All Posts (7711)

Sort by

Just a few weeks ago, we shared with the art community The Huntington Beach Food, Art and Music Festival and we are very appreciative of the great responses to date. We are pleased to announce that the Huntington Beach Art Council is now an official partner of the event and will conduct the jury process as well as co brand the art festival. Many people have been asking questions and we felt it would be best to share the following:

First Year Event...Why Should you attend? - While this event is a first year program, our company has been producing events for many years and currently co-produces for others. We are not weekend warriors looking to place a nice and simple event in the community. We take what you do serious and want to provide the best forum to sell product to the right consumer. Over 1 million dollars in media is being spent across Radio, TV and Print to in all of Southern California. The long terms plan is to make this evergreen for years to come as well as expand our format to other cities.

Location? - We will be set up at Beach Blvd and beautiful Pacific Coast Highway adjacent to the Hyatt Hotel and away from all the younger surfing activities at the pier. Our focus is an upscale 35-54+ event and showcasing the most creative works to be seen all at the backdrop of the beach. September in SoCal will be 74 and sunny and no humidity. Where would you want to be?

What should I expect as an artist? - This event WILL NOT be a street fair filled with corn dogs, kettle corn and cheap jewelry. You will find great food, wine tasting from area vineyards, great music and of course the best artist the West has to showcase. The beach crowd will not be hanging with us. This event is for consumers looking to be entertained and to be out for a day of cultural stimulation.

I strongly encourage you to check us out and join us for this once a year happening that will be great.

  https://www.zapplication.org/event-info-public.php?fair_id=3474 ;

Thank you

Jay Freedman

President / Nfuse 360 Marketing

www.nfuse360.com

Read more…

How did that happen?

Every few years, it happens.  A buy sell booth makes it through our careful deliberate process.  I'd like to explain how that happened, and why we can't do more about it.

A painted metal artist this last weekend at the Clay, Glass and Metal Show should not have been included in the fair.  While he was possibly an artist, the style and quantity of work he showed indicated that at least a good amount of his work was imported.

So how did he get in?

1) He made it through the jury made up of three artists committee members and two outside artists. All work in mediums related to our focus.  Clearly his body of work was only part of what he ended up displaying.

2) He made it through our vetting process, which starts before jurying and never really ends.  Potentially suspect work requires extra attention.  I don't like to think that I "profile", but we do target certain artists.  If an artist with suspect themes applies, I take extra steps to assure the legitimacy of the work.  Of course we also do some research on other artists.  This "artist" was an award winner in other shows, with no negative online reviews we could find. He had been in high quality art fairs including a major local event.  Perhaps he  started out legitimate and crossed the line more recently?

3) He made it through set-up. My crew is very busy at check in and move out during the show. We do keep an eye out for buy-sell artists or people who bring different work than they submitted, but with 120 artists and limited time, it's impossible to see everything before opening.  This "artist" moved in around 9 a.m., just an hour before the show started. Our site review team identified the problem shortly after opening and well before any of our participating artists notified us.

4) I went right to the booth and spoke with him.  He showed articles "proving" that it was his work. He also had articles showing his awards.  I told him that he had violated the contract and would have to leave.  He refused.  More on this later.

5) One of my regular artists showed me a series of comments made after opening on an artists-only site (not accessible to me as a promoter).  I went to the reporting artist to commiserate with her and let her know that I agreed with her assessment.  (Incidentally, that site states that it does not permit artists to name artists suspected of buy-sell).

OK then, Why was the individual allowed to stay? 

Many people do not understand this.  The false artist is in violation of contract law- a civil infraction. Police cannot take immeadiate action on civil infractions. I have checked this multiple departments and with my lawyer. They all say the same thing.  I have listed the process at the bottom of this document.

It takes a long time to evict someone violating a contract. Perhaps some of you have been on either side of that kind of dispute.  The legal way to remove someone takes time, and cannot be enforced by police until an order has been issued.  The steps are listed at the end of this document.

Criminal law is enforceable right away. Were I to physically remove the person or his materials, I am acting criminally, and the police can arrest me or my crew for assault on property and or person.

More than one artist has suggested that I should block access to the booth.  I tried posting a staff person in front of a booth once, and the disruption it caused to the show did not help anybody, nor did it cause the violator to leave.  Many of us have witnessed people loudly defending themselves even though they are clearly in the wrong.   The news story becomes "those mean artists and promoters are picking on another artist who is just trying to make a living."

I have read about shows that have been able to oust artists, and even get police support in doing it, so I know it is possible.  Yet the efforts that I have made have not proven fruitful.  

Violators are not invited back.  We do maintain a list of artists who for reasons such as this, we decline for all future shows. Not a satisfying solution, but maybe the best one available.

If you have viable solutions to propose, I am thrilled to hear from you. Or if you have practical ideas on improving the vetting process send those my way too.

And if you are a promoter, or on a jury, and you see a name like   NAME REMOVED  I have been advised that I need to remove this. come up, you may want to give it extra attention. This is not at all related to this blog post. If it were I could be sued and then the burden of proof is on me to prove my point.  Like I said, at least one artists only web site disallows listing names, perhaps for that very reason.

I am told that these are the steps for enforcement of a civil law:

Step One- Present a three day notice...

Step Two- After three days hire an attorney to file in court...

Step Three- When court approves, serve court notice...

Step Four- Wait five days and then a date for trial can be scheduled...

Step Five- Court will set date for within 20 days...

Step Six- After judgement serve a five day notice for compliance...

Read more…

Talbot Street Art Fair, June 14-15, 2014

This is a long running show in Indianapolis that has been around since the mid 1950s. it's one of only two large shows in Indianapolis that doesn't charge a gate fee. It's in a revitalized neighborhood that is only sixteen blocks from Downtown. The show is ran by a small cohesive group of volunteers that have the operation down to a T.

Set up starts on Friday at 2:00PM, although I keep forgetting that many show up early, and when I pulled in at 2:00 about 1/3 or more of the 270 booths were already up or in progress. You pull up to the association tent and pick up your packet and booth assignment. The booth numbers are also posted on their web site several weeks in advance. Set up goes until 8:00 PM at which time security shuts down the street and asks everyone to leave. Security is provided by several teams of off duty city police officers in uniform who patrol on foot and in small 4-wheelers. 

This show is sort of unique since they are in an older neighborhood with narrower streets the booths have to jump the curb with 6 feet in the street and 4 feet back to the edge of the sidewalk. The rise is a bit of a pain as there is about a 2 inch drop in the street crown back to the first propanel, then a big jump back to the sidewalk. I used 4 2x4 blacks for the front of the tent to shim, 5 blocks at the second panel, 2 blocks at the last propanel, and the none on the back legs of the tent. Several years ago in another spot further south of my current location, I had to stack 2 concrete blocks out in the street to raise each leg level with the back, and use boards to set the tent and panels on. Since then the street has been repaved a couple times and the street level has raised.

Except for the artists along 18th Street going into Talbot, everyone has decent room behind them. The 18th Street section is very narrow, and the booths are backed up against a 4 foot tall brick wall on the north side of the street and the other side are backed up against some houses. For the other spaces along Talbot, the space for the tent itself is on the outside edge of the sidewalk. You can set inventory on the sidewalk and sit back there. Some leeway has to left for someone to walk through back there but some folks block the sidewalk anyway. I've long set up an awning that goes back to the sidewalk curb for shade as it usually gets hot on the street. The one thing that is expressly forbidden is to stack anything on the curb of the sidewalk or on the yards. 

I decided to wait until Saturday to hang work, and arrived early enough to take my time and also get a prime parking spot in a vacant lot about 25 feet away from me behind the sidewalk. The guy that owns the lot didn't collect on Saturday but came around on Sunday, and was charging $45 for both days. I figured having easy access to the van and being able to walk stuff to the van on tear down is worth it. 

Saturday started off pretty good with a surprise sale I wasn't sure was going to happen. I had taken a shot of some tulips in my living room a few weeks ago when the north light through the window was looking pretty good. Considering I was sitting in my recliner and was starting to watch some TV, when I noticed the light and shadows on the wall were looking good. I hate to admit it, but I pulled out the cell phone and took about a half dozen shots. They looked good later on the computer, and after some Photoshop work, I thought "Damn, that looks way better that I thought". I tried a gamble and printed a 20x30 canvas. It's way away from my other work, so it was placed on a center panel in the booth with the flip bin underneath it. It sold within the first two hours of the show. A few smaller flip bin pieces sold that day but it was slower than I expected for me after that.

The crowd started to thin out a little about 2:00 but was still fairly heavy as this shot shows. There is some competition for the customers with the Gay Pride Parade and Celebration earlier in the day, and they have a rather large show of their own at a downtown park. The crowd with the Mardi Gras beads were the ones at the other show earlier in the day. BTW, notice the shims under the front tent legs.

8869140287?profile=original

I forgot to bring my fans and it was pretty warm in the back, even in the shade. Somehow Talbot always says summer is now here, and some years it has been hot as blazes out on the street. We also escaped rain at tear down as that seems to be a tradition. The wind picked up and the clouds were dark, but no rain was predicted on the weather apps.

Sunday started slow for me, and I had picked up some small frames on Saturday night for some humor pieces I didn't have hanging on Saturday. When the tulips piece had sold, that opened up new space to hang more work so I hung ten of the  8.5x11 pieces and those did okay with another 4 of them moving. Some framed pieces sold  later in the afternoon and one be-backer did return. I still didn't have enough pieces under $100 that I needed for what seems to be the direction the season is going in, but it turned out okay in the end with enough late buyers in the afternoon to lift my spirits.

The crowd was fairly heavy all the way through the day, and I could see a lot of packages being carried. The painter across from scored well with a young couple buying a very large painting that looked to be either 4'x5' or just a bit smaller. I didn't hear any artists complaining about sales or even saying 'did okay" with that certain voice inflection that says "it sucked".

Tear down was fairly quick for most, and I didn't see any congestion with cars and vans getting in and out. My daughter and her family showed up at the end of the show to help us tear down and pack up. It's amazing what two extra sets of hands can do to speed things up. It felt funny to be packed up and pulling out after only an hour and 45 minutes, and seeing over half the show still there :-) From there the family took me out to Buca di Beppo for supper, which was a nice way to end the show.

Read more…

8869138866?profile=originalOur 5th Birthday was our best with a record number of pledges and wonderful prizes for all of you who support our mission to enable artists to earn a living at the nation's art fairs.

Your pledge really makes a difference. Not only was the response great - the personal messages to me about how helpful our websites have been for you was a wonderful reward. Thank you. Some notes:

  • The pledges came from just about every state which means that our art fair websites are popular across the country. Very interesting is that nearly 8869138473?profile=originalhalf of them are NOT members on AFI but rather people who love attending art fairs and want us to keep the art fair news coming to them.
  • About the prizes: After Jill McGannon won a free space from AFFPS.com and the show organizers, Randall Fox and Patrick Dennis, found out her husband was also an artist they gave him a booth also. Thanks, guys.
  • Also, the free booth space at the Cloudland Canyon State Park in NW Georgia in Nov. 1 & 2, was won by Barbara Wood. She is unable to attend. If anyone reading this wants that space, let me know asap and you will be the winner.

The prizewinners were thrilled, especially the top winners Jill Banks who won Flourish.com's new black mesh panels and long time members Suzanne and Damon Krongold who won the SHOWOFF Canopy

8869100695?profile=original

Everyone who contributed will have our special Award image added to their page on AFI in recognition of their special status in our community. In addition they all win our AFI red bumper sticker for their art fair vehicle. Stick this on your bumper and everyone will know you are headed to an art fair and follow you there!

If your name is listed below please email me your mailing address so we can send the Red Dots out to you asap! Click here: info@artfaircalendar.com now.

Who do we thank?

Friends: Ellen Ljung, Barb Naas, Monika Green, Alan Anderson, Gail Lane and Brian Billings, Charmed Karma Jewelry, Kristin Ellis and Mary Jo Stockman, Chris Scott, Mendy Marks, Sharon Tesser, Josh Crow, Robert Stein, Marie DesJardins-Grussing, D. Heraty, Richard Goding, Linda Hamlin (who claims to be a starving artist but wants to support us anyway),

Susan Kennicott, Pam B. Johnson, Lindsay Designs, Kelly Weik, James Floyd and Lindsay Designs

 

8869139082?profile=original

Supporters: Marlene Lehman, John Leben, Patty McPhillips, Bonnie Eastwood, Michele Reynolds (for the 5th time!), John and Jin Powell, Delphine Welch, Kelly Flaherty, Catherine Stirling, Scott Pakulski, Jackie Rothstein, John Houle, Greg Little, Autumn Horizons, Judy Zeddies and Jacqueline Gomez.

Stephen Lawrence, Joanna Shipengrover, Anne Krafve-Nelson, Bruce Reinfeld, Anita Stein, B. H. Stauffer, WendyLea, Susan Hohman, Susan Zepeda, Susan Cherry, Kathleen Clausen, Mark Gardner, Jay McDougall, Linda and Steve Bean, Frederick Swarr, Kristin Collier, Richard Weber, John Jassy, Larry Smith, Jacquelyn Zajac and Bernadette Rogers.

Lonne Sterling, Sandra Schwarzbeck, Maryllis Wolfgang, Judith Levitt, Heidi Barron, Janice Armstrong, Shireen Cline, Robert Johnson, Janie Manaski, Charlie & Paula Shoulders, William Moore, Loren Fisher, Pat Finney (again!), Jane Shaffer, Jane Burke and Cynthia Conway, Gary Willcock, Christine Rodriguez and Carol Joy Shannon

Peter Nestler, Ann Light, Theresa Cox, Evan Reinheimer, Gerri Katz, Debbi Cooper, Lisa Fair, K.S. Funderburg, Say it Uniquely, Bill Moore, Susan Graham, Roy Odom, Patrick McGannon, Dick Dahlstrom, Virginia Cassaday, Pam O'Brien, Laurence Griffiths, Susan Schwarzwald, Linda Jump, Leonard Wilson, Jean Block, Dennis Kellogg, Gail Lane, Victoria Heisler

8869139652?profile=original

Marianne Caroselli, Lois Prettyman, Carol Wilson (last year's BIG winner, back for more), John Keeling, Colin Murray, John Lytikainen, Denise Rollings-Martin, Robert Osborne, Oscar Matos-Linares, Charlotte Burnett, Michael Heilman, Lakestone Jewelry, Melanie Feerst, Michelle Deiter, Tonya Rund and Lynda Chevrier

Carole Z. Williams, Barry Bernstein, Carol Knox, Jan Gussin, Colleen Williams, Colleen Williams, Chuck Bruce, Cindy Miceli, Cindy Cherrington, Deborah Fehrenbach, Sherrill Motes, Robert Wallis, Bobby Harr, Carol Larsen, Theresa DiGiglia, Map Art, Gloria Danvers and Kimberly Marshall.

Jim Parker, Jackie Hirsch, Medusa's Stones, Dave Hinde, Tamara Kelly, Deborah Block Krol, Judith Hearney, Alyx Morgan, Patricia Mohrenweiser, Maggie Zielinski, Karen Gelbard, Annette Piper, Allison Fox, Cynthia Reid, Robin Aronson, Simple Song Studio, Sue Kroll, Karen OHanlon and Patricia Venaleck.

Barbara Poole, Jacob DuChane, Karen O'Lone-Hahn, Josh Crow, Karen Tillinghast, Kimber Fiebiger, Chris Jones, Brian Miller, Jean Skipper, Debbie Stillman, Lorraine Lauer, Natalie Orange, Jean Heater, David, Turner, Julia Keil, Brian Bass, Barbara Wood and Ronna Katz.

6a00e54fba8a73883301a3fd046a9c970b-200wi?width=125Margie Luttrell, Jean S. Smith, Eileen Lovre, Joyce Diggs, Woody Smith, Elizabeth Tivol, Melissa Sturm, Tara Dalga, Jan Anderson, Pamela Eckert, Lucille Keller, Butterflies by Sally, Rose Marie Lanpher, Leann Christian, Pauline Haas-Vaughn, Beth Gumnick, Megan Horan, Allene Cassagnol, AmyRenee Cornelius and Mary Ann Einarson.

Roger Rimel, Bryan Ross, Donna Jadis, Jeff Owen, Daryl Cohen, Chris Mason, Kathy Besthorn, Lisa Berry, Heidi Mandich, Amy Fletcher, Art Eccentrics, Byrd Mountain Pottery, Robert Ross, Kay Cummins, Joyce McAdams, Olga Yevseyeva, Lisa Loudermilk and Chris Ritke

Brenda Nashawaty, Anne Schroeder, Carrie Jacobson, Starry Nights Beadworks, Pastora Designs, Current Enterprises, Lacey Rugby, Lindsay Designs, Wesley Lindberg, Elizabeth Kline, Nancy Koehler, Stephanie Gutzman, Cynthia Barrow, Ellender vanHully-Bronson and Cheryl Nugent.

6a00e54fba8a73883301a3fd07072e970b-200wi?width=125Patrons: Kim Jernigan and Suzanne Krongold, Kay Gallagher, Pat Falk, Laurie Leonard, Bill and Stacy McLauchlan and Patty DeMaria, Jennifer Ivory, Dale Yakaites, Robert Caron, Gretchen Stanfill, Claire Renzetti, Debra Ehmann, Lucia Friedericy and Keith Wilkie, Gerald Mulka, Andrew Shea, Jill Banks, Joseph Kubis, Nancy Sher, Pamela Burgess and Leo Charette

Beverly O'Daniel, Melanie Rolfes, George Raab, Megan Martin, Louis Frederick and Jane Johnson, Randall Fox 

Angels: Richard Sherer and Ralph Sharp, Candiss Cole & Roger Footitt, Patti Paas

The Prize Donors:

Luke Block at Flourish.com, Janice Stockard at ArtDisplayCentral.com, Howard Alan at Howard Alan Events, Lida Arthaud of Pandache Scarves, Ross Graham at ACTIns.com, Larry Berman at BermanGraphics.com, Drew Mauch at the Catalina Art Association, Cindi Moser at Happifeet.com and Julie Cochrane at festivalnet.com.

Carolyn Edlund  from artsbusinessinstitute.com, Randall Fox and Patrick Dennis at AFFPS.com, Rich Horner from handturnedfountainpens.com, Ernie Kleven, Greg Lawler at the Art Fair Sourcebook, 8869110452?profile=originalKatalin Luczay, www.seascapesandlandscapes.com, Christina Villa at Zapplication.org and Lynn McAleer who calls herself the "Wicked Stitch of the West."

Colin Murray of Art Works; Mark Rogers from Framedestination.com; Janet & Howard Rose from Rosesquared.com; Richard Rothbard from www.AmericanArtMarketing.com; Terry Peddle Corcoran at the NAIA; Shireen Kline of Fine Art on the Farm; Larry Sanders of www.juryimage.com; Scott Fox at expertwebsitereviews.com; Marlene Lehman at shipshewanaartfestival.com and Jack Stoddart from jamminathippiejacks.com.

8869139270?profile=originalAllan Teger, www.bodyscapes.com; Lynn Wettach at www.holidayartshows.com; the good folks at Zingermans.com; Tanya and Mark Veit at AAEGLass.com; Vince Pernicano at www.blueskyglass.com/soloroller; Nate Shelton at SunshineArtist.com; Harry Abell at  http://www.mountainartsandcraftcelebration.com; Marilyn Richey at www.jewelrywithapast.com; Andrea Mora at www.anderale.com and John Leben at www.LebenArt.com.

8869139279?profile=originalKim Ray from www.kimcreations.com; Mrs. Sweetie at www.candlesweetie.com; Marlene Ilecki at Squareup.com/market/m-i-designs; Christieellen White at Tokyo Bags; Sue Lukas and Naturally She's Dreaming and Janice Armstrong from Willowrose Publishing.

See the prizes: http://www.artfaircalendar.com/art_fair/pledgedrive.html

See all the prize winners here: http://www.artfairinsiders.com/profiles/blogs/pledge-drive-winners-2014-the-top-twenty

8869122265?profile=originalThank you everyone for your pledges and your kind words for our work. 

P.S. I've gotten several questions on "how do those people get those Red Dots" on their profile pictures? The people with the Red Dots are members who have been generous on the site commenting and helping others and providing help. Want to have one on your picture? Now you know the answer. The community looks forward to all of your helpful information.

Read more…

Crocker Park Fine Art Fair

Just finished up a weekend at the Howard Alan event at the Crocker Park shopping in the Cleveland suburb of Westlake.Load in instructions were emailed to me several weeks prior. We were to stage our vehicles behind the Food Lion near Crocker Park. Load in was 5 - 8:30 pm. After checking into my hotel around 3:30 I put Food Lion into my GPS. Wait, the closest Food Lion that's pulling up is in North Carolina. What on earth? So I just start driving to the Crocker Park shopping complex. No sign of a Food Lion store but I pull into the "mall" and am quite impressed with the mix of retail, commercial and residential buildings. Everything looked to be well kept and the landscape was lush and immaculate. WHERE IS FOOD LION?!?!?!After winding my way through the complex I finally see a blockade and a mall cop. He directs me to the back of the GIANT EAGLE grocery store. Hmmmm, that doesn't even sound like Food Lion. Tomato/ Tomahto.After waiting about 45 minutes in the staging area, we were allowed to enter the festival site. 6 vehicles at a time. Unload. Move your vehicle to artist parking. Set up. There was a bustle of shoppers and diners milling around during set up so I thought it looked promising for the weekend!Saturday opened with a steady stream of shoppers. I never really figured out if it was for the Art Festival or shoppers just happened upon us while heading to the mall. I had hey few sales during the lunch crowd then everything just died during the middle of the day. It was perfect weather. Sunny, highs in the mid 70's. The show was running until 8 o'clock and it picked back up when the dinner crowd set in. I had a few more sales and made my car back for the weekend.the weather for Sunday was equally nice. I figured this would be my revenue day where I could get a little extra in my pockets. Unfortunately, that was not the case. There were plenty of people coming into the complex for Father's Day but not many buyers for myself. Only had two sales.the artist next to me was selling painted clocks and he was knocking it out of the park. At least I had fun watching him!Breakdown was fairly smooth & I got right into the show area with no problems.Overall, it was a disappointing weekend but my previous two weekends made up for this one. It seemed to be an affluent crowd but I think they just happened onto the art fair, rather than it being the draw.Scratch this show off for next year...
Read more…

Allentown and the Slasher

There is so much to be said about the Allentown Festival in Buffalo, that I hate to lead with bad news. But I'm going to anyway.

We had a slasher. Our tent and the 6 booths near ours had cuts in the back wall and, as it turned out, all of the streets got hit. Wherever you were sheltered by big trees or architectural hiding spots, there were slashes. They were all abut 12 inches long at at eye height, so I assume the Pathetic Loser would slash enough to peek in and then go to the next one if the booth was empty. Most of them were, of course, but one artist left her vintage suitcases that she uses for display behind and the PL  took the slash all the way down and stole them. The police came and took info but what good was that, really? Unless you were going to try to get a whole new tent from your insurance company and good luck with that! It has been 25 years since the show had a serious theft issue, but for a lot of out of town folks it meant Buffalo is a dangerous city. I kept telling people this is my neighborhood and it is not dangerous. But the impression has been made and it will reinforced every time they see that cut. Stinks.

OK, enough with that. Saturday was cool and cloudy and  the crowd was small and the sales were good. Sunday was hot and sunny and perfect and you could barely walk down the street and sales were half of Saturday. I think people who come out on imperfect days are coming to buy things. Sunday is strollers and dog walking day for many, although I did see a lot of people carrying purchases. Most artists said that the show was about the same as last year when Saturday was a rainy day and Sunday made up for it.

Most of the work was really lovely although the "dye your own scarf" virus did infect the show. I brought it up to one of the volunteers who looked surprised and said they would look into it.

This was my transition show. I decided to bring only a few books and focus on my new mixed media work to see if I was on the right track. I think I am. I made about the same as last year and it is a medium I really enjoy. So that was a real high. It has made the shows fun again. Now I need to get ProPanels but by the time I can afford them I may be too old to do shows anymore.

I am a pacifist by nature, but if I run into that PL with a box cutter of my own, all bets are off. 

I talk big.

Read more…

Smoky Hill River Days- my fave!

People always ask me what my favorite show to do is and up until now I never had a really difinitive answer.  After doing the Smoky Hill River Days Festival for the last four years I would have to say this one is truely the winner.  

I have been in the demo area which means I get to do five one hour demos through out the three day festival.  This I truely love to do- the interaction with the crowd is super fun and even tend to get buyers for the pieces I am making before they are even done! I usually demo non-stop at all the shows I do but for this one I end up creating several completed pieces.  And on top of this they have fabulous volunteers that will run my booth while I demo (and are great sales people too!)

Speaking of the volunteers they are AMAZING!  In my 22 years of doing shows I have met a lot of great volunteers but the volunteers they have in the demo area at Salina are spectacular!  On Saturday I ran out of pennies and on Sunday the volunteer that was running my booth during the demo brought me two rolls!  How thoughtful!  Plus they help you haul your work in on a golf cart and are there at your every beck and call.  Being a demo artist is a bit like being royality!

The whole town- and state- comes out for this show.  On paper it might not even look like a great art fair because it has so many other activities like music and kid's events but this seems to work for everyone because the people come for the whole 3 plus days (music starts on Thursday night) and this seems to give them time to do everything- including shopping.  Now this year my sales were mostly of $100 and under items but last year I had a few $200 sales- not high end over all but the quantity makes up for it and the people are just so interested in what I am doing.

I don't know how this show goes for the artists in the Art and Craft areas but for me it is fabulous.  This year we had some terrible winds on Saturday and I really felt for the artists in tents.  I was super lucky to be on the non-windy side of the picnic shelter and had at least one show this summer that I didn't have to deal with wind.  

I also want to point out that I heard that Karla Prickett that runs the show is retiring so I hope they can find someone to fill her shoes.  She was wonderful to work with and just fabulously organized.  She really cared about the artsits and worked extremly hard.

Read more…

September 6 & 7  1734.jpg 
Mundelein, Illinois 
Kracklauer Park in downtown Mundelein

10am-5pm
45 artists

Deadline: June 19

Mundelein Community Connection announces the 4th Annual Mundelein Fine Arts Festival, a juried art festival that will showcase the talents of 45 fine artists and craftspeople. The two day event will feature top-notch artists, local musicians and delicious food from local eateries.

8869140075?profile=originalIn addition to professional artists, the festival will also highlight artwork by select students from Mundelein and Carmel Catholic High Schools.  Selected students from each school will earn a cash scholarship to help further his or her art career.

Mundelein is a village of 31,000 people located in the northern suburbs of Chicago. An extensive network of nearby highways allows easy access to a host of neighboring cities, as well as Chicago and southern Wisconsin.

Publicity:                   

  • Online advertisement through e-blasts and Social Media         
  • Major newspaper advertising and publicity          
  • Electronic sign advertisement as well as a poster campaign throughout the region 
  •          

Awards:          

  • Cash prizes for Best of Show, Judge's Choice 2D and Judge's Choice 3D      
  • Village of Mundelein Purchase Award        
  • $500 Emerging Artist Award         
  • Local Business Purchase Awards1738.jpg
  •         

Location and Event Benefits and Amenities:             

  • Easy load and unload, free parking           
  • Complimentary breakfast Saturday and Sunday         
  • Volunteer help for running lunches and booth sitting         
  • Highly visible location          
  • Tasty food from local vendors and restaurants
  •             

Apply: www.mundeleincommunityconnection.org/mundelein-arts-festival.html 

     

For More Information:

        Terry Skriba, Executive Director of the Mundelein Community Connection

        (847)970-9235 or email: mundeleincc@tds.net   

        Learn more: www.mundeleincommunitycommection.org/mundelein-arts-festival.htm         

 

      ~~~~~~~~~~~~~~~~~~~~~~

Find more art fairs looking for artists:www.CallsforArtists.com

Read more…

Stone Arch Bridge Festival

As a newb here I appreciate the reviews I've been able to read, so I'll add mine for Stone Arch Festival in Mpls. this past weekend. Keep in mind, this was my first-ever art fair, period, so my expectations were very basic. 

First, I had read previous reports that this show was not generally one filled with buyers, but you gotta start somewhere and I live just north of Mpls, so it seemed like a decent place to get baptized. 

Communication with artists was pretty good, with a number of emails going out about various details in the days before the event. This was all in addition to the Zapp app and their notifications. Check in was Friday; we were given a map which was good, although upside-down. Easy enough to find the check-in table, where we got our packets and basic directions to booth locations. Load times were staggered and I was able to pull up at the curb less than 100 ft from my tent spot. But then I arrived at 09:45 for a 10-2 set-up slot, so it seemed being early was a good thing. It did get crowded later, and parking on-street was tricky. Get there early for your slot.  

Artist parking was by permit (free) in a private lot four blocks from the show. They said no trailers, but I saw quite a few in the lot. I don't know what an out-of-towner would do about their trailer otherwise. 

You can be on grass, on concrete, or straddling a cobblestone path for this show, depending on your booth area. I broke screw-in stakes just trying to get them into the ground; others did too. Be prepared to bring tent weights for this show. It sits right on the Mississippi river walk very near downtown Mpls. 

Set-up went smoothly in great weather on Friday. Saturday was rainy and windy all day. A show in Excelsior MN on Saturday was shut down early due to weather. We got hit all day on and off. Some artists left early Saturday, and some shut down totally and bailed. There was maybe one hour of sunshine all day, but lots of rain and wind. Customers were there but they were few and far between. Still, some folks did make some sales. Some even said it was average. Considering attendance and conditions, that would be a moral victory. I sold nothing Saturday. The crowd was not a buying one and seemed heavy with young couples, some with little kids. 

Bear in mind that my work is photography of European scenes, with a unique process and look and color treatment. My lowest priced item is an 11x14 print for $40, and prices range up to $2500 for very large canvases. I have nothing under $40 and just one print bin of $40-$50 prints. Most of my offerings are canvases or framed prints in the $200-$300 range. In this day and age, it seems hard to get people to buy a photograph. I have a friend who owns a successful portrait studio and the idea of buying a print gets to be a harder and harder sell each year for his customers. Some photographers did make sales on Saturday but I'm pretty sure it was mostly matted prints under $30. Near me, there were jewelers making small sales all day long. The crowd that frequents this show seem to plenty comfortable buying low-priced items, but much less so as you approach $100 or more. There is also a prevailing mentality among the general public that with a "good camera" you can do anything. I'm sure that also gets in the way of encouraging folks to spend money on photographic prints.

The Sunday forecast was the same, but it was wrong! Sunday morning saw a little rain, but then the sun came out and it was a beautiful day. The crowds came out and the demographic clearly changed. Older couples, meaning those appearing to be 50-65 years old, made up the bulk. Still lots of families, but folks who seemed like they'd have money were clearly more evident on Sunday. 

I did make some sales but it was mostly my lower-priced prints. The artists around me did better by far than they had on Saturday, declaring Sunday to be average for them, but not enough to make up for Saturday. 

Tear-down and load-out was smooth, with instructions provided in advance and all parties seemed to cooperate. 

Also- free food and drink coupons were provided, and there were lounges just for artists. Booth sitters were said to be available too. I called my section coordinator on Saturday but it rolled to her voice mail, so I was not able to utilize the lounge or booth-sitting services. 

Overall I'd say my experience echoes what I had read in advance. This is not a big money show, but you can do ok if you have the right price point. It's in a very pleasant setting; lots of good music from multiple sound stages both days, and lots of good food from food trucks set up, and restaurants across the street from the main festival drag. It's a family-oriented festival as much as an art fair. 

Read more…

The Paddocks (formerly The Summit)

Connie asked that I review this show so I'm going to give it my best shot. This is a Howard Alan show and I have been doing it for about 6 years. It takes place at a very lovely and upscale outdoor mall. The booths have always been in one long row directly across the street from the shops. Easy load in on Friday night after 5 pm. Kind of a win/win situation for everyone. Some people came to shop and then noticed the art fair and came to see us and some people came for the art fair and also shopped at the mall while there. I've always done very well there and looked forward to it. I do two other shows in Louisville but I have a totally different customer base at this show. However..... The mall changed hands, thus the name change. We were moved to a corner of the parking lot, kind of all jammed in with two porta potties stuck in there. We used to have real bathrooms, always a plus in my opinion. It seemed there were far fewer booths than previous years. Load in was not near as easy as before. Instead of pulling right up to my spot to unload I had to carry my things in, as the section was roped off and tents were already going up and no place to pull in. The crowds were down, thus my sales were down. By about $700. Ouch. Still good enough that I would go back but I talked to so many other artists who were not having a good show and said they would not come back. I have concerns about its survival. I hope it makes it. I have so many repeat customers and the people in Louisville are friendly and very appreciative of my work. It's still a good show for me and close to home, only a little over an hours drive for me. Time will tell. I hope this has been beneficial to those interested.
Read more…

Excelsior Mn this weekend

Well… I was in The Excelsior MN show this weekend…emphasis on the WAS. Beautiful setting for a show, but unfortunately storms came through today--Saturday--with high winds. A decision was made to close the show after the first storm passed and more was expected late Sat. pm and more on Sunday. I'm sure it was a tough call, but safety was a concern. At least I had a chance to test my trimline and I had no problems at all. Unfortunately, some with EZ-UPs had a very wild ride. Felt sorry for a young couple across from me who were doing their first show with a tent, and it took multiple artists to help them hang on to things and keep the tent from becoming airborne. No stabars or much support other than weight on the legs. Saw a couple other tents take flight.

Other notes: The show is in a park setting by a lake and load in requires carting some distance across grass to booths. One way narrow road in.  Artists have load in times and they are adhered to. Scouts were there and carted artists' gear in/out for a fee. I would highly recommend it.

Parking for artists is non-existent near the site. Artists are asked to park at a grade school across town. Volunteers in vans provided shuttle service for artists and were very helpful under the circumstances.The art I saw was quality work and there were artists from all over. KC--Nebraska--Wis--Mn of course--gal next to me from California.  This a Minneapolis suburb and there is money there.

Would I go back? (I zeroed) Yes, but it's not the easiest show to do.--Despite tough load-in and parking situation, weather--there was great communication leading up to the show and many volunteers working hard to provide services. There is money there--high end art--didn't see art on a stick---I sensed that the few patrons who did come out until the real bad storms hit were there to buy and support the show and artists, but the rain and wind started a little after 10 a.m. start time and made the show a washout. I sensed this could be a pretty profitable show.

One sketchy situation. And maybe a huge problem for some. After we were told the show was canceled and load out began, an hour or more later, an  announcement came over a PA stating that artists could stay at their own risk--after many of us had already torn down. Some artists and food vendors ad apparently complained about the cancellation. I think that call was made after some  asked about getting some fees back. Soooooo…if you left…well you get the picture.

Dale Yakaites (Yak)---Photography

Read more…

Dream Come True

I won!  I won! 

I'm one of the lucky winners from the pledge drive.  Even better, I got something that I REALLY wanted.

A couple months back I learned that ZAPP was holding an art festival conference in late August.  Since my husband and I are planning to start selling our prints at art fairs next year (our business, MAS Artwork already has a website:  http://www.masartwork.com/), I knew it would be a very helpful conference to attend, as I hoped there would be many vendors there and we could hopefully find lots of ideas for our business.  However, we're taking a two-week vacation at the beginning of August, so I began debating whether or not we would be able to afford to go.  The cost of the conference (plus hotel and travel there and back) and additional time off from work were deterrents.

Then one day I opened an email from Art Festival Insiders about the pledge drive.  I knew I wanted to donate, because AFI has already helped us with our business.  We've found some great answers in the Discussions board, and some of the blogs have been chock-full of information.  We've gotten great tips on what to do and what not to do from many of the experienced artists here.

When I looked at the prize list and saw how many great prizes were available, I was even more determined to pledge.  And when I found out that a pass to the ZAPP conference was on the list, I couldn't open my pocketbook fast enough.

A few weeks later, I got the email from Connie saying that I was one of the lucky winners, and when she later told me that I'd won the pass to the conference, I was over the moon!  There will still be the hurdle of taking extra time off from work to contend with, but with the serendipitous events (from finding out about the conference to seeing it on the list of prizes) it's as if the Universe is saying "Go to this conference!"  And, when the Universe talks . . . I definitely listen.  :o)

I'm very excited to be able to attend the upcoming ZAPP Art Festival Conference.  And I hope to see some of you there.  My husband and I are growing more and more excited to start this new venture, and we're thrilled to be members of AFI.

Thanks so much!

Read more…

Call for Artists: Park Forest Art Fair

September 20 & 21  1877.jpg?width=225
Park Forest, Illinois 
Downtown Park Forest
Presented by the Tall Grass Arts Association
10am-5pm
100 Artists
Deadline: June 28

 

The Park forest Art Fair is an outdoor fair held in the streets of Downtown Park Forest.  Known as an exceptionally artist-friendly show (especially emerging artists-friendly) because of its amenities for artists and reasonable registration fee, the fair features:

  • $175 Registration fee
  • $2,500 in cash awards and purchase prizes
  • a complimentary breakfast on Saturday morning and a fabulous dinner party for the artists on Saturday evening after the close of the fair
  • Overnight security on Saturday night, which includes conveniently located, locked storage space
  • booth sitters are available as needed over the weekend

1193.jpg?width=300 Artists who participate in the fair report their pleasure that fair attendees, traditionally, stop and chat with the artists.  One artist, who shows regularly through the Midwest region, reported that he sold more artworks on Saturday of the fair than he had sold in a single day at any other fair in which he participated.

 

The fair is promoted in the regional press (magazines and newspapers), social networking sites andadvertised on WFMT and WBBM radio during the morning rush hour. Musical entertainment is provided all day, both days, as well as a variety of food vendors.  There are many activities especially for children such as an art contest, tie dying, story times with art projects illustrating the story, painting murals, etc.

 

The Park Forest Art Fair is the second oldest juried fair in the  Chicagoland area.  It is a fine art fair that showcases artists who work in a variety of media. Over the years, artists have participated who travel from as far away as Canada and California.  Although the jurying deadline is June 28, jurying will take place on a monthly basis for applications received during the month so that artists can plan to add the fair to their schedules.

 

The application and information can be downloaded from:
www.tallgrassarts.org  

 

8869135701?profile=originalApproval through the jurying process also confers the status of Gallery Artist and permits artists to participate in the annual Tall Grass Gallery Artists Exhibit.

 

Note of interest:  The Village of Park Forest was built for the purpose of housing GI's returning from WWII.  Incorporated in 1949, less than 6 years later, it was home to an arts association that operated a gallery, school and art fair.  The arts association was followed a few years later by a symphony orchestra, classical chorale and resident, equity theater company-a very welcoming home for the arts and for creative people! 

Please  join us. 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~

Find more art fairs for your 2014 art fair season in great places like Park Forest and many other special communities across the country:  www.CallsforArtists.com

Read more…

Another learning experience for me.

I did this show because I was going to be nearby and could fit it into my schedule. It is held on a large field adjacent to the parking lot of the Navy/Marine Corp Memorial Stadium. Easy load in and load out as vans can drive right up to the tents with wide access aisles. No vendor amenities to speak of. They gave you water if you went to the show office and asked for it. Period.

There was a man directing you to your space when you pulled onto the lot. That was the only help provided.

Weather was fine with warm temps and lovely breeze off the Bay.

The merchandise was all over the map, 95% low-end crafty things, but also represented were vegetable home-delivery services and home insulation specialists! Several obvious Buy-Sell booths. Lots of food vendors. Really and truely not FINE art or craft at all. Only a small handful of serious high-end artistic crafts represented. My sales were terrible.

I would advise you to apply to this show and do it only if your price point is in the $20-$60 range. The buying public seemed very enthusiastic about the wine but not much else. No one in my vicinity made any sales to speak of.

Will never apply to this show again.

Read more…

Moss Rock Festival (Hoover AL)?

We're in Nashville, so Birmingham is only 3 hrs away. Has anyone done this show (Nov 1-2 this year), and does it attract fine art buyers? We sell only original paintings, most of them large (16x20s and up to 3'x6'). Any advice?

Read more…

Peachtree Hills Festival of the Arts

Peachtree Hills Festival of the Arts was the end of May in Atlanta.  It is the third year  for this show.  I have done all three and this will be my third review for the show.   The show is on the streets in a really cute neighborhood with smaller old homes, but very very nice homes.  ADAC is down the street.  It is a small show with only 125 artists, a small acoustical stage,  a few food trucks and there are restaurants.  Trees line the streets so most of us can find shade to help beat the heat if necessary.  Since this is the third review of the show  if you want more details check out old reviews on layout.

 

Set up is really easy at this one.  Lots of room to move around so no getting stuck and set up is all afternoon on Friday.  Tear down was also pretty easy.  I was driving away 30 minutes after the show closed, but my booth spot was in the best location to get my van in and out.  Booths are across from eachother on both sides of the street.  Plenty of room on the sides and behind the booths.  You can blow out if you want to.

 

The weather threatened rain and many areas got it but not this show.  Saturday stayed dry but was hot.  The crowds weren't  big but most of the people who came bought.  I sold two big ones on Saturday and Sundays are usually my days.  Saturday night rained and it brought in cooler weather.  Sunday was dry and great temps.  More people came out and they didn't disappoint me, I had a great Sunday. 

 

The people in this neighborhood really want this show.  The owners spruce up their areas before the show and the neighbors thank us artists for supporting the show.  I rarely have neighborhood patrons actually thank me for being at their local show.  On my deliveries I noticed that many had been collecting from artists at this show for the past 3 years. 

 

I am all done with Spring shows.   Out of the 8 shows I did this spring the three AFFPS shows , Ponce, Buckhead and Peachtree, they were the three strongest.  They know how to get the right customer to come out and buy original art over $1k.  Not sure what they are doing but it works for me.  They always have the best food trucks, higher end and no funnel cake or food on sticks anywhere in sight.  The live music is a plus and doesn't distract from the art show, but is a place for the patrons to take a break and recharge before they go back to shopping. 

 

Finally I was totally thrilled that I won a free booth to one of the AFFPS shows  for pledging to AFI!!!  How perfect!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Read more…

Saturday at the Museum

I'm sure you are tired of hearing me say that one of the very best things about this business is the variety of events that make it up. I love big festivals in big cities and I hunt out small boutique events and gallery hops and studio tours in more rural areas. Earning a living as an artist requires great flexibility and developing multiple streams of income. Sort of like the stock market - diversify and when one part of the market is cool hopefully another part will bring you what you need.

Saturday - June 7 - Ella Sharp Museum, Jackson, MI - Art, Beer and Wine Festival

DSC_4534-1024x685.jpg?width=300The Ella Sharp Museum sits on a 10-acre campus that was once part of the 530-acre Merriman-Sharp farm. In her will, Ella Sharp expressed her wish that her home become a museum and that the majority of her property become a public park forevermore. It is a lovely place and includes a mini-Greenfield Village with historic structures.

The Festival:

This day is a day of sampling area vintner’s wines and craft beer, purchasing creative work of regional artists and much more, all on the beautiful grounds of the Museum campus.

Admission: $5 or $25 gives you a glass and five chips that entitle you to the extensive tasting areas around the grounds.

8869135064?profile=originalI arrived around noon. Perfect weather. The grounds were swarming with golf carts and drivers ready to deliver you to the door of the museum. Very hospitable. 

Live music on the steps of the museum, while we gather our wine glasses for the tasting to come. There was a steady stream of arrivals.

This show is mostly about the wine and craft beer, nonetheless, the setting was very classy and the attendees well dressed and the parking lot had just the "right" cars.

It was a pleasure to meet AFI member, Brian Goins with his very cool Steampunked sculpture and jewelry. He told me his show schedule and it was a veritable listing of the smaller southern Michigan shows with low booth fees and interested buyers. He is on the verge of bigger things as he learns the business.

Jane Robinson who seemed to know everyone who was there as she is a big piece of the arts scene in Jackson and is very entrepreneurial using connections, good business sense and talent to flourish in the area.

8869135484?profile=original

Julie Koleszar who had lots of the components in place for success. Nice banner, flowers,
not too much work in the display and some exciting work. She also had some beaded jewelry created around the wine theme. Very apropos to the show.

8869135673?profile=originalDeb Green was doing only her second show. She is working with glass beads and had a very cool line of work that incorporated Czech Republic glass buttons with embroidery. Her booth was very busy.

Can an artist make money there? That depends on what you bring to the show. This is a crowd who can be lured to purchase if you have the right thing and you've gauged the market correctly.

I did see packages leaving. I saw exhibitors who were not "art fair ready", meaning they had nice work, but not a developed style or display that was attractive that would compel a visitor to come closer to see the wonders that were there.

Read more…

Piccolo-Spoleto Art Fair, 2 weekends

Charleston, S.C.

I was accepted to, and sold at, both weekends of this famous art fair (famous in its region). I sell very expensive, beaded jewelry, to put myself in context. It was my first time there. There was no assigned parking for exhibitors; just fend for yourself and hope you don't get a ticket or a boot. That was nerve wracking. The weather in Charleston, around Memorial Day, is so variable, and on set-up day it was 94 degrees with 87% humidity, very exhausting.

The venue was a dirt park, very little grass, so everything that touched the ground, including your shoes and feet, tent sidewalls, purse, etc. became instantly filthy. No one in the "office" tent seemed to know much of anything about anything.

I had the distinct impression that they simply expected you to know what to do because they invite the same vendors year after year and most everyone who does this show DOES know what to do because they've been there and done that. I was disconcerted by their cavalier attitude, though, of course, in the end, you simply do find your space and set up the tent and display and carry on.

I am ever so thankful that I had the foresight to look on Craig's list and, prior to the event, hire two fellows to help me schlep my goods onto the park grounds and lug the heavy stuff, as there were some volunteers, but none sufficient to dedicate two to me for a couple of hours. 

Cons: The show was full of low end, bazaar-style crafts: children's name puzzles, soap, funky chipped glass "mosaics", wind chimes, I'm sure you know the type I am talking about. (I was rather afraid that I would stick out like a sore thumb having prices on my pieces that ranged from $400 to $2400.) To me, at least half of the merchandise that was "juried" into the show should have been shunted off to a farmer's market or street bazaar.

The title of the show does have the words "FINE Art and Craft" but this was belied by the actual merchandise being shown. It wasn't bad, it just was NOT fine. There was one other high-end jeweler there who had gorgeous, fine jewelry. One!

The rack card, or, postcard handout, had an image of a lovely beaded necklace printed on its front. When I asked at the "office" in whose booth this work was to be found, I was told by two lounging show promoters that the woman who made that particular piece wasn't showing this year. I was aghast! Why, I asked, did you use someone's work on the most important promo piece of the event who you knew wouldn't be showing at this fair. I was told that she "usually" did show at the event, (year after year), and was in their guild, but she was having problems this year and couldn't make it. You can draw your own conclusions; I, myself, felt a little murderous at that explanation.

This cannot be pinned on the show organizers, but is a fact that anyone who is thinking of applying to this show for next year should know: The second weekend of the show was rained out Friday and Saturday of the three day weekend. As mentioned beforehand, variable weather. Quite a huge and scary storm on Saturday so the selling had to all take place on Sunday.

Pros: Every couple of hours, once the show began, volunteers would pull a wagon around, to every tent, offering water, snacks and boothsitting. Very nice. Also, the Fridays and Saturdays were catered by lovely church ladies who cooked homemade food and offered it for reasonable prices to the vendors. It was all delivered to your tent.

Despite everything icky about this show that I experienced, I sold quite handsomely, and won an award. The very best Pro of the show is that the buying public seemed to LOVE their art fair and were quite loyal and eager to support the artists. It was a strange dichotomy to me: kind of low end, nothing-special merchandise, with an eager-beaver, kind-hearted audience that were just itchin' to take home something wonderful every year. Very loyal and supportive. I have never seen that at an art show before. It was delightful.

So, despite all my objections, I am going to apply again for next year. You can't knock making money!

Read more…

My Vote: 2014's Best Art Festival Poster

8869134259?profile=original

Signe and Genna Grushovenko will be the featured artists at the Des Moines Art Festival, June 27-29.

Their original work, Downtown Stoll is a complex blend of retro imagery with a focus on Des Moines’ iconic State Capitol Building. 

“Through our collaborative work, Downtown Stroll emerged from our inspiration to incorporate our love for vintage imagery and urban settings with a landmark from the Des Moines skyline.” – Genna Grushovenko

“We are so grateful that our profession affords us the opportunity to travel the country and discover hidden gems like Des Moines." - Signe Grushvenko

How do you like it? 

Read more…

Well, for the second time this year (Ft. Worth being the other) Sunday rain killed sales for a big show.

Practically all day rain on Sunday killed  the crowds and made sales almost nil.  Usually Sunday at this show can be a big sales day as the crowds have three days to walk around and make decisions.  Most exhibitors make more than half their sales on this day, so when you lose it to weather, it really sucks.  

And, it did.

LET US START AT THE BEGINNING--WEDNESDAY

Ellen and I were both accepted, and they actually put us side by side for once.  Although I had a 9 AM setup time and she had a 5:30 set up time.

We set out from Saugatuck in a hard rain that followed us all the way to Columbus.  It was nasty driving weather with all the trucks splashing us along the way.

Luckily, we made it in just as the rain stopped, and we saw a great sunset.

We stayed at the Westin hotel which is near the show and had a special artist discount--$99 a night.  Of course parking in their lot was extra--$24 per day for valet, or $12 a pop for each  time you went in and out.  Also, Wifi was $9.50 per day extra.  You could take your device down into the lobby or into the bar and get free reception, which is what I did.

We both have our own vans.  So we parked Ellen's in the free artist parking lot and left it there until teardown. During the day I parked on the street in a handicap parking area (Yes I am handi-capped, I am left handed and I know Gary Seidel).

At night I parked in an alley by the hotel.  The meters don't charge from 6 PM to 8 AM.  So that's how you do it to avoid the Westin's ripoff parking fees.

BTW.  The room is very small, with one dinky chair, no table, a dinky TV an an even dinkier ice box.  But it is a Westin, so I guess we are supposed to kneel down and grovel and be thankful for them letting us stay there.

The one good thing about staying at the Westin is that you have Dempsey's restaurant 20 yards away.

OK.  LET'S CALL THIS A TEQUILA REPORT--DEMPSEY'S RESTAURANT

One of the drawbacks to doing this show is its ridiculously long hours.  Friday and Saturday, they want you their around 10 AM (Sat.) and 11AM (Fri.) til at least--9:30 PM.  Artists have the option of staying open later til say, 11PM.  Woopie!

Well, when you get out at 9:30 that leaves your dining options few and far between.

Dempsey's fills the bill nicely.

They serve food til 11 PM with a full bar.

They have great menu and very reasonable prices.  There is something for everybody, even if you are a vegetarian or are on a low salt diet like me.

For instance, they served  a yummy risotto dish full of fresh veggies, which I had them add some roasted chicken  to for $17.  It was filling and lip-smacking good.

They have a great beer and ample wine selection, and cocktails are under-priced.

They serve breakfast too.  

I noticed a good number of artists who stayed at the Westin that ate there.

Also in your show goodie bag was a coupon from them that allowed artists 15% off on one meal.  Not a bad deal.

So cheers for Mr. Mark Dempsey.

He even went and got a prescription filled for Ellen while she was at the show.

Well, there you have it --a Tequila Report--now, on with the show.

OK. OK. Nels--Tell us about the show.

I thought you would never ask.

SOME SALIENT FACTS--THEN I WILL GIVE REVIEW OF SHOW STUFF, DAY BY DAY.

This is a well-run show.  It flows like a well-oiled machine, and it makes the show a lot of money.  They sell a lot of beer and food.  The artists are used as a come-on.  We make a little bit of money and they make mucho.

This is a big show, lots of exhibitors.  It flows over a large area--two streets on both sides of the river, plus exhibitors on both bridges, then a cross row on the west side of the show, and then two dead-end sections that run on Rich street and on the water.

It is an exhausting walk for the average patron.  Most of them are going to think a long time before they go back again to your booth  to buy that $40 photograph.

So, for most of us, you get one shot at them.

They have a volunteer committee that is very proactive led by Patty who has been the Artist Relations chairperson for 17 years.  They listen to you, they have prompt booth-sitters. Setup and teardown go very easy.  They stagger the setup times so you don't have a neighbor's van in your way.

The overall honcho, Scott, is hands-on.  That boy is everywhere checking on details all the time.

Here is some meat.

Practically everybody has ample storage room behind there booths.  If you don't buy a corner spot then your neighbor will be tight against you and you can forget about hanging anything on an outside wall.

Most of the spots are on curved streets, so things can be leaning with the angled slope.

Bring weights, it is all on concrete.  Bring a fire extinguisher, although they did not check on us this year.

They give ya free electricity so bring lights, bring the blender for smoothies and margaritas, and bring the electric wok so you can do some stir-frying in the rear.  Heck, sales are hard to come by, so maybe a little stir fry special of the day will get you throughout those long hours.

Just kidding.

But, I always thought, wouldn't it be kind of cool to be cooking a little tuna stir fry in the rear, along with some couscou and a shitload off siracha.  It would drive your patrons nuts.

You could look them in the eye and say, "Hey, how good is that Kettle corn your eating, and oh, did they cook that darn Turkey leg long enough?"

Show is three days, and on Sunday it ends at 5 pm, unless it is like this year where it rains all day and the show never really gets off the ground.

OK.  There is some meat for you.

SO, LET'S TALK ABOUT THE SHOW THIS YEAR.

A little perspective.

I have done this show since the early 90's, off and on.  It has always been a strong selling show.  Always in my top 10 of shows to do.

I am a tropical guy, I sell tropical images, I like bright pastel colors, and I really love Key West.

So do most of my patrons.

Many of them can winter in Florida especially on the west coast, Naples to Sarasota.  Even the panhandle.

For years, I have sold lots of big images here to folks who put them in their Florida home or their Columbus sunporch.  They always bought in a big way.

But, for the last five years or so, I have seen the big purchases drop off the face of the earth.

As my friend Bill Sargent is fond of saying, "They buy precious little pieces of paper."

This has become, increasingly, a low-end selling show for me, and  a lot of my fellow artists in all disciplines.

This year, I $30 and $50- ed them to death.  Sold a few meager 16x20 frames ($170 range) and not one large piece.  Last year I sold four large pieces.

Don't get me wrong, I had a good show, not as good as 2013, but I lost Sunday, when I made a mere $300 in sales and had to teardown with wet stuff.

On Friday, we saw sluggish sales, most artists were lucky and happy if they did $1K in sales.

Ironically, I saw more big pieces go by my booth that day, then compared to Sat. and Sun when I saw very few.

Most of the crowds had nothing in their hands.  If they had something, it was stuff in small bags, or art on the stick.

I know of at least 10 artists who had a killer show.  But for everyone of them, I know 10 others who were lucky to go home with $3K in sales.

A great furniture friend of mine, had a killer show.  He sold steady every day.

A good travel/nature photographer friend sold a biggie on Saturday and ended up with a killer show.

Most of my glass artist friends we're very disappointed with their sales.  Not enough good shoes people showing up.

Here is an interesting observation.

I did not have even one person the whole show come up and say, "We are looking for a piece to put over the fireplace or the bed."  Not a one.

Years ago, that was my bread and butter market.

I just did not see enough of the "Good shoes" crowd there.  Saw way too many tattooed-and-pierced-with-little-money there.  You get great compliments and zero sales.  Try paying your mortgage with that.

Ellen had one tiny flurry mid-Saturday afternoon.  Three customers in a row.  That was her entire show except for three other very small sales.

So the bottom line is this.

This a big EVENT.  Notice I did not say this is a BIG ART SHOW.

You can make money here, especially if you have killer lowend line.

But this is an event.  It is more about the live music, the beer tents, the food booths--and, oh yeah, there is art you can buy too.

We have lots of competition--and it aint your fellow exhibitors.

And that is the biz we have today.

Would I go back?  Hell yes.  I would rather be in Columbus than Kalamazoo or anywhere in Amdur-land.

But this biz is changing, and in a bad way

I just don't think that American public prizes good original art, like they used to.

They would rather have electronic gadgets.  They bring them to our shows.  They are more engrossed in them than the art that is surrounding them.

We are just those people in the white tents, and there will be plenty more of them somewhere else next weekend.

Oh well.  It is on to the ocean at Virginia beach.

In fact I typed this blog while sitting on the Atlantic.

Let ya know how I make out.

 

Read more…