applications (5)

Art: a Competitive Pursuit?

Open Letter to Art Show Staff

Dear Art Show Personnel:

Admit it, even the best most forward thinking of you from time to time get lost down the slippery slope of what the jurying process means. Often it's presented as sort of a competition, and believe me, it sure can come across feeling that way from the artist's point of view. But it is healthier for all involved to take a broader view.

As an artist who has participated in many top shows I like to think of this process less as a competition and more as a jury's own creative projectbuilding a beautiful array of excellence. Thus those that aren't included aren't identified as less or inferior but only as better suited to a different collection. See the difference? Better yet, feel the difference?

Respectfully,

Every Artist Who's Submitted an Application to Your Show

A Puzzling Process

The buzz is beginning to be generated for this season's shows - the includes, the excludes, the who's-ins, the who's-outs.....and I just wanted to go on record as saying I handle not being selected (AKA "Being Rejected") by a jury as simply my current body of work not being the perfect piece to the puzzle they're assembling. This frees me up to stay positive about my work and eliminate any need to hold a grudge for any reason. Heck it even lets me celebrate all who do get into a show!

Here's the weird thing about me and my art, last year I was surprised by three awards in three wonderful top notch shows - and while it felt simply amazing to have been so honored, the fact is I don't get it. How can one mindfully, competently and intentionally created body of work possibly be 'judged' as better than another? Isn't this all just a matter of taste?

Oh, sure, some artists create better booth presentations, have better slides and are superior business people when it comes to packaging their ideas, but on some pure level I just can't wrap my head around Art as a Competitive pursuit!

The Real Includes - the Genuine Prizes

Besides these prizes given to me presumably by my peers, I don't think there's any way I can plan nor prepare to repeat any of those this year. You know what winning situations I am looking forward to recreating this summer though? The ones where children came into my booth and spent their own birthday money on an actual piece of art. Yep, happened two times. I wrote about it here.

How do You Philosophize the Jurying Process?

I, and anyone who reads this post, would love to hear your thoughts on this too. I know there's a treasure trove of thoughts and ideas embodied by the various users throughout this site; I'm looking forward to reading some alternate views!

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The Art of the Educated Guess

"Setting up an art fair scheduled should be referred to as  "The Art of the Educated Guess".  You have to decide which shows to apply to.  You have to decide which images to send.  Once you have your acceptances you have to decide which shows to actually participate in.  Each of these decisions is based on so many factors that you can never have enough information about that they are really guesses, hopefully the educated type."

See my newest blog post for more:

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Lying by Omission, TACA 2012

I asked on the artfairreview FB page if anyone else got notice from Taca, here's what I got back:

 Rick Steingress Unless things have changed they jury for the next year's show AT the show. It used to be that only 15% of spots rolled over and were open to application. If you applied for the first time that may be the problem. If you've been doing it and got juried out at the show...well that sucks.

 

This was my reply: 

Wow, this is another one that "lights me up." A grand screwing from a show organizer. Kentuck is the same way, 90% of the booths are "grandfathered" so if you apply you really are among a thousand people vying for 30 booths. It is unfair that they get away with that "lying by omission" thing. We should blackball these shows so that everyone becomes aware of these deceptive practices.

 

Is it possible to create a page in the group's facebook presence or on this blog that could alert artists to promoters' deceptive practices and ripoffs?

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Dear artists!
Here is an e-mail I have sent to Zapp today, Please read and help to make this change happen in their web site, The JAS are doing it since the beginning.


My husband and me are jewelry artists who participate in at list 30 shows a year,
We apply to at list 80 shows a year to be able to do that.

Most of the shows we apply to are via Zapp, some via JAS and some paper or via show web site.
I e-mailed you two weeks ago about a feature that you don't have in Zapp and your colleagues from JAS have.
I didn't get any respond from you.
The Feature is:
The option to manege my application after I have submitted and paid,
and before the application's deadline.

We are artists, we create new works everyday,
we also change our booth setting from time to time.
We want to apply early to shows, if we can afford to pay early,
so that our application will be reviewed,
as early as possible among the other hundreds of applications.

In the JAS web site we are able to that.
we are able to replace images,
edit our descriptions,
replace our booth image
and edit our artist statement,
after have we have applied and paid the application fee for a show.

We artists really need this flexibility.

I am sure that your experts can work on this feature
and keep our applications unlocked until the application's deadline.
It will allow us to submit better applications and to correct mistakes if those happen

I'll look Forward to your response.
Thank you
Nurit A. Vagner
Nurit & Mick Arts

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This is good news I have to share. Some times it seems like the art fair business and its opportunities are shrinking, art fairs aren't receiving their funding and some are being drastically scaled back or cancelled altogether. So it was a pleasure this week to read about two art fairs that appear to be thriving. Here is what Kelly Kindred from Houston's Bayou City Art Festival had to say: Our show was successful, (downtown Houston in October) although the weather didn’t quite cooperate on Sunday. A lot of artists still had great shows, and many reported record sales on Saturday. At least two that I can think of off the top of my head specifically emailed me to let me know that they beat their all time show records. Then she went on to say that they had "received record applications, up almost 30% from last year!" for their Spring event in Memorial Park. I guess the jig is up in Texas. Nothing like good word-of-mouth to bring in the applications. Another show that has a lower profile, but which I think is very nicely positioned to be a real honey, is Artisphere in Greenville, SC. Kerry Murphy, the organization's executive director, announced that they received a record number of visual artist applications for its 2010 festival scheduled for May 7-9. Greenville is an affluent high tech community with many well-educated residents. The arts community of Greenville has put good energy into this event for a number of years bringing in outside consultants for ideas, working on different dates and putting together a strong base of local support. This year they announced a "record 682 submissions. The number represents 97 more submissions than received for the 2009 festival and a nearly 250 percent increase since the inaugural Artisphere event in 2005." Learn more about Artisphere and this story at this link: www.greenvilleonline.com Here's sending good wishes to any Art Fair Insiders who are jurying for these art fairs. More good news from the fine art world. Every November SOFA blooms at Navy Pier in Chicago. Its sales are a bellwether for the art economy. "Opening Night gala on Nov. 5, with Festival Hall security estimating over 3200 - 3500 persons attending over the course of the evening. 31,000 persons visited the fair during its three day run, sponsored by Chubb Personal Insurance. Mark Lyman, Founder/ Director of SOFA fairs in Chicago, New York and Santa Fe says, "It was exciting to see the growing number of 'next generation' buyers on the show floor." He adds that many dealers reported not only new and younger clients, but also a palpable rise in buying confidence with a strong bounce-back in sales. "Collectors gave themselves permission to buy again--at all price levels." Read the 800 lb gorilla is gone!
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