The setting is downtown Chicago, amongst all the skyscrapers - a couple of blocks from navy pier. The show is set up on a granite paved park-like area in front of the Chicago Tribune Tower. Most booths had a small amount of space behind to store stock, a few were cramped. I was very lucky for a first time exhibitor with Howard Alan... I had 4 ft behind my booth, and my space was right at an intersection between two main traffic flows. I got a lot of attention.
The weather was relatively cooperative... it was dry during setup on Thursday... Rained for about 2-3 hours on Friday, and was sunny on both Saturday and Sunday.
I was very hopeful for this show since it is rated so highly and it draws a big crowd. Traffic was heavy... elbow to elbow and there was a high percentage of affluent individuals attending. One of the first in my booth to show interest turned out to be the local Chicago news anchor, which I only found out about after he had left, when another customer in my booth said "Do you know who that was?" in an awe-struck tone.
I sold very little at this show (only made half of my expenses), and learned a lot from it. These Chicago natives were a little more conversive than those in the suburbs, so I got to better understand what their thoughts were. My inferences from what they had mentioned was that they very much appreciated the skill and creativeness of my work, but I have to believe that my subject matter is not to their taste, since no significant sales were made. It wasn't easy to sit there for 3 days straight hearing ooohs and ahhhs from those entering the booth, but then walking out with nothing
I do wood marquetry (inlay) of nautical themed pictures. They average in the $500 to $1500 price range (see attached photos):


I'm guessing that the Chicago crowds like more contemporary and avant-garde type work, from the limited exposure I've had to them so far. There were a few big sales made that I saw, and a good amount of smaller bags being carried about. My estimation is that there were many who worked hard to make a slim profit, and a few that did well if they had the right type of work and a good mailing list.
This is obviously a top-notch show with good artwork and well-heeled patrons, but this economy has had a significant effect on profit levels.
I don't see myself ever going back to Chicago to sell... My work just doesn't seem to suit them. This show has incredible potential, though, for those with the right work at the right price.
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