Every year Marcia and I head south for February and March to do art fairs in Florida. Lets face it, there are not very many opportunities to make money in the frozen north during the winter. Is it worth the trip? For me, it is worth it. In fact, the trip has become essential for us financially. We would have a lot of unpaid bills in the winter without the Florida art fairs. How did it go this winter? Results are mixed, but we were able to pay the bills, and we are coming home with some money in the bank account.
I'm a digital artist. I sell prints on paper and canvas. My price point is $45 for small unframed prints up to $695 for large prints on canvas. I work on environmental themes with images that use surrealistic imagery and humor. Our best show was at Jupiter ArtiGras where we grossed $8600 and won an award. Our worse show was March Bonita Springs where we made $2700. We grossed a total of just over @28K for the tour and averaged around $4700 for the six shows we did. We scheduled the shows back to back, and did six in a row, every weekend so the schedule was a little strenuous.
Last year our average was over $5000 per show and the year before we averaged $6K, so, it seems that the shows are becoming less profitable for us. But, we were in better shows in past years. This year I applied to many of the shows with new, unproven images and was rejected from a couple of good ones, Gasparilla and Winter Park. We also got snowed in during the Polar Vortex in Michigan and we missed doing ArtFest Ft Myers on the first weekend of February, a traditionally good show for us. I think if we were able to do Ft Myers, our average per show would have matched the 5K we did last year.
The weather for all the shows this year was spectacular. Sometimes a little hot, but no rain, no windstorms.
My wife, Marcia is an important member of our two person art fair team. She keeps me calm and she is an excellent navigator, helping me find the sign-in booths and the artist parking lots. We have a rather complex setup that takes 4-5 hours, and she is extremely helpful in setup and take down. She is also a good sales person and (usually) has a smile on her face. Having said that, she would rather be somewhere else. These art fairs are a lot of work, and I agree that a little pampering between shows helps to keep her involved. So, we don't try to save money on accommodations or restaurants, She deserves it. This year we rented a house in Ft Myers Beach with a close friend who we have been traveling with for years, splitting the outrageous cost. From this base we were able to commute to two shows in Bonita Springs, Naples National and a show on Sanibel Island. So, we paid lots for the house for our two months, but saved on hotels at these four shows. We did cross to the Atlantic side for Jupiter and Vero Beach, so we had to pay additional lodging for those two shows.
I don't know whether it is significant, but the four shows we did on the Gulf side were well below average in revenue, while the two shows we did on the Atlantic side were well above average in revenue. The shows we did on the Gulf side were heavily attended by retired people while the shows on the Atlantic had a lower percentage of retirees.
Will we do a Florida tour next year? Yes. We already booked the same house in Ft Myers Beach for February and March. But next year we can (hopefully) get into Gasparilla and Winter Park. And next year we will try to plan the schedule so we don't have six shows in a row, every weekend.

The Hershey Artfest is Hershey's largest and longest running arts festival. Hosted on the Saturday of Mother's Day Weekend, it has become the location for Central PA to gather. Located in Hershey, PA, next to the Penn State Hershey Medical Center, the Artfest boasts a growing number of juried artists and wonderful food, and children's activities.

Juno was this past weekend and it is a Howard Alan Show.
The Show location is an artist’s dream. Booths are on a narrow two lane strip of Highway A1A right along the Atlantic Ocean.
Booths on the east side of the road are setup on grass with luscious trees and vegetation that are a barrier to the beach and the ocean which is about 30 yards away from booths.
Booths on the west side are setup on the road with a sloping terrain behind which is surrounded by trees and vegetation.
The Show is held in a Loggerhead turtle preserve park.
So imagine about 225 booths lining the road with immense crowds walking down the middle.
This Show is a major money-maker for many artists.
I saw a constant flow of large panoramic pieces go by me each day. Some were photos and many were paintings. Many were in the four to six foot range.
Juno is right by Jupiter so you get a large migration from the northeast here. I call it a New York State of mind.
They are well dressed and many bring their dogs, in baby carriages. Some actually stop and go into the booths and look at the art.
A lot of them give you about a three second stare at the work— and then they spin away. It is hard to get them to actually look at the work in the bins.
This is mostly a decorator art market. They want splashy Florida colors but don’t want anything really serious. If it matches the couch they are in there.
Florida Dreck sells best here. They like the surf washing up on the beach. They love their lighthouse scenes and basic images of flowers do ok.
Original, out of the heart art dies here. It simply not what they want. Keep it light and let me have leftover money for a $12 martini with that good cigar.
I finally met Howard and Debbie Alan.
We both we’re impressed by meeting each other. Now we can scratch that one off the bucket list. On to Thahiti.
They are a charismatic couple. And they support their artists and that is why he has such a loyal following of artists that do his shows.
Because of the location on a narrow strip of road, things must be micro-managed in a professional way.
I give them an A-plus in doing that.
We got to set up in daylight on Friday. It was a mellow affair. This is only my fourth HAE Show I have ever done. I do not like setting up at 5am in the morn—it is against my religion.
Sunday teardown is precarious, but efficient.
They give you two options. You can dolly out shortly after the show closing at five. For many, it is a long dolly to the van. The lots are not right behind the booths except at some places of the south end. The north dolly is long. You better be in great shape.
The second option is this.
Tear down the booth. Get everything on the ground. Then take a picture of it on your phone. Show it to a show official, then go get your van and get in line. Then you will usually be at your spot within the hour or less. I waited 30 minutes. I got to my spit at 6:45 and was out of there by 7:15 not bad for a 74 year old geezer.
That said, it was not a good show for me. Cannot blame Howard, he did his job.
The crowd that comes does not respond in kind like what I get on the Florida west coast or Texas or the Midwest.
It is a New York State of mind and they do not like me enough.
I have body of humor which usually always sells and brings me lots of buckos—not here.
They are humorless. They smile and laugh at it, then they move on.
My Florida landscape and seascape work did not win them over.
I barely sold $1500, that does not cut the mustard.
But, that is just me. The rest of you, especially newbies need to give the show a try.
I mean early March, by the ocean in Florida, with big crowds, it is an artist’s dream.
Aloha, Nels.
I have three killer shows coming up. I am making about 500 pieces of art to sell at these three—one of them is Main Street Fort Worth.
Stay tuned for future blogs.
Nobody out there, and that includes ArtFair Reviews, gives you the real skinny like I do.
PS. Howard was not sure it was really me, the real Nels. He was thinking of me giving him a blood test. I told him to go see my adopted son, Steve Vaughn, and he would verify me.
Jeez! I hope that works.

Have you been to any art fairs lately and asked yourself, "what am I doing here?" Have you spent four days including travel time and you've barely broken even? You know I'm talking about art fair alternatives and learning to use online tools to show, share, sell your fine art and craft.
What if instead of going to that marginal event you put as much time and energy into creating an online fanbase? How about Facebook with all its free tools? Heck, you're going to be home anyway, instead of searching for an iffy show to keep the cash coming in, you sit down at your computer. You've already got your lodging and probably plenty of food nearby.
Our recent podcast addressed step-by-step how to build your business online with free Facebook tools plus how to use Facebook to bring people to your next art fair. This was probably the most informative podcast we've done. Our guest Dave Emmons is a good teacher.
Learn more at these links: Facebook: https://www.facebook.com/hangingwatergardens; Strategies about Facebook marketing: https://www.daveemmons.com/p/artist-marketing-formula/
Were you listening? What did you learn?


A Fair in the Park is held in the lush surroundings of Pittsburgh's Mellon Park. An estimated 20,000 dedicated visitors enjoy the opportunity to interact with over 100 regional and national artists working in a variety of mediums including clay, fiber, wood, jewelry, glass, metal, mixed media, and two-dimensional art.
July 12, 13 & 14
| A sponsored post
Both your artists and your attendees are looking for more ways to connect before, during, and after your event. Art Festival apps by Grandstand allows you to easily create a mobile app that will get used and get noticed. Self-service options start at $299 and full-service packages start at $1,799. Maps with Built-In Search Find Artists Easier Make finding artists, types of artists, or contact information easier than ever with interactive maps. Using the native Google/Apple maps or your own graphical maps you can place pins on top and link them to artist bios. Add in filtering and searching and you have a map that will make it easy to find what they want. Artist Listings Connect Artists with Attendees Upload images for each artist in addition to bios, websites, social media links, and much more. Artist bios can then be tied to individual booths and map locations to make it easy for your attendees to navigate at the event or reach out directly to the vendor after the event. Password-Protected Content Provide details direct to your artists or volunteers. Deliver content only available to your volunteers, artists, or vendors with password-protected content. Information might include parking info, setup info, concierge hours, or more. Coupons, Scavenger Hunts, Event Schedules & More! Dozens of Modules to Enhance Your App Round out your art festival app with detailed event schedules, year-round calendars, coupons, lists of food vendors, scavenger hunts, audio tours, and much, much more! |
All rights reserved © 2019 / Grandstand Apps
Thursday, March 7, 6 pm ET: Part II - Using Facebook to connect with your buyers and sell your work.
Back by popular demand artist Dave Emmons joins me to talk specifically about turning all those people hanging out on Facebook into your customers. Dave has over 85,000 followers on Facebook and has cut his show schedule from over 30 a year to only 4. Will Dave's tips work for you?
This podcast is a strategy session highlighting why Facebook works and why it is powerful. It contains step by step tips that are solid, time-tested and exciting. We talk about an overall marketing plan, a road map, that goes beyond the free easily accessible Facebook tutorials, to detailing how to utilize the FB tools to strategically impact your sales. Plus specific examples of how to make it work for you.
The purpose of this podcast is to give you the tools so you can start today to take advantage of the huge Facebook platform of 2 billion monthly active users who use Facebook each and every month. Surely even a small percentage of those users can become your audience.
Dave's website: https://www.vermontnaturecreations.com/
His Facebook page: https://www.facebook.com/hangingwatergardens/
Please post questions below for Dave.

for Artists, a partnership of experienced artists, whose goal is to provide an opportunity to exhibit and sell work in an atmosphere designed with the artist in mind.