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Tuesday, August 12 - 5 pm ET
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Sharon McAllister, Executive Director of ArtFest Fort Myers joins Sara Shambarger, Director of Art Fairs at the Krasl Art Center's Krasl Art Fair on the Bluff to share their experiences. The two of them have been in the art fair business for over fifteen years each, travel to visit other art fairs and have a wide perspective on creating a community-wide event that facilitates "buy-in" by the local population and vie to make their shows the artist's "favorite."

How does an art festival market their event to the public without big name entertainers, wine tasting areas, children's stages, interactive activities for fairgoers? In other words, strictly an art fair.

This show will have strategic information that will be useful to artists and show organizers

We'll talk about:

  • what they do to make an art fair attractive to buyers and how artists are their partners in doing this
  • how artists can help them in their mission to bring buyers to the shows
  • what they think artists can do to maximize their sales 
  • the challenges they face marketing tthe events during "high season" in their resort communities
  • how to bring in an audience when the focus is solely on the art fair, without big name entertainers, wine tasting, road races, zumbathons, stilt walkers, intrusive sponsor booths

Click here to listenhttp://www.blogtalkradio.com/artfairs/2014/08/12/from-florida-to-michigan--how-directors-market-their-shows

If you have questions you'd like me to ask, please leave them in the comments below.

Would you like to speak with us during the show? Then call in 805-243-1338

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Vote now! July's best Posts

Here you go, folks: Three show reviews and two very dramatic life events. Which one should win "Post of the Month?" 

Scott Pakulski - 6/30/2014, "Crosby Festival of the Arts 2014"

Jacki Bilsborrow - 7/7/2014, "Cops, Robbers & a Bag of Gold"

Sandy Schimmel Gold - 7/10/14, "Please Help My Friend ... and Fellow Festival Artist"

Margaret Luttrell - 7/16/2014,  "Central Penn...a big show in a little town"

S. Brian Berkun 7/23/2014 "A Bolder Boulder Arts Festival"

Deadline for Voting: August 14, 6 pm ET

CLICK HERE TO VOTE

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Art Beats & Eats - What is your opinion?

I am reaching out to this amazing community to get feedback from artists who participate in Art, Beats & Eats in Royal Oak, Michigan.

It looks like the latest review is from 2011, and I wanted to know if anyone has feedback who participated in 2012 and 2013.  I think the potential is huge - but so is the commitment.

Thanks so much!

Kelli

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Call for Artists: Holiday Art Fair - new!

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Ypsilanti, Michigan
(outside of Ann Arbor)
Eastern Michigan University
Convocation Center
Sat. 10am-6pm; Sun. 11am-5pm
125 Artists
Deadline: August 15
We think you're going to like this new event presented by the people who bring you the Summer Art Fair in Ann Arbor, the Guild of Artists and Artisans, an artist run organization. 
 
It may sound new but it is a renewal of a popular event held some years back. The Board of the Guild thinks the time has come to host it again in a new and popular location.
The Guild's Holiday Art Fair will be the perfect opportunity for fairgoers to discover those unique gifts which will long be treasured by family and friends.  To encourage fairgoer attendance there will be holiday season surprises, entertainment, children's activities and free parking.  
The fair is conveniently located just east of US-23 providing easy access to shoppers from Oakland and Washtenaw counties. The convocation center is a well known destination in this community as it hosts a diverse array of events.

An indoor show at Holiday time? What's not to like?

2011.jpg Important Information:
  • Extensive advertising and promotion in major newspapers, radio and TV stations, social media and more
  • Available move-in help and friendly booth sitters
  • Free artist parking
  • Welcoming artist hospitality
  • Professional, overnight security
  • Promotional postcards
  • located EMU Campus: 799 North Hewitt Road, Ypsilanti, Michigan 48197
  • Presented by: The Guild of Artists & Artisans 

For more information:

Application: www.Zapplication.org 

Applications will be accepted online until midnight EST, August 15

Information: www.theguild.org/fairs/holiday-art-fair/  

Contact Information:  Nicole McKay, Artist Relations Director

(734)662-3382 ext. 101 or email: nicole@theguild.org 

Who we are ...
It all began in the spring of 1970 about ten years following the premiere of the original Ann Arbor Street Fair. A group of young artists from Ann Arbor began working on a separate art fair which would give emerging artists, craftspeople and art students ist2_3471661-hippie-van.jpg&width=125a chance to "take to the streets." Calling it the Free Arts Festival, they set up on the University of Michigan's "Diag" on Central Campus.

With its success they realized the need for an artist membership organization and established The Guild to support the "free fair" and other artist opportunities.


Today the Guild of Artists & Artisans is recognized as one of the largest membership organizations of professional artists in North America.


Join us in November to continue the fun!

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There is good and there is bad to report--let me start with the good.

THE JOURNEY THERE--FROM SAUGATUCK,MICHIGAN

This is always a beautiful journey.

From Michigan I can make it one day or one and a half days, depending on how I want to travel.

I first did this show in 1987.  I have done it 15 times since.  Had not done it since 2011.  In 2012 I was scheduled to do it  but instead elected to have my chest sawed open--quad-triple bypass and two valves replaced.  I am ok now, stronger than before.  I wish I could say the same for the show.

But back to the good stuff.

When I take one-and-a-half-day trips it is because I get to stay in Madison,Wisconsin and reconnect with great Norwegian brothers who have their own little kingdom of restaurants there--the Birge Brothers.

Also the neat thing is the journey to Madison.

In the 1980's there was always this one old barn off I-94 going to Madison.  It had this great mural on it.

It was like a rendition from the album cover of a rock group called Its a Beautiful Day--the LaFlammes.

The mural had this giant blue bird of happiness that covered one third of the barn side.  Then there was happy flowers.  It was a trippy 1960's flashback.

So I was energized  this trip to look for it.  It sits out there in the nowhere and then, boom, there it is.  You can easily blow by at it when going 75 mph.

So I was looking for it.

I was wondering was it still there, was the farm sold, was the  mural painted over.

I kind of remembered to where to start looking for it--about 27 miles east of Madison.

Sure enough, I came up a large rise, a bunch of trees blazed by me and there--it was still there.

I quickly braked, almost ran two Walmart trucks off the road, hell, its Walmart, who cares.

The mural is definitely on its last legs.  It barely reads on the side of the barn.  But that Bluebird looks just as great to me as the first time I saw it.  If that mural ever disappears, then I aint going to Madison anymore via I-94.

HANGING OUT IN MADISON

Madison is a throwback to the 60s, liberal and hippy.

I hooked up with my buddy Chris Birge, he and his brothers own a little empire of restaurants, coffee bars and wine stores.  I first met them in the late 1980's, they were in their 20's I was in my 40's.  When I did Madison on the Square, they had a restaurant there, the Blue Marlin, and they would always park a car in spot in front of their restaurant and save it for me.  I would get to eat great seafood, drink awesome wines, and have my van ten feet from my booth.  I took a cab back and forth.  So we became best of friends.

So I had not seen or talked to Chris in three years.  I just showed up at the Weary Traveler Restaurant on Williamson Street(The locals call it Willy Street).

I reconnected with him.

Luckily for me he had bought a pool table for his house by the lake.  Luckily for me, I had misspent most of my youth shooting pool, so I trimmed him for a nice debt where we got to go to three different restaurants on Willy and he picked up the tap.  I paid the tips.

First, we went to a cool new bistro called Pig in a Coat where we munched on lamb carpaccio with a Malbec from Argentina.  Personally, I would have favored a redhead from Madison, but I savored what  my host offered.  (Geez, I hope Ellen is not reading this)

We foliowed up this with a neat little sojourn to a Laotion restaurant next.

We had great prawns, spicy and gritty.

Finally, we hit a Japanese noodle restaurant and did, pickled veggies, poke, and Ramen noodles--with lots of Sake.

What the hell, Minneapolis was only four and a half hours away the next day, and I was going to set up the booth.

Tte journey to the twin cities.

You cut north on I-94, GO PAST TOMAH, PAST EAU CLAIRE.

You see three million silos and barns, they are everywhere--you are in the heartland.

The hills roll for miles, corn is just starting to pop.  You see dairy cattle up your ring-yang.  You see goats.  You see these giant tourist destinations for water parks.

You pass by Osseo, Wisconsin.  If you care to venture in, off the freeway, you come downtown to the Norske Nook Restaurant.  There, you encounter the tallest pies you have ever seen in your life.  Yep, the meringue maybe three feet above the fruit--who cares.  

You can pick apple,raspberry,mince, lemon and 20 others.  This is pie heaven.  You have to go at least once.

OK, WE ARE ALMOST TO MINNEAPOLIS--WHAT THE HELL HAPPENED AT THE SHOW?

Gee, I thought you would never ask.

Here are the basics.

This is a three-day show with a previous day setup, or if you are on Hennepin, a Friday morn setup.  Also the rest off ya can set up that morn.  Show starts at noon.

Booth fee is close to $500, it s a rip off.  Most artists don't get the return here anymore.

Also it is further ripoff, because of booth location,

The show has 350 exhibitors.

About 125  are on Hennepin Avenue.  This is on a main road where all the restaurants, retail and bars are.

The rest of the show is on the mall.

This is on a two-sided road with a green patch of grass down the middle.  Booths are back to back on the median, with generous space behind.  Then there are booths on both sides of the streets.  The mall runs a good four blocks,DOWNHILL, which means patrons must walk four blocks back uphill.

Guess what?

Over 50 per cent of them don't even walk all the way down.

OK,OK.

FROM HERE ON IS MY ASSESSMENT OF THE SHOW, STRICTLY FROM A 2-D POINT OF VIEW ( I am a photographer) WITH INPUT FROM SOME 3-D FRIENDS, MOSTLY GLASS GUYS I KNOW.

By now, some of you newbies are thinking, "Geez, the guy is finally going to tell us something about the show after all his hippy and travel-loge bullshit."

Yeah, well here goes, take this with the following proviso.  This used to be a $5k-$8K show, no more.

I know what I know, after doing this for 40 years.  I watch closely, I observe what people are carrying.

Also, I greet everybody that comes in, I am not on my cellphone.  Oh, I have new work, too.  Not the same old,same old.  Gee some of it gets me into shows like, Gasparilla, Saint Louis and Fort Worth.  So pay attention to my patter.  I am telling it like it is--and folks, I know what i is.

FINALLY, AN ASSESSMENT OF THIS YEAR'S UPTOWN.

First off, up front, it was a big down year for most of us in all medias.

I talked to friends in jewelry, glass, clay, painting and photos.

For most--it was way off.

Oh sure, there are those lucky few. I had the guy with stone birds across from me.  He had to do a cool $8K or better.  Those birds never should have been in the Uptown.

A photo friend of mine did $8K last year and barely made $2K.

Most people did not do above $2K for the show.

All they bought was the lowest end possible.

Forget about be-backs.

Most of them did not have $50 cash in their pockets.

The show was an Ann Arbor redux.  They walked by without really looking at anything.

I had my worst show,ever, there.  All I could sell was $25 photos.  Only sold four pieces at $150 the whole show.

It was not pretty.

Weather was decent.  Not too overly hot.  Had a storm Saturday nite that ended the show two hours early.

Sunday, was my best day, and it was pathetic.

My two glass buddies from the twin cities, who only got in off the wait list, had pathetic shows.

Interestingly, both these guys routinely get into the best shows like Coconut Grove, Winter Park, St. Louis, et al, and they barely got in the show off the wait list.  What does that say about that sharp-eyed jury.  Stone birds were better than original glass art.

Unfortunately, the director of this show is not that sharp.  She don't get around and see how other shows of their magnitude are run.  She collects a paycheck.  

She is happy, while hundreds off artists are unhappy.

This show is spinning downward.

The booth fees too high, the rewards too low.

The committee is clueless and their jury is mediocre at best.

The twin cities deserve better.

SO THERE IT IS.  THE JOURNEY IS A BEAUTIFUL ONE BUT I DON'T THINK THE FINANCIAL REWARDS ARE COMMISURATE.

Love to hear others comments.

Again, I caution, my observations were based on"  Being there and looking, being a 2-D guy,

and having 25 years of perspective there.

Later gators.  Nels.

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Chincoteague Blueberry Festival

I don't often feel motivated to report on a show, but sometimes it's a must!  This was our second year at this oceanside event and worthy of a review.  

First, the venue - the Chincoteague community center is the location for both indoor and outdoor booths.  I can only really report on the indoor, but the outdoor vendors seemed to be happy.  Indoors, we have either a 10x10 or 8x8 space, with power available at extra cost.  The Air Conditioning is great, event with all the doors opening and closing.  Linoleum Tile floor is immaculate, as is the rest of the building.  "Dan", the center coordinator, is on-site all the time and ready to resolve any challenges that may arise.  The Wi-Fi is free, password protected, and great!  Plenty of ingress and egress for load in and out.  Tables and chairs are complementary.

Next, the promoter.  Sam Serio owns and runs the event.  Sam has years of experience as a vendor and it shows.  He is the Jury, and is very good at it.  No buy/sell indoors for sure, very little outdoors and those that are there do NOT compete with the crafters.  Sam also allows a few commercial booths like Bath Fitter, and that's fine by me.  They pay dearly, and keep costs under control.  Sam charges a $5,00 admission fee, with multi day discounts, coupons, and late arrival deals.  Sam also does a drawing on Friday and Saturday for a total of 4 - $50 coupons for next year's booth fee!

The Crowd - this is a largely tourist crowd that loves this event.  They buy.  They are not broke.  Super bunch of shoppers, and we make new friends every year.

The Vendors - first rate bunch.  Positive attitudes abound

The weather - last year hot, but this year was amazing

Hours - Friday and Saturday and Sunday, 9-4:30

The Island - Chincoteague is a vacation paradise.  Whether camping, Hotel, B&B or vacation rental, you will have a magnificent stay.  The annual Chincoteague Pony Swim is the Wednesday after the show.

This is a very nice event and the sales are great to good.  Our take is that if you can spend 2 weeks in a beautiful place, eat, drink and hang out, spend 3 days at a show and come home with more money than you arrived with, it's a big win!

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Polling the Community- Christmas Shows

I am planning to do my first round of Christmas shows this years. I am a 2d artist- ( decorative fiber- or 2d mixed media ) My work is fabric but looks like paintings-www.sharontesser.com I create pieces of every subject matter. I wondered at Christmas time if people purchase a certain type or genre of work for the holiday. What I know is in Kentucky I sell every horse I make- in Michigan the same is true for beach scenes. I am completely at a loss for Christmas in Ohio- except price point- my expectation is to keep things under $100. All experiences and advice welcome. Thanks in advance 

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WoodsStock 2014

I guess I was in the wrong fair. But why did they market me so heavily since Maple & Main in Sylvania, Ohio in the beginning of June. Did they just want my booth fee and nothing else? This was the first fair in a long time that I did not get above the booth fee (let alone the application fee). The booth fee was $100 and the application fee was $20. All I made for the show was $80. The last time I was under like this was in my first year form the 2012 Ella Sharp Art Beer and Wine Festival. I paid $65 for a booth that year and only sold one 5x7 for $25. This fair feels similar to that one. WoodsStock was put on by the Schedel Arboretum and Gardens in Elmore, Ohio.

So, if I was not a good fit - why did they go after me so heavily? I was $40 out of all the money put into this fair. Maybe it was the weather. For for the first three hours of the fair there was a heavy rain. Maybe it was the patrons of the fair. They were a lot older then my demographic crowd that buys my prints. I hate being under like this. It was an extremely frustrating day. And this fair reminded me how frustrating my first year in art fairs was.

So, did they just want my booth fee. Did they know that I was not a good fit? Did they just want want to fleece me? I may never know... This is one to take off the list for next year for sure!

The spinkler guy across from me was having a very good day. Me not so much...

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"Art is making something out of nothing and selling it." - who said this?

You're at the show. People are interested in your work they are about to leave (empty handed!!). And they turn and say,

do you have a card?

Your reply: Sorry, I don't want to be bothered when I'm not at the show. I'm here now. What can I do for you?

do you have a website?

Your reply: the show is my livelihood, what can I do for you?

how can we get in touch with you for a piece for our anniversary/new family room/cottage when it is time?

Your reply: how about now?

I have seen this scenario many, many times. The people walk away dazed and confused, and empty-handed. This may seem extreme, but you know it is factual. Do you have business cards? Do you always have them on you?

At the show they can carry them off and have a tangible piece from you that may bring them back today because you've written your booth # on it. Away from the show they are a visual memory jog about you and your work. A good card is the cheapest viral marketing and advertising you can do.

Here are a few cards I've picked up recently that show some very good basics:

What's missing from this card? Nothing I can think of. How about you?

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Front of Wendy Bedolla's card

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Back

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And, we need to have our house painted - great card, no?

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Do you have a business card? Can you show it to us here?

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A study you might be interested in

I received this today as part of a newsletter from the Indiana Arts Commission and thought you all might want to read about how happy we all are whether we knew it or not.

National Study Suggests People Involved Professionally in the Arts are Happier

Studies of happiness and well-being suggest that participating in the arts should lead to increased life satisfaction, self efficacy, "flow" like experiences, and an overall improved outlook on life.

A new study by the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University, supported by a grant from the National Endowment for the Arts (NEA), confirms this relationship: among college students and the general public, actively making or presenting art is related to increased feelings of well-being and a more positive social outlook.

(See Artful Living: Examining the relationship between artistic practice and subjective well-being across three national surveys).

Based on analysis of more than 2,000 respondents to the 2009 Strategic National Arts Alumni Project (SNAPP) survey (the only year the survey asked about general life satisfaction), research director Steven Tepper found that arts graduates who currently make and perform art professionally are happier than those who are not professional artists. If you train to be an artist, generally you will be happier if you actually get a job as an artist.

But what of arts graduates who make or perform art as an avocation, outside of work, are they happier than former art students who have largely stopped making art? Surprisingly, the answer appears to be "no."

The research finds that former arts students receive no additional boost in life satisfaction when they continue to make and perform art in ones spare time. The key issue here may be the amount of time available for the person to meet their own artistic goals. There are indications that former arts students are happier when they continue to do their artistic work outside of their regular jobs, but only when they feel they have adequate time to do that work at the desired level.

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Call for Artists: 3 Howard Alan Events

Arlington Festival of the Arts - Sept. 20th & 21st, 2014
In September, Virginia will be the place to be! We're back for our 12th year for the Alexandria King Street Art Festival on September 13th and 14th. This is always a great show and so we added another Virginia show, just up the road a bit. The following weekend is the 2nd annual Arlington Festival of the Arts, in Arlington on September 20th and 21st. This is one of our most exciting new shows, in the HOT Clarendon District, and we are really looking forward to it. We hope to see you there! Let's make this year even better than last year's debut! 

 
Plus, we'll be back again in the Spring as well for the 3rd Annual Arlington Festival of the Arts on April 18th & 19th, 2015.
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Anna Maria Island Arts & Crafts Festival
Nov. 22 & 23, 2014
 Our sister company, American Craft Endeavors is pleased to announce Florida's 
Anna Maria Island Arts & Crafts Festival

 

The show will be held on historic Bridge Street. Anna Maria Island is bordered by the Gulf of Mexico on its west side and Longboat Key on its south end. This quaint island resort will be home to our street festival on Bridge Street. The month of November is a very strong visitor month on the island. 

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Virginia Beach Downtown Art Fair - April 25 & 26, 2015
In April 2015, we are introducing a first class art affair to the heart of downtown Virginia Beach! This juried street festival will be located at The Town Center of Virginia Beach. The show will start at the corner of Virginia Beach Blvd. and Central Park Ave. and go down Main Street. Anticipate a great promotion and an art loving crowd! The show will follow the Arlington show (April 18th & 19th, 2015), which is a 3 1/2 hour drive. Join us April 25th & 26th for this exciting new venue! 

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Learn more about all of the Howard Alan Events at www.ArtFestival.com

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Art on the Mall 2014

Well, it's been another successful one day show. I beat my last year's totals by about $50. But this year more people came through my booth because I requested a different booth location. I put last years map back into this post because I changed from booth 53 to booth 14. While no framed pieces sold, but just a lot of 5x7s and 8x10s plus postcards, that means that I had higher traffic though my booth this year.

Art on the Mall is produced by the University of Toledo's Alumni Association. Yes, my $100 booth fee as always a donation to my Alma Mater. The volunteers there are great and I really like this show. A volunteer would come into my booth and offer water or a soda of let me take a break. The were like clockwork about ever hour. Since it only runs from 10 AM to 5 PM reaching nearly $900 is a successful one day show. Maybe one of these years, I break the $1000 mark. But my sales totals have gone up each year. Plus I had three orders that I need to ship. Yes, three orders of stuff that I did not have in my booth. 

One patron wanted a fireman shot. I showed her my flickr stream (https://flic.kr/p/a2SnTY) and she purchased a print right there. I think that is pretty cool...

Please keep in mind these shots of the fair were taken well after 4 PM, There was a thunderstorm in the area around 3 PM and I think after 4, the scene was mostly dead.

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Our brick in the Alumni Pavilion...

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Interesting Words from Ann Arbor

I had a great time this year at Ann Arbor.  Amid the lovely, heartfelt compliments there were a few comments I "collected" and thought you all might get a chuckle out of them...

Two separate buyers assured me I shouldn't worry because my work would be "going to a good home."

A lady with a very obvious Chinese accent and a large camera pointed at my ceramic art:

"Is all of this made in the US?"

Another  lady scrutinizing the sculpted ceramic herons I make:

"Where do you get your birds?"

And my all time favorite, overheard from a man crabbing into his cell phone on State Street:

"There are all these stupid white tents everywhere, and I can't find my bus stop!"

(Doesn't it just make you wonder if he noticed there weren't any buses?)

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I've just switched over from mesh panels to ProPanels after many satisfied years of the former. I wanted to be able to do indoor shows without having to use my tent frame, or any frame for that matter. It looked cheesy and I wanted a more professional look, but I digress.What I would like to know from a users perspective is what works. What do I mean by what works? Well I bought cable hangers for the pro panels and found that they tend to slip and slide towards the middle with 2D work that is hung by wire. I didn't have that problem with the mesh panels as the hooks stuck in the holes and the work stayed there. I'm finding that the cable hangers tend to slide around toward the center on the wires and the work seems unstable. I'm wondering if I try their "hanger system" instead if those would be more stable, in other words they won't slide to the center of the wires and will keep the work level on the Pro Panels. So before I spend more money I'd like to hear from those of you that have experience with either or both of these systems I certainly would be interested in gaining your perspective or perhaps a way to keep the cable hangers from sliding around on 2D work that is hung on wire. I did put some heavy-duty duct tape folded over on the wire on the back of the frames to see if that would create some resistance for the cable hangers but that is not an ideal solution. I just checked on the work hanging in the garage and one photo was dangling at a precarious diagonal as the cable hanger had slid to the side.As for using drapery hooks in the panel fabric, forget it, the work is too heavy and will cause the fabric to sag. Velcro around the edge of the work? Really? I don't think so, again the work is too heavy and it will cause wear on the fabric as well.
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Trimline Mesh Panels vs. Propanels

Hello, I just had my EZ up tent collapse at the Akron Hardesty Park show last night in a torrential downpour. The gods were watching out for me though, because none of my work, miraculously, was damaged. So I tomorrow am buying a Trimline for sure. My question is, for displaying my photographs, is it acceptable or a good idea to buy Flourish's mesh panels, or is it necessary to buy Propanels? I currently am using metal grids, that are going the way of my tent (the dumpster). I just don't know if I'll have room in my compact SUV for the Propanels along with everything else. (Jim Parker, I just reread your post for newbies from November. I don't have an Element, but close) :) 

Thanks in advance for your help. 

Jeneen

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What to me in the last two shows and one that I was hoping to get in but did not happen. So finally got time to write these two shows reviews but one it had discuss widely. Main reason I was in the wait list for Geneva, IL show run by EM Events but I could get in. I sad about because I won a merit award in this show last year and was my best show of last season. Anyone I hope to ear good things from this show even as I write the weather could be nasty at some periods during this weekend. I hope the weather hold because this how we make our living and want everybody to be successful.

I started this month against my better judgement doing the Chicago Botanical Show with Amy Amdur. Lisa (staff member from Amy) told me that I should give a try to this show. This a dolly only show. The show is a local show for and it less than 100 artists at this show. The booth is around 625. The set up is slope down which made the set up very easy specially since they set up deliver time. The show was pack with people Saturday and by the end of the day I cover expenses including COGS and I was telling myself wow this could be a good show after all (only sold small pieces nothing big and nothing over 100). Then Sunday came it happen what I was concern. The weekends it hard to get in and with the show the lines to get was starting at the Ednes. Also it cost 25 to park. Still the show was pack but sadly for me there was no buyers for 2d work. Most artist told me that they nothing on Sunday. Another artist told me he just finish a zero show. The people that seems to do well was jewelers and wearables. I think even some of them was not to happy. I do not think it was Amy doing anything wrong. The REALLY BAD THING is taking the stuff to the car. Remember I mention slope down. Now you spend the entire day at the show and you break down. Now you need to dolly back to car. It is a very short distance but man it is FREAKING WORKOUT. They offer help to brings things back a small fee. I will tell as older I get I do not want to do this kind of breakdown. No matter how much make you taking a chance of hurting yourself.

NOW if you are in Chicago Land Area take time to visit the Botanical Garden. I got home in 30 minutes or so and eat dinner. Wow I need to rest I am heading to State College on Tuesday (Central Pennsylvania Festival of the Arts) the number one show in sales according to Sun Shine Artists.

Going to State College is a little weird because is the middle of nowhere but the key is the home of Penn State. Yea that Penn State College. The traveling time is about nine hours from Chicago. I decide to head out Tuesday because the check in time was 4 pm and set up was at 6pm. I figure out this will be best way to do it. Since I took off at 8am I miss most all the really bad weather and I only have to deal with three tornado warning. The last one was near to State College and if I a tornado was in path I basically dead. I found out if you can risk it is better to leave at 5am on Wednesday and check in into your hotel and then go to check in because no matter what you can not set up until 6pm. Also depending if you are in the residential or campus may make difference how much you set up. The rumor is if you are in the campus you fully set up if you can. If you are in the residential just put up the display and finish next day. One thing No matter what in my case I should only put the display because you need to stop by 9pm. The show seems to very low in traffic in my area but my friend told me it was very busy in the residential area. My Thursday was a zero day. Friday I did over 1500. Saturday and Sunday I did 1000 each day. It does not sound like a lot of money but considering is my first time and the traffic was way down I do not know if I was lucky or not. At the end of the show I was very happy and heading home think I need to move my 72 old mother what a drag. Anyone I hope to get in next year again. My hope for next year could be Lakefront or EM Event, Des Moines (original or the other show) Botanical with Amy because I not get in Cherry Creek, State College, Ann Arbor, Geneva and Loring Park, MN. After that set head home which could be in Boise Idaho next year.

Well Greg I guess I need your book. Happy days to come to everyone.

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8869146265?profile=originalSt. Joseph, MI - July 12 & 13

Best in Category

Acrylic -   Tim MacDonald

Clay Functional - Rob Wiedmaier

Clay Non-Functional - Karen Bell

Digital Art - John Ames

Drawing / Pastel - Sabrina Zhou

Fibers Decorative - Jean Yao

Fibers Wearable  - Francia Patti

Glass - Douglas & Renee Sigwarth

Jewelry Non-Precious - Lisa & Scott Cylinder

Jewelry Precious - Samantha Freeman

Metals - Scott Nelles

Mixed Media 2D - Corrine Smith

Mixed Media 3D - Mark Reynolds

Oils - Brian Eppley

Photography - Rusty Leffel

Printmaking - John Furches

Sculpture - Jack Hill

Watercolor - Randall Higdon

Wood - Robert Daily

Krasl Board Choice Award

Wood - James Barnes

Shore Magazine Best Booth Award

Mixed Media 2D - Ginny Herzog

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