Call for Artists, Making Money at Juried Art Fairs, Craft Shows and Festivals
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I was involved with organizing a local indie type show. We got volunteers from our members and from organizations that have volunteers (we used Pittsburgh Cares). Our show benefitted Parkinson's foundation. Our volunteers helped with load in and load out as well as booth sitting. Our booth sitters did exactly that - sat in the booth while someone got something to eat or used the rest room. They did not sell anything and did not handle any transactions. We decided it was better for them not to be involved with anyone's money. They would just say that so&so would be back in ____ minutes. Some artists liked that others thought they should sell for them. We were afraid of the liability.
I exhibit alone so really need booth sitters. It’s good that you will be providing them.
2 systems I have seen used: one where you sign up in advance for which time slots you want (can sign up at check-in or the morning of each day at the volunteer booth. ). A sign up sheet is made with time slots, and the artist writes down his/her name on the line and their booth number. The volunteer is given your booth number and heads straight for you at the appointed time. To make this work everyone has to be strictly limited to 20 minutes maximum, and the artists need to be told this when they sign up for a time. Some people run over and then the volunteers are running late. They usually make up some time on me because all I do is run to the bathroom. I bring my own food, as I don’t want to be stuck in a line and miss sales.
The second system is where you hang up a colored ribbon or piece of cloth, provided in the packet, at the front of your booth when you need relief. Volunteers are roving and stop in when they see the flag. Again artists must be reminded that they are limited to 20 minutes maximum. The problem with this system is sometimes the rovers miss the flag. They get sidetracked, are looking to the left of the row and not the right, etc. I have had more situations where I put it out the flag and did NOT get a sitter until an hour or more later with this system, than with the former one.
System one is good is best if you have a lot of volunteers. As an artist, it’s my ideal scenario. (I can plan when to drink coffee!) Someone also has to organize the list and tell each volunteer where to go. System two I have seen work with as few as 2 volunteers for a show of 75 artists.
At the risk of beating this into the ground: for any system the time limit is critical. Some will abuse it, so it must be mentioned at each relief stop. Last year at one show a boothsitter was relieving the photographer behind me. The guy stayed away for an hour. The poor volunteer didn’t know what to do. He thought maybe the artist had gotten sick. Meanwhile all of us around him were hopping up and down or crossing our legs waiting for our turn. When the photographer finally showed up all of his neighbors practically ganged up and attacked him. He'd been shooting the breeze with a friend. He made 6 enemies that day.
Hope this is helpful.
I exhibit alone so really need booth sitters. It’s good that you will be providing them.
2 systems I have seen used: one where you sign up in advance for which time slots you want (can sign up at check-in or the morning of each day at the volunteer booth. ). A sign up sheet is made with time slots, and the artist writes down his/her name on the line and their booth number. The volunteer is given your booth number and heads straight for you at the appointed time. To make this work everyone has to be strictly limited to 20 minutes maximum, and the artists need to be told this when they sign up for a time. Some people run over and then the volunteers are running late. They usually make up some time on me because all I do is run to the bathroom. I bring my own food, as I don’t want to be stuck in a line and miss sales.
The second system is where you hang up a colored ribbon or piece of cloth, provided in the packet, at the front of your booth when you need relief. Volunteers are roving and stop in when they see the flag. Again artists must be reminded that they are limited to 20 minutes maximum. The problem with this system is sometimes the rovers miss the flag. They get sidetracked, are looking to the left of the row and not the right, etc. I have had more situations where I put it out the flag and did NOT get a sitter until an hour or more later with this system, than with the former one.
System one is good is best if you have a lot of volunteers. As an artist, it’s my ideal scenario. (I can plan when to drink coffee!) Someone also has to organize the list and tell each volunteer where to go. System two I have seen work with as few as 2 volunteers for a show of 75 artists.
At the risk of beating this into the ground: for any system the time limit is critical. Some will abuse it, so it must be mentioned at each relief stop. Last year at one show a boothsitter was relieving the photographer behind me. The guy stayed away for an hour. The poor volunteer didn’t know what to do. He thought maybe the artist had gotten sick. Meanwhile all of us around him were hopping up and down or crossing our legs waiting for our turn. When the photographer finally showed up all of his neighbors practically ganged up and attacked him. He'd been shooting the breeze with a friend. He made 6 enemies that day.
Hope this is helpful.
Hi Sandi - This was a great solution provided by the Mount Dora show in FL. When you got your name badge at check in, a mailing label had been pasted onto the back. It had the cell phone number of some person from the art center who was coodinating volunteers. You called the number when you needed a break and then the volunteer would come immediately to your booth. The volunteers were well identified with festival shirts. I think a strict limit on the break time is needed so you don't get an exhibitor who goes off wandering which is really not fair to others waiting for a break.
You might also consider posting this question to the NAIA forum as we now have several art fair directors who are trying to contribute regularly to answer these types of questions.
HTH
-Holly
Both of my shows have volunteers who continuously make the rounds to relieve artists when they need a break. They are identified as volunteers with name tags. Volunteer booth sitters do not sell. They are there to protect the booth while the artist is gone. We use only mature adults, as we have found that high school and college students are too easily distracted by texting, phone calls or visits from friends. Time is limited to 15 minutes, long enough to take a bathroom break and stop to pick up a bite to eat. We have never had a problem, but I feel strongly that volunteers must be identified in some way. My volunteer tags are easily identifiable and would be very tough to copy.
As an artist, I appreciate having booth sitters. I would never ask them to sell. I just want someone to guard the booth and welcome guests while I'm away.
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