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120,000 people   $10,000 prize money

We came.  We sold.  We went home happy.  We sold pretty good but in the end the profits were just OK.  The expenses took their toll with hotel, gas etc.  The people came rain or shine.  What we thought were good crowds must not have been because so many of the local folks kept apologizing for the weather keeping people away.  As if the weather were their fault. Well, maybe a few less while raining but those that came were prepared and having a good time. If this was a small crowd I look forward to another year and seeing a large crowd.  There were lots and lots of artists.  We had fun making new friends.

We had no trouble setting up or taking down.  But then we always get to our event way early and are usually among the last taking down.  Thus avoiding the jostling for position.  Easier on the blood pressure.  

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We had our second year at Yellow Daisy Festival at Stone Mountain Ga.  Second year is infinitely better than first year.  We knew where we were going and what to expect.  We elected to purchase early set up again this year, which means we set up on Tuesday with about 99 other artists.  The rest of the  artists (about 349) all set up on Wednesday.  To us it is worth the extra money and night in the hotel to be able to set up without rushing and feeling pressured.  The weather was great - mid 80's and no rain.  The crowds were there.  They report 200,000 people attend.  I would say that is a conservative estimate.  Thursday and Friday consisted mostly of stay at home parents and senior citizens.  Friday there were quite a few young professionals taking the day off to beat the Saturday crowds.  Both days it got pretty quiet about 3pm - in time to pick up the school age children and get supper on the table.  Saturday was non-stop.  Sunday was quieter but we did well anyhow.  We made all time record sales and profits.  Most of the other artists I spoke with also made record sales this year at Yellow Daisy Festival.  Can't wait to come back again in 2014.8869115857?profile=original

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a newbie gets her feet wet. st james

Well....I hesitate to comment because I feel like the voice of ignorance. My shows have been a mix of good , great and horrid. I ve been trying to learn something everywhere I go. I had a miserable show in Indy at Penrod that made me wonder if I could stand this business long-term. I went to the st James feeling like I d won the lottery. I was on 3 rd st. Everything was easy. The people were lovely. I saw a map and realized I was in Timbuktu for this show....I had no idea. An hour before the show even opened I was selling and selling and selling. Friday be backs came back...it was a thing of wonder. At the end of the day I almost cried. I couldn't even remember all the pieces I sold. Saturday morning it started again with great sales early and then the skies opened and the buyers floated down river. My great moment of the day came with a buyer who'd seen my work in the morning and left when it started raining. She came running down the street at 5 30 pm breathless " I m so glad I found you. I have to have that piece and the news said you were closed tomorrow ". I found the piece she wanted packed in the trailer and made my last Louisville sale. I will be back to that show in that spot for as long as they ll have me. I felt honored to be surrounded by so many wonderful artists. The rain was a heartbreaker.
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Hyde Park Square Art Show - We went on!

So, I participated in the 47th annual Hyde Park Square Art Show in Cincinnati, Ohio on Sunday, October 6. The same weather pattern that was plaguing St James in Louisville was also affecting Cincinnati too. But our show went on Sunday and St James was cancelled (at least that's what I hear). 

Setup and tear down was easy. I was able to unload right by my tent. And a bonus, I was able to park just behind my tent. So storing extra pieces from the rain was no problem in the vehicle.

The rain came down pretty steady from about 8:30 AM towards noon. I was constantly drying off my artwork. But a dry spell came in from noon until 4 PM. The show is just a one day event that runs from 10 AM - 5 PM. Another batch of heavy rain came in at 4 PM. And yes, tear down in the heavy rain too!

Fresh Books tells me I did $750 in sales for the fair. I sold one big piece too. I guess the residents of this little show really help it out. They were there in the rain and buying art! Yay!

So unlike St James, we went on!

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Our art business is growing, and i have received several invitations for shows that are far from Northern Ohio, and my home. Considering they are outdoor shows, it would mean i have to pack the tent, and supplies along with the art, and get it to the venue.  Short of renting a small truck (our suv is aging, and i would not trust it on a cross country adventure) and driving there, I wonder what the best way would be to get the goods there, and myself there.   I wonder how do you handle this?  And do you have suggestions for the logistics of having everything arrive as you do?  I have not ventured more than about 300 miles from home so far, so this is a bold leap.  I have done some research on the cost of renting a pod, that is shipped via a trucking company, airfare, and the cost of renting a vehicle on the ground at the airport... vs renting a vehicle here and hauling it myself... And the costs are not so far off each other.  I would value your feedback.

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It’s been a lousy couple of weekends in a row. Riverfront in Columbus, Ohio, was pretty bad with only $175 in sales, and who would have thought St. James would get worse? Hell, not only was it worse, the damn thing spiraled down in flames right through the rain and into the soggy ground. It was one of the worst shows for me in 25 years.

We’ll get the “Nels Stats” out of the way first, though. Set up would have been easy if you showed up early at 11:00 on Thursday morning. I didn’t and neither did half of the artists in the show who showed up about 5:00 in the afternoon, so I and others had about a 60-75 minute wait to go in line from Gaulbert up to Hill Street. After being on the road for about two and a half hours plus starting the wait time, my bladder was working overtime. Several of us folks jumped from the vehicles and hot footed it over to the bar at Gaulbert and Fourth to avail ourselves of the porcelain facility. Thank heavens the bar was open :-)

After we got into the artist zone, the place was packed with vans and trailers, and good luck, which was non-existent, on getting in front of your booth. Out came the carts and you started trollying things to your space and weaving between parked vans. Supposedly we had two hours to unload and set up before moving the vehicles, but by that time, the official set up time was over so you just kept on working. The smart thing was to use shims to level the Propanels, and mine were 2x4 blocks on the first panel from the curb. The curbs are crumbling badly at the edges and the best bet would have been to bring either 2x6 or 2x8 ten foot boards to bridge the curb from the street. There’s a hell of a crown on the street and almost a 6 inch drop from 10 feet out in the street to the drop off at the curb. A ten foot board is just about right to keep everything level. Too bad I didn’t bring mine.

Space behind the booth is ample to set up an awning that can go 7 feet behind the booth. I use adjustable painter poles, 3-axis corner connectors, and a couple of Flourish upper Sta-bar clamps on my EZ-Up to mount an awning frame work. It came in mighty handy when the Great Deluge hit on Saturday. The neighbors to either side had to contend with telephone poles and squeezed inward toward me so there was very little clearance between tents but still enough. Barely. Tubs can be stacked along the retaining wall at the back of the sidewalk or on top of the wall and still leave adequate room to walk through. Signs were out in force, along with pedestals and plastic chains, indicating that only artists and show staff were allowed behind the booths. Didn’t do much good as people still walked back there.

Power is not available unless you find a friendly resident and I assume a reasonable exchange of funds is done and you can plug in an extension cord. One artist about 6 booths further up did that. I brought the boat battery but thought there was enough charge in it. I was wrong and only had about 5 hours operation out of it. Lights are needed as it’s dark under those trees.

Friday showed up nice and clear, and people were wandering the show about a half hour early. Crowds picked up a little but not the hordes I’ve seen in past years. The TV stations were telling everyone to go on Friday or go on Sunday when "bargains would be available”. If someone can find that WAVE-TV dumbass reporter, be sure and pimp slap that twit until her ears ring. That kind of crap we can all do without.


I had a smallish number of people come into the booth, relative to the numbers out in the street. I had lots of oohs and ahhs, and compliments on my "eye". At least no one asked what camera I used. Unfortunately, no one bought anything on Friday despite that being rumored to be the best day. I guess they were planning to come back on Sunday and try to get that "deal" the TV station was talking about. Luckily I was staying with relatives and had supper with them or I would have been tempted to drown the disappointment of a zero day with excessive amounts of alcohol. Those compliments may be nice, but there is no currency conversion rate to turn them into bucks in the bank.

Saturday rolled around, and I left early in order to get a close parking spot again. Turned out to be a very good idea the way things turned out. Low lying areas were fogged in as we drove in from the south side of the county. That was a harbinger of bad s**t to happen later that day. We get in early, I set up the rear awning and wrap a couple of extra side tarps around the sides and back of the awning and close it in. Damn good thing as a few hours later it started to rain. And rain. Then rain some more. People were out with umbrellas. Some were wearing trash bags. Some were just wet. I still wasn’t selling anything. Finally someone comes in and asks if I had a small print of a larger framed piece I had. Nothing in the flip bin, but I did one out the print box I keep in the back. Sold it as is, no matte, tossed it a bag with a foam-cor backer for $20. That was my sole sale at St. James this year. A grand whopping $20. Damn, just kick me for good measure.

This was to be my make or break year at St. James. It’s broken; I ain’t going back. No way in hell. The staff and volunteers are great, they bend over backwards for the artists, I’ve got no complaint with them. I wish they ran other shows I’ve been at. I do other shows in Louisville and do much better with a lot less expense. My local relatives, who used to live in the middle of Old Louisville where the show is, tell me the show has become too unwieldy and large, and it’s difficult because of the size to find specific art you’re interested in. The cachet of finding something at St. James seems to be for lower end price points according to them. I don’t know, as all I know is first year was break even, my sales went up the second year and made some profit after all was said and done,and  last year I lost money although not as much. This year marks one of the worst shows in 25 years for me.

The crowd, for whatever reason, is not my crowd. My prices are middle of the road, not the lowest and not the highest, and it does sell occasionally. Damn near getting skunked is not a pleasant experience, and the time has arrived to pull the plug on it. Unlike other shows that did poorly, I can’t point a finger at the promotion or the way things were run. What I do and the prices I ask just don’t seem to be the right fit for this show. I read earlier on a thread that was deleted that several people had very good shows, and there are always some people who will do very well just as some are going to do poorly. If I’m going to do poorly, don’t count on me to be back very often. I may be stubborn but I’m not stupid.

I ran into one artist who was a prior customer at another show who is now doing art shows himself. He said this was his make or break year for the show, and I talked to a few others in the same situation. I chatted with another artist at tear down who was stuck in traffic in front of my booth and she related it was a poor show for her and she won’t be back next year either. It all makes sense when part of the promotion on the TV stations included information about how there were many new artists. Yeah, no kidding, I think I know why.

Now for the rest of the story. It rained off and on all during the day. The water started flowing in the gutters and started rising just like the Ohio River during the Great Flood of 1937. First there were trickles, then the water started running fast in the gutters. The drains couldn't keep up. People were still out there walking the show. What I did observe is that few of them would flick their heads from side to side to check out the booths; they just seemed to be on a mission to go somewhere and it wasn't in the booths. More than once, I overheard conversations about having to hurry up so they can “see” the rest of the show. My gut feel is that the show has become a social event where you see and be seen.

The rain kept coming down, the water started getting higher and pretty soon it was at least 5 inches and deeper as it lapped up over the curb and started back on the sidewalk. It reached about 7 feet from the curb up into the street, leaving only about 3 feet of “dry” pavement in the booth. The west side of the street was even worse with the water reaching 3-4 feet out in front of the booths.

The artist next to me said that several artists further up on the street were talking about pulling out that night because of low sales and conditions. That turned out to be a moot point as about 3:15 or so we got word from the volunteers to shut down at 5:00 and tear down with Sunday being cancelled. By that time several booths around us had already dropped their fronts and were closed, presumably with tear-down taking place inside. We started about 3:45 taking down prints and drying out a couple of tubs that weren't as water proof as I thought they were. Sunday was supposed to be high winds, heavier rain, and lightning. Given that forecast, it was a good call. There was a nice period where the rain stopped and we got a lot of stuff carted to the van over on Hill.

As neighbors left, we were able to get the van in and finish tearing down the tent. The last part was in the rain although everything was packed except the tent frame and the top. No way in the devil was I going to fold that John Mee top with the rain coming down, so I had the bright idea to collapse the frame, lift the back corners and start rolling the top like a giant jelly roll. I’ll be durned if it didn’t work and that sucker was taken down in a couple of minutes, folded over, and crammed in the back of the van. Woo-hoo, we were out of there. Sorry to say, but I won’t be back.

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Here are some photos I took about mid-afternoon, just before the water reached the high point. The view is from booth 625, a little bit north of Belgravia and is looking north. The black lines are not carpeting but are the water line inside the booths. Notice that a couple of booths are already closed.

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8869127855?profile=originalThis next picture is looking south toward Hill Street, still on 4th Street and from booth 625. There's another booth closed up

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I've got one more show this year, and it's about 6-7 weeks off. I've got time to do some thinking about improving prsentation and getting some new ideas worked out. Next year is gonna be a strange one as I might as well stretch and have some fun with what I'm doing.

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After having the best spring and summer in ages I have had a lackluster fall. I held back on deadlines because I thought I would be out of the country for a few months and missed the good ones.

Thus, for the last two weeks I have taken a big hit and it's really my own fault. I tried some new venues that were untested and took it on the chin to say the least. 1st up was Cotton South, A show that had the best intentions and a wonderful promoter that did mostly everything right except there were hardly any customers and the ones there just were not buying. Plus, I hate to say, but a 10 dollars entry fee just about killed a small town show. High caliber of artists, many that made a donut. I was lucky enough to pay expenses and then some, but it was no TACA (which I was already juried into and I heard was fabulous this year). I just wanted to give this show a chance and I see future success due to the great positive work of the director, but it wasn't to be this year for me. I do think that this show will eventually be a force to reckon with, just not it's first year.

This past weekend I headed to Nashville to a show at the historic home of Andrew Jackson. The Fall Fest at the Hermitage promised to be a good show, unfortunately, a day of blistering heat (94) and sparse crowds and then a day of torrential rain, blew that one. The layout of the show was crazy and many didn't even get around to many of the booths and since I was in the south forty and the bulk of the show was around the food, it was a dismal show for me. Not a donut but close, that was even with winning the Best in 2D award.Go figure. Doesn't that usually bring people to a booth? Unfortunately, not this time.This show also had a great director and I believe it can become a good show but we can't control the weather.

You plan, God laughs. But here I am batting 2 for 2. So much for live and learn.  So, my dilemma is this. Next weekend I'm scheduled to do a show in Newport News, Virginia, (never been there ) called the Port Warwick Art and Sculpture Festival. I have checked out this blog and others and I can't find out anything about this show. What I'm hoping to know is should I avoid the third strike or should I go. At this point, I'm tired, wet and broke and it's 71/2 hours away. I wonder if it isn't better to let it all go and stay home. If anyone has any advice I would be grateful, my ego is shot, the idea that I was figuring it all out is totally gone and am considering taking a break from getting back on the horse immediately. Especially if this one is going to be like the other two. Thanks in advance.

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We Believe... American Made Alliance

We Believe... that every consumer has a right to know where a product comes from. In today’s global economy, domestic manufacturers are forced to compete in an unfair marketplace where most gifts, housewares, jewelry and accessories are marked with removable paper stickers that indicate country of origin.  Many retailers and wholesalers remove these labels in an effort to raise perceived value and confuse consumers about country of origin.

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Call for Artists: Artisphere

May 9-11, 2014  1348.png?width=128
Greenville, South Carolina
West End Historic District
120 Artists
Deadline: October 17

Greenville is located in the Blue Ridge Mountains in the 1421.jpg?width=225 northwest corner of South Carolina, halfway between Atlanta and Charlotte. 

It is one of those lucky U.S. cities impacted positively by high tech development where industries such as BMW, General Electric and Fluor are flourishing.

What to expect:

  • 120 participating artists
  • cash awards totaling $12,500
  • Purchase Awards Program average of $7,500 each year
  • convenient & easy load-in/load-out, free artist parking, and 24-hour security
  • 600+ volunteers; booth sitters
  • complimentary meals, snacks & beverages in conveniently located Artist Hospitality
  • artist Awards breakfast
  • reduced hotel rates

1422.jpg?width=250 2014 marks the ten year anniversary for the top ranking Artisphere festival, an annual three-day event that gives arts patrons the unique opportunity to meet exhibiting artists while purchasing original works of art.

A supportive, art-loving community, experience for exhibiting artists and the public alike.  Artisphere is a 501(c)(3) non-profit art organization.  Proceeds are used to produce the annual arts festival and are distributed back to local non-profit arts organizations as part of Artisphere's Volunteer Arts Partnership Program.

On the fence about applying? Visit our website for a good overview:  www.Artisphere.us

Artist review here: www.artfairinsiders.com/profiles/blogs/artispherea-little-je...

For more info: contact Liz Rundorff Smith, Program Director/Artisphere at (864)271-9355 or liz@greenvillearts.com

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Apply right now: www.ZAPPlication.org
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You took my breath away

Copied from my blog:

I had my world shaken by one person's images while jurying an art fair. Today was the jury for the art fair that Michael Kifer and I run in Kalamazoo Michigan. Because this is a different type of art fair (the Garage Sale Art Fair), Michael and I jury the show ourselves. It's something I'm very comfortable doing and really enjoy. This time it was even better.

Without permission I can't use the person's name but I will tell you that I wish the images of my own work evoked the strength of the feelings that these did for me. Just when you've seen your fill of overworked, over Photoshopped images, one person's work comes up on the screen and reaches up to grab you by the heart. I caught my breath and just drank it in. 

There's a lesson to be learned here for all of us. Make your images speak. Let them tell a story. Don't worry about making those big expensive pieces of your work because you think that's what a jury wants to see. Let the jury feel your work and they will get it. And you'll probably get into more of the shows that you want to do. I know I'm rethinking my own images...

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October 12 & 13, 2013logo.png?width=150
St. Simons Island, Georgia
Postell Park
Sponsored by the Glynn Art Assn.
70 artists

Deadline: October 7

Glynn Art in the Park on St. Simons Island offers a fine arts event in a small town ocean side setting.  The island is one of four barrier islands known as the "Golden Isles" on the Georgia coast, midway between Savannah, GA, and Jacksonville, FL, including Sea Island, Little St. Simons Island  and Jekyll Island. 

We invite you to join us on Columbus Day weekend, when many visitors from as far away as Atlanta come to enjoy the ambiance of this coastal community.  The jury brings in a well-balanced selection of about 70 art professionals representing 2D and 3D media. Postell Park, (across the street from the Glynn Art Visual Center), is home to the festival. It was re-designed a few years ago and laid out specifically for events like this.  The one square block setting is located under mighty live oak trees, with the Atlantic Ocean a few hundred yards away.
Cash awards totaling $4,000 are distributed on Saturday for a total of eight categories.  A unique part 8869126665?profile=originalof the festival is the Patron Program.  Patrons pledge to purchase a certain amount of art, and Glynn Art retains a small tax deductible donation.  Patrons distribute their own Patron Award ribbon to present to their favorite artist.

Amenities:

  • a continental breakfast each morning, and booth sitters during the show.
  • A Patron Preview party the night before the festival.  Patrons mix and mingle with the artists over wine and heavy hor d'oeuvres provided by local restaurants.
  • The party is free to artists with a discount for their guests ($15).  A sample of each artist's work is on display at the party, to provide a preview, discussion with the artist, or sale before the festival begins.

Music is provided Saturday and Sunday in the form of violin, keyboard, or guitarist/vocalist.  A children's Art table enables the creation of a take-home piece of art.  A few food vendors will be on site, in addition to multiple restaurants within walking distance.

Advertising: local newspapers and tourism guides, billboards and signage throughout the community, posters in storefronts, Constant Contact emails, our website, and mailed invitations. 

Surveys from previous festivals consistently praise our staff and volunteers for their hospitality.  In 2012 a participating artist reported on ArtFairInsiders.com: "the Art Association does everything right and I love this show." 

A local resident wrote to us:  "I just wanted to let you know how much I enjoyed the festival and preview party this past weekend.  The food Friday night was great and it was fun to have a chance to meet the artists.  I went to the festival on Saturday "just to look".  The art was very impressive and I ended up buying several things."

For an application or more information on the Glynn Art in the Park Fall Festival, call (912)638-8770. GlynnArtAssociation@gmail.com or visit the website: www.glynnartinthepark.org

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Find even more art fairs for your 2013 season: www.CallsforArtists.com

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Ohio Sauerkraut Festival

Hi there,  Still looking for feedback from anyone who may have done this show in the past.  It is coming up the second weekend of October.  Their package indicates the expected volume of visitors this year is 400,000 to 450,000.  The jurors are from Colombus Gift Mart.  I would just love to hear about your experiences, advice, etc.  It is our first time being juried into the event, and seeing that the size of the event is huge I would imagine someone out there has some knowledge.  I would value your feedback.

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A kick in the gut

So, I received notification that I was not accepted to a small local show. It was my first show ever and I was in this show three times. It's not a huge sales show. But it is fun nonetheless and about only 5 minutes from my home. But not being accepted this time feels like a kick in the gut...

I even did a poster for the Holiday show last year!

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Is this "America's Best Art Fair?"

Deadline: September 30, midnight -- your turn to tell us what is the Best Art Fair. 8869126276?profile=original

Our site ArtFairCalendar.com, whose mission it is to publicize art fairs and bring the public to attend and buy art work, is conducting its first annual survey of "America's Best Art Fairs." 

The goal: to publish this list and get it well publicized for the purpose of connecting those people who love to attend shows by sharing the information. 

Your opinion counts (you've attended a lot of them), show organizers opinions count (they attend lots of shows too and know the competition) and there is a great group of people who love the shows and will travel to find them, as well as bring their friends.

We've had a great response to the survey but we are in the last days -- please take the survey, share it on your FB pages, your business pages and send it out to your email lists. The more responses we receive the more accurate the results will be and it will help build attendance at the best shows, and lead to better crowds at the smaller events.

Please do it now. Click here: http://www.artfaircalendar.com/art_fair/best-art-fairs-survey.html

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Looking forward.

Wow time past so fast. In a year time from now, I hope to start one scary goal. Next winter I start going back into the Florida market. I plan to start in Florida slow and not go crazy. Expand my Texas market and be back to the Midwest by next May. My hometown will see me less.

I am waiting for more confirmations. So far only show had respond yes or no. That one was a yes. I do not what to expect but I know that still need to improve. Somethings need to be let go and now hard part start.

Patience, tolerance, appreciate ignorance and keep working in my passion.

Thank you so much Mary Johnston and Armando for helping me to get out of the darkness. Without your input I would not had courage to keep producing new work. I had been such a long time that had not work so hard in my art.

Thank you Vega and Reno (my cats) for be with me and make me laugh out loud.

I should add Munks into this also.

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Customer discounts

Well, I have to disagree with just about everything everyone else has said on this subject, and the subject of discounts overall. I love for people to own my art. For me, that is what it is about. The more people who have one of my paintings, the happier I will be. So I keep my prices REALLY low. In addition, if someone has ever purchased any piece of my art at any price, for the rest of my life I give them a 25% discount on future purchases. I guess that is why I sold over 100 paintings last year. And that is also why I have to limit the number of shows I do each year ... I'm constantly running out of work to sell. Gee, what a great place to be.

I will never fill my bank account with lots of money from doing this, but that is not why I do it. If I did this for the money it just wouldn't be so much fun ... and I sure do have a great time. Imagine how many people out there go to work every day simply hating what they are doing, and they just continue doing it. I get to do something I love and share it with the world. Heck, when someone purchases one of my paintings, they are helping me with my dream of putting a little happiness in everyone's home.

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What would you tell a room full of art students?

I am going back to my school after 30 years of glassmaking. I will be speaking to glass students about being a working artist. I am planning on putting an emphasis on business and balancing that with what decisions I have made with my wife about how to be in business without sacrificing creativity and the joy of the work. This is a chance for me to give back what I have learned from experience to those who aspire to make glass for a living.So, I am putting this plan out into this community to listen to what you would say. I have very specific things to cover relative to glass, but I would love to hear from all of you what you would want to share with our next generation of artists. You have until the first week of november.
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Call for Artists: For the Love of Art

February 9 null
Elkhart, Indiana
Northern Indiana Event Center/RV Hall of Fame
Presented by: KoZmo Events
75 Artists
Deadline: Until full

Elkhart, is a proud supporter of the arts and is pleased to host the only premier winter art show in Michiana.  This show will feature bold and vibrant paintings, contemporary, and whimsical art including sculpture, fine woodwork, glass, jewelry and pottery among the many original works of art.

The show will be marketed to Indiana, Michigan, Ohio, and Illinois  through several medias to heighten the attendance and is held at a  popular and classy destination, the Northern Indiana Event Center,  visible from the I-80/90 Toll road. 

Through our shows, talented artists in a variety of mediums are able to share their love of creating art with everyday people.  Therefore we personally invite artists of the finest quality to assure unique work in a variety of mediums.
1520.png?width=240 Why participate in this show?  We have already lined up several well known artists and would like to extend our invitation to you.  We accept only a few artists per medium to participate in each show to insure participating artists will benefit financially. We will also go above and beyond to accommodate the artists and market their each work.
This show will have a lounge area for patrons to relax to stay longer at the show.  Our food vendor will be serving a variety of coffees, deli sandwiches, and chocolate treats for Valentine's Day. In addition, there will be music in the air, art dollar giveaways. A portion of the door fee will benefit the Elkhart Art League.
Attendance: We are marketing this show to art buyers between 35 and older.

Expect: drive up to load and unload; reasonable booth fee; professional management

In addition, we believe in introducing the arts to the young so we  will  feature local children's authors and illustrators.  For we  believe art  teaches genuine life skills and breaks down diverse  economic and social  backgrounds.

Once your application and fee is accepted you will receive an email with all the details you will need for the show.
For more information:     6a00e54fba8a738833019aff791031970d-pi
Shireen Cline: (269)625-1638
The Northern Indiana Event Center: www.northernindianaeventcenter.org/location
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Find more shows looking for artists: www.CallsforArtists.com
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Something New Under The Sun

I picked up my Mac from the computer repair facility and while the gal at the register was checking me out (read that; rang up the cost of the repair) I checked out the swiper device on her phone. Seems there is another new player in the POS biz.Breadcrumb.Groupon.com Payments is supported (in the fine print) by Wells Fargo. Their POS system boasts a low rate of 1.8%+15 cents per transaction, slightly higher for keyed transactions (2.3% ?). Doing the math shows this to be a far lower rate than either Square or Paypal at 2.75 and 2.7 respectively!The free APP runs on your iPad iOS 6/7, iPhone and I think Android. They can also program some handheld devices, unfortunately my Nurit 8000 was not one of them.I requested the swiper and received it in about 2 days via UPS overnight, plugged it in and, as I already had downloaded the APP, was up and running in no time. For me the interface was fairly intuitive given that I've already had a go with Square and Paypal. The APP provides some ready made templates for a variety of businesses like a salon or photo studio but given that I am neither of these I choose to make up my own categories.Doing so is easy enough however if your category has a lengthy name it automatically gets truncated. The only trouble I had initially was distinguishing between an "item" and a "category", choosing the wrong one will display your items in a way you may not want. In addition to this there are also some automatic discount tabs at the bottom if you choose to use them. Another nice feature that I haven't seen on any other system is the ability to add personalized messages on the receipt as-well-as an image if you wish. I know Square allows an image to be added but the personalized message on the receipt is a leg up on the others. I put my name, business name and web address on my receipts.The APP only allows you to enter one tax rate at a time so, as an itinerant artist, you'd have to change the tax rate each time you go to another venue. I guess that isn't such a big deal but I like the Square interface that allows you to make and save many different tax rates so as I travel I can just pick the one I need for the current city location. I called their support number and the friendly service guy verified that fact and said that was a good suggestion for an upgrade to their software (good customer relations!)I'm only just getting into the ins and outs of it but its worthy of a look given the low rates, direct customer service number and ease of use. The only down side that I've run into so far is the lack of foresight on their part for the itinerant merchant and saving multiple tax rates.They do verify your checking account for automatic deposits but any merchant account does that. They put in two small deposits, you verify the amount in your user account. You have to activate your account after that so you can use your own credit card to charge say 50 cents and then refund your charge and viola! You're ready to take charge cards. I used it for the first time this past weekend in Durango and only had one hiccup when it wouldn't take a card and I had to switch over to Square real quick but later in the day it worked just fine. You wont get an email like Square, which sends you an email for every transaction you make and their Dashboard doesn't show the fees charged. To find that you have to go to your "Transactions" to see it. I didn't see any fees for my weekends transactions and called them to find out that my first $5000 in transactions were free! That's almost $100 in fee free transactions!Another thing they have over Square is when you check your transaction history the names of the credit card users are listed! I have my customers fill out a written receipt and often can't read what they have written so this is a nice cross check. I haven't had anyone request an email receipt so I can't comment on whether you get an email history or not. That's one of the downsides of Square, you can't capture email addresses for your mailing list.If you go to their website be aware that there are two different business solutions one for restaurants which is a subscription service and one for POS users which is free.
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Another Alternate Income Source

I appreciate some of the discussion on this blog about alternate revenue sources, like licensing and art studio tours. I’ve been experimenting with an alternate revenue source this summer with mixed results.

I opened the LebenArt Studio & Gallery in Saugatuck in May. Being an aging art fair artist (I’m turning 68 in October), I thought it was time to start looking for a way to bring in some revenue without having to be out on the street every weekend. All that set-up and take-down and the anxiety of uncertain weather can take its toll.

With a summer’s worth of experience in the art gallery business, there are things I like about it, and there are things I don’t. I like having a studio space where I can do my work (I’m a digital artist). And, with the studio, I can occupy my time effectively while I’m waiting for customers to come in. I like having gallery space where I can exhibit a wide range of my work. I like being able to tell my art fair customers that I have a gallery in Saugatuck. I’ve found, over the years, that a high percentage of art fair goers have asked me if I have a gallery of my own in Saugatuck. I like that so many of the visitors to my fledgling gallery have either seen or purchased my work in the past. A lot of them come to buy, attracted by the email marketing I do to my email list. I like that my friends and neighbors, here in Saugatuck, have a place where they can come to see all my work in one place. I like the fact that the gallery has generated over $18,000 in sales since opening in May, most of which I wouldn’t have without the gallery. And, finally, I like that I don’t have to pay 40-50% commissions on the work that I sell in my own gallery.

Lots of positives, but there are also negatives. I don’t like being a slave to regular gallery hours. I don’t have enough sales to warrant hiring another person to man the gallery when I’m away. I don’t like missing summer activities in Saugatuck, some of the best reasons for living here in the first place. I don’t like having to strip the walls of my best artwork and load it all into the trailer when I do an art fair. I don’t like having to close up the gallery for art fairs on those precious summer weekends in Saugatuck. 

I have mixed feelings about the location of my studio/gallery. Its on Blue Star Highway north of town only a short walk from where I live. While galleries in downtown Saugatuck get a great deal of walk-in traffic, my gallery is more of a destination. People have to stop their cars to visit my gallery. Although a high percentage of those who do stop their cars, actually wind up buying something, I still feel that I can use more visitors. Of course, the downside to more visitors is that I will get less work done in the “studio” part of this enterprise.

I’m currently looking around for a better location for the gallery here in Saugatuck. I feel that sales have been good enough to warrant an “extension” of my gallery experiment. But to make it work and to minimize some of the negatives, I’m on the look-out for another compatible artist to share the space with and to help man the gallery. Since I’m a 2-D artist, a sculptor or potter would be most appropriate... or maybe a jeweler.

Will the gallery eventually take the place of art fairs as I totter into old age? Maybe not. Even in today’s economy, art fairs have been pretty profitable for me this year. But the gallery will provide extra income and, perhaps, grow into a better money-maker in the future.

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