Orchard Lake

We did the Orchard Lake too, a few things we were grateful for was that it was not 90+ degrees out because we were packed on the street with not much room between booths. The show was beautiful with many artist staying over from Ann Arbor, to bad there were not the buyers to began to support a show that size!
I overheard on a staff radio that there was trouble at the gate a patron did not want to "pay" the donation fee! It was then crossed off and made a admission fee, so what was it???and who was the beneficiary of the "donation" or "admission" monies?
Many sad, tired faces. Chris did ok there, really worked his mailing and won $100 ribbon. I barely made show fee.

Had a silk embroidery next to me, question, has anyone seen them actually demonstrate? A lot of organizing of thread but never saw any work done...I also read a lot on line about this ancient art form, with variations from country to country in the far east. It is a traditional female craft, I been at 2 shows this summer both had male exhibitors. I would rather have a mediocre artist next to me really doing the work than some craft you can buy on line...The public is already jaded on what they see, I am wary of many traditional and ethic crafts that are in juried art fairs.


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  • Here in New York Mr. Song had a painting of 0bama, someone else at Oseola Art show was escorted out by the police with the exact same painting. He personally told me he has been painting on the same painting "demonstrating" for 5 years. The folks getting over on the art show directors are good at it. The continuity in the booth is all over the place, and Sunday he has just canvases not stretched clapped in an additional display that is not there on Sat. for judging. It is bad enough he is in the shows, he wins awards, salt in the wound for the REAL artists. I hope the show directors are reading Art Fair Calendar to be more aware of these posts
  • It is pretty general knowledge that Hmong snakes etc are group efforts......but many "art" shows accept them to show ..... they know what they are doing....but do it anyway.....for political correctness reasons.....me......I think they need to amend their rules.....maybe create a new category for them or not allow them.......not a big issue......except when I hear about some other artist whose spot is given to them....
  • Many shows have a list of "crafts" that are not accepted for jury, like dried flowers, ceramics from commercial molds, dutch hex painting, glass painting ect. If these traditional-ethic crafts were not accepted, there would be no trouble looking for the importers. If exceptions are to be made, lets see the artist doing the work, you can take a shot on your cell phone, several I want to see the work as it progresses. Also I would like to see original designs, if you know your craft design your own work.
    The thing with the Hmong, they came to the USA during the Vietnam war as persecuted people, they work and live in small clans. The needlework they produced was a "group" effort and not made to look like there was one artist making the work.
  • I totally agree with you on that, Annette. The Asian arts are passed down through the generations and there are patterns that many learn. When I was in China last year I saw Chinese embroiderers at work, and I recognized some of the designs from our art fairs!

    Tracking down the importers is hard work...and I think you've come up with a good idea here. It would be useful for show organizers to see them at work. It shouldn't be too hard with the embroiderers, but the tile makers? I'm sure you remember the uproar around the Hmong people and their needlearts which appeared some years back -- all using traditional patterns, and the work is so similar -- imported or sewn by them?
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