Returning to Careers Past While Still Balancing

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Well, I've had some big news lately, and my blogging absence reflects what is happening in my life...

I worked at the University of San Diego for 10 years before they revised the job description and I left.  For three years I developed my own business, designed around town and worked in various costume shops, and tried to redefine my skills toward something non-theatre.  I am proud of what I've accomplished, and don't intend on giving it up.

Recently, they decided to restore the responsibilities of that position to what they were when I left.  I was asked if I might be interested in applying for it, and returning to being their costume person and designing/coordinating their shows.

A lot has changed at USD since I left.  Some of the players are gone--the ones who made my life particularly stressful and were responsible for shifting the costume position away from something I was interested in keeping.  There was nothing for me when I left.  But now, coming back to what I had before was very attractive.  I loved it there.  It wasn't until the changes happened that things went sour.

I applied for the job, went through a portfolio presentation and interview, and got it.  I am now the Faculty Costume Shop Manager at the University of San Diego, responsible for designing and building 3 shows each year, and teaching three classes.  I have the rank of Adjunct Assistant Professor and am 5/8ths time, with benefits.  Again.  (I actually went up on the world--I had been called an "Adjunct Instructor"...)

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Originally, I was not scheduled to do anything this first semester but design and build one of their undergraduate shows.  But some special circumstances happened (their full-time Scenographer isn't back in town from the Ukraine yet), so I assumed teaching responsibilities for two of his classes.  And I also took up responsibility for designing/building a second undergraduate show since there was a time crunch.  That's three extra responsibilities no one had planned on.

So currently, I am teaching his two sections of Fundamentals of Theatrical Design, and designing two shows--Anatomy of Grey and The Beaux' Stratagem, both undergraduate shows for their Bachelor of Arts degree program.  Next semester I will help mentor their Devised Theatre project, design and build their MFA level show (Tartuffe), and teach a third class (probably Theatre and Society, their intro-level class).

It is a unique experience coming back to the costume shop I designed and working in the program where I helped formulate their BA degree.  When I started there 13 years ago, there was no costume shop and no Theatre major.  In the interim, I have seen the program shift through 8 different program chairs, 3 different departments, and gain 4 full-time positions.  I helped design the small costume shop, storage areas, and dressing rooms that exist today.  In my previous time at USD, I ended up designing/building 63 shows, and when I left I had designed half of the MFA shows that had ever been mounted in their graduate degree program's history.

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Theatre at USD is unique--there is a generalized BA undergraduate degree, and there is a MFA degree in Acting co-sponsored by the Old Globe Theatre.  Until this year, the programs were separate and distinct, but they will be merging soon, with the head of the graduate program being the overall chair of the department and an associate chair being hired to coordinate the undergrad side of things.  In the past, the two sides of theatre education at USD had to share my resources and time as the sole costume person for both programs.  But now, with the two sides merging, that position's time as the "servant of two masters" just got a LOT easier.  Having one "boss" (ultimately) will be a boon.

So I'm back.  And I'm happy.  Happier than I have been in a very very long time.  I'm doing something I know how to do, enjoying my time designing and planning out the build of different garments, and re-establishing my relationships with old colleagues.  I know my way around that space--I helped make it.

But most of all I'm very excited that I can get back to teaching, which is what I feel I was really meant to do in this world.  I come from a family of teachers--both of my grandmothers were teachers, several of my aunts and uncles taught high school, and my own parents work for the school district where I went to high school in Missouri.  One of my sisters teaches at the University of Missouri, and I have cousins in education as well.  It's in my blood.  I'm really getting the best of both worlds here--I can teach and do art at the same time.

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This doesn't mean my business is going away.  By no means.  I was accepted to my first juried Art Festival in mid-October, The La Jolla Art and Wine Festival, and I'm incredibly excited!!  I plan on continuing my own costume endeavors through a more "artistic bent" and demonstrating to my students that it is possible to use the experience earning a theatre degree to do more than theatre.  Since it's 5/8ths time, I plan on being a living demonstration of what it means to use one's education to define one's own artistic merit outside of a traditional theatre structure, which is something some of them might need to do if they want to be able to make a living using their skills.  Costume Designing doesn't pay well, honestly.  Best to be able to expand one's horizons.  There are lots of ways of applying one's theatre education nowadays.  Believe me.  It's not all pre-professional preparation for entering the traditional theatre industry.  It doesn't have to be.

So.  Thought I'd keep you all updated.  Wish me luck!!  I'm already incredibly busy!!  But it's a happy busy.  And a comfortable busy.  And a busy that I'm proud to be wrapped up in.  It's rather like coming home, in a way.   And for me, it's a good thing.

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  • Wishing you bunches of luck with all of it, Corey.

  • Thanks for the confidence boost, ya'll! I appreciate it! My set up for LJAWF is at 8:00 of Friday night, and I've been told it can be quite a learning experience, but I think it's going to work out... I have to modify my setup a bit considering the tent poles are a bit thicker than I'm used to, and there aren't any bottom braces to attach things to along the bottoms of the tents, but I've been planning for that, and we'll see how it works out. I'm excited!! Should be a great experience! : )
  • Congratulations Corey!  Sounds like it fits you like a glove :)

  • Congratulations Corey!! And thank you for this, another interesting, intelligently written post.  I am not a bit surprised that something big happened for you this year.  I admire the way you approached your work and  first shows with such planning and preparation to detail, its no wonder there was a strong base in academia behind you.  

    I'd be so excited about the job with the production and teaching components and the bennies that I don't know if I could concentrate on art fairs but here's a little something on the LaJolla show for you.

    LJAWF will be very different from the other LaJolla show.    They made some more  changes this year, one being removing the gate so there is no longer a fee for visitors to get in - creating  a more friendly environment with the merchants.    Also, the vision of the promoters  has gone in the direction of a wider net of exhibitors from the local contingency  and the result could mean a lot of things over time.      I had solid shows there - it is after all, LaJolla.  

    All the best at USD Corey!!!!

  • Hey Corey, I was wondering why we hadn't heard from you in a while.  Now I know!  Your news sounds good and I am happy for you.  I hope the people who took over your old job didn't ruin too much so that you can get things back into shape quickly.  They never should have played games with you in the first place. 

    Thanks for the update.

  • Congratulations! What a wonderful story in the "What goes around, comes around" variety. Sounds like you created a lot of value there, and now the time is finally right fro your contributions to be recognized. I'm also very happy for your students. They're getting a truly committed teacher. Break a leg!

  • Sounds like an awesome opportunity Corey! I recently returned to work at the University of South Florida and shifted my business model away from the weekend art fairs until the major shows in Spring/Summer 2013. It was easier not have a 9 to 5 to do a show each weekend, but having the stable income has allowed me to open up a commercial studio which I use primarily on weekends and evenings. There are always trade-offs but if you have the opportunity to get a stable income (and benefits) you should jump for it and scale back your business. :-)

  • Hi! I'm doing La Jolla too, I did it last year and I think it has lots of potential. It's weird--I used to be a costume designer also many years ago. I worked on staff at USC theatre dept and also Occidental College both during the year and as the summer theatre rep designer. You are right, there isn't a whole lot of money to be made in costuming, especially for the theatre. I forget my booth #, but it's in the 100's I think--I'll come say hi!

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