Blog

June 2 & 3
Deerfield, Illinois
Deerfield Festival of Fine Arts
Deerfield Road and Park Avenue
Presented by: Deerfield Fine Arts Commission & Village of Deerfield

Debbie Netter is proud to announce the 10th Anniversary of the Deerfield Fine Arts Festival.  Ms. Netter, President and founder of D & W, has 20+ years of organizing events and knows how to make it less stressful for everyone!

Held in town, busy city-like atmosphere
- Approximately 125 artists
- 10th year festival
- Median home price - $825,000

Top reasons to consider this show: (not in order of importance!)

1. Well run, organized and fun!
2. Attentive artist hospitality including booth sitters, hot and iced coffee both days, continental break fast both days, indoor restroom facilities, bottled water delivered to you frequently throughout the show, discounted hotel rates, overnight security
   
3. Booth fees for all shows remains at $300.00, and jury fee, $35.00. Larger booths and corners available for an additional fee
4. Wonderful attendance from a higher economic buying crowd
5. Advertising intrinsically placed to capture the high to middle economic crowd
6. Easy load in and out
7. Promoter who cares and will implement your suggestions
8. Apply easily on line through Entry Thingy
9. Smaller show means less artist competition
10. Juried and judged by industry professionals

What artists say about D & W Events, Inc.:

As a young child I always created art -preferring to paint and draw rather than  join my friends at the mall. I loved copying Cezanne, Van Gogh, and Matisse.

As a college student I studied art, design and painting.  As an adult I found, not only did I have a desire to make art professionally but also to teach people,  young and old,  how to express and explore their own creativity through art making.  I strive to insure the students understand there are no mistakes in art. And to recognize that what they perceived to be a 'mistake' could actually be far better than what they intended.

I taught my first art classes to some of my neighbors' children many years ago in my garage and have always wanted to do more of it. A couple years ago I made a proposal to a local preschool to teach a pilot art class once a week, and found that I still enjoyed teaching art, very much.Preschool Artwork Exploring Textures

It was another 3 years before I got up the courage to teach adults.

I had studied felt making for a number of years by now and believed I had something worthwhile to share with others who wanted to learn the craft. I have taken many classes around the country with many teachers. Some much better than others. In my teaching,  I wanted to incorporate what worked for me and eliminate that which was not helpful.

What made a successful class for me was based on several different factors. Did I learn what I signed up to learn? Was the instructor organized and their instructions clear? Was the class well paced?  Did the teacher understand my questions and answer clearly? Were they patient and take the time to explain something in a different way if I wasn't able to understand their explanation? Were there hand outs or reference materials I could take home? Were all the supplies there that were supposed to be ? Was the equipment in working order and were there enough supplies for everyone? Was the space pleasant to work in and did it function well?  Did the teacher have enough samples to show the class? These criteria are what I hold myself accountable to.

Surprisingly enough,  if I didn't have 'fun' at the time,  I didn't count that against the teacher.  I found that taking a week long workshop to learn a new skill can be quite stressful. Fun was a plus but not a requirement.

And this seems incongruent but, in the 5 hour class I teach at  Nice Threads Fiber Gallery and Studio in Black Mountain, North Carolina , called 'Designing a Nuno Scarf''  I do  want people to have fun as well as learn new new skills. So far,  the feedback I  have received has made me very happy. The comment made that I exceeded the students' expectations really made my day.

I was just in NYC for Thanksgiving, I was so excited because the ONE OF A KIND Show in NYC was supposed to be going on Nov 11-13 and Nov 17-20.This is a show  I had always wanted to see and this time it was finally going to  happen.  NOT!!!  

While at my sisters house in Riverdale NY I double checked the show information online. I   was somewhat surprised to find that the event was not posted consistently throughout the web. Some posts had both weekend dates listed and some posts only listed the November 11-13 date. There was no phone number readily available either but my sister and I  went to the address given.  GUESS WHAT ? NO SHOW! The doorman to the building said the show was canceled. It would have been nice for the sponsors of the show to post it was canceled.  What if I made a special trip to see it.  

In the meantime I remembered that the ACC show was also going on this weekend so we jumped in a cab and off we went. We were going to have our art show experience after all. 

 However and  I hate to say this , (because  I thought one day in  in the future I might want to try to jury in the NY show, since my sister lives there)  the show was not up to standard. My sister and I both felt half of the items displayed in the fair looked as if they could have been at a flea market.  What a disappointment! There were a few artists whose work was noteable, so I was glad to see that, but .... I certainly expected to see great things. It is NYC, after all.  

I asked one exhibitor if she knew what happened to the ONE OF A KIND SHOW, she answered that the booth fees were so high very few people could afford to do it. 
This post address the same subject as the higher booth fees article.  These promoters may just run themselves out of business if this keeps going on. 

I just want to say to Connie and all who particpate on this site that while I have disappeared for a month or two I am in love with this site all over again.  The content is great!  I love seeing booth shots and detailed reviews of art fairs.  The month of May was hectic - shows each weekend and no time to really catch up doing stock.  All the fairs were in Maryland and have to say Maryland is a good state to be in as my sales are better than last years totals.  

The "story" I have to share pertains to my dad.  I was lucky that I didn't have any fairs for June as my dad, who has been in poor health for 9 years took a turn for the worse - the month I didn't have fairs.  That month being June.  He passed away two weeks ago and just have to say that despite it being a hard thing to go through I am relieved he isn't suffering and didn't happen when in the middle of doing an art fair.  I was doing a great show - Wine in the Woods in Columbia, MD when I had the awful thought - what if I get "the call" in the middle of the fair".  I didn't but the thought scared me to death....  My dad was an avid photographer and taught me a lot about taking photographs, framing and appreciate art in general.  He, in return, was one of my biggest fans.  On that note, has anyone here had to deal with running a business on top of dealing with the death of a loved one?  Right now I am playing catch up as I do not have any fairs in July or August (but not ruling out August entirely) meanwhile helping my mom deal with, well paperwork and such.  I am guessing I should go by the old addage - Just do it - get the work done so it is out of the way and move on to more creative fun work.  So, does anyone have any stories or advice for me with regard to this topic?  My next show, the Maryland Seafood Festival,  is in early Sept. and going to be my biggest show ever which I think, providing the weather will be good, could be a great pay day for me.  My focus is taking the time now to get my ducks in a row so I can do a good job at that show.  Just an FYI in case people are wondering.   I hope all are having good shows and continue to have good shows.  I plan on checking in more often now.  :-)  - Michelle

P.S.  I now have a lot of his work, would it be a good idea to do a "private show" exhibiting his work?  Has anyone done anything like that before - like an open house, or showing at a library or something along that line?  I have only sold my items at art fairs, so this also is new territory 

This will be the third year for this show, run by promoter, Lynette Wallace. It is scheduled for the weekend after Houston's Bayou Downtown. Since I have friends in Georgetown that I could probably stay with, I am considering this show. The layout looks nice, in downtown Georgetown. Did anyone do this show the first two years? I would be interested in your feedback. Lynette has extensive experience as a show director, so I would think that she would probably do a good job promoting and in making it an artist friendly show.

Thanks!

Does any one have any info or opinions on Amy Amdur Shows. I know the Highland Park show, but wonder about some of the newer shows, like the one in Glenview at the old Navel Air Station, now a shopping center.

It's late and I'm tired but I wanted to get this out tonight!

Art in the Gardens (www.npbchamber.com/aitg) in located off PGA Boulevard in Palm Beach Gardens, Florida and took place on November20 and 21, 2010. The show is located ona road in the Midtown outdoor shopping center between the main buildings andcan’t be seen from the road. Midtownincludes a 500 seat theater, 300 room banquet hall, and 225 condo units. This project has been around forapproximately five years (reported from repeat offender artists), and is quiteempty – I’d say at least 50% has never been occupied.

I choose to make the three hour drive Saturday morning versus spending a second motel night and arrived 15 minutes prior to the show’sopening. And this is after a quick stopat McDonalds in Okeechobee, Florida for a morning sausage McMuffin and blackcoffee. The security guard was adamantthat even though I had my packet and parking pass that I could not drive in forsetup until I checked in. Check in wasquick and included another packet with show badges and my name on an 8 ½ by 11sheet of blue paper. She also went overthe artist amenities which included coffee, water, muffins, and fruit in themorning, and a sandwich and chips each afternoon. Very nice. They were set up in a vacant store front which included an indoorrestroom for artists. I drove right tomy booth and set up – piece of cake as most artists had set up Friday night –it doesn’t get any better than this.

I took a quick walk around the show prior to opening and the work quality was very nice. However,there was a lot of photography and jewelry. I’m pretty sure that I didn’t see any pottery and there was one othersculpture artist than myself. In oneblock, there were four photographers in a row with one across from them; I knowhow I’d feel if I were one of them. I’destimate there were about 100 artist booths and a few chamber of commercemember’s booths.

Saturday, Day 1, had a light crowd that did not appear to be buying from most artists around me. Isold four smaller items but nothing of any merit. One copper artist near me sold threereasonable size pieces but told me he had to discount one by 50% and another bya smaller percentage.

Sunday, Day 2, was worse for me but a few of my neighbors sold a few pieces. One photographer Ispoke with that lives ½ mile from the show said he’s been coming since the showstarted five years ago thinking that he was going to make some money and ithasn’t happened yet. Another I spokewith sold a few things but it was questionable that he’d make any money.

Tear down was a cluster. A few minutes before the show closed, vehicles started driving in fromtwo different directions. Fortunately, Iwas parked at the end of the road. Threecarts and 34 minutes later I was able to make my escape. There were a number of artists that weretrapped on the inside but everyone was polite.

Joe’s View

The best thing about this show was meeting two fellow AFI’s – Hi Rich and Sherry. This show is in anarea that has potential to draw a great art buying crowd. Unfortunately, it’s got a lot going againstit including: being in a near vacant shopping center with the booths hidden fromthe view of PGA Boulevard; no real signage from the road indicating a fine artshow is going on; and a very low turnout of potential art buyers. I do want to stress that the promoters dotreat the artists well. However, we dohave to make money and it’s going to take some changes if that’s going tohappen here.