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Belleville: one GREAT Art Fair!

I can't say enough good things about this terrific show. From the $115,000 in pre paid Art Bucks bought by the community, to the donation made by Wells Fargo bank to fund elementary school kids to pick out and buy artwork for their schools, to the reasonable size of invited artists (105), to the lunches and breakfasts and dinners supplied for free to the artists, to the excellent venue in around the fountain in the square, and to the people of Belleville who come out in droves to support us artists with actual purchases...

This is one fine art fair. This is my first time in Belleville and it now ranks in the top three money makers for me. I even won an award for best of category (digital)... And a healthy award at that ($1500). Awards totaled around $32,000. Not bad for a Midwest art fair.

Long hours, 5-10 on Friday, 10-8 on Saturday and 11-5 on Sunday. But people were buying art all day, every day. One negative was the weather on Friday night. Strong winds took out a few tents and did a little rearranging of my heavily weighted trim line. But most artists seemed to be selling well. I can see why the Art Fair Sourcebook named this show number 1 in the nation.

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Don't be Invisible at the Art Fair!

Don't be Invisible at your next show or event!
(sponsored post)
 
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Don't waste your best advertising real estate
 
(the top front of your canopy)
 
Show off your goods or services with a
 
"Canopy Banner Kit" 

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The "Canopy Banner Kit" comes with everything
you need to hang a banner fast & easy
1 vinyl banner - 2 banner posts - 4 ropes
Kits starting at $56.95
50% OFF CUSTOM ART WORK
(save 19.95 for a limited time)
 
Order today at: www.CanopyBanners.net
Watch a short video to see how easy the "Canopy Banner Kit" is:
 
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Daniel Ng Death

From Go Fund Me - 

"It is with immeasurable sadness I have to announce the death of our talented, humble friend--one of our most cherished gallery artists--Daniel Ng. Daniel passed away over the weekend in Dallas, TX while at an art show."

https://www.gofundme.com/danielngmemorial

I did not know him, but love his paintings. He sounds like a pretty amazing guy. 

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July 23-24245826e5-0c1d-439b-8857-14650e26e0d1.jpg
Monterey, California 
Fisherman's Wharf 
Presented by: CWB Events
10:00 am - 5:00 pm
70 Artists
Deadline: May 21
Booth fee: $227 - $377 + 10% commission on all sales
 
The Transit Depot is an annual juried arts festival held at the Transit Depot in Monterey, California.  
6def9534-6502-4535-9c90-6d6d4cc34e37.jpg?width=300The Festival will be held at Fisherman's Wharf during the height of the tourist season. The Transit Depot is in a highly desirable area, with lots of drive by traffic, and tons of parking available.

The Transit Depot Fine Art Festival will feature numerous artists, with original work in 2 and 3 dimensional fine art and may include acrylic, oils and watercolors paintings, photography; ceramics; glass, stone and metal sculptures; wood and clay. Also available will be a selection of fine crafts. Each artist will be available to meet with the public to discuss their work, which is available for purchase.

The Festival will be located at the Transit Depot parking lot, at 451 Del Monte Avenue and Figueroa Street. Festival patrons will also be able to visit The Wharf Marketplace, a great place fresh produce, breakfast, lunch or dinner as well as fine wine and beer. Also, there are many retail shops and fine restaurants at Fisherman's Wharf. Admission is free.
 
The Transit Depot Fine Art Festival is presented by CWB Events. For additional information you can email us at info@cwbevents.com or call us at 916-936-9393.
 
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Marketing:

The Transit Depot Fine Art Festival will be
publicized via print and social advertising throughout the Monterey, San Francisco and Central Valley areas of California.  
Artist Amenities:
  • Each artist will receive (if requested) postcards to be used for publicity purposes
  • Coffee and donuts for Saturday and Sunday
  • Artists names, mediums and website addresses will be posted on line.
  • Booth sitters are available upon request

Learn more:  www.cwbevents.com 
Curtis Beck, info@cwbevents.com  (916)923-9393
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New Discussion Forum - Ask the Photographer

There's a new forum on Art fair Insiders called Ask the Photographer.
http://www.artfairinsiders.com/forum/categories/ask-the-photographer/listForCategory

I've been working with artists for years, walking them through getting better jury images of their artwork. Here are examples of my own jury image photography. http://bermangraphics.com/digital-jury-resources/jury-slide-photography.htm

Questions about images, camera settings, lighting, backgrounds and anything else you might want to know about your jury images can be asked.

Images can be sent to me by e-mail if you don't want to post them to a forum. My e-mail address is larry@bermanart.com. Images sent by e-mail must include a phone number. I've been doing free image evaluations for over ten years.

Larry Berman
http://BermanGraphics.com
412-401-8100

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September 23-2509479411-d0d1-4e34-8207-f4a5b5d21827.jpg
Ferndale, Michigan

Downtown Ferndale
Fri. 3pm-7pm; Sat. 10am-7pmSun. 11am-6pm
110 Artists
Deadline:  May 15  

Jury fee: $25Booth fee: $295 for a standard 10x10

The Funky Ferndale Art Fair attracts an audience interested in a more active relationship with their artwork.  Artwork that invites conversations and challenges convention.  Traditional artists do well, but artists that push the edges are most appreciated.  This is the thirteenth year as a show that is "twice as funky as the average fine art fair".  While the emphasis is on edgier art the show is a juried event and the quality of work is competitive with other area shows.

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The fair is on Nine Mile Road, adjacent to fashionable shops and eclectic bistros.  The town attract an unconventional audience-families and singles.  A second show, the DIY Street Fair joined us a few years ago and provides an additional incentive for art lovers to visit.

Why you should be here:

  • Limited to 110 artists
  • Significant advertising and news coverage
  • Easy drive up unloading; Artists friendly organization
  • Popular artists breakfast on Sunday morning
  • Free parking and RV parking

We are committed to your success.  Please feel free to call with questions or concerns at any time.  We are artist focused and seek to provide a venue that enhances your work and simplifies your participation.

 

This show is organized by Mark Loeb of IntegrityShows.com, producing community oriented events in the metro Detroit for over 15 years.  He works in niche markets in partnership with local communities. 

 

Apply:   www.zapplication.org

Website: www.FunkyFerndaleArtFair.com 

 

~~~~~~~~~~~

Find more art fairs for your 2016 schedule: www.CallsforArtists.com

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Fish Bowl vs. Privacy and why do we shows

"The thing I remember best about successful people I've met all through the years is their obvious delight in what they're doing......and it seems to have very little to do with worldly success. They just love what they’re doing, and they love it in front of other people" Fred Rogers

http://sandyartparts.blogspot.com/2016/05/fish-bowl-vs-privacy.html

So why do you do shows? Is it about loving what you’re doing, and doing it in front of people?

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Take-down tip

A few shows ago, I made a change that has helped speed my (still-slow) take-down and load-out process.

I try as diligently as possible to only touch everything once.

So instead of picking up a painting, putting it down, finding its traveling cover, picking it back up, putting the cover on, putting it down, hauling the dolly around and putting the painting on the dolly, I arrange things so that I pick the painting off the wall, put the cover on it and put it on the dolly without ever putting it down or picking it up again. 

Sounds like a small change, doesn't it? Maybe I am just more scatterbrained than most, but in general, this shift saves me 20 minutes. 

Do you have any take-down, load-out or set-up tips you'd share? 

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This is my second year doing this show, which takes place in an absolutely gorgeous spot in the mountains of west/central Virginia.

My first year was not a bang-up show, but was solid enough that I thought I should try again. I live in Virginia, so it was not such a long drive (5 hours).  In addition, I'd been amazed and honored to find that the show had chosen my art for their postcards, posters and program this year - and I thought this might help with sales. 

Alas, it was not to be. 

I am an oil painter with large, bright pieces. My prices run from $125 to $8500. I do not have prints. 

The show's topography is interesting, and was different this year than it has been. It takes place in Claudius Crozet park, a beautiful spot with big green fields, a YMCA building with workout room and pool, and a playground. You can camp there during the show, and I did this, which of course cut my lodging costs deeply.

The largest group of artists and crafters is under a huge tent. The tent is open at the sides, and is lighted, but is still very dim. The booth fee ($300) includes electricity. In past years, there has been a second tent, not as large as the first, but this year, that tent was not used. There was a row of tents outside the big tent; artists choosing to set up their own tents in this row got a $50 discount. An artist I know who took this option was not happy with his sales, and said that basically, no one made it out to the tents. There are two small pavilions, also, and these are the prime spaces, brighter than the tents, cleaner and with easier load-in and load-out (I think). I asked for one but didn't get it.

Load-in runs the gamut from fairly easy to very difficult, depending on where you are. There's a large grass parking area across the entrance road from the west edge of the tent. I was on the west edge, so I was as close as one can be to the parking. Still, I had to use a dolly, and wheel my stuff up and down a small hill. Load-in and -out on the other side of the tent - and from the outside artist tents - was difficult, I was told.

There are good and bad parts about being along the edge. There is storage and seating space behind your booth if you're on the edge; if you're inside, there is zero storage space. It rained on and off all weekend, though, so I had to cover my stuff, and couldn't sit outside. 

An additional issue for me was the height of the big tent at the outer edge. I use a Showoff tent, and my sidewalls attach via zippers along the bottom of the roof. The big tent started about an inch above the upper edge of my tent frame, so I couldn't put my roof on, and had to jury-rig the back wall. If it hadn't been drizzly and wet all weekend, I could have simply not put the wall up. 

Turnout seemed to be lower this year than last year, especially on Saturday. On Sunday, Mother's Day, the crowd also seemed light, and there were lots of people with little kids, which bodes poorly for me. People wheeling strollers don't buy large paintings, I've learned. 

People around me seemed to fare better than I did. A glass artist on one side, a photographer across the way and a jeweler across the aisle (I paid $25 extra for a corner), all seemed to do well. They were all from the area, and friends and family came to see them throughout the show. A painter friend from the Norfolk area did better, too, though her price points are generally lower than mine. A jeweler from Pennsylvania told me she had an excellent show, as well. 

The quality of the work in this show seemed very uneven. There was some excellent, very high-level art and craft, and also some lower-end, lower-priced items. I didn't see any buy/sell, or at least none that I could identify, but some of the items made me shake my head and wonder a little bit.

Lodging is scarce in the area, and what is available is stupidly expensive, in my opinion ($135 a night was about average). Sleeping in the van has been a good option for me. You can camp on a level concrete area that is probably a basketball court. I have camped, both years, in a second grassy area fairly close to the concrete area, but quiet and more solitary. Showers and indoor bathrooms are available for campers, in the YMCA building. 

Communication from the show was pretty good throughout. You pay your booth fee via an invoice that is not through Zapp, so that had me confused for a while, but the director was patient with me. 

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Lorton, Virginia
Presented by: Workhouse Arts Center
60 exhibitors
Deadline: May 22
Application fee: $25; Booth fee: $250-$500
Our mission:
To produce a high quality festival focused principally on fine art and fine crafts, bringing in a large and experienced art purchasing public.


Who we are:
A 55 acre historical former prison and Northern Virginia's premier center for the visual and performing arts. The center features 60 working studios artists, regional, national and international exhibitions and performances. The center is a unique arts destination with 100,000 visitors annually located 20 minutes south of Washington D.C. in Fairfax County, VA, the 5th wealthiest county in America.

Marketing is the key to the success of the event. Over 60% of event expense is advertising. Last year, marketing effort included: Washington Post Local Living Ads, WAMU (local NPR station) Radio Ads, WETA (local PBS station) E-newsletter, Media Sponsors: Washingtonian Magazine, Northern Virginia Magazine, Online art festival websites 

Amenities: 
All corner Booths. Free parking. Friday and Saturday set up available. complimentary breakfast and lunch for participation artists. 24/7 security and booth sitter.  NEW Drive up and unload on site. NEW Free wireless internet. NEW Potential host artists!

Testimonials:

  • "Loved the venue." 2015 Artist
  • "Excellent [art]. Nice variety and balance of mediums." 2015 Artist 
  • "All my customers said they heard about the show from your advertising-fantastic job!"  2015 Artist
  • "Couldn't ask for more [amenities].  One of the staff even brought my Saturday lunch to me as I couldn't get out of my booth!" 2015 Artist

Learn more:  www.WorkhouseArts.org
Or visit us at: 9518 Workhouse Way  Lorton, VA  22079
Contact: Brett Johnson, brettjohnson@workhousearts.org
Phone:  (703)584-2911
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Every year for over 20 years I dutifully applied to the Laumeier Art Fair in St. Louis because it seemed like a better alternative than any other Mother's Day show within a days drive.  After rejection after rejection my luck finally changed and I got in!  (Maybe it was because applications numbers were down- possibly due to last year's bad weather which I heard all about from everyone)

So after you try so long to get into a show it's hard not to have your hopes up. The weather was looking pretty good for the weekend.  Set up on Friday afternoon was very easy except for the slope.  I was on the outer circle which meant my van could be right behind my booth for set up.  The slope was the steepest I have ever dealt with but I made it work- though I kind of felt like a drunken sailor every time I walked up and down my booth.  The customers commented on it too- one said they were feeling a little "sea sick" from it!

Friday night wasn't bad for a "preview party" I got two good size purchases and covered my booth plus a little.  Other artists reported the same though my next door neighbors did not fair well through the whole show.  Saturday was very disappointing.  The crowds were very thin- my booth was empty way too much and sales were only of items under $40.   I was pleasantly surprised to win an "Award of Excellence" with a nice cash prize.  (Isn't it ironic to take so long to get in a show and then win a major award?!)  Also along with the prize is to be juried in next year which I wondered all day if I wanted that part of the award.

Weather turned a bit in the late afternoon and some gusts made us all jump.  I heard that a few booths went down on the far end of the show from where I was.  My slanty booth nearly came apart but I was able to save it with trusty zip-ties.  Luckily it never rained but the customers were few and far between for the last few hours (we heard it was raining torrents in other parts of the city so people probably thought we were rained out too).

Going into Sunday I had hopes that the show would redeem itself so I could take advantage of the juried exemption for next year.  And it DID!  The weather was near perfect and the people came in droves!  Sales were still mostly of smaller items but I had a lot of them and the numbers worked out in the end to a good solid average show (with award winnings - above average!)  

Tear down was easy but I was very glad to have my husband to get the car- that was a long process. They are very slow to let vehicles into the park.  If he hadn't been able to get the car I would have been another hour.  

Overall a well run show from my perspective.  The setting is really great - being surrounded by awesome sculptures.  I will be more prepared for the slope next year and happy I don't have to wait another 20 years to get juried in!

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Art Birmingham (Mi.)

Last weekend we were in Birmingham, Michigan for the 33rd Art Birmingham Show. Birmingham, Michigan is an affluent city north of Detroit.  The venue is Shain Park which is in the center of downtown.  The show is set up on the wide park walkways and the adjacent streets. The show is run by the Guild of Artists and Artisans in conjunction with the Birmingham Bloomfield Art Center. 

This was a 700 mile drive for us and our first experience showing our work in the "North" as we say in Alabama. We are from Ann Arbor which is about an hour away from the show.  Sara's parents live there and put is up, or put up with us as the case may be, when we are in town.  My children and grandchild live in the area, so we combined a Mother's Day visit with an Art Show. Despite the drive we thought our expenses would be low enough to have a chance to make a profit.  

Weather in Michigan is very iffy in early May.  There have been Mother's Day weekends with snow and driving rain.  The long range forecast for the weekend was perfect.  But as the weekend approached, the forecast deteriorated.

The city would not close the streets until 5pm so load in was a bit hectic.  Times were staggered by 30 minutes but it is almost impossible to unload in that amount of time and then move your vehicle for the next group.  As a result when we arrived at 8pm the street was jammed with vehicles.  This situation was compounded by artists who did not know how to drive or park their trucks in tight quarters.  A general rule of thumb is "don't buy it if you can't drive it."  Practice backing with a trailer in a parking lot, not on a crowded street.  It took us our usual 4 hours to set up.  So, by the time we got back to Ann Arbor it was 1am. 

In the meantime the weather forecast had gone from bad to worse.  Before we left to set up the local weather guru said a front would move through late afternoon on Saturday and then clear out later that night.  By the time we got back it was an 80% chance of rain all day.  We woke up to cloudy skies but no rain and the forecast had changed to a 30% chance of rain.  Despite the improved forecast, the damage had been done.  The crowd on Saturday was sparse at best. You could have shot a gun down the street at 2pm and not hit anyone.  We had a couple of sprinkles but that was it. The side benefit of light crowds is that you can spend more time talking to the people that do show up.  A photographer stopped by our booth to check out our work and said he quit doing the show because the weather was so unpredictable.  We did less that $200.00 in business and called it a day. But, we had a great dinner at my daughter's house.  

Sunday was another story for us.  The weather was perfect as was predicted.  I walked the show in the morning and spoke with some of the other artists who all reported dismal Saturday sales.  At about 11am the crowds showed up.  We made three big sales and several smaller ones.  It was our second best sales day.  

Load out was easy.  We dollied our unsold work a couple of blocks to avoid damage during break down.  By the time we got back, there was plenty of room for us to stack our things.  On our street the booths were packed in as close as possible.  The booths on the park walkways had far more space between them. 

There was an artist's amenities tent with coffee, bananas, and pastries each morning.  The only food vendors on site were a hot dog guy and a kettle corn stand.  However, there was a wide variety of very good restaurants with a block of the venue.  The staff was very helpful.  

The only negatives were the late load in on Friday.  There is not much that can be done if the city will not close the streets.  There was a drummer from the local high school band that chose to practice his art for about an hour and a half near our booth Saturday afternoon.  Poor sales, little sleep, and a drum do not make for a pleasant afternoon.  Sara had a sinus headache Sunday morning and threatened bodily harm if he showed up again.  I said no jury would convict her and to go ahead a do what had to be done. Luckily he did not reappear.  

Our sales were good and would have been great if Saturday had been better.  Not everyone was so fortunate.  A metal sculpture artist down from us had a bad show.  The pen and ink artist next to us was happy with her sales.  So, it was a mixed bag. We did not see a lot of big 2D art walk past but there were several exits so we may have missed something.  

Overall this was a good experience for us.  We proved that our work has legs outside the Southeast. Despite the drive, we had a good time visiting with Sara's parents and my kids.  We especially enjoyed the dog show that strolled by our booth, particularly the Black and Tan Coonhound.  Unlike our mutts, they knew how to behave in polite company and walked well on leash. We made decent money and enjoyed a celebratory dinner afterwards at a close by restaurant my son in law recommended. By the way, the Social Kitchen and Bar has great Martinis and Sea Bass. Our lunches came from a Panera two blocks away. With one exception, everyone in our row we talked to was doing the show for the first time, which is usually a red flag for us. But we think that was due to weather issues in the past. If you are in the area and want to gamble on Michigan weather in May, we would recommend this show.

As an aside, this show fell on the first anniversary of our first show.  To date we have done nine shows.  Obviously, this is not a vast amount of experience.  We have received so much help and advice along the way from other artists and have learned a great deal from our experiences. We believe in "paying it forward". So, in a future blog post we will summarize what we have learned for anyone reading this site contemplating entering the art fair world. Hopefully we can help them avoid some of the costly mistakes we have made a long the way.  

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Just a Monday kind of question....

Hi Guys, Yesterday was Mother's Day and my kids chipped in to give me money to finally get one of those Hollywood padded green show chairs that everyone who has done shows for a while has. I have been sitting on a folding stool (mostly standing-really) and I thought I should finally trade up.The ones on Amazon are 400 dollars and I know there are other options. I have read an older review -so I don't want to beat a dead horse but if you know a better price...I would appreciate it.

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This show has always been at the mercy of the springtime weather, being held the weekend before the Kentucky Derby. Some years the weather is balmy, sunny, and warm; sometimes cool and damp, sometime cold with frost on the grass in morning and needing space heaters. Sometimes, like this time around it was cool and rainy with the emphasis on rainy. Saturday was rainy most of the day with deserted aisles except for a few moments when the rain and drizzle stopped. Sunday had about half a day without rain and the customers came out. At the end of the day, it stopped raining, the sun came out, and we were able to clear out without getting rained on. My sales were proportional to the amount of time when it didn't rain, and all I did was break even. Regardless, I'll try it again as this is normally one of my better shows and the weather is better more often than not.

The show is a long standing one, and one which I've done for over twenty years. it's put on by a neighborhood association staffed by volunteers who have the organization of the show down pretty well. It was only within the last couple of years that the show has gone to ZAPP, as it was by word of mouth before. It started off with slide entries, and after slide projectors became hard to locate, they used print submissions for several years. Eventually, the hassle of wading through all the paper apps was too much and they signed with ZAPP.

Set up is on a Friday, starting at noon although several were already set up by that time. There are four lines of booths in the show for a bit over 200 artists. Two rows face each other across a narrow service road paralleled to a boulevard. One of those rows is on a sidewalk with about one foot of your booth in front of the sidewalk with a dropoff of several inches. Shim blocks are almost a universal requirement at this show. These sidewalk booths stay relatively dry during rain, but there is little storage room behind you unless there is an open retaining wall behind you. Several spots have walkways between them for resident's front door sidewalks, and you can stash some things there, space permitting. This section has issues with limited access for some patrons as there is a stone curb to step up on, and a sloping grassy strip that turns to mud quickly with foot traffic.

Two rows of booths are on grass, on a grassy median that is about 30 feet wide that separates the service road from the boulevard. These spaces are easier to access, and in most cases a wheel chair could be pushed into the booth space. However, set up can be a hassle as most of these spaces are on a horizontal incline side to side as the street runs downhill. In addition the median has a crown, so you are contending with a tilt in two axes. I use 2x8x10' boards to mount the tent legs on and shim like crazy. facing the rear of the tent, my right side front tent leg has to be shimmed up about 6 inches to be level front to back. The left side of the tent has to jump over a pile of mulch next to a tree, and since that side of the space is even lower, it needs almost ten inches of shimming to be level with the back and the other side. 

The grassy median has a row of tents on the other side and the crown is even more pronounced over there with well over a foot drop off from the middle to the street. I find it expedient to get there early, set up the booth, and put up a closed in extension to the booth that is about 3 1/2 deep so I can have a place to sit behind the booth, stash tubs, and stay dry in case of rain. If I don't show up early to claim the space, neighbors behind me will frequently crowd in as far as possible to avoid the slope in front of their space. In the past when I showed up later, I've had less than a foot of space behind me as the neighbors move backwards in search of level ground. Far easier to get there early, set up, and have the space already occupied.

The row across the boulevard is much more level, and on a wider sidewalk, but has the issue of too much room between the facing two rows so people tend to walk further out and not get as close. I've often wondered why the show doesn't just move everything into the wider street as the room is enough, although that would make traffic tougher at set up and tear down.

The show had excellent musicians that could clearly be heard but not too loud around most of the tents. A nice feature for the artists on Friday set up was dollar brats and $2 draft beer after 6:00 PM. Port-a-Pots are plentiful and kept clean, This year the washing stations were replaced by hand sanitizer stations which I supposed cut down on paper towel waste. I still prefer soap and water, but those ran out in past years.

The weather impacted the show badly this year, and that's just the roll of the dice in this business. Show times were 10-6 both days, and I feel that ending at 5 on Sunday is a better bet. Normally everyone waits until 6 before you start hearing the sound of metal pipes hitting the pavement, but this year there were enough disgruntled artists that the sound of tubular bells started around 5:30 and by 5:45 you started seeing artists dollying boxes out of the show. 

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August 28
Littleton, Colorado
campus of Arapahoe Community College
9am-3pm (new hours)
150 Artists
Deadline: May 12 

NEWS:  AFSB National ranking for the AAF is still #36 
(out of 600 shows)!


We invite all artists to apply.  
From the Director of the Denver Arts Festival, this 5th year show promises to continue building on the successes of the last few years by bringing a proven festival concept to the ever expanding art buying market in Denver.  This fine arts/fine crafts show uses the successful formula of the $100 and under shows that have been around for decades.

In 2015 our crowds grew by more than 50%.  We had lines about 2 blocks long waiting 2 hours for the gates to open!  Several of our top selling artists went over $10,000 in sales with one artist hitting $22,000. These are great numbers for any show but the AAF is only 6 hours long! This festival will grow every year since those art buyers who experience it bring friends with them the following year.

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Our artists and their work are posted on the website so we invite you to see who has exhibited and the kind of work that is available.  This is one festival where the artists and the customers all seem to have big smiles on their faces and energy created by the buying frenzy that happens the minute the gates open is contagious!

Still not sure what this show is about?
and listen to the 15 minute audio

  • Limited to 150 juried artists in 15 media categories
  • Marketing to the art-buying public in newspapers, TV, radio, press releases, magazines, social media and other venues
  • Jury/Booth fees are $30/$225 for a single 10x15 booth. Double booths available. Corners available ($50)
  • Set up Saturday August 27 or the morning of the show on the 28th
  • The festival is held outdoors in the large field on the campus which is highly visible from Santa Fe Drive where over 65,000 vehicles travel daily

Contact:  Jim DeLutes, info@affordableartsfestival.com
Phone:  (303)330-8237

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11c5f576-5c63-4ba7-882d-b7f2fe1744c4.jpg?width=175June 18
Manitou Beach, Michigan
Presented by: Devils Lake Festival of the Arts
50 artists
Deadline:  May 15

Application Fee: $25/Booth Fee: $75
 
Manitou Beach is a historic village located on Devils Lake. This is a resort area with vacation and year around homes nestled around Devils Lake and neighboring Round Lake. The Devils Lake Festival of the Arts is a one-day juried fine art show located in Manitou Beach in the heart of the Devils Lake area.  
 
This exciting fair is in its third year and is a celebration of art, music, dance and local cuisine.  Festival events include hands-on art activities for kids, demonstrations, music and dance acts, food and more!  Last year over 4,000 visitors attended the festival.
 
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A team of volunteers supports our artists during set-up, provide breaks andrefreshment throughout the day, and the teardown at the end of the day.
 
Here in the Devils Lake area We Love Art and we'd love to meet you!
 
  
Contact:  
Deborah Valentine, dlfazappartists@gmail.com

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6a00e54fba8a73883301bb08c14f1d970d-200wiSeptember 17 & 18
Durham, North Carolina
Presented by Durham Arts Council
Historic City Center Downtown Durham
150 Artists  
Deadline: May 15
 
CenterFest is a competitive, juried festival attracting high-quality fine art and fine crafts.  In its 42nd year, CenterFest is the longest running outdoor juried arts festival in North Carolina. Located in Durham's lively downtown district, the event is a favorite amount visual artists, performing artists and visitors. 

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What is new: 
Durham's recent Creative Vitality Index score indicates Durham has grown to be a top creative community in the U.S.

CenterFest leverages the extraordinary assets of the downtown district, including culinary arts components, exciting entertainment and historic districts, and a cutting edge creative community, to highlight the high quality of the visual artists and the sophistication of the creative class demographic.

Artists amenities:
  • Easy load in/load out, free parking, 24 hour security
  • Discounted rates at sponsor hotel
  • 1 complimentary breakfast and lunch per booth per day
  • Merit awards totaling $2,500
  • Artists and images listed and linked on CenterFest website for 11 months
  • Friendly and supportive staff, booth sitting
  • Limited to 150 Artistsa55b2a40-b45a-413d-817f-4a2eb3c56f6e.jpg

Learn more:  www.centerfest.durhamarts.org
Contact:  Margaret DeMott, mdemott@durhamarts.org

Find more art fairs for your season: www.CallsforArtists.com

 

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Who should win the award?

From my mailbox:

Hi Connie,
I work on the arts festivals for _____ ____ on ___ _____.  We have a show in the fall, where we try to attract more fine artists, and we provide judging and cash awards.  We have one unique very talented artist who has attended for the last several years.  She has won the top prize every year for the past several years.  Some of our return artists have begun grumbling that she always wins, and propose that there should be a “time out” policy.  I think this is probably a good idea, but don’t know how to phrase it. 

Do you have any suggestions, or know of other shows that have this policy that we could refer to?  The show is in September but would like to begin to advertise it now.  Thanks for any help!

What do you think? Do you have any suggestions for this show director?

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