelers
  • show laid out by category to make it easy for buyers to find what they were looking for
  • seminars for buyers and artists on marketing fine craft

Security is careful to check for credentials on the people who come through the doors as there was a big problem a few years ago when counterfeiters were discovered roaming the show floor with cameras, stealing ideas. As I was doing a video of the show floor on Monday I was suddenly surrounded by security and escorted off the floor!  "Get that woman in the white blouse," was the cry. As a result I got to see the show office and meet Rebecca Mercado, the show director. Then I got credentialed for my camera. 

6a00e54fba8a738833017c37086734970b-pi?width=200If you are interested in being part of the show the Arts Business Institute, run by Carolyn Edlund, presents two days of seminars with authoritative speakers to get you ready. A part of this service is an opportunity to showcase your work to the buyers at the show for a critique. To me, the best part is the access to the show floor for the newcomers. As we well know "walking the show" is the best way to learn. 

An order being placed at Eartha pottery, a common sight throughout the show

One of the people I wanted to meet was Stacey Miller who was on our recent podcast about wholesaling, doing her first show. I visited her on Saturday afternoon and then again on Monday. This show offers mentoring to first time exhibitors and in the meantime her mentor had been there, completely rearranged her booth and it had gone from "okay" to "obviously ready for business." It was a major upgrade. Kudos to the mentor.6a00e54fba8a738833017ee8aba313970d-pi?width=175

Having been immersed in the retail side of fine art and craft events I didn't expect to see many people I knew but did meet folks who are regular visitors to AFI. So great to meet Michael and Victoria Terra, Lance and Amanda Taylor, Susan Crow, Kathy King, Laurie Eskenazi, Laurie Leonard, Stacey Miller, Susanne Lorraine, Paul Willsea, Diane Wright, Jennifer Merchant, Jeannette Payne, Deb Karash, Kathy King, Courtney Gillen ...

AFI members Michael and Victoria Terra

Dinner with my friends Joanna and Richard Rothbard of American Art Marketing was a great catch up time. Similarly, Saturday night with fiber artists Barbara Poole (B.Felt.com) and Ping Wu was stimulating and reminded me of why I miss not hanging out more with artists. Thanks for the fun!

Biggest thrill was to find Loretta Eby and Jeff Jackson who I haven't seen for years but who were our8869103497?profile=original neighbors at art fairs for years. I was afraid they were selling insurance or working in IT, but no, they've just gone wholesale!

It was a pleasure to meet Wendy Rosen, the American crafts advocate; Carolyn Edlund, a solid crafts business writer; Bruce Baker, consultant for craft artisans, Ryan Jones (publisher) and Travis Manney (sales manager) of the Crafts Report

The most frustrating thing about the show was that I couldn't buy anything as this is strictly a wholesale show. I surely could have spent my allowance and more, if only!

This busman's holiday suited me just fine.

(A photo essay about the show is coming soon)

 

YouTube video with interviews and an overview of the event:

See more photos from the show floor at this link: http://www.artfairinsiders.com/profiles/blogs/photo-essay-buyers-market-of-american-craft

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I found this on the the Old Town Triangle Association's website.  I don't know if they did artist surveys last year but they certainly seem to have hit on the areas that  artists complained about.  

Changes are afoot to make this the best Fair ever for our artists and patrons. 

What’s NEW:

  • More Openings: In 2013 we are opening 50% of our spaces to applying artists, more than double the number of open spaces last year.
  • Fewer Booths: To make sure we have a comfortable environment for all participants, and to reduce the competition for buyers, we are decreasing the number of booths/artists by 16, to 250.
  • Better Entertainment: We are ensuring that our music venues and offerings are appropriate to our patronage and environment.
  • Better Food: We are re-evaluating our food vendors to make sure the quality of the food is as high as possible for our event.
  • Better Outreach: We are formally surveying patrons and meeting with artists to gather information to help improve our Fair, and stepping up our public relations efforts to attract more buyers.

Kudos to the OTTA for caring.  It is really nice to see.

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May 4 & 5  St.Johnslogo

Sanford, Florida

Historic Downtown Sanford
100 Artists
Deadline: March 1  

 

Our first year in 2012 was a terrific success and we want to keep the creative momentum for 2013.  A different festival experience awaits you! Over 125 Premier Artists will be selected to participate in this art festival.

Throughout the festival we will also include 15-20 demonstrating areas for artists selected through our jury process. These artists will have adjacent spaces to demonstrate their artistic process along with their finished artwork to sell.

 

$14,000 in Awards - $3,000 Best of Show  

 

There will be eight (8) defined categories:

CarolNapoli
Carol Napoli, St. John's River Festival
  • Painting includes: watercolor, oil, acrylic
  • Fine Craft includes: wood, glass, leather, basketry  and fiber
  • Sculpture
  • Drawing, Pastel, Pen & Ink
  • Digital, Graphics & Mixed Media
  • Jewelry
  • Clay
  • Photography  
Here are the rest of our plans to make this an exciting successful event for you:
  • Our Patron's Program offers ART-BUCKS to be spent on your artwork
  • Comprehensive print and  electronic/digital media coverage. Artists who apply early may be  showcased in the media spots.  
  • Booth numbers and artist information will  be posted in the festival program.
  • Convenient parking for Artists; unload at your site  
  • Extra large booth spaces for extra side visibility  
  • The City of Sanford offers free WI-FI within the festival area  
  • Continental breakfast Saturday and Sunday, Complimentary Boxed lunches for artists on Saturday  
  • Great volunteers
  • 24 hour Sanford Police Department security  

Application fee: $35 - Booth fee - $225, double space is $400 

   

Anticipated attendance: Approximately 20,000 - 25,000 visitors over the two day Festival run.      

Learn more and apply:  www.stjohnsriverartfest.com

 

 

Phone: Rae Marie: 407-324-1577 - Alt Phone: Kim House: 407-323-9272

 St.JohnBanner

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Even more art fairs looking for artists! Visit www.CallsforArtists.com

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Coconut Grove 2013

There were a few exceptions but the overall  the art at this festival is wonderful.  If you applied and did not get in, know that a really good artist got 'your' space. Actually way too many artists got your spaces.  At 380 artists, this is too large.  It makes it difficult to decide what to buy, to get back to the booths where you wanted to buy, heck, to remember where you saw what.  

As in the past, there are more vendor booths than at any other show I have ever been to.  It was actually worse this year.  There was hardly an empty space on the east side of Bayshore Drive that didn't have some vendor.  The only exception was the sculpture garden.  The Verizon booth was as big as ever and while quieter in the morning, it did get louder in the afternoon.  It didn't seem as pervasive and annoying as in years past so maybe they are getting the message,  this is an art festival, not a rock concert.  If there are going to be that many vendor booths, it would be nice if TPTB would cut down on the number of artist booths.  Give the artists a chance to make more money instead of divvying up the pie into so many smaller pieces.  

Most of the artists I spoke with were having decent to wonderful shows.  I didn't necessarily see a lot of packages as we walked around but the size of the show means a lot of deliveries by artists or holding of the art till the patron is ready to leave.  (or you bring bags to the car and return to the show to buy more, cough, cough)

The weather could not have been more perfect. The crowds were gigantic, making it difficult to navigate but in the coolness, you didn't mind.  It made it so much easier to wander the mile long stretch of tents.

I met Allan Teger and he has some wonderful new photos.  He is the nicest man along with his enormous talent.  He has a book of 114 of his photos which is now sitting on my coffee table.  (Connie, he asked me to send along his regards to you)

This year, instead of the artist dinner,  the artists were invited to a gallery opening in the Grove.  Sort of like a busman's holiday and to me seems like an insult to the artists at the festival.  Most galleries don't offer seating so that means after spending most of the day on your feet, you get to stand up some more.  And this is just more buying competition for the artists who certainly have enough with all those booths at the show.  You have to wonder what the people running the festival were thinking, or were they thinking at all.

Top notch art and perfect weather made for a wonderful weekend.  I can only hope that the artists enjoyed it as much as I did.

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September 7 & 8  Lakeview Logo
Chicago, Illinois
Intersection of Broadway and Belmont
Sat. 10am-6pm; Sun. 10am-5pm
175 Artists
Deadline: March 1

The Lakeview East Festival of the Arts is Chicago's premier fine art and fine craft festival showcasing over 170 juried artists.  Lakeview  is located on the north side of Chicago, near Wrigley Field, north  Halsted and Lincoln Park in a very diverse, culturally rich 1073.jpg?width=225community with unique boutique stores, cafes and restaurants.

The Lakeview East Chamber of Commerce has hosted this event for the past seven years.  More than 40,000 attendees are expected to attend this year's festival.  The festival is set on Broadway Avenue just north of Belmont Avenue.

This festival has a strong marketing and media plan and hosts an annual artist reception.  Other amenities include artist reserved parking, Saturday night Artist Party, and a full breakfast served Saturday and Sunday.


Jury Fee: $20 Booth Fee: $425
Preferred payment method: www.paypal.com
Checks payable to:  Lakeview East Chamber of Commerce
EM Events


The event was founded in 2005 by the Lakeview East Chamber of Commerce. This festival is produced by the Chamber of Commerce with recruitment of artists from EM Events, an event planning company founded by Erin Melloy. 

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ARTIGRAS--SOME NEW AND OLD THOUGHTS

I saw the great post about Artigras and it got me thinking about the past.

I have done the show since the late 80's.

Originally, it was on RCA Victor Blvd. in West Palm Beach.

Then it moved to the PGA Gardens Mall, where it was the best it has ever been.  Everybody made money there.

Then, in 1994, the McArthur Foundation sold  a large parcel of land that was crucial for parking for the show.  Exit the Gardens Mall and Enter Abacoa.

The show has been there 19 years.  It is north of WPB and it attracts a different crowd then the Mall.

Our sales show that.

It is a paycheck.  That is all I can say.

The Grove isn't exactly as it was in its heyday.  So you takes your picks and live with the results.

So, I have done Abacoa 16 years.  The Mall, at least nine years, and RCA twice.

Which brings me to several humerous episodes from the old days at RCA.

Back then, Burt Reynolds and Loni Anderson were quite the item.

Him, being a good ol' boy from Jupiter; her being some fabulous  woman from another planet where certain body parts seemed to defy gravity.

They would always show up early the first day and do the Preview Stroll.

Burt would tip his hat.  He'd chuckle and make smart remarks about the art.  He let you know he was famous.  She, just let her body do the talking.

They have both been off the scene for years now.  My God!  Burt's Dinner Theater is gone now.

Which brings me to the real rationale of this whole silly blog.

Somebody has to entertain you because I don't see anybody else out here doing it.

So, one time at the RCA show this glitzy couple are walking the show and buying up a storm of art from jewelers and photographers.

Heard about them before they got to me.

Saw them well before they got to me.  It was hard to miss her with all the sunny reflections off her gold she was wearing.

This woman was good looking and well jeweled.  She had stones and gold everywhere.

As the Pink Floyd song said, "Shine on you crazy diamond."

The guy was dressed smartly in elegant black.  Nice hat, expensive belt and smart boots.

He was sure of himself.

Well, he had the good sense to buy about $750 of my images to hang in his yacht.

He pulled out his gold card and gave it to me.  Noticed he had a little of a southern drawl.

His voice sounded familiar, but I could not quite place it.

I looked down on the card and it said, "Jimmy Dean."

Well, sugar, it was ol' BIg Bad John himself.  This was years before he would be known as Mr. Sausage from Tennessee.

Impressed, I said," That sure is a famous name."

He looked me right in the eye and said, "Yep.  Had it all my life."

He walked out of my booth with a big chuckle.

That was probably the high point of my Artigras in the last 31 years ago.

Thought you might get a chuckle out of it.

Any of you care to share info about any famous faces you have sold to at shows?

Hope you liked the story.

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While we wait to hear the news about this year's show here are some great links to give a real feel of what this big event is all about. This was the 50th annual festival with the committee working year round to make each one better than the last. 380 artists were represented.

Here's a video from NBC News in Miami, an interview with Monty Trainer, the Festival's President: http://www.nbcmiami.com/video/#!/on-air/as-seen-on/Coconut-Grove-Arts-Festival/190704251

Here are more photos of shoppers for some ambiance:

coconutgrovedeadbar-thumb-560x420.jpg?width=200

http://www.miamiherald.com/2013/02/18/3241475/2013-coconut-grove-arts-festival.html

 

I like this link the best because it features the art giving you a nice overview of the quality of the art, including this mixed media retablo by Nicario Jimenez:

http://blogs.miaminewtimes.com/shortorder/2013/02/coconut_grove_arts_festival_food_art.php

 

In an adjacent property visitors could attend the St. Stephens Art Show, at the St. Stephens Episcopal  Church you could find another 160 artists, although its artist roster was heavier on local and regional artists than Coconut Grove. 

St. Stephens, plus photos: http://www.examiner.com/article/st-stephen-s-art-show-attracted-more-than-160-artists

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TOAE Logo

 

July 5, 6 & 7 

 Toronto, Ontario, Canada
Nathan Phillips Square
in the heart of Toronto on the City Hall Concourse
400 Artists

American Artists Welcome, Wanted & Winning at

Canada's largest juried outdoor art exhibition!

Apply at

www.torontooutdoorart.org

Application Deadline 
March 8th at midnight 
  • 3-days
  • 400 artists
  • 14 categories
  • 100,000 guests 
  • $22,000-30,000 in cash and prize awards
  • Award Winners Confirmed participation in annual award winner's exhibition
6a00e54fba8a738833017c36d2bb62970b-300wi?width=450               Now in its 52nd year, the Toronto Outdoor Art Exhibition [TOAE] is a juried showcase featuring contemporary fine art and craft that takes place annually on Nathan Phillips Square, every July.


As the largest juried outdoor art exhibition in Canada, TOAE offers a fresh-air alternative to conventional art shows and galleries. Hundreds of artists participate and an estimated 100,000 visitors attend the exhibition every year. Side by side, established artists, undiscovered talents and innovative students sell their work directly to the public and make lasting connections with art dealers and collectors.  

In 2012, the Toronto Outdoor Art Exhibition's award program presented over $22,000 in cash awards and prizes to participating artists.  

The Toronto Outdoor Art Exhibition is a charitable, non-profit organization supported by a group of volunteers active in the art and corporate communities. The exhibition is financed through registration fees, and by government, corporate and individual sponsors, enabling the TOAE to charge one of the lowest registration fees in North America. No percentage of the artists' sales is taken by the organizers.

Award Winning American artist

Bobby Rosenstock, wins "Best Of" Print Making TOAE Award

  

Here's what Bobby Rosenstock, said about his TOAE experience.

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"I  do a number of art fairs across the United States but the TOAE is by  far the best show I do. The quality of work by all of the participating  artists is extremely high and the organizers of the event are  professional and kind. 

I've made a number of connections in the Toronto area that have lead to sales and opportunities throughout the year. 

Winning the TOAE "Best Of" Printmaking award, confirmed a second opportunity for me by exhibiting in the "Best Of" TOAE Award winners exhibition. 

Given all this I am looking forward to returning this summer and getting to reconnect with fellow artists and buyers at the 53rd annual show."

Bobby Rosenstock; Award Winning Printmaker

 

We accept student and full time artists in 14 media categories.

Ceramics,  Digital Media, Drawing, Fiber, Glass, Illustration, Jewelry, Mixed  Media, Painting, Photography, Print Making, Sculpture, Watercolor and  Wood

 

Don't miss out, Apply now!

www.torontooutdoorart.org

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Artigras Art Festival Prizewinners

 — The 2013 ArtiGras Fine Arts Festival presented by Palm Beach Gardens Medical Center and produced by the Northern Palm Beach County Chamber of Commerce is proud to announce Don DonMcWhorterBestInShow_t607.jpg?width=300McWhorter of Carrollton, Ga., has won Best in Show for his work in ceramics.

“I am very flattered to be named Best in Show at ArtiGras,” said McWhorter, who has shown his ceramic work at 18 of the last 20 ArtiGras Fine Art Festivals. “The other artists here are just phenomenal, and I honored just to be in the same show as them, let alone win an award.”

Photo by Rebecca Seelig

The winners were selected by three judges who scored each artist and awarded a Best in Show and a first-place winner in each of the 14 categories. The following is a list of the artists who placed first in each category:

Don McWhorter, Ceramics, Best in Show, Carrollton, GA

Robin Rodgers, Ceramics, Tallahassee, FL

Edward Loedding, Digital Art, Brandon, VT

Flo Kemp, Drawing and Printmaking, Setauket, NY

Shelly Cox, Emerging Artists, Jupiter, FL

Jean Yao, Fiber-Nonwearable, Fort Lauderdale, FL

Leah Dziewit, Fiber - Wearable, Maple City, MI

Richard Ryan, Glass, Bourbonnais, IL

Michael Alexander, Jewelry, New York, NY

Vince Pompei, Metal, St. Petersburg, FL

B. Corey Johnson, Mixed Media, Royal Palm Beach, FL

Danny O'Driscoll, Painting, Batesburg, SC

Richard Auger, Photography, Summerfield, FL

Peter Rujuwa, Sculpture, Indianapolis, IN

Barrie Harding, Wood, Dunnellon, FL

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Sanibel-Captiva Rotary A&C Show (Feb 16-17, 2013)

(I reviewed this show in depth two years ago.  Much of the background information can be read here.)

One glance at the long line of show-goers queued up along Periwinkle Way waiting for the gates to open at the Sanibel Rotary show, and you couldn't help but feel a bit optimistic.  This show is worth doing, once, just to experience the crowds spilling into the Sanibel Community Center grounds at the opening bell.   For many of us, it was art show madness until well after lunchtime: this is a local show, attended by residents and vacationers who know it's coming every year, plan accordingly, and, for the most part, intend to buy if they like what they see.


Except for lulls on late Saturday afternoon (thanks to an approaching cold front, which squelched the attendance and buying energy a little after 3 PM) and Sunday morning (50-degree temps and chilly winds, plus the usual early-Sunday-morning malaise), the crowds kept comin'.  By the show's end I'd had my best sales of the season, by a significant amount. 

But that happy report comes with a disclaimer:  A wildlife/bird photographer, I shoot about half my images on this beautiful island, or within 20 minutes of it.  And Sanibel, which eschews big-box development in favor of sugar sand, shelling, and biking trails, draws nature lovers like nowhere else--especially those who can afford to pay for it.  So, on a weekend nearly perfect for an art show (mostly sunny, and cool enough to keep folks away from the beaches), I'd expect to do well here. 

And lots of other folks, did too!  But, as with most shows these days, not everyone did: my neighbor, a accomplished 2-D artist with sunny, bright semi-abstract paintings of birds and beach scenes, sold only a few reproductions.  Another neighbor, who sold beautiful copper wall hangings and copper/glass tables, covered his nut but didn't show much profit, and isn't sure he'll return.  One local photographer did quite well; another just made expenses.

The general impression I got was that folks who had done the show before did well; first-timers, maybe, not so much.  But I hope those of you who exhibited weigh in below with a comment on your experience. I didn't have much time to walk the show. 

The weather was both hero and villain.  The Saturday-afternoon cold front dropped temperatures about 15 degrees between 3 and 4 pm, and winds whipped through the area until mid-morning on Sunday.  Several tents (E-Z Ups and their ilk) were flipped overnight; just about everyone was nervous. But luckily, there was no rain.  Sunday, once the winds died down, was more beautiful show weather than anyone, including the weather forecasters, expected.

Overall, this is a well-organized, decent-quality show (with a couple hiccups), attended by locals and seasonal Sanibel renters... not weekend tourists who are looking for a beach, a bargain, and a bratwurst.  It may take a year or two to sell here, but if your work catches a wave, a home run is possible.  If it doesn't, it can be an expensive area to "miss" in...but hey, there are worse places to hang out for the weekend. 

Quick notes:

Jury/Booth Fee:  $35/$275, separate checks, both cashed on receipt.  (They promise a refund if you don't get in, but don't say by when.  Hate that.)

Entry fee for patrons: Yes ($4).  But this is Sanibel, hardly anyone would mind.


Setup/teardown:  Setup Fri., noon to 6 pm arrival time (gates closed at 6).  The truly strong-hearted (or light-loaded) could wait 'til early Saturday. A tight layout but access was well coordinated, if somewhat over-managed at times, by the Rotarians.  Parking was along the road just east of the show center, across busy Periwinkle Way, but the Rotary folks, aided by the local police during show hours, managed the traffic and logistics just fine.

Teardown started at 4 PM Sunday at show close. Again, well managed.  Nearly everyone was on the road by 6:15, despite the tight quarters. 


Artist amenities:  Awards (listed below); water, boothsitters available. Restrooms in the Community Center.

Marketing: They added a newly-designed website (very professional) and gave each artist their own web page featuring the works submitted to the jury.

Art donation request:  Yes, on Saturday morning.  But they weren't pushy about it. 

Bonus amenities:  A shipping service was advertised (courtesy of a local retailer, who touted the ability to ship to Canada, Germany, and the UK, whose citizens flock to the island).  But I found out on Sunday morning that they were a no-show. 

Other tips for artists: 

* There aren't any chain motels, chain shopping, or chain anything on Sanibel.  Best bet is to use Priceline, etc. and search in S. Fort Myers, only 15 minutes away from the show site.  Cheapest prices, such as they are this time of year, are along US 41 and in North Fort Myers, but it's a 35-minute ride, at best.  Trailer Parks are all off-island, according to the show organizers.

* There is a $6 toll to get from the mainland onto Sanibel (one way). Plan accordingly.

* The show takes place on fine-grained sand, so be prepared to dust and clean your work and your tent in the week after the show.  If it rains...even worse!

* There is ANOTHER show at the same venue one month later--run by the Sanibel-Captiva Lions.  Compared with this show, it's generally hotter, not quite as well attended (it's a Friday/Saturday event), juried to a lesser standard, and (although it's possible to have a gangbuster show) the Lions' show doesn't have the cachet that this one does.

AWARDS:

There were awards, though (the judge(s) must have been incognito.  I never saw 'em.)  All winners got ribbons and a free jury fee ($35 value) for next year's show.  1st, 2nd, and 3rd place winners got cash prizes ($300, 200, 100, respectively).

Two-Dimensional Art

1st Place  -- Katie Wilson
2nd Place -- Ronnie Phillips
3rd Place -- David Bruner
Honorable Mention:  Edgar Reims and Janet Searfoss


Three-Dimensional Art

1st Place  -- Kit Karbler
2nd Place -- Susan Livingston
3rd Place -- Russ Schmidt
Honorable Mention:  Ron Lemoine and Toby McGee


Creative Crafts

1st Place  -- Obayana Ajanaku
2nd Place -- Katie Gardinia
3rd Place -- William Greenwood
Honorable Mention:  Luc Century and Carol Clay

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I've done the State Street show in the past and the South University Show. I was greatly disappointed in my booth placement at both of those events in past years. Now I'm in the Original Street Fair in 2013 and I've been asked to select a booth location on one of the forms. Anyone out there have a recommendation? Or a warning to stay away from certain areas?

My choices are on the street on E. Washington (North side of the street is the only location that allows canopies), the street on North University or in Ingalls Mall. Looks like there is a stage in the mall. Could be noisy. Advice from those who have done this show in the past will be greatly appreciated!

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April 27 & 28 6a00e54fba8a738833017d3ecc36f8970c-150wi
Charlotte, North Carolina
Sugar Creek Greenway on Kings Drive
Saturday, 11am-8pm
Sunday, 11am-6pm
Presented by Festival in the Park
75 fine & emerging artists
Deadline: March 1

Since the fall of 1964, Festival in the Park has brought Charlotteans from all walks of life together to enjoy arts, crafts, music and family entertainment. With the mission of bringing the community together by celebrating the arts, the Festival Board is excited to broaden its reach and to announce a spring fine arts event, the Kings Drive Art Walk.

We invite you to participate in our spring event which will be held along the Little Sugar Creek Greenway, a newly reclaimed natural waterway between East Morehead Street and Pearle Street Bridge along Kings Drive. With a KDAW8%202011.jpg?width=275focus on fine and emerging artists, our new spring festival on this beautiful and easily accessible venue will become an annual fine arts outing!

Most importantly, the King's Drive section of the Little Sugar Creek Greenway is adjacent to some of Charlotte's most prestigious and affluent neighborhoods - with homeowners who appreciate and can afford fine are. We intend to target these neighborhoods with appropriate promotional materials.

What to expect:

  • All booth locations along a greenway; no "hidden" spaces
  • Short dolly-in for setup and teardown    IMG_0887.JPG
  • Advertising in social media, radio, local newspaper, area neighborhood magazines
  • free parking and 24-hour security
  • a vibrant local economy; artists at past 2 years of KDAW have been very happy with sales
  • sponsoring partners are the Arts & Science Council, Metropolitan, CBS Radio stations and others
  • 2012 attendance was 25,000


          Jury/Booth Fees: $25/$250
electricity available for an additional $25.

More information: www.FESTIVALinthePARK.org

Where to get the application
http://www.festivalinthepark.org/kingsdrive.asp

Julie Austin has been the executive director since November 1998 and her father started the Festival in the Park in 1964.

Contact information: Julie Whitney Austin, 704.338.1060

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Call for Artists: Midsummer Arts Faire

 midsummerJune 28-30
Quincy, Illinois
Washington Park, 5th & Maine St. in the Historic Quincy Business District
Fri. 5-9; Sat. 10-5; Sun. 11-4
50-55 exhibitors
Deadline: February 27 (postmarked)

Celebrating 10 years of the biggest arts weekend in the tri-state area, the Midsummer Arts Faire (MAF) continues to grow and thrive in a community and region where patrons show their appreciation for art and artists. Because of strong financial support within the community that MAF is able to market the event to a tri-state region that includes over 600,000 people within 75 miles.

MAF is located in a beautiful shady park in the heart of our vibrant downtown. Easy access and flow to and within the park directs patrons into the 50 plus artists booths comfortably situated within generous 10'x10' spaces. Complementing the sale of fine art is free hands-on art activities, a local food court, and top-notch entertainment,   1201.jpg?width=300 including a very popular Blues in the District concert event on Friday night that brings  in the crowds. Business and organization partners throughout the community help us celebrate MAF weekend with many art-related events and activities to attract and keep visitors all weekend long.

Many of our artists have so enjoyed the atmosphere, community, volunteers and sales that they continue to apply each year and MAF is blessed to have a healthy mix of new and returning artists. Artist exit surveys each year praise our volunteers for the excellent service and hospitality provided to our artists - we go above and beyond! WE LOVE ARTISTS!

FOR THE ARTISTS:

  • Over $5,000 in awards including $1,000 Best of Show Purchase Award
  • $10 Application Fee, $100 Booth Fee
  • Convenient, drive-up set up/tear down
  • Above & Beyond Hospitality including water service, booth sitting & more!
  • FREE Artist Awards Dinner Saturday night
  • Full-color event program including artist representative image, contact information & booth number
  • FREE parking, WIFI & electricity
  • Extensive multimedia marketing & public relations efforts including website, print, tv, radio & more!
Application available: www.artsfaire.org
For more info: 217-779-2285 or info@artsfaire.org

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Still looking for the perfect shows for your 2013 Season? www.CallsforArtists.com.

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Downtown Sarasota, AKA the big one

There are many art shows in this area, at least one every weekend but this is the show residents and visitors wait all year for. This long running Howard Alan event brings out huge crowds looking to buy art to adorne their homes or themselves.

This year was a return to the good old days, massive crowds, people 3 & 4 deep waiting to purchase my jewelry, no one asking for my "best price" and buying energy I haven't seen for quite some time. The sales just keep coming, I and my neighbors were doing the happy dance.

At 2:00 on Saturday afternoon mother nature reared her ugly head and a front came through bringing with it a little rain, cold and VERY high winds. The tents were rocking and in some cases rolling and a few people were still shopping, but nothing like before. My section was particularly hard hit by the wind so much so that a glass artist with an easy up took down his tent leaving his back door neighbor exposed to the full force of the wind. If it hadn't been for the assistance of his neighbors his improperly weighted tent would have gone sailing. By 5:00 the winds had subsided enough that I felt comfortable going home. Overnight the winds came roaring back so I got to show site early afraid of what I might find. When I arrived at 7:00 Howard was already there assesing damage, calling affected artists and helping with clean up when possible. My craft hut survived because I had brought extra weights but my neighbors improperly weighted tent had walked 6 foot out and was resting on my tent (no damage). WEIGHT YOU TENTS, your neighbors will appreciate it. Due to the assistance of Howard and his support staff to my knowledge no one had to leave because of tent damage.

Sunday morning dawned sunny and beautiful all be it very cold by Florida standards and while the crowds were respectable they lacked the magnitude of the prior day. I still saw many pieces of art walking by that had found new homes.

This is always a very good show for me and despite the trying weather my sales were still 20% up over last year

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(Originally posted in February but it accidentally deleted by me.  Re-posted to archive the review)

This weekend was the Locals Art Show in Marathon.  It is affectionately referred to as Pigeon Poop.  For the last nine years it has been the same weekend as the venerable Pigeon Key Art Festival.

Pigeon Key was established as a fundraiser show to help support the preservation and promotion of the historical site on Pigeon Key and to promote the cultural history of the Florida Keys.  It is very competitive with about 70 well-recognized national artists juried in each year out of nearly 400 applications.

The local artists in the Keys said “what about us?” and decided to start a “Locals Art Show” that, in the words of the organizers would “share rather than compete for customers with the Pigeon Key Show”.  Pigeon Poop was born. 

About 60 artists/crafters are “invited” to participate and the jury process is not particularly formal.  Most of the artists are, indeed, local to the Keys and southern Florida.  An effort is made to get good balance across media.

Staci has done this show for the last four years.  It couldn’t be easier.  Our boat is docked less than a mile from the venue (the parking lot at the Winn Dixie Shopping Center in Marathon) so this really is a local show for us.

Set-up starts Friday around 2PM.  You back the van up to your spot and can set up out of the van rather than having to unload and park.

Heavy tent weights are always necessary in the Keys because it almost always howls in February.  Over the past few years, we’ve seen more than one E-Z UP take to the skies.

While the show doesn’t officially start until 10AM Saturday, most booths are open by 9AM.  The location is right on US 1 and has great visibility.  Tourists on the way to Key West see the tents and slam on the brakes and take a look before heading west.

The quality is, for the most part pretty decent.  Carroll Swayze’s unbelievably beautiful paintings and etchings were on display.  So too, were stunning acrylics by Terry Peddle Corcoran out of Little Torch Key.  There was also hand painted silk scarves and beautiful jewelry (but not too many jewelers), and, of course, some fine fiber art and décor courtesy of Staci.

This is not to suggest there weren’t clunkers – a vender of aprons with tacky even-for the-Keys “slogans”, among a few others. But hey, this wouldn’t be the Keys without them.

This show is more about the ragtag Keys artist (and I’m mean absolutely nothing negative by this) than it is the refined Beaux Arts' crowd (and I’m mean absolutely nothing negative by this).   This is the kind of show that would attract a guy like Serge Storms (look him up) but Geri Wegner might also find a thing or two that captures her eye.

It’s about balance and understanding the strange world that is the Florida Keys.  Lois Songer gets it with her wonderful Key West shows.  There are serious buyers/collectors but there are also Cruise Ship visitors.  Pigeon Poop gets it too.

There are some things to dislike – the seemingly larger number of artists who smoke at this show than others we do and who think it’s okay to stand right behind the booth and puff away.  The dirt and the dust that swirl through the air in those howling winds makes for a lot of dusting.

But really, what’s not to like about a show that closes at 5PM and where you can be on the back deck of your boat at 5:15 watching the sunset with a glass of delicious white burgundy while eating some Dion’s fried chicken that you picked up from the Citgo gas station on the way home.  (You really need to try this chicken to know what I’m talking about.)

Success here, for us, is anything over $1000.  Two years ago we did almost $1,500.  This show only makes sense if you are, indeed, local or if you capture that lightening-in-the-bottle patron who can make a whole weekend with one large canvas purchase.  Don’t come here if you need to make $4-5,000 to make it worth the trip.  I think you’ll be disappointed.

This year, the Pigeon pooped on us.  We finished the weekend at about $510.  Our neighbors complained as well.  Everyone we spoke to said that they were down about 50% from previous years.  What went wrong?

The evidence here is anecdotal and I’d love for a Pigeon Key artist to chime in to provide that perspective. 

As I said at the outset, the Pigeon Poop show has always been the same weekend as Pigeon Key. Pigeon Key is a destination show that draws patrons from the upper Keys and Miami and beyond and from Key West.  The quality is uniformly high and attracts the serious buyer.

In talking to customers we always found that the Pigeon Key patrons had the attitude that if they were in Marathon for one show (that costs $8 to get into) why not also go to the one just down the road that is free?  Lots of these folks told us they liked the variety at Pigeon Poop better as well.  Some complained about too many jewelers at Pigeon Key.

So, not only were we selling to the locals and the drive-by tourist, we were selling to the Pigeon Key crowd.

For nine years, all was well.  This year, Pigeon Key pulled a last-minute date change.  (So last minute that we heard of one artist who had no idea the dates had changed.)  They moved the show to the weekend of the February 23-24 (the same dates as Lois’s Old Island Days in Key West).

Was the old switcheroo designed to prevent the patrons from siphoning off to Poop?  That’s the prevailing theory among the Poop artists. 

The destination patrons were not in town this weekend.  It was the locals and the tourists only and sales suffered.

Some will say this is a manifestation of the too many shows syndrome and if I didn’t know the background of these two shows I would probably agree.  However, the nature of Poop, when compared to Key, is such that they shouldn’t threaten each other; they should complement as they did for nine years.

As long as we spend winters based in Marathon, we’ll continue to do the Pigeon Poop show – it’s too easy not to. But our expectations will need to be lowered if Pigeon Key continues to opt for a different weekend.

 

 

 

 

 

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Call for Artists: Park City Art Festival

August 2-4Park City
Park City, Utah
Presented by the Kimball Art Center

Deadline: March 1 New Deadline: March 8
220 artists

 

The  44th  Annual Park City Kimball Arts Festival will be held August 2-4.  Each year, the first full weekend in August, 220 juror-selected  artists  in 12 media categories fill Historic Park City Main Street  attracting  over 55,000 attendees from 41 states and Canada to experience this  multi-sensory Festival.

The Festival showcases and promotes:

  • visual arts
  • live art demonstrations
  • diverse musical performances on multiple stages
  • a kids art area
  • art-focused films
  • and the incredible cuisine of Park City through the Festival's Taste of Art program

8869103100?profile=originalPlease  apply  to participate in The Park City Kimball Arts Festival which is  one of  the longest running and largest arts festivals in the Western  United  States and serves as the nonprofit Kimball Art Center's  primary  fundraiser.

Learn more about our show: www.kimballartcenter.org

Artists may apply at www.zapplication.org.

   

PLEASE JOIN US!  Application fee: $35

 

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Find more art shows for your 2013 schedule: www.CallsforArtists.com

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