August 4, 5 & 6
August 4, 5 & 6
August 4, 5 & 6
June 16 & 17
Always free to the public, the American Artisan Festival is visited by more than 25,000 people each year. In addition to presenting the best in contemporary American handcrafts and fine art, fair goers also enjoy live music by some of Nashville's most talented musicians, free children's art booths for kids of all ages, and more than fifteen artisanal food and drink vendors including beer, wine and craft cocktails.
I want to start by saying that I'm grateful for the opportunity to rebuild and relaunch the festival that I spent my entire life celebrating in Centennial Park. Along with my two sisters and my father Alan, my mother Nancy Saturn built The American Artisan Festival as a family business. I only missed the event one year when I was traveling abroad but otherwise, I was always there working either booth sitting for artists, or helping my mother check people in, and eventually helping her layout and manage the show. I loved doing it from the beginning and of course I loved working with my mother to create it. It has always been a family business in that sense.
But beyond the countless memories and moments I have shared in doing that work, the best part was that the community of artists also became my family, and I learned what it means to share the love of art with the community and to support artists. I learned about your process and your passion for developing it. I learned from my mother Nancy also how important it was to create access and a space to connect to artists so our Nashville community could understand and appreciate the pure joy of collecting contemporary art--whether decorative or functional.
Over the years I myself came to appreciate that you can drink your coffee in a mug made by hand that feels good to the touch, or watch the light shine on a blown glass ornament on your Christmas tree, or sit on your porch and bask in in the sounds of a soulful wind chime on a rainy day--as I have my whole life in my own home.
All of this is to say that 43 years later, I still love the mission and I'm so honored to have the opportunity to work with you as we rebuild this show with love and commitment following the path of my mother's soul.
Now, I will take that forward with a renewed sense of passion. I have relocated with my family to Nashville after almost 20 years living in New York City with the goal to bring this show to a new level of importance and quality and I can't wait to introduce the new Nashville to this incredible event. I do hope you will join me this year as we pioneer a new-old show, and I thank you in advance for your support.
P.S. Samantha Saturn will be a guest on our next podcast, 2/25 at 5 pm, "Two new shows for 2017 - Should you apply"? Click here to listen live.
After 10 years of doing shows in South Florida and Toronto, I have never been in a show worse than this. Set up day Friday, we were told to come between 9-1. We roasted in the parking lot until noon, because Jack Busa, the director, had a problem with the insurance for the Fairgrounds. Saturday, all set up, but no one came. Friends were calling, can't find it. Only see signs for Gun Show. What happened to all the money he said was being spent on advertising and signage???? It was the best kept secret in West Palm!
By Sunday 12 noon, the vendors were packing up to go home. There were about 60 of us, a few jewellers sold some pieces and 2 paintings were sold, all weekend. How do I know? Because the vendors had nothing to do except congregate and share our disappointment and frustration. I spent over 500 for a 10 x 20 booth and almost 300 to tents 4 us, and I sold 6 prints for 20. each,2 to other vendors!
Needless to say, shows are exhausting, but if it's a good one, well worth it. I am putting this out there so no other artists get taken in like we did.20170212_104601.jpg The picture I've attached is what the halls looked like at 12 noon. EMPTY!!
This was a beautiful venue on the canal in Fashion Square Mall. Setup on Thursday started at 10am and I was able to park close to my booth space to unload and setup. Beautiful weather all three days and sales were good for most artists that I talked to with a few not so good. Friday traffic was kind of slow and no sales. Saturday traffic was slow until after the Parada Del Sol parade then it picked up and sold one of my higher priced items at $1,500 and a few smaller sales. Sunday traffic was a slow start an sales were good for my lower priced items. In summary my sales were good and would do this show again. Thunderbird Artists did a great job organizing this event, they had golf carts with trailers to help artists that needed it during setup, security was excellent and they made sure everyone followed the rules which made for a great show.
Setup on Wednesday was the easiest I have ever had. Organization was excellent and a beautiful venue. This was a 4 day show that should be a 2 or 3 day show. Somewhere around 150 artists. Traffic on Thursday was fair but only artists that were making sales were for items under $100 with a few larger items. Friday, made the first sale. Traffic fairly good but sales were slow from what I saw and my first sale was 1 hr prior to close. Saturday traffic was very busy and some artists with large art work made sales, most with desert scenes. No sales for me until near close, finally made a sale. Sunday slow until noon then traffic picked up but no buying energy.
This is a very nice show, great promoters, volunteers, nice amenities (daily coffee, snacks, fruit, donuts, raisins, dates, water. Volunteers delivering water and cookies all day. Organizers were the best, venue was the best I have ever been at. Quality of artists was very high, the number was around 150 which is about the perfect size IMO. Promoter is the chamber and did heavy advertising on TV, radio, newspaper, magazines, billboards over a fairly long period of time. Ads were in some markets in drivable communities like San Diego, Los Angeles and also as far as Phoenix . The booth fee and commission rate of 15% is very fair based on the quality of this art festival.
Setup on Friday was easy, able to pull up close to booth as I was by the sidewalk. Had to setup in the rain as it rained most of the day on Friday, glad we were on grass as the street gutter was several inch's in fast moving water like an AZ wash. Promoter was on site all three days and was marking booth layout in the rain on Friday. Venue was very nice, weather both days were excellent but sales very slow for everyone. There was an International Film Festival ending that weekend and most of the crowd at the art festival was there for the festival and looking for something to do between shows. All though a nice venue, easy setup, easy takedown and reasonable booth fee I don't think I will do it again due to poor sales. I don't know if sales were low due to time of year or most patrons being tourist.
|
||||||||||||||||||||||||||
July 1 & 2 
Ludington, Michigan
Rotary Park
120 Artists
Deadline: February 28
Application Fee: $35/$25 Early Bird
Booth Fees: $175/$350

Artist Amenities:


June 2, 3 & 4
Mount Clemens, Michigan
Presented by the Anton Art Center
75 Artists
Deadline: March 1
Application fee: $20; Booth fee: $125
New this year:
Marketing:
September 2-4
Portland, Oregon
We are Portland's largest outdoor art fair, drawing over 100,000 people every Labor Day weekend to it's beautiful location under the canopy of trees in the historic North Park Blocks of the Pearl District. Known for its art galleries, upscale businesses and residences, the Pearl District is an affluent vibrant community that thrives on art and culture in NW Portland. ![]() Art Olympia is an open art competition held as a biennial event in Tokyo with the goal of discovering talented artists around the world. It aims to promote exchanges of the world's various cultures through arts. Artworks of approximately 180 pieces (80 from Japan and 100 outside of Japan) will be selected and undergo a final review in Tokyo by a panel of international judges.
Total value of cash and extra prizes is approximately $500,000 USD.
Artworks submitted will first be reviewed online and the final review will be in Tokyo. The first review will be done using the images of artworks and the final review with the original art. The final review will use a point rating system, allowing the public to check the reviewing process to ensure fairness and transparency.
Primary round judging will be held in New York and Tokyo to select 100 works from New York and 80 works from Tokyo. The chosen work will be evaluated in Tokyo to determine the winners. New York based entry is for artists residing outside of Japan regardless of nationality.
Awards:
For all-entrants category, the first prize winner will receive $120,000, the second prize winner $30,000 and the third prize winner $20,000. All of the 180 finalists will receive cash prizes, have their works displayed at the exhibition, have exposure in an art magazine and will be listed on the Art Olympia website.
In the student category the first prize winner will receive $20,000, the second $10,000, and the third $5,000 along with other benefits. Student entries will be eligible for both the general and student categories.
Judging:
At the primary round judging, a panel of five (5) jurors will evaluate the works as digital images. Ten (10) jurors will conduct the final round judging by evaluating the actual works in Tokyo. In order to keep a fair competition, all artworks will be judged blind at the primary round and final round judging. Total points and the ranking of the finalists will be announced officially.
A panel of Jurors, comprised of experts from various fields of the international art world, will provide artists with a rare chance to have their artworks reviewed by international art experts.
-Schedule-
1. Entry period: From October 1, 2016 to March 31, 2017
2. Announcement of the Winners: June 7
3. Exhibition: Toshima Ward Office Building, Tokyo, Japan on June 17-25
|
||
Fees:
General submission:
$60 for 1 image; $100 for 2 images; $140 for 3 images
Student submission:
$40 for 1 image; $70 for 2 images; $100 for 3 images
|
In the winter us Michigan artists look for warm weather and a reasonable market for our art (that market is not here in the frozen North). Marcia and I have been heading south to Florida every winter for shows during February and March. We've had reasonable success at the shows and had the added benefit of getting in some beach time.
Next winter we're wondering if we can have the same success out west. My brother lives in Arizona and I haven't seen him in years. It might be fun to spend a month or two in Arizona and California. In February there are shows in Tubac, AZ, Scottsdale, AZ, Palm Springs, CA, and Fountain Hills, AZ. Art Fair Source Book ranks these shows 5, 8, 6 and 7 respectively.
In March there is the big one in La Quinta, CA, then Scottsdale, AZ, Carefree, AZ, Tucson, AZ and Tempe, AZ, with rankings of 10, 8, 7, 7 and 7 respectively.
In April, we have the option of heading home through Texas to hit Woodlands, Tx, Ft. Worth, and Southlake with rankings of 9, 9 and 8.
I know the Texas shows have a pretty good reputation among artists, but, with the exception of La Quinta, I haven't heard much about the Arizona shows in February and March.
Any Northern artists out there who have chosen the West for their winter schedule? And how did it go?
|
The show winds around a pond and runs adjacent to the historic log cabin. Artists are encouraged to get out of the tent and create installations that enhance their work and interact with the natural beauty of the park.
June 10 and 11
Buffalo, New York
Presented by the Allentown Village Society
400 Artists
Deadline: February 24
![]() |
|
| Jay & Toni Mann at Allentown |
June 23-25Columbus, Ohio
Easton Town Center
Presented by Huff-Burch Promotions
105 Artists
Deadline: March 1
Application fee: $25; Booth fee: $300
Take a virtual tour at www.eastontowncenter.com.