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Call for Artists: A Fair in the Park


791cb646-5667-428a-817d-4c3929caa04f.jpg48th Annual A Fair in the Park
September 8, 9, & 10
Pittsburgh, Pennsylvania
110 Artists
Application Deadline: March 10

Application Fee: 1 medium $25, 2 mediums $50
Booth Fee:  $395,  Corner $445

100f09ec-fdfa-41f8-9f95-93c6c3e02d44.jpgThis event is held in the affluent city neighborhood of Shadyside, in a lovely park beside Pittsburgh Center for the Arts.

The Fair is free to the public and draws strong community support. Outstanding live music, artist demonstrations, children's activities, plus a variety of food choices are featured throughout the weekend. Make A Fair in the Park part of your 2017 show schedule.


A Fair in the Park is held in the lush surroundings of Pittsburgh's Mellon Park. An estimated 20,000 dedicated visitors enjoy the opportunity to interact with over 100 regional and national artists working in a variety of mediums including clay, fiber, wood, jewelry, glass, metal, mixed media, and two-dimensional art.

Shoppers will enjoy outstanding live music, artist demonstrations, children's activities, plus a variety of food choices are featured throughout the weekend.

  • Rated one of Sunshine Artist's Top 100 Art Shows
  • Drive-up loading and unloading (weather permitting) 
  • Amenities: free parking, security, booth sitting and more
  • Four awards for Best of Show Artist, Artistry/Creativity, Craftsmanship, and Originality  
  • Saturday Night Artists' Party with complimentary drinks/food and awards presentation

We employ a full marketing and PR campaign to promote both our event and to highlight the talented artisans participating in the fair. 

 

All Members of the Craftsmen's Guild of Pittsburgh are offered a booth space at A Fair in the Park. Each year approximately 60% of the artists at the Fair are Members of the Craftsmen's Guild of Pittsburgh, who have become Members by passing a rigorous jury process. The remainder of the artists at A Fair in the Park are selected by a jury from a large pool of national and international applicants.

Learn more and Apply: http://www.afairinthepark.org/

Contact: Carrie Nardini, fairdirector@craftsmensguild.org
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March 25 & 26
DeLand, Florida
Earl Brown Park
Saturday - 9am-5pm; Sunday - 10am-4pm
75 juried eartists and 75 crafters
Deadline: March 15
 
Application fee: $15; Booth Fees: $155

This festival, which will celebrate its 52nd year of continuous operation in 2017, has become a city-wide tradition for generations of residents in and 
around DeLand. Home to Stetson University, DeLand boasts an art-savvy public that embraces the event as their "hometown" show. 
DeLand
Separation of fine art and craft from
traditional art and craft insures an interested public visiting each section.

Extensive media campaign and public relations support reach beyond the immediate market. 65% of our artists and crafters return every year.

The City of DeLand from 2013-2014 spent 5.5 million dollars to beautifully renovate Earl Brown Park with a new Wayne Sanborn Activity Center, Amphi-theater, concessions and beautiful landscaping.

Highlights:
  • Long history of excellent community support
  • $6000 in cash awards; $1,600 Best in Show
  • $500 Spectator Awards for shoppers to win to purchase work at the festival is awarded both Sat. & Sun
  • 75 Fine arts and crafts exhibitors and 75 crafters
  • Bloomsbury3Artists amenities: 24 hour security, booth sitters, restrooms, continental breakfast, reserved on-site parking for cars, designated trailer parking, designated RV parking (dry parking only) - free
  • Estimated attendance: 5000+
  • Extensive advertising and marketing: television, radio, newspapers, magazines
  • Friday setup; drive to booth to unload and then park; assistance available if required
  • DOAF has adopted the Atlanta/Maitland Scoring System. Artists work will be judged on their Originality, Presentation & Execution. Artwork no longer leaves the artists booth. 
Learn more: 
http://www.delandoutdoorartfest.com where you can apply online or download an application

Questions? Marty Cox, (386) 736-7855
Email inquiries to: Patty Clausen, delandoutdoorartfestival@cfl.rr.com
 
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Find even more art fairs looking for you:  www.CallsforArtists.com
 
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0ab969d6-d372-431a-9815-242ecc60b695.jpgSeptember 9 & 10
Downers Grove, IL
50 Artists
Deadline: March 15
 
Application Fee: $30   Booth Fee: $225, 10x10; double $450
  
The Downers Grove Fine Arts Festival will be celebrating 41 years this fall. It is held in the middle of our award winning, historic downtown, located 22 miles from Chicago's loop. Direct access to the BNSF rail line brings patrons from around the region and the City of Chicago to the festival. The festival will be held in the middle of Main Street. Live music, boutiques, cafes and a children's art area will complement the high caliber of art that will be present at the show. The show is attended by more than 5,000 people annually.

2a698e19-7881-4ebe-8679-33dda3d804f0.jpgThe Downers Grove Fine Arts Festival marketing campaign includes internet and print advertising, newspaper articles, magazine ads, eblasts, press releases, banners, signs and when possible radio advertising. If you would like to be included in our press releases, please enclose a personal biography and/or artist statement. Our media publicist may contact you for further details as needed.

Downers Grove has recently received many accolades, including but not limited to: 

* #2 Best Place to Raise Your Kids in the Country (Livability.com 2014).
* #10 Most Exciting Place in Illinois (Movoto.com 2014)
* #8th Best City in Illinois (Movoto.com 2013)
* Best Downtown Shopping District (Reader's Choice of Suburban Life 2013-2016)
* Downers Grove has one of the nation's most educated citizenry (American Community Survey 2010)
* #5 Best Place for a Healthy Retirement (CNN 2009)

Upon selection to exhibit, you will receive a detailed packet of event information including free festival postcards for your own distribution. Additionally, you will receive a printable flyer to be used for your own publicity, mailings, or publications. A free program including artist name, media, and booth location will be distributed the day of the event to attendees.

Artist Amenities:   
*       Complimentary coffee and donuts on Saturday and Sunday mornings
*       Indoor bathroom
*       Booth sitting, free parking, overnight security
*       Hotel Rooms offered at a discounted rate
*       Artists retain all proceeds
*       Coordinated loading and unloading with strong volunteer support

Apply: 
http://www.juriedartservices.com/index.php?content=event_info&event_id=1174 

Additional information: www.downtowndg.org
 
Contact: Erin Venezia, evenezia@downtowndg.org(630) 725-0991

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Find more art fairs like these for your 2017 art fair season: www.CallsforArtists.com
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95ef9428-e679-4985-afaa-c989dbf5c61f.jpg?width=410July 29 & 30
Minneapolis, Minnesota 
Loring Park
Sat. 10am-6pm
Sun. 10am-5pm
140 Artist booths
Deadline: March 15

Application fee: $35
Booth fee: $260-$520

Wildflowers and formal gardens create an idyllic setting for art, food and music in this high quality 18th annual juried festival held in beautiful Loring Park near downtown Minneapolis. 

We strive to exhibit fine art and fine craft in a variety of styles and prices with the goal being "something for everyone."
Booths circle a large pond with 12X12 spaces for display, with drive-up load-in and load-out at the booth spaces.  The circular arrangement makes it easy for visitors to see the entire show as they walk around the pond.  Free bus rides are available for patrons through a partnership with Metro Transit.  
 
The festival is coordinated by Artists for Artists, a partnership of experienced artists, whose goal is to provide an opportunity to exhibit and sell work in an atmosphere designed with the artist in mind.  
 
Highly rated by the Art Fair Sourcebook and Sunshine Artist Magazine. Many artists reapply annually due to consistent sales potential, loyal community support and repeat buyers.  
 
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For more details and a link to our application:

Follow us on Facebook:     www.facebook.com/loringparkartfestival
Any questions email:  info@loringparkartfestival.com
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When artist call themselves high-end artists in art show world?

How many times I hear this from other artists and I ask my friends what that suppose to mean. When it comes to jewelry does that mean the artist works only with gold, platinum and diamonds and that make sense. So how those that play in other mediums. Does quality of craft and skills counts in being high-end artists? Why do you call yourself high-end artist?
In photography, which is my area I practice, I really do not see that in art fairs world. Anyone with the right equipment can produce a large print (48X96). Printing in metal or acrylic does make you a high-end photographer. Using high framing materials does that make you high-end artist.

So because you have big item with high price does that make you high-end. Does success make you high-end artist. What about those yard artists?

Look at ceramics, more detail in piece makes more special but does that make you high end artist.

So my question to you, why you call yourself I high end because price alone does not make it. To me high-end is more when I walk to that store with the cyan little box.

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f9ba55cd-d9c1-42ca-9a95-28f04702b1ac.pngMay 13-14
South Walton, Florida
Presented by the Cultural Arts Alliance of Walton County
200 Artists
Deadline: March 1

Application fee: $40; Booth fee: $300

ArtsQuest is held in beautiful South Walton, Florida, at Sandestin along the Gulf of Mexico. The two-day festival is always held Mother's day weekend, which is a great time for discerning travelers to visit South Walton. ArtsQuest artists compete for $10,000 in cash awards, including Best in Show, Awards of Excellence and Awards of Merit. It is the kick-off event for Art Week South Walton, an initiative of the Cultural Arts Alliance of Walton County.

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The festival takes place at the Town Center of Grand Boulevard at Sandestin which is also home to large-scale events such as the 30A Songwriters Festival and the South Walton Beaches Wine & Food Festival. Located along the Scenic Hwy. 98 Corridor, Grand Boulevard is easily accessible from regional drive and fly markets, including Houston, Memphis, Atlanta, Nashville, Birmingham, Mobile, Pensacola and Tallahassee.

Marketing: With the support of the Tourist Development Council, Visit South Walton, there is a comprehensive marketing campaign for ArtsQuest, including radio (Southeastern markets), social media, direct mail, posters, online advertising, and regional and national print media.

Amenities: Artist hospitality room serving continental breakfast, light snacks * Artist parking * Overnight security * Booth sitting * Artist-only lunch specials at participating restaurants * New festival venue is conveniently located to many affordable accommodation options

Apply: https://www.zapplication.org/event-info.php?ID=5422

Learn more: https://www.artweeksouthwalton.com/
Jennifer Smith, jennnifersmith@culturalartsalliance.com, 850-622-5970

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Find more art festivals for your business: www.CallsforArtists.com
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Art Olympia 
is an open art competition held as a biennial event in Tokyo with the goal of discovering talented artists around the world. It aims to promote exchanges of the world's various cultures through arts. 
 
Artworks of approximately 180 pieces (80 from Japan and 100 outside of Japan) will be selected and undergo a final review in Tokyo by a panel of international judges.
 
Total value of cash and extra prizes is approximately $500,000 USD.
 
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International Jurying-Tokyo
 
Artworks submitted will first be reviewed online and the final review will be in Tokyo. The first review will be done using the images of artworks and the final review with the original art. The final review will use a point rating system, allowing the public to check the reviewing process to ensure fairness and transparency. 
 
Primary round judging will be held in New York and Tokyo to select 100 works from New York and 80 works from Tokyo. The chosen work will be evaluated in Tokyo to determine the winners. New York based entry is for artists residing outside of Japan regardless of nationality.
 
Awards:
 
For all-entrants category, the first prize winner will receive $120,000, the second prize winner $30,000 and the third prize winner $20,000. All of the 180 finalists will receive cash prizes, have their works displayed at the exhibition, have exposure in an art magazine and will be listed on the Art Olympia website. 
In the student category the first prize winner will receive $20,000, the second $10,000, and the third $5,000 along with other benefits. Student entries will be eligible for both the general and student categories.
 
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2015 Tokyo Exhibition
 
 
 
 
 
 
Judging:
 
At the primary round judging, a panel of five (5) jurors will evaluate the works as digital images. Ten (10) jurors will conduct the final round judging by evaluating the actual works in Tokyo. In order to keep a fair competition, all artworks will be judged blind at the primary round and final round judging. Total points and the ranking of the finalists will be announced officially.
 
A panel of Jurors, comprised of experts from various fields of the international art world, will provide artists with a rare chance to have their artworks reviewed by international art experts.
-Schedule-
1. Entry period: From October 1, 2016 to March 31, 2017
2. Announcement of the Winners: June 7, 2017 
3. Exhibition: Toshima Ward Office Building, Tokyo, Japan on June 17-25
Fees: 
General submission: 
$60 for 1 image; $100 for 2 images; $140 for 3 images
Student submission:
$40 for 1 image; $70 for 2 images; $100 for 3 images

How to apply:
 
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Learn more & apply today: juriedartservices.com
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This was last weekend. A Paragon show in North Straub Park beside the Museum of Art.This show had lots of visibility. Right on Beach Drive, across from all the happening restaurants. There is a steady vibe here of people enjoying themselves-- and enjoying the art.It was my second time doing this show. Only 126 artists. Easy peaszy setup. On Sunday, tear it all down then get your van. Most people were out in an hour.You can set up a day before, very leisurely. I got to sleep in my own Ybor bed, so did Ellen who was beside me.Booth fee just under $400. Good advertising. Lots of good art and craft at the show, did not see much buy-sell. Plenty of regulars in all mediums who inhabit our circuit nationally.That said, we all made some money, but not enough of it. Saturday was the day of overall sales being real good. Sunday, the high end sellers had a better day then the rest of us.So far this year I get a sense that the general public is very rattled by the political atmosphere. You can see them rising to the surface, almost ready to go home with the work. Then they put it back and walk away. They just cannot pull the trigger.I saw it happen over and over again. So far, my sales are off by about 40 per cent over last year.I am not alone in this respect.I am afraid we have not seen the last of this phenomenon.John Leben you are one lucky man. Hope you can keep it up.This is a sweet little show, I just hope Bill Kinney (Mr. Paragon) does not kill the golden goose.Two weeks from now, he is putting on a seafood-craft festival in the same area. The locals will start thinking, "Oh it just those people in the white tents, ho hum, no reason to buy now, they will be around again." Bill, take a lesson from Naples. Can you smell, or spell, over-proliferation.There was an event held in the week before. They used tons of sand(which Bill had no control over) which ended up covering almost one half of the pedestrian walkway on one of the aisles. People got stuck there, it was not pretty.I would do the show again. It is a great venue for an Art Show.This week I will be at Heathrow next to Lake Mary. Be staying with my good bud Steve Vaughn. Pray for us, sales could be kind of slim.
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I was looking for a show for Feb 25-26. Marcia and I are down here in Florida from Michigan for a couple of months and, to make it work, we have to cram in as many shows as we can. Its expensive down here in the winter. I stay away from shows that are organized by professional promoters, preferring shows that are put on by arts groups and community organizations. The one in Bradenton fit the bill so I applied and got in. Its a small show with less than 100 artists, and this is only their second year at this location. Nels laughed at me and predicted I wouldn't even crack a thousand. But, what the heck, an open date... why not give it a try.

The show is in a parking lot just off a highway in Bradenton. I wasn't impressed with the location. Load in was easy and setup on Friday afternoon (after 1pm) was leisurely (I like that). We kept our van in front of the booth for the whole time (I like that too). Organizers were very low key and let the artists self organize their own set up. I think its much easier for that to happen in a small show. Booth spaces were large and cost less that $200 (can't remember exactly). At 12 x12, we were able to work with our neighbor and establish a side wall with an aisle 3-feet wide.

Saturday, the show went from 10-5 and it looked like Nels' prediction was right. Turnout was very light and we only made $635 for the day. I didn't expect much from this show, so wasn't terribly disappointed. I thought that with a few sales on Sunday,  I would surpass Nel's $1000 prediction.

Sunday started out about the same as Saturday with a sprinkling of sales in the morning. The show was scheduled for 10-4pm (another thing I like, allowing us to fully break down before dark). By noon it looked like Nels prediction was right. The few people walking around were not buying much from any of us.

Now, I am always amazed by the group dynamics at art fairs. I have no idea what kind of karma in the air would create such a drastic change in the buying habits of the public. It could be that the organizers were requiring all attendees to leave their wallets behind... until about 12:30. Suddenly, the wallets came out and people started buying stuff. And it wasn't only in my booth. Many other artists were selling stuff too.

I'm a digital artist and I sell prints of my surrealistic pictures with environmental issues as their theme. My smallest print is $28, and I usually can count on those prints to pay the bills. But, Sunday at this show, after 12:30, my larger framed prints started selling and I even sold one of my large canvas prints. This buying frenzy went on until about 3pm, when it stopped as suddenly as it began. (huh?)

Anyway, we made $2600 in those couple of hours, bringing our total for the show at over $3200. I was amazed and delighted. You just never know who is going to show up. The weather was next to perfect for this show with mostly sunny skies and mostly low winds (a bit windy on Sunday morning). Load out was equally easy as all the artists self-organized. We were out of there by about 6pm.

Next up for us is Bonita Springs next weekend. We've had a pretty good winter season so far. Hopefully it will continue.

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Throwing in the towel, Archie Smith

Hi Connie and all my friends,

It has been a long time since I have been in contact, much water has flowed under the bridge and my situation has changed.

I am now 73 and had my 4th and most serious back surgery a couple of years ago with fused vertebra and metal rods inserted.  (Have so much metal in my back that I am picking up alien transmissions)  My back has deteriorated to the point that I have had to give up shows and it is very painful to work.  This, together with the fact that my wife has Alzheimer's has forced me to throw in the towel as most of my efforts are going into taking care of her.  (Have been doing that for 50+ years and am not going to stop now.) 

Anyway, here is my situation -  While I am no longer making instruments, I have quite a few remaining instruments and have them on my website - www.archiesmithinstruments.com .  I have seriously lowered prices and will consider serious offers.  My instruments are made for a purpose - which is to go out and give pleasure to those who play them and to those who hear them.  It really distresses me to think that they might wind up in a box or a flea market.  I am "trying to find good homes for my 'children'".  If anyone knows of someone who might be interested, please let them know to check out my website.

ALSO - if you know of anyone who is making bowed psalteries, I have a LOT of bookmatched tops and backs left over.  (Have never been able to turn down a beautiful piece of wood, so I have made a lot and still have approx. 200.)  These are all made from highly figured domestic and exotic woods - from Bubinga to Zebrawood.  (Also have jigs, etc.)  Am also selling the Sprinter Hilton - 2008 2500 Sprinter Van w/1.5K miles and many extras.

May you ALL have safe trips, great shows and FABULOUS SALES.  Will miss seeing all of you "on the circuit".

Archie Smith

Archie Smith Instruments

info@archiesmithinstruments.com

arcsmith@ctc.net

Jan. 28, '17

P.S. Feb. 27.  When it rains it pours- got out of the hospital on Friday after about 3 weeks. Had emergency quadruple bypass heart surgery.  Although very sore, am doing well.  Again, may all of you, my friends, have safe trips and great sales!

Archie

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607afd07-394a-4619-a0c7-72788289b441.jpgMay 13-June 18
Brooklyn, New York
Presented by the Brooklyn Waterfront Artists Coalition
500 artist participants

Deadline: March 5

Final Deadline - $65/for 3 images; $5 ea addt'l image.

c69cd342-b4e8-430f-b395-cb7dd7dd552a.jpg?width=375Exhibit your work in a truly unique gallery - 25,000 square feet in a Civil War-era warehouse on the Red Hook waterfront in Brooklyn, NY. The vista of New York Harbor, spanning the Statue of Liberty to the Verrazano Bridge is one of the best in the city. Our 18,000 annual visitors also enjoy the nearby restaurants, bars, IKEA and Fairway Market.
 
The broad theme of "Wide Open 8" encompasses all the possibilities of knowledge and freedom and love - wide open spaces...arms wide open...eyes wide open - but as with all things, there is the inevitable opposite - wide open to attack ... corruption ... failure. This juried show looks to explore the idea of "wide open" in all the hidden niches of our collective psyche.
 
Bonus Offer
Artists accepted into Wide Open 8 can also send one additional work that will be exhibited in our Affordable Art area. All works must be smaller than 16" x 20" (including frame, if framed) and must be priced for sale at $500 or under.
 
72c17ec1-c679-4fa8-a108-62be73cf52e7.jpgJuror: Cara Manes, Curatorial Assistant in the Department of Painting and Sculpture the Museum of Modern Art.
 
What the patrons said:
Wonderful space. Totally loved the last exhibition. Albert TainoImage Areizaga

Put on your walking shoes; there is so much fantastic art to see. Victoria Lapin

Gigantic scale, relaxing atmosphere, harbor/loft environment. Astounding creativity all around. A must-see weekend destination. Mary Bullock
 
Learn more & apply: 

For more information: Jane Gutterman, bwacinfo@aol.com, 718-596-2506
 
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fce72348-ceb6-4870-aca6-b8f383614c01.jpgSeptember 1, 2 & 3
Lancaster, Pennsylvania
Presented by: Long's Park Amphitheater Foundation
225 Artists
Deadline: March 1

Application fee: $35;  Booth fee: $540-680
31076871-8d0e-42bc-bbb6-ee7701826f78.jpg?width=400Every Labor Day weekend some 12,000 art lovers make their way to Long's Park in beautiful Lancaster, PA to shop for fine art and fine crafts. 
 
Set in an historic tree-lined park where booths follow walkways surrounding a tranquil, freshwater lake, this top rated show (one of American's Top 50 Arts Festivals and #2 on the East Coast) draws sophisticated, high-income buyers from Philadelphia, Baltimore, Central Pennsylvania, New Jersey, Delaware, Virginia, West Virginia, Washington, DC, New York and beyond thanks to the quality of its exhibitors and extensive marketing throughout the region.
 
Traditional and digital marketing and advertising will be placed in and around Philadelphia, Baltimore, Washington D.C. and Wilmington, DE and Central PA (Harrisburg, York, Lancaster and Lebanon). Expanded social media exposure, including organic and paid advertising, along with database marketing, retargeting and digital postcards all add up to thorough exposure of artists' work and the Festival overall.

What they said about our show:
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"This was the easiest, most relaxing, 
and beautiful setting of any show I have exhibited so far in my 13 years.  I have never experienced a show where the artists were treated in such a considerate manner. Great job."

"Festival art was top notch. Artist treatment top notch. Buying energy top notch. We loved it!"
"Sales were great, customers were well-educated and engaging, staff was wonderful."
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718cba13-d798-4b66-bdd9-b5a4c036010f.jpgJuly 7 & 9 and August 11 & 13
Jackson, Wyoming
Presented by: The Art Association of Jackson Hole
150 Artists
Deadline: February 28

Application fee: $35; Booth fee: $395

7b48ce7a-0ee8-4d82-b63b-2a5b7c2cb05c.jpg?width=400Located just two blocks off Jackson's historic Town Square in the heart of the Tetons in Jackson Hole, Wyoming.

The Art Association's Art Fairs are quintessential Jackson events. These outdoor fairs feature local and national artists selling fine art and crafts including ceramics, paintings, furniture, photography and much more. Live music, food vendors, youth activities, and artist demos add to the extended weekend activities at Miller Park. All proceeds benefit our art education and outreach programs.

New for 2017: "Flock to Art" marketing campaign, more truck food vendors and extended entertainment programming.

Apply for the July show:  http://zapplication.org
Apply for the August show: https://www.zapplication.org

Information: 
artassociation.org/events/upcoming-events/event-art-fair-jackson-hole-30/


Contact: Molly Fetters, artfair@artassociation.org, (307) 733-6379

 
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ff0cd2fc-62f7-40bd-8285-48ef58e5987b.jpgAugust 19 & 20
Michigan City, Indiana
Lubeznik Center for the Arts
100 Artists
Deadline: March 10

Application Fee: $35.00; Booth Fee:  $200.00

Now in its 36th year, Lubeznik Center for the Arts (LCA)Lubeznik Art & Artisan Festival attracts thousands of shoppers and art enthusiasts to Michigan City's North End. Held on the third weekend in August, this festival, features contemporary art, artist activations, beer and wine and food.f7c1faa6-816a-4a8b-8a25-752ccf992c3b.jpg

It draws repeat visitors from Chicago, South Bend and North-west Indiana, as well as Michigan's nearby Harbor Country communities. Patrons to the festival include second home-owners in the nearby beach communities. The festival, was presented off-site for many years, is now held on the LCA grounds to immerse festival-goers in the LCA experience and to help visitors connect with our mission more effectively.

Apply in one of two categories:

1."Artist" Category includes the following:
2-Dimensional Art (painting, drawing, printmaking, pastels, mixed-media)
Photography (traditional & digital techniques)
Sculptural Objects (non-functional, all media)
 
2. "Artisan" Category includes the following:
Fine Craft (functional, clay/ceramics, glass, wood, metal)
Wearable Art (wearable, accessories & jewelry)

Awards: $3000 total cash prizes will be awarded.


Please contact Brynn Hines, bhines@lubeznikcenter.org, (219) 874-4900
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Coconut Grove Art Festival, Miami FL

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Coconut Grove 2017.  Here is a review on todays Coconut Grove.  Barry gave us a good blog on what the Grove use to be.  I only know todays Grove so here it goes.

President weekend Saturday, Sunday and Monday.  This is a big show and a big event. There are over 350 artists and many other event tents, a culinary pavilion, sculpture garden, vip areas, family zone, and music stages.  Fun Miami dance music.  In my area we could hear it but wasn’t intrusive to conversations  and made for some fun dance parties behind the booth.  They charge a gate fee for $20 and offer many different level passes at $100, $250 and $500.  Last year I stayed about 2 miles away but this year I stayed a few blocks from the show and watched this massive event unfold on set up day Friday.  Wow there is a lot of coordination with the city, police and community to make this show happen.  The main part of the show is along Bayshore.  Just closing the street down is a major feat.  There is a fence put up around the show since they charge a gate fee and this covers a large area.  I can’t imagine all the work that goes into pulling this off. 

 

Set up is on Friday after 3pm.  For such a big show in the city the set up is very easy.  You drive up to your booth and park across from your booth.  Set up is uneventful and easy.  You are sent a lot of information before the show via email.  You can print off an entry pass for your vehicle to get in and out.  Check in is when you have time on Friday, before, during or after you set up.  Booths are on one side of the street along bayshore.  You have a median behind the booth.  There are two off shoot roads with booths and the set ups are across from eachother.  I have always been on Bayshore.  You set up the tent about a foot away from the curb and if there are not too many plants in the median behind the booth you have even more storage.  There is not a lot of space between the booths so if you need to get to the back of your booth make a door. 

 

The weather was perfect from set up to break down.  Sunday was warm and hot in the sun but it didn’t stop the crowd.  They estimate over 100,000 people attend the show.  Looked like it to me.  Saturday morning there was a big line at the entry gates of people waiting to get in.  It got crowded fast and serious buyers were out shopping for big work.  This show is suppose to be originals only.  Many artists cheat unfortunately.  There are so few shows that are originals only I wish the artists that don’t want to do original only shows would just not do this show instead of cheating.  We only do originals so it isn’t anything new to be at shows where people sell reproductions.  Just like anyother show so it doesn’t change all that much for us.  The boat show is also the same weekend.   Saturday and Sunday packed all day.  Monday crowds were lighter in the morning but picked up.  Strong sales all three days.  Monday is the day the bargain shoppers come so be prepared to be low balled on prices especial 15 minutes before the show closes.  People come from all over the world for the boat show and also attend this event.  These are people with money and they are shopping.  We are shipping work to Germany, Italy and Egypt as well as California, Seattle and Chicago from this show.  Miami is our market and The Grove was an excellent show again.  Better than last year.  Of course not everyone had a good show.   In our area there are lot of trees, excellent for shade and to keep you cool, but the booths can get dark so you better have lights.  I think this show more than any other we had a lot of artists to come and see how to set up a light system at our booth and asking advice.  Lights make a big difference.  Yes more to set up, haul around and more money into the set up but one big sale because of lights your investment is covered plus some. 

 

Artists amenities, they offered just what I love.  I don’t care about dinners because I am always too tired at the end of the show to attend.  Lots of booth sitters.  At The Grove they have a VIP area which the patrons pay $60 for but the artists are allowed in.  You are given two alcohol drink passes a day, food comes out through out the day, cold non alcoholic drinks through out the day and a trailer a/c bathroom.  Waters are also passed out at the booths by volunteers.  Monday they ran out of water to pass out  but you could just go to the VIP area and grab as many cold waters or sodas you wanted to bring back to your booth.  There is one area of the show, Pan Am street which is not convient to the VIP area for the artists to get to.  Many shows don’t offer anything so I am thrilled with what they offer and there are always booth sitters for you to run and get away to the vip area regardless of how far you are. 

 

Break down also pretty easy for such a big show in the city.  You are suppose to break down your tent before you get your vehicle.  This is not monitored and most artists do not follow the rules.  It didn’t affect us since we do break down first and have a double booth so as long as the road is kept clear and we can get in we just park in our double booth spot while everyone else parks across from their booths.  The block captain was very good about keeping the roads clear so no problem.  Everyone works well together.  Those artists that wanted to get on the road that night we all gave them first dibs on getting in since a few of us were staying the night because  we always stay an extra night and plan deliveries Tuesday mornings.  Not a stressful breakdown at all. Show ended at 5pm and even going slow we were out by 6:45.

 

This show is a very expensive show to do.  One our most expensive of the year.  Double booth is $1660 and jury fee $55.  Lodging is very expensive this weekend in Miami and we stay for 5 nights.  Parking is $20 a day unless you pre pay and get artists parking for $40.  A great way to cut expenses is to get a house and share with other artists.  We had an amazing house, best air bnb yet, a few blocks from the show.  This area isn’t going to have anything not nice or cheap but being able to cook meals and park for free saves a lot.  Its really fun staying with artist friends too.  We share cooking meals and support eachother with other aspects of the show.  It’s a great way to go and we try to do it at every show possible.  Total expenses for this show costs us close to $4,000 by the time we pay double booth, lodging for 5 nights, travel expenses, food and cost of art work sold.  You need to have a high return on this show for it to work.  Run the numbers and see if it makes sense for you.  Our expenses are higher since we do a double, stay close to the show, two of us are eating and the cost of materials for a large scale original piece is not cheap to make.  The show is well worth it for us and we love it.  Really hope to be accepted again next year.  

Best air bnb to date :)  enjoy the journey

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What Happened to the South Florida Shows?

I've been reading reviews and comments about both ArtiGras and Coconut Grove. I'm disappointed by what I am reading because at one time South Florida was the premier place to sell your work in February and March. So, I started thinking about it and all the things that made Coconut Grove great started coming back to me. Here it is:

I have an emotional attachment to the Coconut Grove Show. I did it for over 30 years. Unfortunately, I can't stop comparing today's version to the hayday. I did the show when Marla and then Carol ran it. I did the show when there was no gate fee and there were so many people, it was hard to get in a booth. There were 4 times the amount of customers. I did it when there were 100 less artists and the booth fee was 1/3 what it is today. There was an artist lounge with breakfast and lunch or a place to go to get out of the sun. You would run to grab something to eat because you didn't want to miss a sale. I did it when artists had free parking and there was a party every night after the show. I won Best of Show in 1985, when glass and clay were king at the Grove. I was there when every artist was great and I wondered how they made a mistake and let me in. I did it when the patrons came in on a trolley at 8 AM and spent their art bucks. One year I did 12K before the show opened at 10. I was there when everyone did at least 6K and almost everyone did 5 figures, not just 1 or 2, and keep in mind that would be 20K in today's dollars. I was there when the music was appropriate for a classy show, Maynard Fergeson one year, Dizzy Gillespie another year. They had the Jefferson Starship and Bachman Turner Overdrive when they were at their peak. When BTO was there it got a little raucous and they toned it down after that. They used to have a competition for the Grove t-shirt among the accepted artists. The winning artist image was on the poster too and a billboard that everyone could see driving into the area. Now they use some local overrated commercial hack. This year it was Guy Harvey again. I loved those t-shirts. I still have a poster or two hanging in my studio. I wouldn't wear this years t-shirt if you gave me one.

They charge a $15 gate fee. Artist parking is $20 a day. The booth fee is triple what it used to be. There is no trolley or art patrons with art bucks. They tore down the building with the lounge. There are beer hawkers and the food booths are closer to the artists. There are over 100 more booths so the pie gets sliced smaller and smaller. Every year they offer the artists a little less. It isn't drastic except over time.

You'll have to excuse me if I cringe when someone comments about the Grove, this year. And don't say things are different now. They could easily be the same or better.

The Grove used to be the best show in the country. Ask Connie to verify what I am saying. She was there.

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Last Call: 48th Park City Kimball Arts Festival

36ceaacd-9b90-4066-a383-e09a73eb77b4.jpgAugust 4-6
Park City, Utah
Presented by the Kimball Art Center
220 Artists

Deadline: March 8

Application fee: $50; Booth fee: $575-$1625

The Park City Kimball Arts Festival is an award-winning jury selected visual arts festival located in the heart of the world-famous resort community of Park City, Utah.  The Kimball Arts Festival is one of the most highly regarded art events in the West. We proudly feature more than 220 fine artists across 12 disciplines. Each year, the Festival draws more than 58,000 art enthusiasts to Park City's Historic Main Street for a celebration of art, cuisine and music.
 
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* 2016 Average Artist Sales:
  $4,895
* No Commission
* Lodging Discounts
* Designated Load-in
   times; Complimentary Artist
   Parking 
* Artist Lounge; Booth sitters
* Enhanced security measures
* Updated weekend hours
* Additional advertising
   opportunities available
 
Testimonials from 2016:
  • "I do many of the top shows in the nation and Kimball's Park City show ranks as our favorite to be honored to exhibit in."
  • "This is, without a doubt, one of the BEST run shows that I do...It's nice to be treated with such respect and courtesy as an artist...I will definitely apply again next year!"
  • "It was my best show ever. Everything just seemed to go well, the weather, the setup and take down, the sales, the support and a lot of nice folks attending."

Questions? Contact Hannah Palmer, 435-649-8882, artsfest@kimballartcenter.org
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Well, the truck has been unloaded, the bills have been tallied, and the verdict is in on our first time participating in the St. Stephens Art and Craft Festival in Coconut Grove.  It has taken us two days to drive home so I have had a lot of time to reflect on our experience. Fair warning, this post will be long as I want to give detailed information for anyone thinking about doing this show. First, I want to say that this show is run by the nicest group of people you would ever want to meet.  This show is a church fundraiser to finance their good works, good people doing good work. They have been doing the show for a long time and have organized it very well.  The venue is the church parking lot, basketball court and surrounding areas.  In other words it is tight.  Load in could have been a nightmare, but it was not. We were given a schedule and told to follow it.  When we arrived at our appointed time we had to wait a little while before being allowed to drive adjacent to our booth for our 45 minutes of unload time. One of the many wonderful volunteers acted as traffic cop to insure that everyone could have an unobstructed entry and exit. Parking after the unload was an issue. Basically for parking you are on your own.  The show information packet had a map showing where the public parking facilities were located but you have to pay to the going rate to use them.  If you have an over size vehicle or a trailer like we do the only option was a surface lot about 2 blocks away.  On Friday parking was $6.00 for 12 hours for each space.  When the show started on Saturday there was a 20.00 per space charge.  So, for the three days of the show plus the set up day we had $92.00 in parking fees.  There is not much the show organizers can do about this without the cooperation of the City of Miami. But here is the deal, the city gains so much tax revenue from this event and the Coconut Grove show that goes on the same weekend.  The hotels were packed, the restaurants were busy, and money was flowing mainly because there was an art show.  The city collected sales taxes, lodging taxes on inflated room charges and so much more but we had to pay to going rate to park?

When the show opened at 9:30 am on Saturday we had high expectations.  The crowd was sparse for the first couple of hours.  Those around us said not to worry as the crowd attends the Coconut Grove Show first and then come to this show later.  On Saturday we had a good sales day.  Sure enough more people showed up in the afternoon.  We had a 900.00 sale, a 450.00 sale, and a 500.00 sale along with three prints for just short of a 2,000.00 day. We knew our expenses were going to be high for this show but we wanted to test the east coast market for our work.  Besides, I had never been to Miami and wanted to see the place. The crowd was light on numbers but we had enough buyers to have a good day.  We had high hopes for a good weekend. Alas, it was not to be.

On Sunday to describe the crowd as sparse would be kind.  At about 1pm I walked into the street to see where all the people were.  Just down the block was the entrance to the Coconut Grove Show. There were four lines 50 people deep waiting to pay the $15.00 admission. There was a hoard of people coming down the street and they all headed for the other show. Our sales on Sunday were 350.00 and the same on Monday when the crowd was even smaller.

Next door was a buy/sell market set up in a parking lot.  I think that hurt this show tremendously. Many of the people we saw had come directly from the buy/sell.  One person there was selling the most bizarre plants either of us had ever seen.  It was in a small hanging pot. with some green leaves visible from the top, with long stems hanging down the sides with what can best be described as blooms resembling used condoms at the ends.  Person after person walked by holding these used condom plants.  One person walked in our booth with one and explained that the used condom part was like a Venus Fly Trap and ate what ever entered.  So now we had people walking around with carnivorous used condom plants.  Also available at the buy/sell were chairs painted white and stenciled with the logos of the local sports teams, hammocks no doubt made in China, and best of all CDs of steel drum music. The steel drum guy brought his instruments and played along with the CD for hours on end. His stamina and determination were remarkable.  I really enjoyed his music.  It was relaxing and soothing..for perhaps the first ten times I heard it.  After three days of the same 15 songs over and over again it got old.  Luckily at about 5pm each day he got tired and turned on Latin dance music that got everyone going. At the end of the show I thanked him for his musical addition to the experience.  He said he had not done as well as he hoped.  I said join the club and have a safe trip home.  

Load out could have been a disaster but again it was not due to the excellent work of the show staff. When completely torn done, one sought a pass from the volunteer.  Traffic was controlled so that everyone had a clear path to their booth.  After having an unfortunate experience at our last show running over another artist's cart with our trailer, I decided to wait until the coast was clear before I tried another close quarters maneuver.  We zipped up our tent and went to dinner.  An hour later the area had cleared out, we dropped the tent and loaded up, easy, peasy.   

So here is the bottom line on this show and Miami in general.  First everything is expensive.  It is a big city during prime season.  The show staff is wonderful.  There was an artist's dinner Saturday night where they awarded $10,000.00 in prize money. We won a Merit Award.  There was a continental style breakfast each morning which we cannot eat but others said was good. 

Miami traffic is a nightmare.  We saw more craziness on the roads in four days than we have seen in any other big cities we have ever visited combined.  Where did these people learn how to drive? Keep your wits about you on the roads.  

Hotels are expensive.  We waited too long to look for a room.  We ended up in a place that was horrible north of downtown.  We left after one night for a place next to the airport.  This location was a much better commute to the show as we did not have to pass through downtown.  We would recommend staying on the west side of the city for either show for this reason.  Be ready to pay parking charges at the hotels.  They wanted to charge us 25.00 per night for our trailer because of "extra" security required. In other words, an up charge rip off.  We negotiated that down but did have to pay extra. Ask for a room away from the expressway, the road noise is really bad. 

The roads are a maze of interconnecting webs, of which many are toll roads.  If you do not have any cash with you, do not be concerned they take a picture of your plate and bill you later. 

Food, especially good food can be expensive.  A couple of options near the show with reasonable prices are Greenstreet.  Food is reasonably priced, drinks are expensive. Greenstreet breakfast was excellent each day.  Spillover is a good dinner choice within walking distance of either show. 

We loved the vibe of the place.  The multicultural aspect of the city is great.  Every night after the show we went out to shoot (we are photographers).  We saw an ancient monastery built in 1141 in Spain and transported to Florida piece by piece, classic examples of Art Deco architecture framed in neon, an area re-vitalized by spray art, and a beautiful city by the ocean.  So, we lost a few hundred dollars on the show, spent a week of our lives driving about 900 miles each way having experiences we will never forget.  One night we made a wrong turn and ended up in the valet line for an exclusive party on the biggest yacht I have ever seen. There were more Maseratis, Bentleys, and Ferraris than I knew existed in the world.  Our Ram pickup stood out as a very unique vehicle in this classy environment. I quickly decided to make a three point turn and get out of there before I was blocked in by another 300k car.  In the process I squished a couple of their traffic cones. Hey, no one was hurt so it was a successful maneuver. 

The only problem was a lack of qualified buyers at the show.  The vast majority were there for the beer and popcorn.  If it had been a local show we would have been happy with our sales, but we were a long way from home with a lot of expenses.  Both artists who have done this show for several years and patrons commented on the relative lack of attendance as compared to previous years. If you are considering doing this show understand you will have a big nut to crack to turn a profit.  Hopefully attendance this year was an aberration and the buyers will return. If we had not had the two big buyers we had on Saturday we would have been in a big dark hole. Most folks we talked who had to travel barely covered expenses.  

 

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I know that writing this post will create problems for me but I need express.

I just came back from Arti Gras, (Jupiter, Florida). Last year I did this show follow by South Miami but this year South Miami was canceled. I still decide to make the trip since the cancellation of the show happen after I paid Arti Gras. The trip from Chicago to Florida is long but easy.

I won't talk about the sales because I know year to year the sales changes. Nobody can control sales. This fact is the main reason why I put all my energy in putting my best work, best presentation and hope for the best.

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I follow the rules that I learned from Amdur Productions and Howard Alan that in time I found out is the standard for most artists because they make pure sense. At this point in my business, I had choose not to do shows with them because the market they provide is not good for but they gave the foundation how to behave and work at the show and I can still go back to them if they let me in.

This brings me to what I saw at Arti Gras. Arti Gras is one of founders of Zapp and I expect a lot from them. I expect to follow the rules they tell us. I also expected them to enforce them.

There was a lot buy and sale and artists point them out but the answers they got: they know but if they eliminates them there will not be enough artists for the show because they believe that show has 50% buy and sale. It is more crazy close one this so call buy and sale artist but they allow him back into the show. The reality I see why they do not close those tents and the legal problems that it can create but then it became a flea market not Arti Gras.

It is was very clear to me when two tents next to me a guy sale paint coolers, dog dishes, etc. The photographer in front of me has 17 bins outside of his tent and make better it has 50% discount signs in all his works. This sign no way in hell should be allowed to be displayed. Add more insult the photographer with wins best of photography. One buy and sale wins best of category. 

Here is where I start wondering where greed, ignorance and ego stops. Artist booth fee do not cover the show cost. I know that for each artist that move on you can replace it with your choice of 10. I know you believe that you are doing us a favor but is interesting to me that I did not saw any of top art fair photographers at this show. I also wonder if is the same case in other categories. There still beyond good work at Arti Gras but because it feels like a flea market it may not bring high-end buyers. No high-end buyers good artist will move on to another show and test waters because doing this show can cost the artist easily 1500.00 plus COGS and time. 

I know you have a lot on your plate but think even we are the less profitable part of the show to make sure we have a fighting chance. If you do not have enough artist at your standards cancel the show or let people that meet your standards know and give them the choice of back out with out loosing money. 

When I come back from a show experience like this I mark the event as a filler at best regardless of my sales. I felt RAPE and everything that comes with that action. That is feeling that no artist should ever feel
specially coming from a show like Arti Gras but then again the powerful keeps degrading the little people.

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APPLY TODAY FOR OUR 2017 FESTIVALS

MARCH ART FESTIVALS
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March 4th & March 5th
Fort Lauderdale, FL 
Las Olas Art Fair Part II

March 4th & March 5th
Venice, FL
Downtown Venice Art Classic 

March 11th & March 12th
Juno Beach, FL 
Palm Beach Gardens Medical Center Art Fest by the Sea
Show is currently closed. Applications are being accepted for waitlist only. 

March 18th & March 19th
Coral Springs, FL 
Coral Springs Festival of the Arts & Crafts 

March 18th & March 19th
Indialantic, FL
Indialantic (Melbourne) Art Festival

March 25th & March 26th
Melbourne, FL
Downtown Melbourne... Festival of the Arts on New Haven Avenue 
 
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APRIL & MAY ART FESTIVALS
 
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April 1st & April 2nd
West Palm Beach, FL
CityPlace Art Fair

April 22nd & April 23rd
Arlington, VA 
Arlington Festival of the Arts 

April 29th & April 30th
Fairfax, VA
Fairfax Corner Art Festival 
 
April 29th & April 30th
Siesta Key, FL
Siesta Fiesta
 
May 27th & May 28th
Hilton Head, SC
Hilton Head Island Art Festival with Craft Marketplace 
 
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JUNE ART FESTIVALS
The Cleveland Tour
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June 3rd & June 4th
Cleveland, OH
Art in The Village with Craft Marketplace
 
June 10th & June 11th
Westlake, OH
Crocker Park Fine Art Fair with Craft Marketplace

June 17th & June 18th - New Show!
Shaker Heights, OH
The Hathaway Brown Fine Art Festival with Craft Marketplace
 
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JUNE & JULY
NORTH CAROLINA TOUR
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June 24th & June 25th - New Show!
Huntersville, NC
The Lake Norman Festival of the Arts with Craft Marketplace 
July 1st & July 2nd - New Show!
Asheville, NC
The Downtown Asheville Festival of the Arts with Craft Marketplace 
 
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JULY & AUGUST 
Colorado Summer Tour 
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July 22nd & July 23rd
Aspen, CO
15th Downtown Aspen Art Festival
 
July 29th & July 30th
Keystone, CO
2nd Keystone River Run Village Art Festival
 
August 5th & August 6th
Avon, CO
30th Beaver Creek Art Festival
 
August 12th & August 13th
Frisco, CO
11th Main Street to the Rockies Art Festival
 
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AUGUST & SEPTEMBER
Eastern Tour
Alexandria 
August 19th & August 20th - new show!
Cleveland, OH
2nd Flats Festival of the Arts
 
August 26th & August 27th
Pittsburgh, PA
21st Shadyside ... The Art Festival on Walnut Street

September 9th & September 10th - new show!
Columbia, MD
The Columbia Art Festival on the Plaza

September 16th & September 17th
Alexandria, VA
15th Alexandria King Street Art Festival
 
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OCTOBER - DECEMBER
Florida Tour
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October 14th & October 15th
Tampa, FL
28th Hyde Park Village Art Fair
 
October 21st & October 22nd
Fort Lauderdale, FL
30th Las Olas Art Fair 
 
November 4th & November 5th
Venice, FL
30th Downtown Venice Art Festival
 
November 11th & November 12th
Sarasota, FL
29th St. Armands Circle Art Festival 
 
November 25th & November 26th
Delray Beach, FL
18th Downtown Delray Beach Thanksgiving Weekend Art Festival
 
December 30th & December 31st
Estero, FL
7th Coconut Point New Year's Art Festival

We hope you will consider joining us in 2017. 

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Learn about our organization here: 

DEADLINES
We do not have deadlines for most of our shows. Therefore, please keep in mind shows and categories may be open when you contact us, but are subject to close at any time. In order to avoid being shut out due to show closures, please submit early. We strongly recommend applying when the applications become available. We have no way of knowing when a show will close, as we receive many submissions a day that could prompt a show's closure without anticipation.

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