Call for Artists, Making Money at Juried Art Fairs, Craft Shows and Festivals
I make jewelry in 2 media, PMC and Wire Wrap. Because of the difficulty of representing what I do in only 3 or 4 pictures for the jury, in the past I have taken pictures of 3 items, (such as 3 PMC pendants, or 3 wire-wrap bracelets), and have been fairly successful in getting into shows for the last 8 or so years. But I've never gotten into any of the big shows. This year I'm making a push to polish up my booth and booth picture, and I want to get better pictures made of my jewelry, too. I have learned, through AFI that my pictures should have continuity. So, now I'm debating whether I should send in pictures for jurying that are all wire wrap, or all PMC. Here are my questions for you all:
1. If I have more than one item in a picture (most of the applications just specify the number of pictures), does that tend to disqualify me?
2. If I submit only one type of jewelry to try to get the continuity thing going, then arrive at the show with jewelry in more than one medium, would that be cause to eliminate me from the show?
Any comments are welcome. Thanks in advance for taking the time to respond.
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Permalink Reply by Amy Furgiuele on September 28, 2011 at 5:08pm I've been told in the past that you should show one body of work... So, I'd pick which of the two media (wire wrap or PMC) that you feel is strongest and go with those images. Pick items that make the viewer go "wow!"... I've also been told that you should only have one item in each image, but if you're going to break that rule, again, make sure it makes the viewer go "WOW!". Usually this works best if it's a set, like a necklace and earrings over 3 pendants that all look similar... As to being able to have the other jewelry items there, again, I was told that as long as those items are clearly visible in your BOOTH shot, you should be ok. If the show were to question you, you can show them a copy of your booth image and point out that both bodies of work are visible.
I wish there were a way to flag Larry Berman in on this one... He's the one who stated the above rules and he's seen a billion and one artist's jury slides. Feel free to contact him directly for a critique. He's a peach!
Hope that helps!
Permalink Reply by Kathleen J. Clausen on September 28, 2011 at 5:10pm Thanks Amy, it does.

Permalink Reply by Larry Berman on September 28, 2011 at 6:07pm It's funny, as I too am going through a booth update and picture analysis to try and get in bigger shows. I have been doing pretty well for the past 10 years, but I felt I needed some more help. I decided to work with Larry Sanders for next years jury photos. (Recommended from Larry Berman). It's odd, but the early years when I took my own photos and had no clue what I was doing, I actually got into more shows! I took all of my photos of the jewelry lying on the hard sparkly snow in winter. Then, the next year I decided to have an actual jewelry photographer take them. Since those years, I have used two different photographers and I have yet to get into the shows that I did when I was a real beginner.
Anyway, Larry suggested to do only one grouping. For example, I do one necklace in a lot of different colors, so we are going to show three or four necklaces. I also do wire wrap and weaving and well, I am going to have four different techniques in my submission. But he feels I should not do a collage of wire wraps, just one stone.
Now as far as the booth, I am going to glam it out for the photo shoot next week, but I hear you saying I should have the jewelry that is on the jury shots showing in that booth shot. That is interesting, I have not done that in the past. Keep up the great ideas. Thanks, Suze
Permalink Reply by Ann Marie Crosmun on September 28, 2011 at 11:58pm
Permalink Reply by Kathleen J. Clausen on September 29, 2011 at 3:36am
Permalink Reply by Mary Shafer on September 29, 2011 at 4:11am
Permalink Reply by Michael Stephens on September 29, 2011 at 3:38am Folks, keep in mind that since Zapp has entered the picture your competition for the major shows has increased and the jury process has (from what I'm told) decreased the time for jurors to view your photos to about 8 to 10 seconds. In the jewelry category (because of the number of applicants) if you are not ranked into the top 5-15% of the applicants you don't get in. I apply to two to three shows for each weekend that I exhibit to assure acceptance into one of them. I have twice won awards at a major show in 2010 and not been accepted for 2011. It's a tough world out there.
I have several styles of jewelry from beaded work to found object work and have never experienced questions from onsite judges and I do 30+ shows a year.
Keep in mind that you are being judged on your photos of your jewelry and not on your jewelry.
Go to the show websites and look through the exhibitors work that got into the show where the information is available and get an idea of what is being accepted.
Permalink Reply by Kathleen J. Clausen on September 29, 2011 at 3:45am
Permalink Reply by Mary Shafer on October 3, 2011 at 6:29am Michael, don't you feel this is a problem,
"Keep in mind that you are being judged on your photos of your jewelry and not on your jewelry"
Why would they judge us on the photo, we are not entering the show as a photographer?

Permalink Reply by Larry Berman on October 3, 2011 at 7:20am
Permalink Reply by Michael Stephens on April 7, 2012 at 11:44am Mary,
I don't get on here very often because of the demand in making jewelry, so I am sorry that this reply is months old. Whether this is a problem or not, it is the nature of the business. Great photography that stands out and gets the juror's attention is the name of this competitive market. I have just shifted to a photographer in Dallas because I didn't think that my current photographer, though quite competant with the actual photo of the jewelry had that extra artistic touch. So,I am investing in $600 of new photos to present to those shows that I can't seem to penetrate.
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