This year, we've made changes in response to exhibitor feedback to support optimal sales. The new layout will integrate food vendors into the market, and relocate children's activities to build traffic. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

Haven't filled up your summer schedule yet?
Find even more shows looking for artists at callsforartists.com

ESTES PARK, CO, ART MARKET, MAY 23-25, 2015

APPLICATION

This was the 16^th annual Art Market produced by the Art Center of Estes Park.  You can apply to the show on Zapp. The jury fee is $25 and standard booth fee is $300.  The application deadline is the first of March.

GEOGRAPHY, CLIMATE, DEMPOGRAPHICS

Estes Park is the eastern gateway to Rocky Mountain National Park.  Access from Denver and I-25 is by US-34 through Big Thompson Canyon or US-36 up the St. Vrain River. The St. Vrain and Big Thompson Rivers flooded in the fall of 2013 and evidence of these major floods is still present.  Check the weather and road reports (www.cotrip.org) if the weather is bad.  Trail Ridge Road crosses the mountains in the National Park and the resort areas of Granby, Grand Lake and Winter Park are on the west side.  This year, the road was still closed from late spring snow storms.   

“Parks” in Colorado refer to broad intermountain valleys.  You have all probably heard of South Park.  There are also North Park, Middle Park, Allens Park etc.  Estes Park is one of these valleys at an elevation of 7,522’.  Mountain weather can be unpredictable, and this is true of Estes Park.  During the show weekend, there were a few sprinkles during Friday set up.  Saturday morning was chilly and for a couple hours after noon it rained and got very cold in the 30’s. Sunday was scatted clouds and a few sprinkles.  Monday was warmer and it was only chilly when the sun was under clouds and there was a breeze.  During takedown Monday it rained for about an hour and it was heavy for about 20 minutes.

There are many summer homes around Estes Park and in the

foothills.  The area is a destination for metro Denver residents and both national and international tourists.  It is not unusual for tour buses to pull up an unload their passengers at the show, but they are not typically my clients.   

SETUP AND TAKE DOWN

Management tried something new this year, and there were some bugs.  Registration was open at 9:30am Friday and it was off site on Wonderview Avenue.  PDF maps had been sent out prior to the show and being a “map guy” I took them literally.  I approached the registration area from the west and there was no signage.  I saw the “red trolley” in the on-deck parking area and thought it was a food vender.  I went to the Stanley Hotel Parking lot where registration was shown on the map.  Nothing there, so we went down to the Safeway lot and there was nothing there either.  I went farther down the hill to the Art Center parking lot and nothing there so I decided to go back up Wonderview.  That was when I saw the purple art show information sign at the corner of US 34 (main road in from the east) and Wonderview.  There were more signs up the road leading back to the “red trolley”. Everything was at the on deck parking area.  I was early, so it wasn’t a big deal.

You check in, get your booth assignment, then they radio down to Bond Park that you are coming down to park.  The second snafu was the volunteers not being real familiar with two-way radios, and it took a bit for them to figure it out.  The procedure, which I like, is to park, unload your stuff, move your vehicle off site, then set up your booth.  There was none of this parking in front of your and your neighbors’ booths while you dink around unloading and setting up for several hours.  There was a designated trailer parking area with a shuttle back to the show.

Take Down was similar.  You took your booth down and then you were allowed to bring your vehicle into a parking area to load your stuff.  There was no congestion created by people parking vehicles in front of their booth site for hours while they took down and loaded. No one had to dolly farther than 40 yards.

SALES AND ANALYSIS

I have done the Estes Park Art Market in five f the last six years.  It started out as a solid $2K sales show for me and last year sales were a little over $3K.  Therefore I went this year with financial expectations of $3K sales.  I missed this target by $130, so I still consider it a show I will apply to again.  Crowds were down Saturday and Sunday but there were more people than usual on Sunday. Saturday’s sales exceed ethos of 2014 by about $300 despite the very cold afternoon weather.  My sales on Sunday and Monday were a little over $700 both days.  I had 44 sales and the average sale was $65.24. Individual sales ranged from $2.50 for a bandana (sold with leather napkin rings) to $205 for a belt and silver buckle.

     Sales would have been better if eastern Colorado had not been

going through an extended period of rain. On top of this, there was hail and a few tornadoes out on the flatlands. People in the Denver metro area probably figured the weather would not be any better up in the mountains, so they stayed home. Another factor was Trail Ridge Road not being open. Driving the road is an attraction for motorists and motorcycle clubs. The latter were noticeably absent this year. 

The road closure also prevented tourists from the Winter Park, Granby and Grand Lake resort areas on the west side of Rocky Mountain National Park from coming over the Estes Park. I think this was the cause of an apparent lower affluence of the overall crowd this year.

AMMENITIES ETC.

     The Art Center provided a very thorough pre-show information packet. Besides the usual check in and set up information, there were tips about the weather, wildlife and adjusting to the high altitude. They also provided maps of the Estes Park region.  An artists’ reception was held Saturday night at the Art Center Gallery. We were too tired and cold to go.  There was coffee every morning and booth sitters were available. There was a kid’s area with bubbles, hula-hoops, face painting, and art projects of making masks and quilt squares. There was a silent auction of donated art.  If you completed the exit survey, there was a drawing for $100 off next year’s booth fee.

     We usually hike in the Park or nearby after the show, but this year we decided to go home and take advantage of the change in the weather to get yard work done. We could have gone snowshoeing just as easily this year.

Photo: Longs Peak, 14,259’  obscured by clouds drifting across the high country. That is a lot of snow on the mountains for late May! 

Artworks Inquiry - Scam

It started with this e-mail.

"Hope this message finds you well. I saw these creative works on your website and i will like you to get back with more details if they are still available for purchase.
Gate AND Tulips 05
I will appreciate an urgent reply.
Best Regards,
Kathy Johnson"

I replied yes, and after a few back and forth emails, I actually emailed her two small images to make sure we were talking about the same two images.

I quoted her $425 for the two matted unframed photographs shipped and she agreed. She told me her husband will be mailing me a check. The check arrived on Saturday morning May 24th and within minutes she sent me an e-mail containing a printout of a screen capture of the Post Office tracking.

But here's where it got weird. I received a check from a company called "Around The Rings" and it was for $1910.00. At first I figured it was a licensing fee for my sports photographs, because it is a sports oriented web site, and I do license my sports images a few times a year. But when I got home from the post office, the e-mail was waiting. My reply to the e-mail was I hadn't gone to the post office that day and because of the holiday I wouldn't pick up my mail until Tuesday the 26th. She even texted me twice to make sure I would pick up the check on Tuesday. Did I mention the check was from a company located in Atlanta. The envelope had a California return address and mailed from Texas.

That gave me a day to research the company and check. I called Around the Ring and spoke to their accounting department. The check had been written on an account that had been closed a year ago when the checks had been stolen and then had been used to pay for purchases on Craig's List and eBay at various locations around the country. The company had me send them a copy of the check to forward to the FBI.

It's now Tuesday May 26th and I'm eagerly waiting for the e-mail to tell me where to send the overpayment.

Larry Berman
http://BermanGraphics.com
412-401-8100

I had the fortunate chance to attend the Chastain Park Art Festival when I was in Atlanta for my son's Law School graduation.  His graduation was on Monday so we decided to go check out the Chastain Park Art Festival on May 9th.  The show ran from May 9 through to May 10th. 

The weather was wonderful, that coming from someone who just left the frozen tundra Michigan had been fighting off all spring.  It was so nice to be able to stroll along the artist's tents without being bundled up in warm winter coats.  There were people out looking for Mother's Day gifts as well as art for themselves.  People were able to stroll along the booths without having to worry about cars and traffic because this roadway was closed to any traffic.

The first booth we happened upon was the lovely Melanie Rolfes and Michael Zavison.

They had a great spot as people seemed to enter the row of booths from the side of the show they were on.  They had a huge booth with all these great large paintings that would look great in those gigantic homes that bordered the park.  Melanie lives in the Atlanta area and she said she loves this show.  She said the Spring show allows crafts for Mother's day purchases but the Fall show is all Fine Art. I did see some crafts but didn't think I saw any junk.

Next we came upon Joel Lockridge who makes fine wooden pens.  My husband seemed to be very interested in owning one of those.  I think that may be my first Christmas gift purchase of the year.  Joel wasn't too far from Melanie's booth.  As you can see, Joel had a great looking booth.                                                                                

Not too far from Joel we found Ruth Jellema.  I never saw her art work before and she had some great pieces.  Her work is so unique and any one of her pieces would look great in someone's home.   It was great getting to meet Ruth.

We walked the complete length of the show and finished up by stopping by the Chastain information booth to meet up with Randall Fox and Patrick  Dennis.  They were both great guys.  Randall treated us to a great lunch on the grounds.  It was the best pulled pork BBQ lunch.  We loved it.  Thanks Randall, we appreciated trying out the great Atlanta cuisine at the show.

Randall told us that the people around the Atlanta neighborhoods tend to stay in their own communities and don't go off into the other ones.  Chastain Park didn't really have an Art Show for their own area.  That is how they decided to start up the Chastain Park Arts Festival.  That seemed kind of strange about the neighborhoods but I heard that from someone else not connected to the show, too, later that weekend.  The Chastain Park area had big gorgeous homes bordering the park and I saw something that I never see in Michigan anymore - new home construction!  New homes are always a good sign of the economy of an area.  And those new homes will need some art work soon!

There was plenty of room for storage around the artist's booths.  They had lots of room on each side and lots of room behind the booths.  The show was one long giant strip with no one behind the booths.  Having the extra room on all 3 sides was nice as I think it was a bit of a walk to the artists parking area.  The weather was gorgeous and sunny which would have meant very hot in Atlanta.  But, this show provides plenty of shade with the park's large trees all along this road way.  This looked like a great place for a show.

I don't know how sales were as I was there first thing Saturday morning.  Hopefully, someone will let us know how things went for them.

Noteworthy: 

• Award Winning Event
• Beautiful location in Piedmont Park - Atlanta's largest park. 
• Located in Atlanta's Midtown neighborhood 
• Event draws 60-65,000 attendees from the metro-Atlanta area 
• Extensive local and online advertising including social media, printed publications, direct mail, billboard and social media.  
• Fine Art & Craft featuring up to 250 artists and crafters in all major media including ceramics, fiber, metal, glass, 2-D and 3-D mixed media, drawing, photography, painting, wood, jewelry, digital art and sculpture. 
• Limited corner upgrades and electricity upgrades available 
• $25 Application fee via Zapplication.org; $275 booth fee
• Booth sitters available at the artists request
• Complimentary water and snack delivery during the event
• Festival Hotline available during event hours
• Emerging Artists Pavilion for first-time festival artists
• 24 hour on site Atlanta Police Department security 

About the event: 

The Atlanta Foundation for Public Space sis proud to announce the Fifth Annual Piedmont Park Arts Festival.This is the ideal summer festival to enjoy the outdoors, browse for irresistible art and crafts as well as appreciate the beauty of Atlanta's largest park. Visitors enjoy a wide variety of art and crafts. The festival includes a children's area, local food and beverage concessions including "gourmet" food trucks and live acoustic musical performances. 

The Festival is located in midtown Atlanta, just moments away from a number of Atlanta attractions and landmarks including the Atlanta Botanical Gardens, The HIGH Museum, Museum of Design Atlanta, Georgia Aquarium, Atlanta Symphony Orchestra, the Fox Theatre and Margaret Mitchell House & Museum.  

Named one of the "Top 20 Events in the Southeast" by the Southeast Tourism Society, this event promises to offer a little bit of something for everyone!

NOW ACCEPTING APPLICATIONS:

• Application fee on Zapp $25/ mail in $35
• Deadline: June 5, 2015
• Jury Result Notification: June 13, 2015
• Apply online at www.zapplication.org 

To learn more about the event, please visit: piedmontparkartsfestival.com

Email questions to lisa@affps.com or call 404-873-1222.

When I click on the link to pledge, I get the following error message:

Internal Server Error

The server encountered an internal error or misconfiguration and was unable to complete your request.

Please contact the server administrator, webmaster@paypal.com and inform them of the time the error occurred, and anything you might have done that may have caused the error.

More information about this error may be available in the server error log.

Can anyone give me a recent review of the Winterfair in Ohio. Just saw old posts on it and was wondering if it is worth the trip? Thx

This was the first time I did the North Virginia Fine Arts Festival. Judy Christian already did a short report on the show. I will try to give a bit more detail and my experience at the show.

The show is set up along the streets in a high end outdoor mall type setting with high rise condos along the street and town homes near by. There maybe homes within walking distance I am not sure. Reston is a rich suburban area out side of DC and near Dulles airport. I don't usually like to do suburban areas for my contemporary work but with the reputation of this show and after doing shows around DC for the past 3 years clients of mine encourage me to try it.

Set up is on Friday. The show is extremely organized. When you arrive you should have already printed out your load in pass and then you can drive up to your assigned street entrance. You are met by someone who walkie talkies into the festival grounds to find out if there is room for you to get to your spot. They are good about keeping everything clear. If you have an oversized vehicle they give you a pass for the oversize parking lot assigned for artists. You can check in at your leisure at this point. My area was an easy area to get to so I was able to go right in and park across from my booth. I am sure it isn't this way for those along the main street, but there was plenty of room for the artists to park their vehicles near their booth and set up with out having to move right away. I had been warned about the wind at Reston. There are a lot of tall building in this area and it creates wind. Lots of it. Reports of wind were 4mph that day but setting up the booth we had to be careful. It really helped being able to have the truck right there so we didn't have work blow down while setting up. I used extra weights. I was a corner booth and there was always a decent breeze and sometimes big gusts. Most of the booths are on one side of the street. There is a small area of the show that has booths on both sides. I was set up along a new street for the show. It was off the main strip and looped around the park. I had a ton of room behind the booth. Depending on planters and what business was behind you may be able to blow out and store work. Not much room on either side of the booths though.

The show treats the artists very well. Before the show you can call or email them and they are beyond helpful answering any questions and working with you to help make it a good experience for you. During set up I had a few patrons pre checking the show work. The patrons were excited about the show. They seem to wait for this show and they know that the art at this show is top notch. They seemed disappointed that the show wouldn't be open Friday night, I guess they use to do that. This year they had a fund raiser event that the artists were invited to. The event was very nicely done. I didn't see a lot of artists there but I only stayed for about 20 minutes. Nice spread of food and drinks but not enough for a meal. So I ran off to one of the many many excellent restaurants in the area. The show also offered a good deal at the Hyatt right at the show. Great hotel. It was a treat. I believe they had breakfast for the artists but I was all about room service, so I don't know what they served. On Saturday night they had an awards party and again possibly dinner but the restaurants had amazing happy hours for food and drink so I did that instead:)

Saturday the weather looked iffy. Possible thunderstorms but most likely in the afternoon. The weather held out until 5pm when staff came around and closed the show and it poured. Everyone scattered. Saturday was a great day though. Like others have mentioned the crowds were not huge. Especially off the main strip. I do originals only, large scale abstracts. Usually my client will walk an entire show if they are looking for work like this. So for me I don't think it mattered too much that I was not on the main strip. I am sure for people with lower price points under $1000 they would need more traffic. Along the main strip around the stores the crowds were good. I went a couple times back to my hotel and noticed a BIG difference with the crowds both Saturday and Sunday. Around noon the park held two dance recitals with speakers for music. This was across from my booth. When I saw it being set up and the dancers arrived I was not happy. I have to say it was done well. The first dance group had nice soft music, they didn't play it too loud and it was not too distracting. It lasted for about 10 minutes. An hour later they had a group of ballerinas in beautiful eye catching costumes. Again the music was at an appropriate level and a nice back drop. The second group of dancers were so pretty that even I had to go watch. This group did stop the people in their tracks and they watched the dance and missed the art. It only lasted for about 10 minutes and after both performances the audience would walk the loop around the park. Staff did check with us to make sure the music was not a problem. Over all it was a nice add to the show if you need to have those type things. Sales on Saturday were great. By noon two pieces were gone. One of them the couple had come down from their high-rise condo saw the piece and bought it with out even looking through the entire booth or walking the show. They were worried to walk the rest of the show first because they were familiar with this show and knew work moved fast. This is one of the reasons patrons were there on Friday. They wanted first pick. Price not an issue in this area. Not everyone at the show is qualified buyers but the majority are. The ages ranged from young professionals to retired. Since our work is big we have to deliver. Many sales were walk able with the new propanel cart I just got. (this thing is awesome). Also in my area clients could drive up very close to the booth and load up.

Sunday the weather was up in the air again but it held out great. The show opened at 10am. I was alone at the booth since my partner had to do deliveries from Saturday. A suggestion for anyone who has to deliver in the DC area, do it Sunday morning. Traffic can be crazy in DC but Sunday mornings the roads are clear. So I was alone but it didn't matter no one was there until after 11 am. I find it rarely is necessary to open a show before 11 am on a Sunday but maybe that is because I am not a morning person. Crowds were light in my area for most of the day. The buying frenzy didn't feel as strong but my booth was down a lot of work so the presentation wasn't as strong. There were still a lot of good sales happening for large scale work though on Sunday.

Break down, the block captain was great. She came and talked with each of us to discuss load out strategies. The rules are NO breaking down of any kind before 5pm. Then break down get a pass then get in line. My booth and the booth next to me were able to park our cars with in 50 feet of our booths in the afternoon. So we let the block captain know we would dolly out and we would be out before the start time of 6pm allowing cars to come in. Both of us were out by 5:30 pm and drove by the line up and it was LONG. I am so glad we were able to dolly out. I am not sure how load out went for everyone else.

I really like this show. I would love to be invited back and I was happy with my location. It had a lot of perks even though it wasn't on the main strip. I was close to the Arts Center where they had the artist amenities, think clean real bathrooms. I am a sucker for close clean real bathrooms. Water was brought around to us or you could just go to headquarters and get what you needed along with snacks. I was also in front of a CVS, ice and cold beer whenever I wanted. The volunteers and staff of this show are amazing. The director of the show came and meet us and asked us what she could do if anything. She really wanted feedback. She lives on site and knows the show well. On Sunday I arrived to a messy booth with all the wind and rain. I use to bring a broom to all my shows but realized that almost every artist brings a broom. There is no reason to have 200 brooms at a show and most artists are willing to share. So I have since ditched my broom. Well I guess all the other artists around me have done the same because I couldn't find one. A volunteer came up in the morning and asked if they could get me anything and I told them yes a broom. A few minutes later they arrived with one, waited for me to use it and continued along the street to see if anyone else needed it. There were booth sitters all over the place. If you had a question of any kind they had the answer or would get the answer to you asap. Great show to do if the DC area is your market.

Here we go again! ArtFairCalendar.com and ArtFairInsiders.com's shameless promotion asking for your help in keeping these useful sites alive and well. From May 17-June 1 we are asking for donations to our 6th Annual Pledge Drive. 

We give  you helpful information all year, we bring buyers to the art fairs and we help improve the nation's art fairs.

Did you like any of the podcasts, the videos, the friends you met here and then later at a show, the useful tips on tents, shows, security, earning a living, etc.? Sure hope so! If you did and you donate a little $$ you'll be entered in our prize drawings also. You win and we win!

Look at these prizes:

• Make your own art display & folding sales desk plans from Ernie Kleven
• $40 gift certificate from Canvas Giclee Printing
• Art from Fran Debra Placky, John Leben, Matt Pecson, Rani Primmer, Nica Bell, this limited edition poster from Mark Loeb and the Palmer Park Art Fair & more
• an e-course from Artsy Shark; 2 website reviews from Scott Fox
  
• booth spaces -- nearly coast to coast from some of your favorite show organizers
• space in a pop up shop in Chicago and art lessons near San Francisco
  

 & 30 more ... goods and services specifically helpful to your art career

Click here to learn more

The following should be taken with a very large grain of salt. Better yet maybe an entire salt block because my impressions couldn't come from a place of less experience. I'm about to report on the first two art fairs that I've ever done.

I got my initiation in Greenville SC at Artisphere, weekend before last. Greenville has a beautiful and vibrant downtown and booths are set up in a long line down both sides of picturesque Main Street. This set up made for an easy load in (even for a novice) and it made every artist's booth visible and easily accessible. No one got overlooked.

Almost to the point of embarrassment we were made to feel special. Greenville's mayor came by and we got into a long chat. Other city officials introduced themselves as did members of the event Board. We were thanked repeatedly for coming and there was clearly the attitude that Artisphere is an important and classy event that the city takes seriously. So do the patrons.

Last year's attendance was estimated at 95,000 and this year it couldn't have been fewer. The crowd was energetic and genuinely engaged. People asked serious questions and seemed excited about art. They came to buy and buy they did, across the price range. I was told by a member of the Board that a wood sculptor had sold several pieces each priced at $15,000. My neighbor glass blower sold several large pieces at $2200 and many smaller. I make unglazed raku vessels priced from $175 to $600.00 and I sold 32 pieces, many at the high end.

It was a terrific show from beginning to end. Beautiful art and an enthusiastic, generous crowd. I wrote a note to Liz Rundorf the Program Director and told her that my only complaint was that she had set the expectation bar way too high.

Boy was I right. A threat of rain hung over Broad Ripple Art Fair in Indianapolis this past weekend, which almost certainly kept attendance down. I'm guessing it was well below last year's 15,000, but even if there were more it wouldn't have mattered. This was not a crowd, it seemed to me, interested in or intent on buying fine art.

I set up for an optional pre-event cocktail party showing Friday night for art center supporters and dignitaries. This was billed as an opportunity for party guests to get a first look at the art and a first chance to buy. We were told before the event that 200 guests were expected at the party (which seemed like a low number), and during the two hour showing we counted 30 people who walked by our booth. Most of that 30 strolled by without even a sideways glance at the art.

About the art-- this event is described as a fine art and craft fair but it seemed heavy on the craft (pens, wrist bands, yard art) and those few who did buy seemed oriented in that direction. A local potter told me, kindly, that my work did not belong at the event because it was too far into the fine art category.

My neighbors were a metal sculptor, a wood turner/sculptor, and a watercolorist, all of whom did beautiful work. Exceptional work. The painter sold nothing, the metal sculptor sold nothing, the wood turner sold a few low end pieces, and I sold two pots. That's two.

For the most part people shuffled by, zombie-like. Many didn't look into the booths. I wondered for a time if my booth was situated in a difficult spot, near the corner of a square formation. Was it that people turned the corner and tended not to see me? Maybe, but that didn't explain the painter or the sculptors. I got my beautiful wife to pretend to be a shopper in my booth. She was wearing this flowing skirt and she gets attention anyhow but she could have taken the skirt off and it wouldn't have helped. I could have butchered a live steer in the tent and those few people who might have turned their heads in my direction would have blinked once between handfuls of popcorn and ambled on.

In the context of poor attendance, too many booths, and horrific sales, it seems beside the point to say that set up was a bit difficult (cart in) and that none of the welcome and care for the artists so obvious at Artisphere was evident here. Sometime Saturday morning when you just knew that this wasn't going to go well, I stopped caring about those things. I just started to think about expenses.

There were a few saving graces. We got to know Michael the wood guy and his wife and had a blast with them and helped each other through. He's been in this business for 30 years and he taught me a lot in two days that I'll take with me down the road. He said this was one of his worst shows ever and that he would not be back. Ditto the painter, a 15 year veteran. Their opinions I would not take with a grain of salt.

Then there was a great beer truck by Broad Ripple Brewery. Their IPA eased the pain and made my booth neighbor, a funny guy anyhow, seem hysterically so. And I bought a cool knife with a mammoth tooth handle from a fellow artist, thereby blowing almost half of my meager income. My wife suggested that I put the knife in a place that, while anatomically possible I suppose, would be somewhat painful. I declined.

Two things:

1. Beautiful show, great work, great presentation, great food, great looking crowd,

in a sophisticated area (DC). Perfect. Show committee did a wonderful job here. Everything was great.

2. Sales. Not. 

The customers that I had all told me the same thing---they WALKED from their condo to the show!

This show was too good to not be visited by people from the greater DC area- where were they?

 For a $500 booth fee, $50 jury fee, hotel costs, etc, for a beautiful show in a densely populated area- where was everyone?  Other shows draw customers from a distance, easily. I am used to seeing customers at shows who drove 1-2-hours to get there.

Exhibiting artists were from several states. The work was tops. For all of the energy that went into presenting this show, what happened to getting the attendance?

Judy

The best compliment you can give me is to pay me for my art not steal it. I am flattered that you were so enamored with my painting. However you are not Thomas Crown just as I am not Monet. I am a living, breathing artist who makes his living from my talent selling my oil paintings.

I have a suspicion I know who you are but I am not positive therefore I did not go to the trouble of reporting the theft. I thought long and hard about reporting the theft to the police as I sat in the rain on Sat during the show. As the rain fell no customers came out and the weather became worse. Therefore the show was canceled and I lost my booth fee, hotel expense, travel expense etc. So to make matters worse I lost more than just the painting.

I do thank you for zipping my tent wall back down the way I had it so the other paintings I had hanging on that outside wall did not get destroyed by the rain. You get to enjoy the painting hanging on your wall while I continue to paint more and hopefully I can make up for the lost revenue and the feeling of security when I leave my art overnight at shows in the future.

Keep this in mind you low life scum! The talented artist you see at the art festivals in towns around the country have a passion to create and are people who pour their passion into the work they create. We are not wealthy we are talented men and women who choose to live life on our terms. The artists I have meet through the years are not selfish people. We do not take from others rather we create to share our vision and talent with people who appreciate our talents. We sell our unique works so that we can continue to create more. We work hard there is no steady pay check, we sell our work to pay our bills, feed our family and provide shelter so we can continue to live our dream!

My guess is you have a job and have bills to pay. How would you feel if you worked hard then your employer complimented you for your hard work but did not pay you for your effort?  Enjoy the painting you have my website address from the back of the painting so you can probably find the address to my studio if you want to steal more. I promise you if I am in the studio when you come to add to your collection I won’t call the police! I am an artist who is a strong supporter of the 2^nd amendment.

Is there any one who has done Howard Alan's  The Saint Pete/ Cory Ave show in December and the Maderia Beach show Thanks giving or the Sarasota Craft Show on  first weekend in December?

September 26 & 27

Deadline: June 1

Edgewater is a lakefront community area on the North Side of Chicago. Our event got its start during the economic downturn when residents of the area decided to fill our empty storefronts with art. This simple activity turned the neighborhood around as the storefronts soon filled up again with new tenants, leaving no room to display the art.

• an eclectic mix of fine art and fine craft 
• local performing artists and area musicians
• beer garden and local food court

Spaces are $150/corner space additional

This is your chance to be part of a newer event where the community is eager for a successful show that will show off their cool neighborhood. Spend a beautiful fall weekend in Edgewater with us.
 

A few weeks ago Percy Sledge died, an artist whose work was stolen by many and he never received the royalties. His most famous song was "When a Man Loved a Woman," what producer Jerry Wexler called "a holy love hymn." This song was the part of the soundtrack of many lives. 

His obituary: http://www.theguardian.com/music/2015/apr/15/percy-sledge

The song:

It was on the airways when I met Norm Darwish and it was our song, and you know what that means.

Norm Darwish my husband of nearly 40 years (I know you guys don't really think we were married), died on May 9. He was cantankerous, a curmudgeon, outrageous and a fine photographer. He was a meticulous craftsman in the darkroom. He loved me. We earned our living at art fairs from 1978-2006, when he lost his will to create because of chronic depression. If you can't create you just make products. Products were not his goal.

Thanks to all of you who have said such kind words about his body of work, ethereal and luminous -- cute kids, landscapes, still lifes, creative studio work and lots of nudes -- as he loved women. At a show director's conference a few years ago I was "outed", not as an artist's partner, not as a show director, but as the art.

He'd beaten back prostate cancer for 20 years but this winter it reappeared with no good end in sight. He was able to end his days at home with his daughters and grandsons at his side. Lucky man.

His obituary: http://wtvbam.com/blogs/obituaries-blog-wtvb/67/obituary-norm-darwish/

As I write this today I'm streaming Sirius radio's B. B. King's Bluesville, as we lost B.B. yesterday. Luckily I got to see him at the Wiltern in LA a few years ago. B. B. toured his entire life, he was in the bus. That evening he could hardly walk, but he sat on that stage and leaned out toward us and took us all in. He loved his audience and we loved him back.

We loved Percy, we loved B.B and Norm, a singer in his youth, is hopefully joining them today. 

B.B.'s "Why I Sing the Blues":

To celebrate Norm's life we're hosting an open house at our home on Sunday, July 19, and you are invited to join us, whether you knew Norm or not. It will be a gathering of people who are brave, resilient and ready to take on life on its own terms -- you road warriors. 

The winners of the 11th Annual Artisphere event held in Greenville, S.C., presented by T.D.Bank and featuring G.E.'s Artist Row were announced recently with $15,000 in awards going to artists.

There were 121 artists represented from all across the country and these are the winners:

G.E. Artist, Best of Show: Robert Farrell (metalworks)

2nd Place: Danielle & Christopher Merzatta (jewelry/precious)

3rd Place: Patricia Kessler (painting/watercolor)

4 Honorable Merit Awards: Richard Wilson (drawing/pastels), Chris Coffey (photography), Hallie Gillett (painting/watercolor) and Tara Locklear (jewelry/semi precious).

The Hainsworth Sinkler Boyd Mayor's Choice Award winner's are: Erin & Jason Hall (ceramics) and the new Cherry Bekaert People's Choice Award, determined by festival patrons is Sarah Mandell (jewelry/ semi precious)

For more information about the artists, visit www.artisphere.us