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49672f31-9d86-4889-983f-742a369605b6.png?width=187July 8 & 9   
Rochester, New York
Presented by: Corn Hill Neighbors Association
375 Artists
Deadline: March 19                               

Application fee: $35; Booth fee: $375-$530


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One of Rochester's premier summer events, the Corn Hill Arts Festival attracts 150,000 visitors who value unique quality arts and crafts. It is an outdoor event in the streets of Rochester's oldest residential neighborhood, Historic Corn Hill-a downtown location along the Genesee River. The Festival is free to the public and is supported by over 200 volunteers. 
 
This is a juried event, expect:

  • $8,000 in prize money
  • $95,000 of in-kind advertising through TV, radio, print, online social media PR and an actively maintained and heavily trafficked website.
  • Daytime and overnight security provided.  
  • Close to many hotels and easy load in/out.  
  • Free shuttle service for our visitors from downtown parking.
New this year: Two wine and beer gardens with New York State Finger Lakes wine sponsorship, music from 4 stages with 25+ live performances, variety of food vendors, including food trucks, 5th annual Fairy House Tour, 9th Annual Emerging Artist Expo.

What they say:
"Corn Hill has excellent organization and volunteers that make a very positive event for the artists/exhibitors."

"I feel the quality of the art is terrific and diverse. It is on my list of must do's every year!"

Contact:  William Kelly, chna@cornhill.org, (582)262-3142
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An Odd Year

This will be my 5th year of art fairs. I hope it won't be my last. I had been doing 4 to 6 shows every summer but this year I will (hopefully, as I have not been confirmed yet) be doing only 2.Doing only two shows per season sounds pretty pathetic but it's all I can afford to invest in booth fees and truck rentals this year. I stuck to two favorite shows that are less than 10 miles away and hope to make some profit. (My wife also retired)I can't afford the upkeep of a van or truck so I rent U-Haul vans. They're OK for short distances but anything with a few hours' distance and you pay per mile which adds up significantly. Standard vehicle rental companies have a fixed rate and free mileage but that fixed rate is also high.I was told by veteran artists last summer that they usually experience a down year in sales in an election year. Well, this is will be a post election summer but I don't know that it will be like a regular one what with the turmoil and uncertainty at the top (!) Then again, my art is sort of on the low end in terms of prices so perhaps customers will buy more from me since I'm less expensive.I have found in my short art fair experience that it is almost impossible to predict or gauge how one will do in any particular show. There are just too many variables.An artist friend who is a jeweler does very well in one particular show that takes place about three hours from me. He told me two years ago that he had been doing that show for 8 years and each year he had been doing better and has regular customers. I decided to do that show and though it was a nice one, I didn't do well at all. He told me that it will take time for the locals to get to know me and my customer base will grow. Perhaps he's right, but I cannot afford to do that show anymore or any other show any fair distance from me since the vehicle rental and hotel (though reasonable) are just too much.I thought about my friend's success and came to a conclusion. A jeweler sells various pieces that become collections. A fair attendee purchases a beautiful ring and the following year looks for the same artist and buys matching earrings. The following year they may get a bracelet and then a necklace. Since all his artwork is hand made one of a kind, it's not difficult to understand that he could continue to attract repeat customers at just about any repeat show he does as well as one time shows.I, on the other hand, sell artistic photography art pieces of a diverse subject nature and style. I have done a few shows three years in a row and not once have I had a repeat visitor or buyer. I'm not saying that it can't happen, I think it's less likely to happen for me than for a jeweler or any other artist that has similar unique style pieces or items that can be assembled as a collection.I'm ranting with no particular point to make other than just writing out loud that it's been a strange year and almost non existent winter. I think this lack of a typical midwestern winter (no measurable snow for February, a first in 146 years) and mostly Spring temps have affected me in an indescribable manner.Hope everyone has a better sales year than before.Good Luck
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The Great Fair in Fountain Hills, AZ

What a joke,  I think they should name the show something else, not the Great Fair  I did this show in the early 90's and then it was a Great Fair.  The work was real good and no buy/sell.  I knew artists that did wonderful sculptural pieces, paintings, and fine jewelry work, but where have they gone. The artists I knew 20 years ago are no longer doing this show.  And this show has evolved into mostly buy/sell.  It is a shame.   And then the landscape is changing do to progress.   Used to park my van behind my booth, not any longer.  The land has a hotel, assisted living facility, and coming soon retail/apartments.  So unable to  park behind the booth. it is called progress.  The bathrooms were plentiful, and clean,  Security was excellent.  I remember when the streets were so crowded with buyers one could hardly walk.  Now seems rather empty,  People just out for a stroll not looking sideways at the art but straight ahead at their cellphones (leave the phone at home)  And no I do not have a smart phone.  Setup was horrific, as was teardown,  it was a free for all.  I figure after 30 years they would have figured something out.   Did talk to quite a few artists who are NOT coming back.  I would like to know why they had a direct tv booth, kitchen knife booth, windows for your home, where is the art in that,  One can tell by this review that I WILL NOT BE BACK.  The best part of this fair were the people I met and stayed with.  

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0542474d-6816-44d1-83b2-ba211a36e409.jpgApril 1 & 2
Saint Simons Island, Georgia
Presented by Glynn Visual Arts
75 Artists
Deadline: March 10

No application fee. Booth fee: $220

This annual Spring Arts Festival on St. Simons Island, GA offers a fine arts event in a small town ocean-side setting that brings more than 8000 visitors.  Postell Park is home to this festival, across the street from the Golden Isles Visitors' Center. The one square block setting is located under mighty live oak trees, in view of our historic lighthouse with the Atlantic Ocean a few hundred yards away.

644bb7d6-c00d-450b-80bf-f105cebc2bc6.jpgThe arts festival brings visitors from as far away as Atlanta to enjoy the ambiance of this coastal community and is anticipated by the local community, visitors and local businesses. New this year is a bicycle scavenger hunt on Sunday that focuses on everyday art in the community but also brings more visitors into the park for the start and finish.

Artist amenities include a continental breakfast each morning, bottled water, and booth sitters during the show.

Marketing
Local newspapers and tourism guides, local magazines, billboards, banners, and signage throughout the community, posters in storefronts, Constant Contact emails, and our website. The festival is also promoted through the Golden Isles' Convention and Visitors Bureau website and other local online calendars.

Learn more & apply:  http://www.glynnvisualarts.org/festivals.html

Contact: Hannah Roberts, festivals@glynnvisualarts.org, 912-638-8770

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Call for Artists: A Fair in the Park


791cb646-5667-428a-817d-4c3929caa04f.jpg48th Annual A Fair in the Park
September 8, 9, & 10
Pittsburgh, Pennsylvania
110 Artists
Application Deadline: March 10

Application Fee: 1 medium $25, 2 mediums $50
Booth Fee:  $395,  Corner $445

100f09ec-fdfa-41f8-9f95-93c6c3e02d44.jpgThis event is held in the affluent city neighborhood of Shadyside, in a lovely park beside Pittsburgh Center for the Arts.

The Fair is free to the public and draws strong community support. Outstanding live music, artist demonstrations, children's activities, plus a variety of food choices are featured throughout the weekend. Make A Fair in the Park part of your 2017 show schedule.


A Fair in the Park is held in the lush surroundings of Pittsburgh's Mellon Park. An estimated 20,000 dedicated visitors enjoy the opportunity to interact with over 100 regional and national artists working in a variety of mediums including clay, fiber, wood, jewelry, glass, metal, mixed media, and two-dimensional art.

Shoppers will enjoy outstanding live music, artist demonstrations, children's activities, plus a variety of food choices are featured throughout the weekend.

  • Rated one of Sunshine Artist's Top 100 Art Shows
  • Drive-up loading and unloading (weather permitting) 
  • Amenities: free parking, security, booth sitting and more
  • Four awards for Best of Show Artist, Artistry/Creativity, Craftsmanship, and Originality  
  • Saturday Night Artists' Party with complimentary drinks/food and awards presentation

We employ a full marketing and PR campaign to promote both our event and to highlight the talented artisans participating in the fair. 

 

All Members of the Craftsmen's Guild of Pittsburgh are offered a booth space at A Fair in the Park. Each year approximately 60% of the artists at the Fair are Members of the Craftsmen's Guild of Pittsburgh, who have become Members by passing a rigorous jury process. The remainder of the artists at A Fair in the Park are selected by a jury from a large pool of national and international applicants.

Learn more and Apply: http://www.afairinthepark.org/

Contact: Carrie Nardini, fairdirector@craftsmensguild.org
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March 25 & 26
DeLand, Florida
Earl Brown Park
Saturday - 9am-5pm; Sunday - 10am-4pm
75 juried eartists and 75 crafters
Deadline: March 15
 
Application fee: $15; Booth Fees: $155

This festival, which will celebrate its 52nd year of continuous operation in 2017, has become a city-wide tradition for generations of residents in and 
around DeLand. Home to Stetson University, DeLand boasts an art-savvy public that embraces the event as their "hometown" show. 
DeLand
Separation of fine art and craft from
traditional art and craft insures an interested public visiting each section.

Extensive media campaign and public relations support reach beyond the immediate market. 65% of our artists and crafters return every year.

The City of DeLand from 2013-2014 spent 5.5 million dollars to beautifully renovate Earl Brown Park with a new Wayne Sanborn Activity Center, Amphi-theater, concessions and beautiful landscaping.

Highlights:
  • Long history of excellent community support
  • $6000 in cash awards; $1,600 Best in Show
  • $500 Spectator Awards for shoppers to win to purchase work at the festival is awarded both Sat. & Sun
  • 75 Fine arts and crafts exhibitors and 75 crafters
  • Bloomsbury3Artists amenities: 24 hour security, booth sitters, restrooms, continental breakfast, reserved on-site parking for cars, designated trailer parking, designated RV parking (dry parking only) - free
  • Estimated attendance: 5000+
  • Extensive advertising and marketing: television, radio, newspapers, magazines
  • Friday setup; drive to booth to unload and then park; assistance available if required
  • DOAF has adopted the Atlanta/Maitland Scoring System. Artists work will be judged on their Originality, Presentation & Execution. Artwork no longer leaves the artists booth. 
Learn more: 
http://www.delandoutdoorartfest.com where you can apply online or download an application

Questions? Marty Cox, (386) 736-7855
Email inquiries to: Patty Clausen, delandoutdoorartfestival@cfl.rr.com
 
~~~~~~~~~~~~~~~~
Find even more art fairs looking for you:  www.CallsforArtists.com
 
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0ab969d6-d372-431a-9815-242ecc60b695.jpgSeptember 9 & 10
Downers Grove, IL
50 Artists
Deadline: March 15
 
Application Fee: $30   Booth Fee: $225, 10x10; double $450
  
The Downers Grove Fine Arts Festival will be celebrating 41 years this fall. It is held in the middle of our award winning, historic downtown, located 22 miles from Chicago's loop. Direct access to the BNSF rail line brings patrons from around the region and the City of Chicago to the festival. The festival will be held in the middle of Main Street. Live music, boutiques, cafes and a children's art area will complement the high caliber of art that will be present at the show. The show is attended by more than 5,000 people annually.

2a698e19-7881-4ebe-8679-33dda3d804f0.jpgThe Downers Grove Fine Arts Festival marketing campaign includes internet and print advertising, newspaper articles, magazine ads, eblasts, press releases, banners, signs and when possible radio advertising. If you would like to be included in our press releases, please enclose a personal biography and/or artist statement. Our media publicist may contact you for further details as needed.

Downers Grove has recently received many accolades, including but not limited to: 

* #2 Best Place to Raise Your Kids in the Country (Livability.com 2014).
* #10 Most Exciting Place in Illinois (Movoto.com 2014)
* #8th Best City in Illinois (Movoto.com 2013)
* Best Downtown Shopping District (Reader's Choice of Suburban Life 2013-2016)
* Downers Grove has one of the nation's most educated citizenry (American Community Survey 2010)
* #5 Best Place for a Healthy Retirement (CNN 2009)

Upon selection to exhibit, you will receive a detailed packet of event information including free festival postcards for your own distribution. Additionally, you will receive a printable flyer to be used for your own publicity, mailings, or publications. A free program including artist name, media, and booth location will be distributed the day of the event to attendees.

Artist Amenities:   
*       Complimentary coffee and donuts on Saturday and Sunday mornings
*       Indoor bathroom
*       Booth sitting, free parking, overnight security
*       Hotel Rooms offered at a discounted rate
*       Artists retain all proceeds
*       Coordinated loading and unloading with strong volunteer support

Apply: 
http://www.juriedartservices.com/index.php?content=event_info&event_id=1174 

Additional information: www.downtowndg.org
 
Contact: Erin Venezia, evenezia@downtowndg.org(630) 725-0991

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Find more art fairs like these for your 2017 art fair season: www.CallsforArtists.com
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95ef9428-e679-4985-afaa-c989dbf5c61f.jpg?width=410July 29 & 30
Minneapolis, Minnesota 
Loring Park
Sat. 10am-6pm
Sun. 10am-5pm
140 Artist booths
Deadline: March 15

Application fee: $35
Booth fee: $260-$520

Wildflowers and formal gardens create an idyllic setting for art, food and music in this high quality 18th annual juried festival held in beautiful Loring Park near downtown Minneapolis. 

We strive to exhibit fine art and fine craft in a variety of styles and prices with the goal being "something for everyone."
Booths circle a large pond with 12X12 spaces for display, with drive-up load-in and load-out at the booth spaces.  The circular arrangement makes it easy for visitors to see the entire show as they walk around the pond.  Free bus rides are available for patrons through a partnership with Metro Transit.  
 
The festival is coordinated by Artists for Artists, a partnership of experienced artists, whose goal is to provide an opportunity to exhibit and sell work in an atmosphere designed with the artist in mind.  
 
Highly rated by the Art Fair Sourcebook and Sunshine Artist Magazine. Many artists reapply annually due to consistent sales potential, loyal community support and repeat buyers.  
 
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For more details and a link to our application:

Follow us on Facebook:     www.facebook.com/loringparkartfestival
Any questions email:  info@loringparkartfestival.com
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When artist call themselves high-end artists in art show world?

How many times I hear this from other artists and I ask my friends what that suppose to mean. When it comes to jewelry does that mean the artist works only with gold, platinum and diamonds and that make sense. So how those that play in other mediums. Does quality of craft and skills counts in being high-end artists? Why do you call yourself high-end artist?
In photography, which is my area I practice, I really do not see that in art fairs world. Anyone with the right equipment can produce a large print (48X96). Printing in metal or acrylic does make you a high-end photographer. Using high framing materials does that make you high-end artist.

So because you have big item with high price does that make you high-end. Does success make you high-end artist. What about those yard artists?

Look at ceramics, more detail in piece makes more special but does that make you high end artist.

So my question to you, why you call yourself I high end because price alone does not make it. To me high-end is more when I walk to that store with the cyan little box.

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f9ba55cd-d9c1-42ca-9a95-28f04702b1ac.pngMay 13-14
South Walton, Florida
Presented by the Cultural Arts Alliance of Walton County
200 Artists
Deadline: March 1

Application fee: $40; Booth fee: $300

ArtsQuest is held in beautiful South Walton, Florida, at Sandestin along the Gulf of Mexico. The two-day festival is always held Mother's day weekend, which is a great time for discerning travelers to visit South Walton. ArtsQuest artists compete for $10,000 in cash awards, including Best in Show, Awards of Excellence and Awards of Merit. It is the kick-off event for Art Week South Walton, an initiative of the Cultural Arts Alliance of Walton County.

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The festival takes place at the Town Center of Grand Boulevard at Sandestin which is also home to large-scale events such as the 30A Songwriters Festival and the South Walton Beaches Wine & Food Festival. Located along the Scenic Hwy. 98 Corridor, Grand Boulevard is easily accessible from regional drive and fly markets, including Houston, Memphis, Atlanta, Nashville, Birmingham, Mobile, Pensacola and Tallahassee.

Marketing: With the support of the Tourist Development Council, Visit South Walton, there is a comprehensive marketing campaign for ArtsQuest, including radio (Southeastern markets), social media, direct mail, posters, online advertising, and regional and national print media.

Amenities: Artist hospitality room serving continental breakfast, light snacks * Artist parking * Overnight security * Booth sitting * Artist-only lunch specials at participating restaurants * New festival venue is conveniently located to many affordable accommodation options

Apply: https://www.zapplication.org/event-info.php?ID=5422

Learn more: https://www.artweeksouthwalton.com/
Jennifer Smith, jennnifersmith@culturalartsalliance.com, 850-622-5970

~~~~~~~~~~~~~~~~~
Find more art festivals for your business: www.CallsforArtists.com
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6642ce16-2c73-449f-b399-f68e11353759.png

Art Olympia 
is an open art competition held as a biennial event in Tokyo with the goal of discovering talented artists around the world. It aims to promote exchanges of the world's various cultures through arts. 
 
Artworks of approximately 180 pieces (80 from Japan and 100 outside of Japan) will be selected and undergo a final review in Tokyo by a panel of international judges.
 
Total value of cash and extra prizes is approximately $500,000 USD.
 
05db2509-53fb-4e12-81d3-8a75069527b0.jpg?width=600
International Jurying-Tokyo
 
Artworks submitted will first be reviewed online and the final review will be in Tokyo. The first review will be done using the images of artworks and the final review with the original art. The final review will use a point rating system, allowing the public to check the reviewing process to ensure fairness and transparency. 
 
Primary round judging will be held in New York and Tokyo to select 100 works from New York and 80 works from Tokyo. The chosen work will be evaluated in Tokyo to determine the winners. New York based entry is for artists residing outside of Japan regardless of nationality.
 
Awards:
 
For all-entrants category, the first prize winner will receive $120,000, the second prize winner $30,000 and the third prize winner $20,000. All of the 180 finalists will receive cash prizes, have their works displayed at the exhibition, have exposure in an art magazine and will be listed on the Art Olympia website. 
In the student category the first prize winner will receive $20,000, the second $10,000, and the third $5,000 along with other benefits. Student entries will be eligible for both the general and student categories.
 
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2015 Tokyo Exhibition
 
 
 
 
 
 
Judging:
 
At the primary round judging, a panel of five (5) jurors will evaluate the works as digital images. Ten (10) jurors will conduct the final round judging by evaluating the actual works in Tokyo. In order to keep a fair competition, all artworks will be judged blind at the primary round and final round judging. Total points and the ranking of the finalists will be announced officially.
 
A panel of Jurors, comprised of experts from various fields of the international art world, will provide artists with a rare chance to have their artworks reviewed by international art experts.
-Schedule-
1. Entry period: From October 1, 2016 to March 31, 2017
2. Announcement of the Winners: June 7, 2017 
3. Exhibition: Toshima Ward Office Building, Tokyo, Japan on June 17-25
Fees: 
General submission: 
$60 for 1 image; $100 for 2 images; $140 for 3 images
Student submission:
$40 for 1 image; $70 for 2 images; $100 for 3 images

How to apply:
 
3483823feb7f493b99f094fef43e158d?width=550

Learn more & apply today: juriedartservices.com
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This was last weekend. A Paragon show in North Straub Park beside the Museum of Art.This show had lots of visibility. Right on Beach Drive, across from all the happening restaurants. There is a steady vibe here of people enjoying themselves-- and enjoying the art.It was my second time doing this show. Only 126 artists. Easy peaszy setup. On Sunday, tear it all down then get your van. Most people were out in an hour.You can set up a day before, very leisurely. I got to sleep in my own Ybor bed, so did Ellen who was beside me.Booth fee just under $400. Good advertising. Lots of good art and craft at the show, did not see much buy-sell. Plenty of regulars in all mediums who inhabit our circuit nationally.That said, we all made some money, but not enough of it. Saturday was the day of overall sales being real good. Sunday, the high end sellers had a better day then the rest of us.So far this year I get a sense that the general public is very rattled by the political atmosphere. You can see them rising to the surface, almost ready to go home with the work. Then they put it back and walk away. They just cannot pull the trigger.I saw it happen over and over again. So far, my sales are off by about 40 per cent over last year.I am not alone in this respect.I am afraid we have not seen the last of this phenomenon.John Leben you are one lucky man. Hope you can keep it up.This is a sweet little show, I just hope Bill Kinney (Mr. Paragon) does not kill the golden goose.Two weeks from now, he is putting on a seafood-craft festival in the same area. The locals will start thinking, "Oh it just those people in the white tents, ho hum, no reason to buy now, they will be around again." Bill, take a lesson from Naples. Can you smell, or spell, over-proliferation.There was an event held in the week before. They used tons of sand(which Bill had no control over) which ended up covering almost one half of the pedestrian walkway on one of the aisles. People got stuck there, it was not pretty.I would do the show again. It is a great venue for an Art Show.This week I will be at Heathrow next to Lake Mary. Be staying with my good bud Steve Vaughn. Pray for us, sales could be kind of slim.
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I was looking for a show for Feb 25-26. Marcia and I are down here in Florida from Michigan for a couple of months and, to make it work, we have to cram in as many shows as we can. Its expensive down here in the winter. I stay away from shows that are organized by professional promoters, preferring shows that are put on by arts groups and community organizations. The one in Bradenton fit the bill so I applied and got in. Its a small show with less than 100 artists, and this is only their second year at this location. Nels laughed at me and predicted I wouldn't even crack a thousand. But, what the heck, an open date... why not give it a try.

The show is in a parking lot just off a highway in Bradenton. I wasn't impressed with the location. Load in was easy and setup on Friday afternoon (after 1pm) was leisurely (I like that). We kept our van in front of the booth for the whole time (I like that too). Organizers were very low key and let the artists self organize their own set up. I think its much easier for that to happen in a small show. Booth spaces were large and cost less that $200 (can't remember exactly). At 12 x12, we were able to work with our neighbor and establish a side wall with an aisle 3-feet wide.

Saturday, the show went from 10-5 and it looked like Nels' prediction was right. Turnout was very light and we only made $635 for the day. I didn't expect much from this show, so wasn't terribly disappointed. I thought that with a few sales on Sunday,  I would surpass Nel's $1000 prediction.

Sunday started out about the same as Saturday with a sprinkling of sales in the morning. The show was scheduled for 10-4pm (another thing I like, allowing us to fully break down before dark). By noon it looked like Nels prediction was right. The few people walking around were not buying much from any of us.

Now, I am always amazed by the group dynamics at art fairs. I have no idea what kind of karma in the air would create such a drastic change in the buying habits of the public. It could be that the organizers were requiring all attendees to leave their wallets behind... until about 12:30. Suddenly, the wallets came out and people started buying stuff. And it wasn't only in my booth. Many other artists were selling stuff too.

I'm a digital artist and I sell prints of my surrealistic pictures with environmental issues as their theme. My smallest print is $28, and I usually can count on those prints to pay the bills. But, Sunday at this show, after 12:30, my larger framed prints started selling and I even sold one of my large canvas prints. This buying frenzy went on until about 3pm, when it stopped as suddenly as it began. (huh?)

Anyway, we made $2600 in those couple of hours, bringing our total for the show at over $3200. I was amazed and delighted. You just never know who is going to show up. The weather was next to perfect for this show with mostly sunny skies and mostly low winds (a bit windy on Sunday morning). Load out was equally easy as all the artists self-organized. We were out of there by about 6pm.

Next up for us is Bonita Springs next weekend. We've had a pretty good winter season so far. Hopefully it will continue.

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Throwing in the towel, Archie Smith

Hi Connie and all my friends,

It has been a long time since I have been in contact, much water has flowed under the bridge and my situation has changed.

I am now 73 and had my 4th and most serious back surgery a couple of years ago with fused vertebra and metal rods inserted.  (Have so much metal in my back that I am picking up alien transmissions)  My back has deteriorated to the point that I have had to give up shows and it is very painful to work.  This, together with the fact that my wife has Alzheimer's has forced me to throw in the towel as most of my efforts are going into taking care of her.  (Have been doing that for 50+ years and am not going to stop now.) 

Anyway, here is my situation -  While I am no longer making instruments, I have quite a few remaining instruments and have them on my website - www.archiesmithinstruments.com .  I have seriously lowered prices and will consider serious offers.  My instruments are made for a purpose - which is to go out and give pleasure to those who play them and to those who hear them.  It really distresses me to think that they might wind up in a box or a flea market.  I am "trying to find good homes for my 'children'".  If anyone knows of someone who might be interested, please let them know to check out my website.

ALSO - if you know of anyone who is making bowed psalteries, I have a LOT of bookmatched tops and backs left over.  (Have never been able to turn down a beautiful piece of wood, so I have made a lot and still have approx. 200.)  These are all made from highly figured domestic and exotic woods - from Bubinga to Zebrawood.  (Also have jigs, etc.)  Am also selling the Sprinter Hilton - 2008 2500 Sprinter Van w/1.5K miles and many extras.

May you ALL have safe trips, great shows and FABULOUS SALES.  Will miss seeing all of you "on the circuit".

Archie Smith

Archie Smith Instruments

info@archiesmithinstruments.com

arcsmith@ctc.net

Jan. 28, '17

P.S. Feb. 27.  When it rains it pours- got out of the hospital on Friday after about 3 weeks. Had emergency quadruple bypass heart surgery.  Although very sore, am doing well.  Again, may all of you, my friends, have safe trips and great sales!

Archie

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607afd07-394a-4619-a0c7-72788289b441.jpgMay 13-June 18
Brooklyn, New York
Presented by the Brooklyn Waterfront Artists Coalition
500 artist participants

Deadline: March 5

Final Deadline - $65/for 3 images; $5 ea addt'l image.

c69cd342-b4e8-430f-b395-cb7dd7dd552a.jpg?width=375Exhibit your work in a truly unique gallery - 25,000 square feet in a Civil War-era warehouse on the Red Hook waterfront in Brooklyn, NY. The vista of New York Harbor, spanning the Statue of Liberty to the Verrazano Bridge is one of the best in the city. Our 18,000 annual visitors also enjoy the nearby restaurants, bars, IKEA and Fairway Market.
 
The broad theme of "Wide Open 8" encompasses all the possibilities of knowledge and freedom and love - wide open spaces...arms wide open...eyes wide open - but as with all things, there is the inevitable opposite - wide open to attack ... corruption ... failure. This juried show looks to explore the idea of "wide open" in all the hidden niches of our collective psyche.
 
Bonus Offer
Artists accepted into Wide Open 8 can also send one additional work that will be exhibited in our Affordable Art area. All works must be smaller than 16" x 20" (including frame, if framed) and must be priced for sale at $500 or under.
 
72c17ec1-c679-4fa8-a108-62be73cf52e7.jpgJuror: Cara Manes, Curatorial Assistant in the Department of Painting and Sculpture the Museum of Modern Art.
 
What the patrons said:
Wonderful space. Totally loved the last exhibition. Albert TainoImage Areizaga

Put on your walking shoes; there is so much fantastic art to see. Victoria Lapin

Gigantic scale, relaxing atmosphere, harbor/loft environment. Astounding creativity all around. A must-see weekend destination. Mary Bullock
 
Learn more & apply: 

For more information: Jane Gutterman, bwacinfo@aol.com, 718-596-2506
 
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fce72348-ceb6-4870-aca6-b8f383614c01.jpgSeptember 1, 2 & 3
Lancaster, Pennsylvania
Presented by: Long's Park Amphitheater Foundation
225 Artists
Deadline: March 1

Application fee: $35;  Booth fee: $540-680
31076871-8d0e-42bc-bbb6-ee7701826f78.jpg?width=400Every Labor Day weekend some 12,000 art lovers make their way to Long's Park in beautiful Lancaster, PA to shop for fine art and fine crafts. 
 
Set in an historic tree-lined park where booths follow walkways surrounding a tranquil, freshwater lake, this top rated show (one of American's Top 50 Arts Festivals and #2 on the East Coast) draws sophisticated, high-income buyers from Philadelphia, Baltimore, Central Pennsylvania, New Jersey, Delaware, Virginia, West Virginia, Washington, DC, New York and beyond thanks to the quality of its exhibitors and extensive marketing throughout the region.
 
Traditional and digital marketing and advertising will be placed in and around Philadelphia, Baltimore, Washington D.C. and Wilmington, DE and Central PA (Harrisburg, York, Lancaster and Lebanon). Expanded social media exposure, including organic and paid advertising, along with database marketing, retargeting and digital postcards all add up to thorough exposure of artists' work and the Festival overall.

What they said about our show:
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"This was the easiest, most relaxing, 
and beautiful setting of any show I have exhibited so far in my 13 years.  I have never experienced a show where the artists were treated in such a considerate manner. Great job."

"Festival art was top notch. Artist treatment top notch. Buying energy top notch. We loved it!"
"Sales were great, customers were well-educated and engaging, staff was wonderful."
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718cba13-d798-4b66-bdd9-b5a4c036010f.jpgJuly 7 & 9 and August 11 & 13
Jackson, Wyoming
Presented by: The Art Association of Jackson Hole
150 Artists
Deadline: February 28

Application fee: $35; Booth fee: $395

7b48ce7a-0ee8-4d82-b63b-2a5b7c2cb05c.jpg?width=400Located just two blocks off Jackson's historic Town Square in the heart of the Tetons in Jackson Hole, Wyoming.

The Art Association's Art Fairs are quintessential Jackson events. These outdoor fairs feature local and national artists selling fine art and crafts including ceramics, paintings, furniture, photography and much more. Live music, food vendors, youth activities, and artist demos add to the extended weekend activities at Miller Park. All proceeds benefit our art education and outreach programs.

New for 2017: "Flock to Art" marketing campaign, more truck food vendors and extended entertainment programming.

Apply for the July show:  http://zapplication.org
Apply for the August show: https://www.zapplication.org

Information: 
artassociation.org/events/upcoming-events/event-art-fair-jackson-hole-30/


Contact: Molly Fetters, artfair@artassociation.org, (307) 733-6379

 
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ff0cd2fc-62f7-40bd-8285-48ef58e5987b.jpgAugust 19 & 20
Michigan City, Indiana
Lubeznik Center for the Arts
100 Artists
Deadline: March 10

Application Fee: $35.00; Booth Fee:  $200.00

Now in its 36th year, Lubeznik Center for the Arts (LCA)Lubeznik Art & Artisan Festival attracts thousands of shoppers and art enthusiasts to Michigan City's North End. Held on the third weekend in August, this festival, features contemporary art, artist activations, beer and wine and food.f7c1faa6-816a-4a8b-8a25-752ccf992c3b.jpg

It draws repeat visitors from Chicago, South Bend and North-west Indiana, as well as Michigan's nearby Harbor Country communities. Patrons to the festival include second home-owners in the nearby beach communities. The festival, was presented off-site for many years, is now held on the LCA grounds to immerse festival-goers in the LCA experience and to help visitors connect with our mission more effectively.

Apply in one of two categories:

1."Artist" Category includes the following:
2-Dimensional Art (painting, drawing, printmaking, pastels, mixed-media)
Photography (traditional & digital techniques)
Sculptural Objects (non-functional, all media)
 
2. "Artisan" Category includes the following:
Fine Craft (functional, clay/ceramics, glass, wood, metal)
Wearable Art (wearable, accessories & jewelry)

Awards: $3000 total cash prizes will be awarded.


Please contact Brynn Hines, bhines@lubeznikcenter.org, (219) 874-4900
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Coconut Grove Art Festival, Miami FL

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Coconut Grove 2017.  Here is a review on todays Coconut Grove.  Barry gave us a good blog on what the Grove use to be.  I only know todays Grove so here it goes.

President weekend Saturday, Sunday and Monday.  This is a big show and a big event. There are over 350 artists and many other event tents, a culinary pavilion, sculpture garden, vip areas, family zone, and music stages.  Fun Miami dance music.  In my area we could hear it but wasn’t intrusive to conversations  and made for some fun dance parties behind the booth.  They charge a gate fee for $20 and offer many different level passes at $100, $250 and $500.  Last year I stayed about 2 miles away but this year I stayed a few blocks from the show and watched this massive event unfold on set up day Friday.  Wow there is a lot of coordination with the city, police and community to make this show happen.  The main part of the show is along Bayshore.  Just closing the street down is a major feat.  There is a fence put up around the show since they charge a gate fee and this covers a large area.  I can’t imagine all the work that goes into pulling this off. 

 

Set up is on Friday after 3pm.  For such a big show in the city the set up is very easy.  You drive up to your booth and park across from your booth.  Set up is uneventful and easy.  You are sent a lot of information before the show via email.  You can print off an entry pass for your vehicle to get in and out.  Check in is when you have time on Friday, before, during or after you set up.  Booths are on one side of the street along bayshore.  You have a median behind the booth.  There are two off shoot roads with booths and the set ups are across from eachother.  I have always been on Bayshore.  You set up the tent about a foot away from the curb and if there are not too many plants in the median behind the booth you have even more storage.  There is not a lot of space between the booths so if you need to get to the back of your booth make a door. 

 

The weather was perfect from set up to break down.  Sunday was warm and hot in the sun but it didn’t stop the crowd.  They estimate over 100,000 people attend the show.  Looked like it to me.  Saturday morning there was a big line at the entry gates of people waiting to get in.  It got crowded fast and serious buyers were out shopping for big work.  This show is suppose to be originals only.  Many artists cheat unfortunately.  There are so few shows that are originals only I wish the artists that don’t want to do original only shows would just not do this show instead of cheating.  We only do originals so it isn’t anything new to be at shows where people sell reproductions.  Just like anyother show so it doesn’t change all that much for us.  The boat show is also the same weekend.   Saturday and Sunday packed all day.  Monday crowds were lighter in the morning but picked up.  Strong sales all three days.  Monday is the day the bargain shoppers come so be prepared to be low balled on prices especial 15 minutes before the show closes.  People come from all over the world for the boat show and also attend this event.  These are people with money and they are shopping.  We are shipping work to Germany, Italy and Egypt as well as California, Seattle and Chicago from this show.  Miami is our market and The Grove was an excellent show again.  Better than last year.  Of course not everyone had a good show.   In our area there are lot of trees, excellent for shade and to keep you cool, but the booths can get dark so you better have lights.  I think this show more than any other we had a lot of artists to come and see how to set up a light system at our booth and asking advice.  Lights make a big difference.  Yes more to set up, haul around and more money into the set up but one big sale because of lights your investment is covered plus some. 

 

Artists amenities, they offered just what I love.  I don’t care about dinners because I am always too tired at the end of the show to attend.  Lots of booth sitters.  At The Grove they have a VIP area which the patrons pay $60 for but the artists are allowed in.  You are given two alcohol drink passes a day, food comes out through out the day, cold non alcoholic drinks through out the day and a trailer a/c bathroom.  Waters are also passed out at the booths by volunteers.  Monday they ran out of water to pass out  but you could just go to the VIP area and grab as many cold waters or sodas you wanted to bring back to your booth.  There is one area of the show, Pan Am street which is not convient to the VIP area for the artists to get to.  Many shows don’t offer anything so I am thrilled with what they offer and there are always booth sitters for you to run and get away to the vip area regardless of how far you are. 

 

Break down also pretty easy for such a big show in the city.  You are suppose to break down your tent before you get your vehicle.  This is not monitored and most artists do not follow the rules.  It didn’t affect us since we do break down first and have a double booth so as long as the road is kept clear and we can get in we just park in our double booth spot while everyone else parks across from their booths.  The block captain was very good about keeping the roads clear so no problem.  Everyone works well together.  Those artists that wanted to get on the road that night we all gave them first dibs on getting in since a few of us were staying the night because  we always stay an extra night and plan deliveries Tuesday mornings.  Not a stressful breakdown at all. Show ended at 5pm and even going slow we were out by 6:45.

 

This show is a very expensive show to do.  One our most expensive of the year.  Double booth is $1660 and jury fee $55.  Lodging is very expensive this weekend in Miami and we stay for 5 nights.  Parking is $20 a day unless you pre pay and get artists parking for $40.  A great way to cut expenses is to get a house and share with other artists.  We had an amazing house, best air bnb yet, a few blocks from the show.  This area isn’t going to have anything not nice or cheap but being able to cook meals and park for free saves a lot.  Its really fun staying with artist friends too.  We share cooking meals and support eachother with other aspects of the show.  It’s a great way to go and we try to do it at every show possible.  Total expenses for this show costs us close to $4,000 by the time we pay double booth, lodging for 5 nights, travel expenses, food and cost of art work sold.  You need to have a high return on this show for it to work.  Run the numbers and see if it makes sense for you.  Our expenses are higher since we do a double, stay close to the show, two of us are eating and the cost of materials for a large scale original piece is not cheap to make.  The show is well worth it for us and we love it.  Really hope to be accepted again next year.  

Best air bnb to date :)  enjoy the journey

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What Happened to the South Florida Shows?

I've been reading reviews and comments about both ArtiGras and Coconut Grove. I'm disappointed by what I am reading because at one time South Florida was the premier place to sell your work in February and March. So, I started thinking about it and all the things that made Coconut Grove great started coming back to me. Here it is:

I have an emotional attachment to the Coconut Grove Show. I did it for over 30 years. Unfortunately, I can't stop comparing today's version to the hayday. I did the show when Marla and then Carol ran it. I did the show when there was no gate fee and there were so many people, it was hard to get in a booth. There were 4 times the amount of customers. I did it when there were 100 less artists and the booth fee was 1/3 what it is today. There was an artist lounge with breakfast and lunch or a place to go to get out of the sun. You would run to grab something to eat because you didn't want to miss a sale. I did it when artists had free parking and there was a party every night after the show. I won Best of Show in 1985, when glass and clay were king at the Grove. I was there when every artist was great and I wondered how they made a mistake and let me in. I did it when the patrons came in on a trolley at 8 AM and spent their art bucks. One year I did 12K before the show opened at 10. I was there when everyone did at least 6K and almost everyone did 5 figures, not just 1 or 2, and keep in mind that would be 20K in today's dollars. I was there when the music was appropriate for a classy show, Maynard Fergeson one year, Dizzy Gillespie another year. They had the Jefferson Starship and Bachman Turner Overdrive when they were at their peak. When BTO was there it got a little raucous and they toned it down after that. They used to have a competition for the Grove t-shirt among the accepted artists. The winning artist image was on the poster too and a billboard that everyone could see driving into the area. Now they use some local overrated commercial hack. This year it was Guy Harvey again. I loved those t-shirts. I still have a poster or two hanging in my studio. I wouldn't wear this years t-shirt if you gave me one.

They charge a $15 gate fee. Artist parking is $20 a day. The booth fee is triple what it used to be. There is no trolley or art patrons with art bucks. They tore down the building with the lounge. There are beer hawkers and the food booths are closer to the artists. There are over 100 more booths so the pie gets sliced smaller and smaller. Every year they offer the artists a little less. It isn't drastic except over time.

You'll have to excuse me if I cringe when someone comments about the Grove, this year. And don't say things are different now. They could easily be the same or better.

The Grove used to be the best show in the country. Ask Connie to verify what I am saying. She was there.

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