I've been doing shows for a good number of years but it never hurts to get a reality check once-in-a-while and make sure the rudder is heading in the right direction. I saw a reference to a new book called Death To the Starving Artist by Nikolas Allen and feeling as though I were a starving artist after the shows in 2013 I thought I would look into it, see what he had to say and see if I missed anything important. I requested the book from the local library (hey! I'm starving I can't afford to buy every book I see!) and they bought it so I could read it.
What were some of the take-aways that I got from reading this newest entry to the artist self-promotion jungle? The book has some of the usual gibberish that I've run into before (see my list of books to consider at the end of this discussion) like pursuing other venues such as coffee houses, hair salons, empty buildings, what-evah. What he has done differently with that information is conceptualize it in terms of where you are in your art career, where do you want to be and who do you want as an audience? He compares your art career to a ladder and suggests that certain venues are more appropriate to certain stages of your career. I've certainly done my share of going up and down the rungs as I've done a lot of that alternative space stuff but never stopped to think of it in those terms before, it was worth some self-reflection. What may have (or not) served me in the past may not serve me in the present or on into the future and besides which, where is it that I want to go?
Another important point he made, which was well served, was crafting a meaningful marketing message. How do you talk to people, do you hem and haw or do you have a concise concept of what you do that you can deliver within the first few seconds of contact. And speaking of contact, do you hide out or do you engage? The new form of reading a book in the back of your tent is now perusing your Smart whatever device and hiding out in the back! When it comes to naming your business which way do you go? Do you use your name only or a catchy phrase or some combination of the two? I just saw a post on this site over that very issue. We've all heard this, and most of us do it, the mailing list! You need to remind your patrons that you still exist! But beyond that how do you maintain active contact with your patrons? What kind of contact do you maintain and how do you do it in this world of social media and other frippery. I thought he made several good points in this particular chapter. Well worth consideration for the beginner or veteran artist.
In the third section of his book he talks about the "tools" needed to reach your audience. I've struggled with bio's and artists statements and I feel his treatment of the subject was concise and finally made some sense to me, or was it because after the third go round it finally sunk in? If you've struggled with this subject, or are about to, it's worth the read. He takes on websites and social media concepts as well. I think he overemphasized self-made websites as there are a ton of ready-made templates and services out there for the faint of heart.
At one point I thought he was a little dismissive, or at the very least, minimally mentioned, Art Fair Artist, as a means to an end before he went on to the Galleries section. But in his defense he is looking a the overall picture of artists not just one avenue. If your looking specifically at running your business in the artfair realm you'd be better off reading Maria Arango's book (see below).
The last part of the book is a good overall look at the different tools an artist can enlist to forward their goals and one should consider which, if any, are appropriate to your level as well as your end game. All-in all I found it an easy read and I came away with a few new tips, a few "I hadn't thought of that befores" and some insights on doing what I do a little differently next time around.
Further Reading:
By the way there is a nice freebie on his website that can help you move forward in terms of marketing yourself at: www.DeathToTheStarvingArtist.com/workbook.
One of the most enjoyable reads and a great primer to this whole art fair thing is: Arango, Maria, Art Festival Guide, The Artist's Guide to Selling in Art Festivals. Her book goes into many of the details of the artfair artist.
Bhandari, Heather Darcy, and Melber, Jonathan, Art/Work ___Everything You Need to Know (and Do) As You Pursue Your Art Career.
Stanfield, Alyson B., I'd Rather be in the Studio.
Lang, Cay, Taking the Leap, Building a Career as a Visual Artist.
Grant, Daniel, Selling Art Without Galleries.
Michels, Caroll, How To Survive & Prosper as an Artist.
Grant, Daniel, "Take This Under Advisement, Need a Career Jumpstart? Artistic Advisors are Ready to Assist You," Sunshine Artist, Feb., 2014, pp. 22-25.
Getting Exposure, The Artist's Guide to Exhibiting the Work, an Art Calendar Guide by the editors of ArtCalendar Magazine
For more info:
organizations to produce premier art festivals of distinction. EM Events are held in partnership with local business organizations, bringing close interaction between each community and its' local art fair, ensuring loyal patrons at each show. 
June 6, 7 & 8
the country selling their fine art and contemporary crafts in 14 media categories. An experienced staff of dedicated, event professionals produces the Omaha Summer Arts Festival.
