Welcome to the Cooper studio, where we've predetermined to talk again about the summer art fair.
Aaaah, sunny days, the green grass of the park scattered with cute little white tents, happy artists selling their fine art....
Oh wait. How much of that line is fiction? Imaginary? Delusional? A sham?
I've spent quite a bit of research time lately on the topic of the "fine art fair". Some of them have a heck of a history.
Every time I looked up one of the grandaddy art fairs, and was able to find their mission statement, they all seemed to have something in common. Some examples for you to peruse:
---Wanting to create an event where local artists could showcase their work to the community, Womer established the first 57th Street Art Fair in 1948
---The Annual Edmonds Arts Festival began in 1957. The mission then as now, was to celebrate and promote the arts with a lively and pleasurable presentation of local and national work.
---It all began one hot Chicago summer in the early 80's when four neighborhood artists (Bob Smeltzer, Joe Kotzman, Tony Cachapero and Rodney Patterson) decided to have an art fair--a picnic in the park. Rodney suggested that it might be a good opportunity for local artists to show and share their work to each other and to their neighbors.
Did you catch the commonality? They are all working to showcase the art, to friends, neighbors, community. To "celebrate and promote the arts". So how did we get from that, to this:
---Art Fair has become both tired and tiresome. It's held in the absolute hottest part of the summer. The prices are ridiculous and most of the so-called art is schlock. How many times can you mill through the crowds viewing the same old fare every year?
--Taken from a news article about parking garage revenue during the AnnArbor Art Fair, but certainly not a unique thought amongst art fair patrons.
What jumps out at you from that comment? Maybe the SO-CALLED ART IS SCHLOCK?
Shortly before reading the comment, I read another--this one a discussion at ArtFairInsiders regarding (of course) lackluster art fair sales, and various artists comments about if they would be exhibiting at art fairs next year. One artist said even with poor sales, she was not quitting. She would "cobble together" something that would sell.
What happened to celebrating the arts? Showing our work to the community? If the purpose of an art fair is to showcase our work to the community, shouldn't we be showing our best?
(here comes the politically incorrect part) Are you an artist, or not? Are you being delusional in calling what you exhibit at an art fair ART? Ouch. I suggest if you are cobbling something together that you think will sell, adding to the patron impression that the "so-called art is schlock", then maybe it's time to re-think your game plan.
There's always a discussion out there somewhere about "what art is" and there are a bazillion different answers. I suggest that "schlock" is not one of them. I also suggest that if you are cobbling together something to coax a twenty dollar bill out of some art fair patron's pocket, that something is not art either. The summer art fair is not dead, but it has been seriously injured. Injured by artists who have put grabbing a buck, in front of creating their art. Yes, we all have to make a living, but we'll do it best by keeping our priorities straight. Art fairs were created to showcase and celebrate art, not schlock.
If you are an artist planning on exhibiting at an art fair next summer, I'm asking you to bring your art. Bring your BEST art.
Later, Cooper
Comments
Sadly, most so called art shows are filled with mostly "schlock." There are far too many "art shows" diluting what an art show or festival used to mean. And that contributes to us losing that portion of public that has the knowledge and money to support art. It's a downward spiral at present, accelerated by a brutal retail economy. Most show promoters- directors don't have the vision of what makes a great art show. Most are focused on simply bringing in money for their organization, or their private enterprise.
Their are a few still presenting exciting shows where artists can excel. Even a new one: Renaissance Fine Arts, Miss. where the primary focus is high quality art and bringing patrons to them. Hopefully there may be some more before the concept of high quality outdoor art shows become a memory.
So, can anyone tell me where I can sell my original paintings? Where can I find serious buyers of fine art these days? Aside from a gallery that would mark up another 60%, is there a better venue or a particular event where buyers would go? Isn't that what we all really want?
Alex
It's all relative--I question why so many on artfair insiders complain about buy/sell and mass produced, when technically that's what reproductions are. When it gets down to copying, does it really matter who prints it off and sells it?
And I sense the 'culture of cheap' is wearing out it's welcome at the art fair. The commentor from Ann Arbor reinforces that. I am also thinking he'd put fridge magnets in the schlock column, not the "stand out that much better" column.
I agree--"it's important to maintain the original intention that we are artists. Yes, keep it real."
I just participated in my first art festival this past weekend. I paint landscapes and abstracts on canvas with oils. From everything I heard the economy and all, I was stocked with digital prints to sell so I could actually make some sales. Yes I did, and all the sales were the prints. It's true that fair attendees are more apt to purchase something less expensive. So I guess my point is that if I bring my original paintings to these "art fairs" and I sell magnets and greeting cards of my images next to the booth of mass produced something or other, am I compromising to the level of "schlock"? Did I really sign up for this gypsy craft fair life style? Am I imagining that I'm living the life of a fine artist who decided to make her way in the world peddling her creative voice?
I supposed it's a matter of viewpoint and subject to my level of exhaustion and whether I had a good or bad day.
To sum up my feedback on your post, I feel it's important to maintain the original intention that we are artists. Yes, keep it real. If we happen to be thrown in with "schlock" maybe what we are presenting will stand out that much better. I'm okay for the moment with selling digital prints of my work because it's still my work. If the public can only afford a fridge magnet of my image, so be it for now.