All Posts (7723)

Sort by

HISTORIC BREAKTHROUGH

8869106661?profile=original

  Photo by Kim Fulwiler

                                               OUR HERO!!
  I can't describe the thrill of being able to announce that RC Fulwiler, the Chuck Yeager of photography,  has broken the CANVAS barrier by taking a first place award for photography at the Fairhope, Alabama show last weekend.  The reason I’m reporting this is that I know RC, like most other photographers, is too modest to brag.  This, however, is a report that needs reporting.      
   Guys and gals with photography on canvas at the shows know all about the glass ceiling when it comes to awards.  Although it’s not official policy, photographers who show on canvas have not been eligible for  those  awards.  It’s simply been a tacit policy among art show judges.  A photographer  can get awards for digital  fotos on aluminum, titanium, bronze, pewter, and maybe even particle board if the subject matter is right.
     But canvas?  Noooo.  
     Until now.  
Way to go, Rich.  One thing about awards, however.  When you get one, sales suck, don't they?    

Read more…
Bedford Barrow Logo

 

May 18
20th Annual BBC Fair in the Village

Manhattan, New York

Located in the heart of Greenwich Village (West Village)

on the Bedford, Barrow, Commerce Streets
175 Artists 

Deadline: May 3

The BBC is pleased to invite fine artists and fine crafts people to apply to their 2013 Spring Fine Art and Fine Craft Show.  This annual event is eagerly looked forward to by the whole tri-state area. 

What to expect:

  • This show draws over 15,000 attendees.  
  • We have wonderful, professional fine artist and fine crafters, plus a gourmet food section.  
  • In addition we have live music.  The food and music sections are separate from the exhibitors so that people can have a wonderful meal and dance, and is far enough away to only enhance the shopping experience and adds a wonderful background ambiance.  
  • This is the first year we are listing the show nationally to encourage exhibitors from outside the tri-state area to participate.
Always wanted to exhibit in NYC? Here's your chance for fun and profit to show your work in the world's art mecca! Apply today.


Application: www.entrythingy.com
For more info: www.bbcblockassociation.com

Read more…
May 25 & 26
OjaiArt in the Park logo

Ojai, California

Libbey Park, Downtown Ojai
10am-5pm
Limited to 90 Fine Art Exhibitors
$1,300 Prize Awards
Deadline: March 29

Join us in Shangri-La! 

The 36th Annual Art in the Park is taking place Memorial Day weekend and we'd love for you to join us for this two-day juried fine art show.

Art in the Park is the annual fundraiser for The Ojai Art Center, the oldest multipurpose, non-profit art center in California.  The event helps the Ojai Art Center fulfill its mission:  To support and advance the interest of the arts in the community.  It is held in beautiful Libbey Park, downtown Ojai, California, which is often referred to as Shangra-La for it's idyllic beauty, artistic flavor and spiritual roots.

2012 1st place Carina Mascaeli
2012-1st Place Winner- Carina Mascaeli


Accepted categories:  oil, acrylic, pastel, watercolor, glass, wood, photography, sculpture, ceramics, fine jewelry, and mixed media.

Prizes include:

  • $500 for the Best of show
  • $300 for the Award of Excellence
  • $200 for the Award of Distinction
  • $100 each for three Honorable Mentions
  • Special High School Student Art Awards are also available.


Make your plans now to take part in the traditional opening weekend of summer.  Enjoy the beautiful, casual surroundings and mingle with patrons from all over the country who visit Ojai on Memorial Day Weekend.  We draw between 3,000-5,000 art patrons.

For artist applications or further information about Art in the Park, call (805)646-0117, email: ojaiartcenter@aol.com or go to the Art in the Park page online.

Get a good look at our 2012 show at this YouTube.com link.

Teri Mettala
~~~~~~~~~~~~~~~~~~~~~
Find more art fairs looking for you: www.CallsforArtists.com
Read more…

March 21, 2 pm ET8869098685?profile=original

New art fairs are necessary for the evolution of the art fair business because artists need new markets and even reliable shows sometimes don't continue to thrive.

We speak with 4 show directors who are developing events for their communities:

  • Rae Marie Schneider and Kim House, St. John's River Festival of the Arts in Sanford, FL, had solid community participation at their inaugural show in 2012. They'll talk about how they did it and their plans for 2013.
  • Dennis Gorg, a 10 year veteran of outdoor events is hosting a new show in St. Louis in June, the MidTown Taste ART FAIR. We'll learn how he brings his experience to bear on a new neighborhood and a new show.
  • Tim Reilly, is the director of The Cotton South Fine Art Festival in Madison, GA, debuting in September 2013. Still in the throes of filling his show, raising money and working with sponsors, we'll hear how a new director makes his plans.

This show will be full of information for everyone thinking of starting a show with ideas for new show directors and will fill in the nuts and bolts of show development for artists as well who wonder where their application and booth fees go.

Established event promoters will enjoy the creative ideas that these people pull together to make their events a success for everyone involved.

Click the link to listen and call in to speak with the host (805) 243-1338.

Read more…

Fairhope 2013

Thought I'd give my 2 cents to this festival being a newbie to the show. IMy booth was right at the end of the chamber part and the beginning of the Arts center show, yes there is two different events butted up to each other. Very interesting talking to artist on both sides you seem to get a lot of different reasons for why who has choosen the show their in. I still didn't see the difference other than the way the booth layout was. On the chamber side all the artist had a corner so that was pretty cool not to have to pay a extra fee for that.

 

Loadin you had to wait until 6 the police cleared the streets from 5 until you could bring your vehicle in to unload. In theory one was to unload move your vehicle and then setup no body did that but you had plenty of space to setup.

 

It's a 3 day event on Friday lots of artist I talked to did very well I DID NOT, but it was the local or returning vendors that seemed to do well. I made the same amount all three days I did cover my expenses and put a few dollars in my pocket. I didn't see many folks carrying big paintings around or a lot of bags, the wood carver and potter to my right had a very good show both took in several thousand. I sold a lot of matted small prints nothing over $100.00 no orginals thought a few times I had one in the bag only to fall short. Crowds on all three days were pretty large with that said it left a few of us 2D artist scratching our heads why the low sells compared to the amount of people. There was enough interest in my work and with the amount of print sold I'll give this one another try. The Chamber of Fairhope are extremely friendly plus the fact it's a pretty nice area of Alabama to be in anyway. It does have a award dinner on Friday night "VERY GOOD" I may add.

Load out was about the same as loadin with no help I was out and on the road in about a hour.

If you do get into this event and not done the show before you'll have to purchase a business license to display your work, it's cost $32.00 on top of your application and booth fee. Food for thought.

 

Later, Mike

 

http://www.mikebrownstudio.com/

Read more…

Winter Park Delivers Again

For one thing, the weather at the Winter Park Art Fair couldn't have been better. 60s with no wind for setup on Thursday, 70s and no wind on Friday, low 80s, and again, no wind, on Saturday and Sunday. Perfect art fair weather. If there was a downside, it would be the dry conditions that caused a lot of dust in the air and coating all the artwork. But I'll take dust over rain any day.Construction along the train tracks disrupted the load in procedure, but the committee was on it, with structured load in and load out schedules that seemed to work very well. We waited in the designated artist parking lot for about 20 minutes until a space opened up near our booth. We unloaded at about 2pm and started to set up. Earlier scheduled set up times were asked to move their vehicles out after unloading, but, since we were in the last set up period we were able to keep our trailer in the street opposite our booth for the duration. That gave us the luxury of packing empty boxes into the trailer as we hung artwork.For the most part, booth sizes are very generous at Winter Park... Especially in the park. The booths on Park Street have a little less space but are still ample at about 12 foot wide. In the park booths are set up along winding concrete and brick paths, but with some set up along mulch paths. The mulch paths were probably the least desirable and most prone to dust. Our booth way at the intersection of the sidewalk along Park Avenue and a brick pathway winding into the park. Tons of room, and access to my booth from both the path and the sidewalk,,, very luxurious. Most artists had lots of room to spread out and a large number were able to exhibit on side walls as well.People come out and support this long running show in droves. And they save their art fair purchases for Winter Park because of the high quality of art on display. I believe 1200 artists applied to this show, but only around 225 were accepted. It's an excellent field of high quality work.This was our third time exhibiting and our sales have been increasing every year. Friday sales were the lightest at $775 (but I also had a$100 sale during setup on Thursday), Saturday our sales doubled, and Sunday they doubled again. We grossed just under $5600 for the weekend, about a 20% increase over last year.There is big prize money at this show... Over $50K. Lots of artists won prizes and I was disappointed that I was not one of them. But, I know how subjective the judging process can be (having judged a few shows myself). My only suggestion to all shows is that they consider bringing in a judge or two with some experience with new media. I'm a digital artist and there were three or four other digital artists exhibiting some really impressive work. None of us were recognized in the awards. Although shows are reluctantly admitting us digital artists into their shows, the judges they bring in are more often than not experienced in traditional media, and can't see the value of the computer as a creative tool. With the majority of art students these days embracing digital media, it would seem like shows should recruit from this highly creative pool of talent. As the art fair artists continue to age, we need more young blood on the art fair streets, and some new ideas and new media.Anyway, this was a very good show for me, but, like all shows, some artists did well, and some didn't. We did Gasparilla a couple weeks ago and did pretty well, so our Florida trip is looking a lot better than last year when I did seven shows, mostly in the saturated south Florida market. I'll fly home to Michigan for a month ( leaving my rig in a friend's boat yard), then fly back for Mainsail in St. Pete in April before driving the rig back north for the spring and summer shows.
Read more…

August 10 & 11  ShelbyTownshipLogo
Shelby Township, Michigan
Shelby Township Municipal Grounds
Sat. 10am-5pm; Sun. 10am-4pm
Deadline: April 1

Since its humble beginning in 1983 the Shelby Township Art Fair has become an annual event that many look forward to visiting.  It has grown to be a favorite for those looking for a great family outing and a wonderful venue to find that special piece for their home or themselves.  The Shelby Township Art Fair Committee invites artists from near and far and Michigan based businesses to exhibit at its 30th Annual Art Fair.

ARTISTS and FINE CRAFTERS that create works in paint, wood, glass, clay, metal, photography, jewelry, fibers, and more are being sought to exhibit. This is a juried fair where buy/sell products are not permitted.

MICHIGAN-BASED BUSINESSES that make items for visitors to purchase and take with them are invited to apply to exhibit and sell their products in the area designated for Michigan Made Products. This was a new feature at the Art Fair in 2012 that was met with very positive feedback from the participating businesses and by the visitors to the fair.

Artist & Michigan Made Products Vendor Features:

  • Juried fair limited to 100 artists and 30 Michigan based businesses
  • Spacious grassy 15'x15' exhibit areas
  • Reasonable jury/booth fees-Artists $10/$140- MI Made $10/$50
  • Sponsor provided cash awards for juried art
  • Friendly, helpful, organized staff; easy load-in & load-out
  • Free parking available close to exhibit areas; overnight security on grounds
  • Attendance was approximately 10,000 in 2012
  • No commission taken on sales-artists and vendors are responsible for their own 6% sales tax
  • Advertising in local and regional publications, on-line, through social media, television and radio announcements, e-mail and Node blasts, flyers, banners and signs throughout the community, and through other promotional venues

             Shelby2 Shelby5

APPLICATIONS:  www.shelbytwp.org/departments 

Questions or concerns regarding support of the Art Fair can be addressed by contacting Committee Secretary Pam Reinhardt at the Shelby Parks, Recreation and Maintenance Department by phone at (586)731-0300 or (586)803-2087, or via e-mail at preinhardt@shelbytwp.org

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Find even more art fairs looking for artists: www.CallsforArtists.com

Read more…

ABE buyers

August 30-September 2 

Royal Oak, Michigan 

Downtown Streets
145 Artists 

Deadline: March 31  

 

We  invite you to apply to Ford Arts, Beats & Eats in downtown Royal Oak, MI, on Labor Day weekend.  As we  light up the candles for our 16th birthday, the event  promises to be an exciting one, celebrating the end of summer in metro  Detroit.     

Happy buyers at ABE

 

We play host to over 400,000 visitors who come to enjoy the  amazing diversity of art, music and food in a cool urban setting.  Ford  Arts, Beats & Eats is held in Oakland County, which is the  third-wealthiest county in the nation, containing cities such as  Birmingham, Bloomfield Hills and Rochester.

 


The 145 artists chosen to participate come from across the country to join our celebration. Being an art fair artist is a demanding business.  A  professional staff awaits your arrival and we look
6a00e54fba8a738833016300294f08970d-pi
People love this festival

forward to welcoming  you with perks such as:
  • vigorous friendly volunteers
  • drive to your booth for set up and take down  
  • cash awards
  • free food tickets   
  • personal attention to particular  needs. Tell us what you need, we're here to serve.

          

Based  on the feedback of our artists, many changes were made after the 2011  festival.  We revised the layout and reduced the number of artists,  among other enhancements, leading to positive reviews and more  consistent sales in 2012.

  

Our  promotion, guaranteed by generous media sponsor support, is considered  among the best of art festivals nationwide.  You cannot be in the  metropolitan Detroit area on Labor Day weekend without seeing specials  about the arts activities on television, hearing artists' interviews on  numerous radio stations and seeing comprehensive feature articles in the  press, directed solely to the juried fine arts show.    
6a00e54fba8a738833016303902734970d-pi
Barry Bernstein & collector at ABE

We  know you are aware of the challenging economic times throughout the  nation and in Michigan, but we want to reassure you that we are committed to meeting your needs and bringing you the audience you deserve.  Our many thanks to the fine artists who have helped keep this vibrant festival going.  We appreciate your support and look forward to sharing our Sweet 16th celebration with you.

   Questions? lisa@artsbeatseats.com

            or  donna@artsbeatseats.com  

Read more…

The 2nd annual Detroit River ArtScape, with more than $15,000 in cash awards, will be held on the 8869104292?profile=originalDetroit riverfront, June 14-23, 2013, culminating with the very successful Detroit River Days festival, June 21-23.  

  • In its second year, 15 artists will be selected to showcase their large, weather-worthy pieces, and win cash prizes of more than $15,000.
  • The purpose of the event is to promote arts and culture in Detroit and to showcase the Detroit riverfront.
  • The attraction is intended to raise the already renowned quality of programming and culture at River Days, as well as to promote the Arts to the Metro Detroit community and specifically to the 100,000 plus people who attend the River Days festival.

The 15 finalists of the Detroit River ArtScape competition will be invited by the Detroit RiverFront Conservancy to display their selected large, prize-winning artwork, before and during the River Days Festival.  These award winners will have the additional opportunity to be selected for the People’s Choice First Prize Award of $2,000. No fee to exhibit, $20 application fee.

Learn more: www.juriedartservices.com

Read more…

Addendum to Issues with Credit Card Issues!

PLEASE NOTE:

1) In my response of 3 hours ago I need to correct a detail I incorrectly mentioned there - that the helpful response to my problem came from Woodforest National Bank (1-800-327-0093) not 1st NB, who acts as their agent - no wonder they were surprisingly pleasant!  

2) If you have a wireless terminal there is a $35 reconnect fee each time, when using it "seasonally" as explained in my earlier post. Make sure to discuss all these angles with Customer Support... after 3 calls to different people on different days there may be a clear picture & consistency of facts? Apply these to your situation regarding months you need to process cards & whether you have wireless or not. Hopefully we do not all come out on the losing end...

Read more…

March 23 & 24

DelandLogoDeland, Florida 

 

Earl Brown Park
Saturday - 9am-5pm
Sunday - 10am-4pm
225 exhibitors
Deadline: March 15

This festival, which will celebrate its 48th year of continuous operation in 2013, has become a city-wide tradition for generations of residents in and around DeLand. Home to Stetson University, DeLand boasts an art-savvy public that embraces the event as their "hometown" show. Separation of fine art and craft from traditional art and craft insures an interested public visiting each section. Extensive media campaign and public relations support reach beyond the immediate market. Many artists and crafters return every year.

DeLand
Highlights:
  • Long history of excellent community support
  • $5,600 in cash awards; $1,500 Best in Show, plus Spectator Awards voted on by showgoers
  • Limited to 95 Fine arts and crafts exhibitors  and 77 traditional artists and crafters   
  • No application/jury fee; Booth Fees: Fine art and craft: $150 ($135 to Jan. 1, 2012);Traditional art and craft: $125 ($110 to Jan. 1, 2012)   
  • Artists amenities: restrooms, continental breakfast, reserved on-site parking, booth sitters, 24 hour security
  • Estimated attendance: 10,000+
  • Extensive advertising and marketing: television, radio, newspapers, magazines
  • Friday setup; Short dolly or carry in to booth space
  • DOAF has adopted the Atlanta/Maitland Scoring System. Artists work will be judged on their Originality, Presentation & Execution. Artwork no longer leaves the artists booth.  
363.jpg?width=165

For more details, downloadable artist's prospectus and application visit: www.DelandOutdoorArtFest.com
Questions? Email delandoutdoorartfestival@cfl.rr.com
You may also contact: Anna Pascoe, 386-734-3243
Email inquiries to: Patty Clausen
delandoutdoorartfestival@cfl.rr.com


***********************
Filling out your 2013 art fair schedule? Help is on the way:
Read more…

1283.jpg?width=500"Hearsay" - drawing by C. L. Cunningham


Anticipation runs high for artists as they head into the nation's top art shows. It is "show time!" All the studio work and creative time is about to be unveiled and shared. C.L. Cunningham says she likens it to a fine dinner party. The show organizers, the volunteers, the sponsors, everyone comes together to establish the atmosphere, set the table, polish the silver, extend the invitations and then the artists present the banquet! 

Cunningham's mixed media drawings are a mix of 28 materials that include watercolor, pastel, india ink, gouache, iridescent pastel, crushed and pulverized glass and school chalk applied to handmade watercolor paper. Her retro imagery is a slice of life, catching the light and shadow that enraptures the viewer and brings her collectors asking for more.

Learn more about C. L. Cunningham and her work: www.artfaircalendar.com/art_fair/featured-artist.html

Meet her March 15-17 at the Winter Park (Florida) Sidewalk Art Festival, www.wpsaf.org.

Read more…

Zapp rolls out their new look!

Have you seen Zapps new look? Essentially it contains all the old gizmos with a new look (not bad overall) plus a few more new tricks. I just reviewed an application I was holding on to and found when you go to arrange your images they have a new "drag and drop" feature. It takes some maneuvering to get the images to split if you want to drag an image in between two others. Just like the "old" Zapp, if you go back to review an application your image order is all scrambled up so check carefully!

How about check-out!

8869104072?profile=original

Did yah Notice 3. where it says, "click the "Checkout" button"? I challenge you to find a "checkout button" it isn't there. You have to click the "Review Cart" button which then takes you to the usual window with the Paypal option, etc. I sent off a quick note about this issue to them and they got back to me immediately saying, "We appreciate you bringing this issue to our attention. We are in the process of correcting this." I appreciate their responsiveness!

Finally, although my initial look was only superficial, when you review "My Zapplications" I don't know if it's my old eyes or just a bad choice of colors. I remember when I was in Graphic Design school one of the cardinal rules about type style and color was "if you can't read it, it isn't functional". No problem with the type style probably just Helvetica but the light green for a heading? Not my first choice for readability.

Okay, so I've started the ball rolling...any other oops or applause?

Read more…

Naples National

It was with great dismay that I heard about the Naples National volunteer who was encouraging patrons at the gate to " the artists are all hard up, come back Sunday and get a deal".  It is a shame that the thoughtless words of one person could have a devastating effect on the lives of the artists.  Rather than be credited for their heroic effects, braving all wind, weather and economical conditions to sell their work, they face being demeaned and treated as lowly carnival acts. 

Artists have families, children, mortgages and jobs.  Being an artist is a job, a real one, just like any other profession.  No better no worse.  It's an honorable living using God's gift.  Instead of being given proper respect as with any other trained person, it seems lately we are used and abused beyond belief.  We are always the first people to be called upon for any charity act.  Donate.  Donate.  Donate.  Or to be used as entertainment, depending on us to at least be of interest for a stroll down the street or a walk in the park. 

The artists have to literally go to war to get a fair shake.  They fight through the jury process, they fight to pay the exceedingly and ever increasing ridiculous booth fees, while the organizations keep adding more booth spaces to increase their profits while diluting the sales of the artists in the process.  They create silent auctions based on donations from the artists.  Every sale in the auction booth is one less sale that could have happened for the artists.  It's become quite obvious the organizations don't care about the artists. 

If organizations cared about the artists, they would consider the times and decrease the booth fees.  If they cared about the artists, they would stop doing silent auctions and pre-show auctions and turn their focus to what they are really SUPPOSED to be be doing, which is supporting creativity and the arts in general.  It has become all about the dollar.  Guess what....artists are quitting right and left.  They are sick of it.  Sick of all the shenanigans and hoops they have to jump through just to put food on the table. 

If organizations cared about local artists, they would stop using them as fillers in the national shows.  Putting local artists straight to the wait list, waiting to see who was a "no-show" and plugging a local artist into that spot at the last minute is a slap in the face to the artist and nothing more than a way to double sell the booth space.  Instead of $500 for the space, they gained $1,000 knowing that the local artist is anxious to fill that space. 

It's about time someone in charge got a reality check.  Street shows are a hard way to make a living.  Driving long distances, staying in motels, getting up at 4am, setting up in the dark, many artists with no helpers, facing extreme weather, knowing there is no refund and then presenting oneself to the public with one's creations, only to hear....."they're really hard up, come back Sunday when they are desperate". 

Patsy Reeves

Naples, Fl.

Read more…

I am a professional artist that attended the Naples National Show as a patron a few weeks back.

I do fine art festivals for a living. Upon entering the festival, as I was giving my donation, the woman taking the money and giving out the stickers said to me, without me asking so much as how are you, "I'll tell you a little secret. Come back tomorrow if you're looking for a great bargain. The artists are desperate to sell because they don't want to have to haul their artwork around anymore. Believe me it works, I've done it!" Not only was this said to me, but as I entered the show, I overheard her saying it to the next group behing me.

I was/am incredibly offended by this. Not only was this woman chosen as the first point of contact to represent the show, but right upon entry, without my even asking for "secrets" she's advising people to barter with us hard-working artists simply based on her skewed belief that we would rather not be paid fairly for our artwork than have to handle it again. We're "desperate" in fact. Also, it was Saturday morning. She was turning patrons away from purchasing that day. Most artists need strong sales both days to make costs/profit for a high end show such as this one.

This was very disappointing, because I drove an hour from Cape Coral expecting to enjoy what I have heard to be a quality event, run by an artist-friendly organization who claims to support arts/artists. To be greeted by this upsetting statement was unacceptable and needs to be addressed.

Hopefully this has brought some awareness or sparked some dialogue about the relationship/communication between show representatives and art festival patrons. We trust them to represent us in a favorable light, and encourage adding value to us and our work, not taking it away by broadcasting that we are desperate, easy to sneak a deal out of and well. lazy.

Thank you for your time.

Read more…

Well maybe not entirely but I would like to relate an experience that I had with my credit card merchant account. A few years ago I decided that it was probably in my best interest, and in the interest and convenience for people that wanted to purchase my work, to finally break down and sign up for a credit card merchant account. Up till then I was doing no more than 5 and maybe up to 10 shows a year. I didn't have any problems with sales not involving a credit card as people came to the shows either with cash or a handy checkbook and an ATM, at least at the shows I was doing then, was always nearby. It wasn't an inconvenience as people understood when I explained why I didn't take credit cards; not enough shows to warrant it at the time.

Fast forward a few years and I felt it would be in my best interest to up my game and begin to accept credit cards. I did what I felt was thorough, though not exhaustive, research on the different companies that were willing to support a weekend warrior/artist. The costs just for monthly statements ranged from $7 on up. The discount rates, as we all know, varied greatly as well. I called 1st National Processing and was given what I felt at the time was a reasonable program. They sent me a Nurit 8000 set up with a "store-and-forward" program. My statements were only $7 at the time and the discount rates were among the lowest as well.

November of that same year rolls by and I'm hit with $129 for a PCI fee! What the heck is that!? I call 1st National and am told that it is the annual indemnity fee for my account. Didn't know about that one! Basically, if someone gets hold of my account and finds credit card numbers stored on my machine, which it was set to delete anyway, I would be liable for any problems associated with it. I didn't want that! Water under the bridge, life goes on, lesson learned, I suck it up.

Soon I noticed that my $7 a month Merchant Account Statement had grown another fee. An additional $4 "Regulatory Fee" was being appropriated from my check book per month. "Enough of this", I thought. Besides which I was beginning to experiment with Square and was thinking of migrating over to them anyway. The "Store-and-Forward" system was beginning to make me nervous. What if something went wrong and I lost an entire days receipts? Before I tossed the whole previous system out however I saw the ad (like the one blinking at me now from the sidebar) for  "FREE" Credit Card Processing. I called them up and was satisfied with what I was told. Indeed, they said, there would be no fees accept those associated with the cards that I processed.  Seemed like a good idea, that way I could migrate over to Square and have this other system as a back up if it were ever needed (By-the-way, don't leave your iPhone in the sun!). They canceled my old account and gave me a new account with a new number (and a new account provider). Given the caveat as previously described I did use the "back-up" and was charged for the transactions as described in the plan. No problem.

The end of the year rolls around, no other fees as yet as advertised, yet now I'm seeing $16.95 being charged against this account for PCI fees again. Wait a minute, if you look long enough at the flashing ad, it says "NO PCI fees"! (or upfront fees or recurring fees, etc.) I call up 1st National explain the situation and indeed they concur, no fees. The money goes back into the bank account.

January of this year rolls around and I receive a letter which states that "due to escalating costs" I would be "assessed an incremental fee based upon the difference between $10 and (my) transaction processing fees." They also reminded me about the PCI fee (again!) What's this all about, I thought my account was "FREE". I called mid January and was told by Jason that he would have to research this (stalling tactic?). What? The bank representative doesn't even know what's going on? He dutifully took down my phone number and assured me that he would get back to me. I didn't hear from him so out-of-sight, out-of-mind.

March 1st rolls around and much to my chagrin I receive a "Merchant Statement" (I haven't seen one of these since the problem with the second round of PCI fees being charged). I call Merchant Services and Jared apologizes profusely for Jason not having gotten back to me and explains there is nothing he can do to reverse the charge. I will have to call the sales office at 1st National Processing. It is a few days before I can call 1st National. When I do I am greeted by what at first I thought might have been "Dog The Bounty Hunter" or at least someone who just finished charm school at a collection agency. He was gruff, as though I had just taken him away from an episode of Storage Wars and didn't appreciate it. I was, to say the least, taken aback by his attitude for, in their defense, any time I had contacted them previously they have always been pleasant, patient and attentive to my questions or concerns. I explained the situation one more time to him and he basically told me that due to the fact that they (the bank) had "escalating costs" they had to charge the $10 a month fee and that they (1st National) couldn't do any thing about it because the banks could do whatever they wanted to and that if I wanted he could cancel the account effective the same afternoon. I did!

What kind of "escalating" costs could they possibly have? From my perspective a "FREE" account is a win-win for both the bank and the vendor. The bank wins because they can charge their "discount" rates for swiped or keyed cards, they continue to make money. The vendor wins because they (were) not charged unless they actually used the machine. So basically they are telling me that if I'm not using the thing it is going to cost me $10 a month no matter what. So much for "FREE". If I were using the machine on a regular basis however, and my processing fees were $10 or more, than it would be "FREE" but there are times I'm not doing shows at all and don't want to be assessed the $10 per month! I guess they just can't stuff it into their pockets fast enough!

This past year I've been pretty much using Square exclusively anyway without a hitch, except maybe for the incident described above. Their on-line statements are much more useful to me with a breakdown of fees charged, tax paid, etc. then the other merchant statements ever were. (By the way Square charges their 2.75% on the tax as well! Can't figure a work-around for that one) All that glitters is not gold, so do your own due diligence when shopping credit card vendors.

Cheers

Read more…

Reforming the Jury Process

Inspired by many calls and by the post- Can the System be Improved, (Thank you R. C. Fulwiler) I would like to start a new thread exploring ideas of how to create that improvement.  My proposal is that we generate some ideas and then ask the National Association of independent artists (NAIA) to help champion it.

As a starting point, can we assume that artists would like the following from the jury process-

1) Criteria- You want to know what you are being judged on.

2) Process- You want to know who is judging your work and how.

3) Numbers- How many slots are open for how many categories.

4) Results- Specific comments so as to be able to make decisions going forward.

Other desires?

While each sounds simple, they also each have issues.

Criteria- reminds me of the Supreme Court Judge who stated "I can't define what is obscene but I know it when I see it".  Stated criteria needs to be just as flexible or we would never see anything new at the shows.  It can be simplified. A statement like- our jurors will judge your work based on: Technique, creativity, and originality tells you what they are looking for without giving you any information.  Artists do you have examples of how this has been done well?

Process- Of the above, this is the most likely to be public in my experience.  Projected, monitors, three jurors, score of one to five, yes, no, maybe...   Not so hard to let artists know the system and, while you may not agree that a monitor is acceptable, at least you know what is expected.

Numbers-  If there are a particular number of slots open in a medium that information could be useful.  A show cannot let you know how many applications will be received but could give historical information.  Predicting the future changes the future.  If I tell you that I have ten slots for photo and generally get 40 applicants you may not apply.  I might end up having to select from fifteen applicants suddenly and miss out on having your work in my show.  Any ideas of how to make this fair?

Results-  Not every artist really wants to know the jurors comments.  Many say they do, but then argue each point.  I try to be clear, but after I get attacked a few times for my jurors subjective opinions it is tempting to go back to generalizations.  Movie line "You cant handle the truth".   How am I handling this now-  The notifications go out with general comments.  If artists want they can call me and I will let them know what the jurors comments were.  I start with the safer things- "Um, your booth shot was out of focus".  If you prove to me that you want to hear I will continue going and discussing for as long as it takes to be helpful.  If you instead start arguing with me it will be a very short conversation.  Zapp just added an option to share juror feedback with the artists.  Let's see if that helps.

Please, let's hear some more stories and maybe together we can change the systems.

Read more…